The writeable Quantizer(WQ) is an interesting module in that while it can function like a traditional sequencer, it is anything but traditional. What sets the WQ apart is that this quantizer doesn’t come with preset 1/12v divided scales like most quantizers do. Instead the WQ allows users to store voltages into a user defined “scale” and then quantize incoming voltages to those stored voltages. You can use traditional scale values and write those voltages to a traditional scale but what is the fun in that? Continue reading →
Arturia has announced the release of its V collection update. This update is a major rewrite of both the GUI and engines of these seminal synths. Featuring all new Minimoog Filter modeling amongst the many improvements this years update is a truly inspiring collection.
Along with updates to the currently available collection of synths for v-collection4 , New synths join the fray! : Synclavier V, the B-3 V, the Stage-73 V, the Farfisa V, and Piano V, a complete suite of acoustic pianos.
The new GUI’s represent a hi-res depiction of each synth and function as the real instruments would. Continue reading →
These days there are a ton of options for the upcoming producer and selecting which tools you use can be daunting. Factors such as price range, hardware vs software, analog vs digital and workflow can all be major factors. Luckily for those in the know, there are some real deals to be had these days. This series will focus of finding production equipment deals, older gear that still holds a lot of useful abilities, and breathing new life into that gear. To help get the best bang for your production dollar, I have decided to grab a few of these pieces of gear and show how to revamp them, what to look out for, and how to use them in todays modern environment.
So lets start off with arguably the center of most production setups, the sequencer/drum sampler. I have chosen the MPC 1000 for a few reasons. 1) it is affordably priced and readily available. 2) with its compact flash slot, hard drive and USB connection, this MPC can easily connect to a modern studio set up with ease. 3) the MPC 1000 is to this day one of the most powerful portable samplers available.
At first glance these two synthesizers may not seem to share much in common… one being a budget synthesizer retailing for only $599, the other being a boutique flagship synth coming in at $1799 (for the desktop module).
But what these synths do have in common is actually rather intriguing. Both feature a complex set of oscillators capable of sonic territory that can run from smooth to gritty, from basic to intricate, and both can modulate their oscillators in interesting ways.
Both of these synths have incredible amounts of modulation sources and destinations which equate to having a truly powerful sound design engine to work with. Both are known as modulation powerhouses.
The build quality of these two surely take very different approaches but for now we will try to focus more on sound possibilities and how these two work in a sonic creation stand point. Of course the Metal and wood of the DSI product feels solid and clearly more expensive than the plastic of the Novation but the UN by no means has a cheap feeling key bed (in fact its one of my favorites) and features like touch capacitive knobs and high resolution knobs are a step toward a more professional product. Continue reading →
Dave Rossum is known as the founder of E-mu pioneer of synthesizers both analog and digital, Samplers, sequencers and has a long history of providing the music industry with technology that has repeatedly stood the test of time as “Classics”. Now returning to the music world with his new company “Rossum Electro-Music” Dave returns with a host of new Eurorack Modules. Join us as we discuss his legacy, His current crop of new modules, and the future.
Most people are aware of my affinity for finger drumming and live performance, so it shouldn’t come as a shock that I want to preform live unsequenced finger drumming with my Modular system. However when I began setting up patches to do this sort of thing I ran into a problem. I wanted to use 1 module for both open and closed hi hats, while triggering this single module from 2 gate sources without running into the issue of the closed hi hat opening up the decay envelope. ENTER LOGIC. In order to complete such a task I need to separate the closed hi hat trigger from the open hi hat trigger (while there is only one trigger input on the module). To do this I use the Animodule XXX_or . This module allows me to send two separate triggers to the same destination and other destinations without the risk of back feeding and having the closed hi hat trigger the decay envelope. Normally this back feeding wouldn’t be an issue if I was simply using a sequencer, but in a live performance real it is important that the open hi hat pad and the closed hi hat pad both trigger the sound independently. Take a look at the video below to see how I did it.