Erica Synths Announces Availability of Sample Drum and Plasma Drive
|Latvia-based Erica Synths announces that its Sample Drum and Plasma Drive are now shipping and available for order. Sample Drum is 14HP eurorack sample player/sampler module with straight-forward, intuitive interface, functionality and great sound quality, designed with live performance use in mind. Meantime, Plasma Drive is the result of Erica Synths recent collaboration with Gamechanger Audio, another Latvia-based manufacturer that has captured the hearts and minds of music creators. Live Performance-Minded: Sample Drum |
The Sample Drum module is composed of two identical parts and allows you to play back, record and slice up samples or loops directly in your modular system. For processing, there are different play modes, tuning functions (including 1 V/Oct pitch tracking), virtual VCAs plus AD envelopes and realtime effects.Three freely assignable CV inputs per channel guarantee a lot of personal expression during performance. 16bit mono WAV samples are loaded into RAM (32MB / ~ 5 minutes of sampling time) from SD card (16 GB SD card with factory preset samples comes with the module) for instantaneous playback response. All settings can be saved and recalled during live performance.Achieve ‘Heavy Sounds’ with Plasma Drive
Similar to Gamechanger Audio’s Plasma Pedal, Erica Synths’ Plasma Drive provides you with a new and previously unexplored method of achieving signal clipping in 16HP. Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, the Plasma Drive boosts audio signal to 3000V and transforms it into a series of continuous high-voltage discharges in a xenon-filled tube. In essence – you are playing a lightning bolt of electricity, and the electrical discharges produced by your instrument are instantly converted back into an analogue audio signal — producing a quick, responsive, and extremely heavy distortion with tons of unique character. The eurorack module Plasma Drive brings sounds of the Plasma Pedal to the next level. As per eurorack standards, Erica Synths has added CV control over distortion level and dry/wet mix, as well as octave up and 1 and 2 octaves down tracking oscillators that add even more harmonics to the original signal. Tracking oscillators can be switched on/off manually or via trigger signals. The Plasma Drive module is powered via conventional eurorack PSU ribbon cable and the power consumption is around 150mA.
PLASMA DRIVE FEATURES:Unique distortion flavorCV control over distortion and dry/wet mixAssignable equalizer (pre- and post effect)1 octave up & 1 and 2 octaved down tracking oscillators
SAMPLE DRUM FEATURES:Sample playback with fast trigger responseVarious effects for real times ample processingSample recording functionalityManual and automatic sample slicingCue point loading from WAV files1V/Oct tracking3 assignable CV inputs per channelPreset memoryUser-friendly interfacePerformance mode16 GB SD card with factory preset samples included
ABOUT ERICA SYNTHS
Erica Synths team of visionaries, engineers and musicians have been working hard to bring you modules and instruments that will set your modular system apart from mass in terms of how it sounds, looks and functions. For more information please visit http://www.ericasynths.lvVideosErica Synths Sample Drum demo (part 1) Erica Synths Sample Drum demo (part 2) Erica Synths & Gamechanger Audio PLASMA DRIVE ImagesSample Drum Plasma Drive LinksMore information on Sample DrumPlasma Drive
I have had the Strymon Magneto for some time now and I decided to shoot a short video discussing some of my thoughts.
spoiler it is a very musical module. I really enjoy the hands on control. While admittedly I was concerned about the price point. Considering I recently had purchases a Rainmaker delay module which did not last in my rack. The Magneto was met with a bit of caution. I must say however I am left quite impressed. it is deceptively deep and quite controlled and full of “sweet spots”. The ability to reverse delays and freeze moments in time is great. Check out the video and let me know what you think.
for more info check out https://www.strymon.net/products/magneto/
VERMONA is proud to announce availability of the uniCYCLE voltage controlled oscillator — a six-waveform VCO (Voltage-Controlled Oscillator) module for the popular Eurorack small-format modular system with an outstanding feature set that is all set to help it stand out from the sound of the crowd (to partially paraphrase the early-Eighties British breakthrough hit from synth-pop pioneers The Human League, no strangers to Eurorack today themselves) — as of August 25…
Audio-oscillators are probably the most widespread modules found in Eurorack small-format modular systems today — hardly surprising since they are fundamental for generating synthetic sounds, both tonal as well as percussive. Oscillators, of course, are at the musical heart of VERMONA’s sought-after synthesizers, such as the flagship ’14 ANALOG SYNTHESIZER, so the company clearly knows how to design them. That said, instead of applying a ‘copy and paste’ procedure, it reworked many aspects, adapting its oscillator circuits to Eurorack small-format modular system usage. After all, what works well for closed systems might not necessarily be perfectly suited to modular systems. Such ‘due diligence’ displayed during research and development resulted in the uniCYCLE voltage controlled oscillator, a compact (10 HP-wide), high-performance, and stable oscillator offering all the common features that the discerning Eurorack small-format modular system user might easily expect… and, arguably, much more besides.
Besides classic sawtooth, triangle and square offerings, the uniCYCLE voltage controlled oscillator generates sine, even, and a special sawtooth with doubled frequency for a total of six waveform OUTPUTS. PWM (Pulse Width Modulation) is not only available for that square wave, but also even — a shape that only has even-numbered harmonics — can be transformed into a sine-like wave, while the doubled saw turns into half-pitched triangles. There are also six OUTPUTS, including LIN FM (Linear Frequency Modulation) and EXP FM (Exponential Frequency Modulation) as well as H – SYNC – S (hard and soft sync).
Saving space, one knob allows access to the uniCYCLE voltage controlled oscillator’s frequencies in three different modes. TUNE either controls the low frequency or audio range, respectively adding or subtracting exactly one octave. In this calibrated mode it provides a ‘dead-zone’ around its centre position, making it easy to access all three octaves without needing a centre-click.
Care was taken to make the uniCYCLE voltage controlled oscillator suitable for use in a musical context when VERMONA made its design decisions. Delivering superlative sound quality with rock-solid, stable tuning, the uniCYCLE voltage controlled oscillator obviously fulfils those all-important criteria, handling huge tuning ranges with the greatest of ease while strictly following the 1-volt-per-octave convention.
Clearly, then, the uniCYCLE voltage controlled oscillator makes a strong case for anyone to embrace Eurorack… and at least one such module should be in every Eurorack small-format modular casing!
Shipping now, the uniCYCLE voltage controlled oscillator is available to purchase through VERMONA’s growing global network ors (http://www.vermona.com/en/dealer/) with an RRP of €289.00 EUR (Europe) and $339.00 USD (USA).
For more in-depth information, please visit the dedicated uniCYCLE voltage controlled oscillator webpage here: http://www.vermona.com/en/products/modules/product/unicycle/
Audio Damage Shapes
This is a digital effect module that can take a sine wave and turn it into a wavetable, it can also be used as a complex distortion module. available now from most Eurorack Module dealers it retails around $289, get it direct from Audio Damage .
Shapes includes 16 smoothly interpolated wavetables as well as 9 lookup table algorithms
It is a true stereo module as well.
» The WAVE/ALGO knob and CV input control which wave or algorithm is active. In LOOKUP mode, the knob controls which of sixteen tables the input will scan. In ALGO mode, the knob controls which of nine algorithms will affect the input.
» The PARAM 1 knob is a variable function knob. In LOOKUP mode, it controls the width of the table scan, from about 15% of the table (at full anti-clockwise) to the entire table (at full clockwise.) In ALGO mode, its function varies, but it is usually Drive or Amount. (Basically “more.”)
» The PARAM 2 knob, in LOOKUP mode, controls the start position of the table. It can effectively be thought of as a phase control. In ALGO mode, its function varies, and it is not used in every algorithm.
» The MIX knob controls an equal power wet/dry mix. At full anti-clockwise, you only hear the input, and at full clockwise you only hear the effect.
» The MODE switch controls whether the module acts as a wavetable scanner or a waveshaper. In LOOKUP mode, the wavetables are active, while in ALGO mode, the algorithms are active.
» Shapes is true stereo; the left and right signals do not intermingle internally; thus you can, for instance, run a kick in the left channel and a snare in the right, and vary the effect by attenuating either channel before it enters the module.
» 48kHz 24 bit audio path with a high-quality Cirrus-Logic AD/DA convertor. 10Vpp CV control over all parameters.
» USB port (on the PCB board) for easy firmware updates.
» High-quality 100% Made In The USA construction, including panel-bolted 100,000-cycle BI potentiometers and custom stamped Rogan knobs.
» Power draw is 40ma from the +12V rail and 9ma from the -12V rail. This module has an on-board regulator and does not require +5V. Module depth is 25mm.
» Shapes, like all Audio Damage hardware products, includes our lifetime unconditional warranty.
The Audio Damage Kompressor is a digital true stereo compressor that can also work as a Mono with side chain input compressor. occupying only 6 hp, this compressor packs a big punch for its small size. RATIO is a scaled control. The first half of the rotation goes from 1:1 to 1:10, and from 12 o’clock to fully clockwise, it goes from 1:10 to 1:1000 (infinite). Gain can give you up to 30+db of additional gain along with a soft internal saturation emulating an analog circuit.
The Build quality feels very solid and the compression is really quite well controlled. I’ve been using it both as an final mix compressor and as a drum squashing beast as well.
Available now for only $289
I will have a in studio demo/ review video of this module up shortly as I have since built one of these modules for myself and am very impressed with it. in the mean time check out the synthrotek store and grab one of these very handy modules. Synthrotek ADSR in Store