Synthesis technology E520 Hyperion stereo fx last chance for pre order!

Just writing this as a reminder that pre-orders end 3/15/2020 at midnight. this is the final weekend to grab the E520 on pre-order.
Why does this matter? Well you will save $20, but you will also be able to take delivery 4-8 weeks before dealers!
also if you grab the 4ms pod bundle you save there too.

here is the direct info.
https://www.synthtech.com/shop

E520 HYPERION STEREO AUDIO EFFECTS PROCESSOR PRE-ORDER ($629 USA SHIPPING, $659 FOREIGN)

This is a pre-order for people that missed the Kickstarter campaign, and will end on March 15, 2020.

The E520 Hyperion is a 48HP wide Euro stereo effects processor. Using a 480MHz ARM processor and 64MB of SDRAM, the E520 offers effects in both the time-domain (delays/chorus/flangers/frequency shifters) and the spectral/frequency-domain (chromatic pitch shifting, spectral ‘freezing’, and others). Each effect has 4 assignable CVs, feedback, wet/dry mixing and a Bypass.

Please read these terms and conditions CAREFULLY before placing your order.

  • The module will ship when the regular KickStarter modules have all shipped. This is ESTIMATED to be late July 2020
  • I will refund your money upon request ONLY BEFORE April 1st, and then only 50% because parts will been ordered which cannot be returned.
  • There are 4 selections below: silver USA or foreign ship, and black USA or foreign ship. The price will includes all PayPal fees and shipping.
  • USA orders, black or silver panel: $629
  • Foreign orders, black or silver panel: $659
  • If you use someone else’s PayPal account, this is OK as I will email you to verify the shipping address before I mail it. Just CHECK THE EMAIL on the PayPal form and edit if not up to date.

Please note: you will receive a single email, from the PayPal site, that your order is accepted. You will NOT receive anything from this site. You can always email if you are unsure.BUY: USA BLACK PANEL OPTION $629BUY: USA SILVER PANEL OPTION $629BUY: FOREIGN BLACK PANEL OPTION $659BUY: FOREIGN SILVER PANEL OPTION $659


E520 HYPERION STEREO AUDIO EFFECTS PROCESSOR & 4MS PODX 48HP BUNDLE PRE-ORDER ($749, SHIPS ANYWHERE)

This is a pre-order for people that missed the Kickstarter campaign, and will end on March 15, 2020.

This is a bunble of the E520 Hyperion and a 4ms PODx powered, 48HP desktop skiff.

Please read these terms and conditions CAREFULLY before placing your order.

  • The module will ship when the regular KickStarter modules have all shipped. This is ESTIMATED to be late July 2020
  • I will refund your money upon request ONLY BEFORE April 1st, and then only 50% because parts will been ordered which cannot be returned.
  • There are 2 selections below: silver or black front panel. The PODX is black only. The price will includes all PayPal fees and shipping.
  • All orders, black or silver panel: $749, ships worldwide
  • The AC power cord is NOT INCLUDED for orders outside the USA. It is a standard 3-prong IEC Type C5.

Please note: you will receive a single email, from the PayPal site, that your order is accepted. You will NOT receive anything from this site. You can always email if you are unsure.BUY: BLACK PANEL + PODX BUNDLE $749BUY: SILVER PANEL + PODX BUNDLE $749

Erica synths black stereo delay now shipping

Erica Synths Black Stereo Delay Now Shipping
New Black Stereo Delay is full of unique features and soundRiga, Latvia, June 13, 2019 — Tape and digital modes of delay, hold with overdub and delicate delay time and feedback control — in combination with CV and trigger control over various parameters — make the new Black Stereo Delay module from Erica Synths not only a great effects unit for your modular system, but also an instrument on it’s own.


Black Stereo Delay is a hi-fi stereo delay based on Erica Synths’ own custom DSP engine. It includes several different digital and ping-pong modes of delay, hold with overdub and feedback control and other features making it a versatile addition to almost any rack. Black Stereo Delay’s features include: Stereo delay with adjustable delay timeTape, digital and ping-pong delay modesTap and clock synchronization of delay timeReverse delay modeHold mode (samples up to 40” of audio) with Add (overdub) featureTrigger control over Hold, Add and ReverseCV control over delay time, dry/wet mix and feedbackFeedback path soft limiting compressionAdd to hold soft limiting compressionAdjustable stereo delay spreadFirmware update via audio bootloaderBlack Stereo Delay is available now and priced at € 310.00.  For more information, please visit the Erica Synths Black Stereo Delay product page
ABOUT ERICA SYNTHS
Erica Synths team of visionaries, engineers and musicians have been working hard to bring you modules and instruments that will set your modular system apart from mass in terms of how it sounds, looks and functions.

Strymon Magneto delay Thoughts and impressions

I have had the Strymon Magneto for some time now and I decided to shoot a short video discussing some of my thoughts.

spoiler it is a very musical module. I really enjoy the hands on control. While admittedly I was concerned about the price point. Considering I recently had purchases a Rainmaker delay module which did not last in my rack.  The Magneto was met with a bit of caution. I must say however I am left quite impressed. it is deceptively deep and quite controlled and full of “sweet spots”. The ability to reverse delays and freeze moments in time is great. Check out the video and let me know what you think.

for more info check out https://www.strymon.net/products/magneto/

Audio Damage freshens its line up with new plugins!

Audio Damage is Has released 3 new plug in VSTs available directly from their site. New versions of the Delay Plug in “Dubstation 2″, Reverb Plug in ” EOS 2 ” and the all new waveshaping distortion “Grind” are now available. 

EOS 2 consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and Audio Damage’s own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple.

Dubstation 2

From the Audio damage site:

The original dub delay plugin and still the best! Dubstation 2 takes our most popular product and adds a whole raft of new features, including a dual mode for separate control over the left and right delay times, ping-pong, a new feedback saturation algorithm, and an LFO. Along with an all-new procedural and Retina-friendly user interface and (FINALLY!) ProTools compatibility, this represents a major leap forward for one of our signature products.

All those bells and whistles aside, the heart of Dubstation is our painstaking bucket-brigade delay model. Often imitated, but never duplicated, Dubstation has been the go-to plugin for that sound for over a decade, used in thousands of commercial productions, and with good reason. With the addition of the LFO and saturation controls, Dubstation has moved in to the realm of tape delay emulation as well, and is a sonic Swiss Army knife for delay. 

Grind waveshape distortion

from the AD site:

A true powerhouse of audio warfare, Grind puts the “damage” in Audio Damage. From subtle tube-style saturation to full-on mangled wavetable distortion, Grind is a Swiss Army Knife of sound design.

Grind consists of three main blocks: wavetable lookup, in to algorithmic saturation/distortion/, and finally to a multi-mode filter. The wavetable module uses the amplitude of the incoming signal to replace the sample with one from 15 different linearly-interpolated wavetables, chosen for their mangling potential. Window size and phase controls provide further tone-shaping possibilities.

The next stop is the algorithm module, with eleven different distortion and saturation algorithms, from simple soft-knee saturation on up to full on sine warping.

After this, the signal passes through a multi-mode filter stage, with eleven different filter models to choose from, including “vintage digital” versions from the early days of plugin development, on up to our modern analog-modeled MS20-style lowpass and highpass synth filters. A tempo-synced LFO provides motion for the filter frequency, and a final stage of soft clipping and DC filtering tames the output.

Make no mistake: this is not a subtle, polite tool. With careful tuning of the provided presets, it can be tamed to normal filtering and saturation duties, but on the whole, it is a noisy, snorting beast of a plug-in, and is happiest with Full Metal audio destruction. 

OK enough with the AD copy. I have had some time with all three of these (I even created a group of presets for Dubstation 2). I can say these are a really nice step forward in the Audio Damage line up. The UI is really impoved on these (Grind and EOS2 have some killer front end graphics to help understand whats going on).

Grind really impressed me in its filter types as well as how the distortions can take a plain sound and add a ton of movement and character.  Similar to the Eurorack module Shapes also from Audio Damage, Grind lets you sequence lookup tables and waveshaping wavetables… very freaking cool.

tempo syncing the waveshaping and filter frequency changes is a joy.

Dubstation 2 is a very straight foward BBD sounding delay that will let you just easily get that dub delay you are after without a cluttered interface.

EOS 2 is just a joy to look at and hear. I’ve been using this to create gorgeous synth pads and basically create environments for my instruments to breathe in.

4ms Dual looping delay eurorack modular delay Namm 2016

The Dual Looping Delay (DLD) is an advanced audio processor for creative synthesis. Not a tape or analog emulation but a modern crystal-clear digital delay, the DLD combines features of delay, looping, and sample-tight synchronization for powerful and dynamic sound capture and modification. The DLD is designed to integrate seamlessly with modular timebase and sequencing devices such as the 4ms Quad Clock Distributor (QCD), etc.

 

 

 

Key Features:

  • Two independent delay/loop channels, synchronized to a common time base
  • Maximum 88 seconds per channel (almost 3 minutes total recording time)
  • 48kHz/16-bit sampling rate
  • Normaled connections of input and output for flexible use in mono, stereo, or dual mode
  • Tap tempo button and clock Ping input
  • Delay/loop time set as a number of musical beats (or fractions of beats) using the Time knob, switch, and CV jack
  • Sample-accurate clock output for perfect synchronization
  • Loop clock outputs for each channel
  • Time switches change range of Time knob from 1/8th notes up to 32 bars
  • Digital feedback, up to 110%
  • Delay Level control, independent of dry/wet signal mix
  • Infinite Hold mode disables recording input and fixes regeneration at exactly 100%
  • Reverse mode plays memory contents backwards
  • With an infinite loop locked, Time knob allows for “windowing” around memory
  • Triggered toggle inputs for Infinite Hold and Reverse
  • Send and Return on each channel for feedback with external modules
  • CV jacks to control Time, Level, and Feedback
  • As new features are developed, firmware can be updated by playing an audio file into the DLD
  • 20HP Eurorack module

Pittsburgh Modular makes modular effects pedals possible!

Pittsburgh Modular makes modular effects pedals dream come true at Musikmesse 2015
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PITTSBURGH, PA, USA: modern, fully-patchable, modular synthesizers and accessories manufacturer Pittsburgh Modular is proud to launch its Patch Box line of modular effects pedals — redefining both modular synthesis and the venerable stomp box by creating unique patchable effects units for guitarists and keyboardists — at Musikmesse 2015, January 15-18 in Frankfurt, Germany…

In a seismic shift in the definition of what a modular synthesizer can be, Pittsburgh Modular’s Patch Box redefines modular synthesis around the venerable stomp box by creating a monster performance device for guitarists and keyboardists alike — a patchable, modular system designed to handle anything. As a playground for unrestricted creativity, the Patch Box is a fully-patchable, customisable performance pedal enclosure. Its open architecture allows users to create unique effects unattainable with standard, fixed-signal path guitar effects. The Patch Box is not just another empty Eurorack case, however. Rather it can be packed to the gills with the functionality of (up to) five highly-tuned modules integrated into a heavy-duty steel enclosure that’s as road-ready as it is ready to use.
pittsburgh_modular_patch_box
To protect the tone of user instruments, thoughtfully the Patch Box features a true BYPASS and a unique preamp with extremely high headroom in addition to a pair of fully-buffered outputs. Custom-engineered soft-limiting circuitry built into the preamp adds character without unwanted noise at higher gain settings. Said preamp has dual, buffered outputs to allow for complex signal routing, but for patching a single modulation or audio source into two destinations, the patchable signal splitter is a perfect solution. Also known as a MULTIPLE, the signal splitter has one input and two outputs, allowing any signal to be routed to two destinations.
Dual, assignable expression pedal INPUTS allow the Patch Box to easily integrate third-party expression pedals anywhere into the signal path to allow for realtime foot control of any voltage-controllable parameter or split the signal from the foot controller to control two parameters at once. Dual, assignable A/B foot switches — SWITCH 1 and SWITCH 2 — expand signal routing options. Perfect for use as on/off switches or to flip between two signals, the foot switches can be patched up to enable/disable individual modules or route audio and control voltages. Try patching a modulation source, such as an LFO (Low Frequency Oscillator) or external expression pedal, through the foot switch to enable or disable the modulation while playing. Patch the outputs of two effects into one of the foot switches to bounce between effects. With two independent, patchable foot switches to play with, there are countless options for realtime signal routing. The last stage of the Patch Box signal path is a master OUTPUT level control. Adjust the output signal level to connect with a wide range of devices.