MODBAP MODULAR makes its debut with Per4mer live performance inspired effects for eurorack modular

Modbap Modular enters Eurorack market with powerful Per4mer quad performance effects module inauguration


LOS ANGELES, CA, USA: Eurorack modular synthesizers and instruments developer Modbap Modular by BeatPPL is proud to introduce Per4mer — perfectly portraying its inaugural offering as a 14HP quad performance effects Eurorack module inspired by beat-maker/DJ performance styles, and available to preorder — as of October 10…
The basic principle behind Per4mer is immediately apparent in its easy-to-follow front panel, packing a creative knockout punch in a compact (14HP) stereo effects-enabling Eurorack module form factor — feed in an audio input to then trigger on-the-fly effects, bringing DJ- style live improvisation to a modular environment. Effects can be triggered simultaneously or individually, where an inspiring effect palette combines to generate uniquely unconventional beats and melodies.
Per4mer puts a Doppler-style DELAY, lush REVERBGLITCH (beat repeat), and TAPE STOP effects easily at anyone’s fingertips for triggering via four dedicated translucent mini-arcade buttons — buttons that can be manually operated or triggered from the four external gate inputs. Each effect has a set of four effects parameters that can be controlled using the four (FX 1FX 2FX 3, and FX 4) rotary knobs or by the four CV (control voltage) inputs. COMP (compression) with SIDE CHAIN input and COLOR processing effects are also available, along with CLOCK input and TAP tempo options. Obviously, external side chain and clock can be connected to interface with other modular and electronic music gear.
Per4mer acts like a bridge between hip-hop and Eurorack.” So says Modbap Modular Designer and Founder Corry Banks. As a writer, emcee, producer, hip-hop artist (Phashara), and IT pro, he should surely know! “It packs in concepts familiar to lo-fi and beat-making circles, but it brings something fresh to Eurorack,” continues Corry Banks, before adding: “I think Per4mer will be a great entry point to modular synthesis for the modular-curious beat-maker — throw it into a small pod and use it like a standalone performance effects unit or rack it up with other modules to liven things up a bit.”
But best of all, Per4mer’s four performance effects — influencing its notable nomenclature, clearly — can be momentarily engaged or latched individually or simultaneously. Each effect has four tweak-able parameters associated with the four rotary knobs, duly designed for facilitating live improvisation with endless one-off, on-the-fly sounds and rhythmic dynamics. All audio inputs (INPUT L and INPUT R) are provided as mono connections, paired for stereo. Subsequently, Per4mer not only delivers a series of excellent effects and sound design possibilities, but it also allows the creative, classic, tried-and-tested techniques used by beat-makers and DJs to be applied to the wonderful world of Eurorack modular, especially enhanced by manual performance.
Digging deeper, the compressor allows for control over four compression (ThresholdRatioAttack, and Release) parameters via the four rotary knobs. Catering perfectly to those users craving the classic ducking sound of side chaining, the compressor also features selectable side chain detection that allows side chain activation via ‘sidechain input’, ‘audio input’, ‘clock input’, or ‘tap tempo’.
The COLOR processor features four color presets bringing texture and character to the signal path, pre effects — namely, Classic (12-bit), LoFi (8-bit), Saturation, and Wax (vinyl simulation). Such presets can be used in combination with the performance effects and compressor for a more characterful result. Reasons Corry Banks, eventually ending on a high note: “The COLOR processor is the special sauce built into Per4mer. It adds so much mojo and attitude. I lose time just enjoying processing audio through it and creating soundscapes to sample. Per4mer is a dope sound design tool as much as it is a dope performance effects module!” 

Per4mer is now available to preorder at a retail price of $399.00 USD directly from Modbap Modular’s online Shop (https://modbap.com/shop/) and expected to start shipping in November 2020.

For more in-depth information, please visit the dedicated Per4mer webpage here: http://www.modbap.com/product/per4mer/
See and hear Modbap Modular Designer and Founder Corry Banks introducing Per4mer here: https://youtu.be/UJFmw4qRMe8 

Audio Damage freshens its line up with new plugins!

Audio Damage is Has released 3 new plug in VSTs available directly from their site. New versions of the Delay Plug in “Dubstation 2″, Reverb Plug in ” EOS 2 ” and the all new waveshaping distortion “Grind” are now available. 

EOS 2 consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and Audio Damage’s own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple.

Dubstation 2

From the Audio damage site:

The original dub delay plugin and still the best! Dubstation 2 takes our most popular product and adds a whole raft of new features, including a dual mode for separate control over the left and right delay times, ping-pong, a new feedback saturation algorithm, and an LFO. Along with an all-new procedural and Retina-friendly user interface and (FINALLY!) ProTools compatibility, this represents a major leap forward for one of our signature products.

All those bells and whistles aside, the heart of Dubstation is our painstaking bucket-brigade delay model. Often imitated, but never duplicated, Dubstation has been the go-to plugin for that sound for over a decade, used in thousands of commercial productions, and with good reason. With the addition of the LFO and saturation controls, Dubstation has moved in to the realm of tape delay emulation as well, and is a sonic Swiss Army knife for delay. 

Grind waveshape distortion

from the AD site:

A true powerhouse of audio warfare, Grind puts the “damage” in Audio Damage. From subtle tube-style saturation to full-on mangled wavetable distortion, Grind is a Swiss Army Knife of sound design.

Grind consists of three main blocks: wavetable lookup, in to algorithmic saturation/distortion/, and finally to a multi-mode filter. The wavetable module uses the amplitude of the incoming signal to replace the sample with one from 15 different linearly-interpolated wavetables, chosen for their mangling potential. Window size and phase controls provide further tone-shaping possibilities.

The next stop is the algorithm module, with eleven different distortion and saturation algorithms, from simple soft-knee saturation on up to full on sine warping.

After this, the signal passes through a multi-mode filter stage, with eleven different filter models to choose from, including “vintage digital” versions from the early days of plugin development, on up to our modern analog-modeled MS20-style lowpass and highpass synth filters. A tempo-synced LFO provides motion for the filter frequency, and a final stage of soft clipping and DC filtering tames the output.

Make no mistake: this is not a subtle, polite tool. With careful tuning of the provided presets, it can be tamed to normal filtering and saturation duties, but on the whole, it is a noisy, snorting beast of a plug-in, and is happiest with Full Metal audio destruction. 

OK enough with the AD copy. I have had some time with all three of these (I even created a group of presets for Dubstation 2). I can say these are a really nice step forward in the Audio Damage line up. The UI is really impoved on these (Grind and EOS2 have some killer front end graphics to help understand whats going on).

Grind really impressed me in its filter types as well as how the distortions can take a plain sound and add a ton of movement and character.  Similar to the Eurorack module Shapes also from Audio Damage, Grind lets you sequence lookup tables and waveshaping wavetables… very freaking cool.

tempo syncing the waveshaping and filter frequency changes is a joy.

Dubstation 2 is a very straight foward BBD sounding delay that will let you just easily get that dub delay you are after without a cluttered interface.

EOS 2 is just a joy to look at and hear. I’ve been using this to create gorgeous synth pads and basically create environments for my instruments to breathe in.

Timeless 2 from FabFilter is an amazing delay plug in you just have to try


 

FabFilter’s Website

 

I have to say after using this plug in for a bit, it has really become my go to plug in. With it’s modular modulation set up and the ability to easily create interesting FX and saturation… it is really hard to beat.

Add it to your collection now for $144.00 usd