Tag Archives: delay

Erica Synths Black BBD analog Delay announced

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fully analog delay!
Erica Synths Introduces Black BBD Analog Delay ModuleFeaturing two bucket-brigade delay lines, users can create multi-tap delay effects and inspired time-based modulationRiga, Latvia, April 29, 2021 — Erica Synths has unveiled its new Black BBD Eurorack module, featuring two BBD (bucket brigade delay) lines — one short (1024 stage) and one long (4096 stage). Users can seamlessly sweep between both stages with the BBD Mode knob, while controlling other parameters including Time, Feedback, LFO Rate and more. The Black BBD is one of a kind analog delay module that inspires sound design in the studio or in live performance. Both BBD stages work simultaneously and you can smoothly fade between each BBD mode, creating distinct multi-tap effect. Furthermore, an advanced BBD clock noise cancellation circuit is implemented, and this reduces unwanted BBD noise without filtering higher frequencies of the audio signal. 

Most parameters on the Black BBD are voltage controlled, enabling users to integrate the module in more complex modular setups.  

 FEATURES:Full analogue designTwo BBD lines (1024 and 4096 stages)Smooth crossfade between BBD linesBuilt in LFOCV control over Time, Feedback and Dry/Wet mix 

The new Erica Synths BBD is available now for €260 at the Erica Synths shop and at authorized dealers. For more information visit the Erica Synths website.

Nembrini Audio sends shimmers down DAWs

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Nembrini Audio sends shimmers down DAWs with out-of-this-world soundscapes- and spaces-creating Shimmer Delay Ambient Machine plug-in 


PAVIA, ITALY: analogue saturation circuits digital reproduction specialist Nembrini Audio is proud to announce availability of Shimmer Delay Ambient Machine — sending shimmers down DAWs (Digital Audio Workstations) by combining reverb, pitch shifting, and feedback to create out-of-this-world soundscapes and spaces as a plug-in promoting getting lost in the creative production and electronic music facets of the ambient spectrum, drawing deeply from creative techniques developed by early-Eighties studio engineers — as of April 19…

Prominently popularised by British musician Brian Eno — effectively responsible for naming the genre itself with his 1978- released Ambient 1: Music For Airports album (comprising compositions created by layering tape loops of differing lengths, designed to be continuously looped as a sound installation with the intent of defusing the tense, anxious atmosphere of an airport), ambient music is typically thought of as a style of gentle, largely electronic instrumental music with no persistent beat, used to create or enhance a mood or atmosphere. No need (necessarily) to go anywhere near an airport terminal to work with Nembrini Audio’s self-styled ambient machine, although it is perfectly possible to achieve a truly ambient atmosphere almost anywhere since Shimmer Delay Ambient Machine is also available in an iOS-friendly form on the App Store (https://apps.apple.com/us/app/shimmer-delay-ambient-machine/id1559249944).
No need (necessarily) to work without beats when working with Shimmer Delay Ambient Machine. After all, the plug-in promotes getting lost in the creative production and electronic music facets of the ambient spectrum, drawing deeply from creative techniques developed by early-Eighties studio engineers. Equally adept at working with guitars, keyboards, synthesisers, and vocals, it combines reverb, pitch shifting, and feedback to create out-of-this-world soundscapes and spaces via an easy-to-use interface implemented as an equally easy-on-the-eye experience, emphasising user control and playability. Indeed, it is designed to be tweaked in real-time with no-nonsense controls clearly guiding the way with some self-explanatory sections acting as their helpful home — namely, IN (input level metering); SWELL (auto-volume swell commonly used with electric guitar, similar to the sound of a violin being bowed); DELAY (main delay); down OCTAVE (manages a down octave); SHIMMER (manages the shimmer effect); DRY/WET (manages the dry/wet signal blend); and OUT (output level metering). Moreover, all controls have a smoothed response to avoid clicks when changing settings or applying automation, while the highly-optimised main delay algorithm allows anyone to achieve huge delay sounds without straining their CPU (Central Processing Unit).
Ultimately, Shimmer Delay Ambient Machine more than lives up to its apt appellation — and all without straining the finances of anyone wishing to take a (purchasing) plunge into the creative production and electronic music facets of the ambient spectrum! 

Shimmer Delay Ambient Machine is available for purchase (as an iLok-protected AAX-, AU-, VST2-, and VST3-supporting plug-in for macOS 10.9 or newer and Windows 7 or newer) at an attractive introductory price of only $29.00 USD until May 3, 2021 — rising thereafter to a regular price of $79.00 USD — from its dedicated webpage (https://www.nembriniaudio.com/products/shimmer-delay-ambient-machine), which also includes more in-depth information.

Flexibility further abounds as Shimmer Delay Ambient Machine is also available in AuV3 format for iOS at an introductory price of $4.99 USD until May 3, 2021 — rising thereafter to a regular price of $8.99 USD — on the App Store from here: https://apps.apple.com/us/app/shimmer-delay-ambient-machine/id1559249944
Get lost in the creative production and electronic music facets of the ambient spectrum while watching Nembrini Audio’s mellow mood-setting Shimmer Delay Ambient Machine trailer video here: https://youtu.be/xZFMkeqAIeA

MODBAP MODULAR makes its debut with Per4mer live performance inspired effects for eurorack modular

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Modbap Modular enters Eurorack market with powerful Per4mer quad performance effects module inauguration


LOS ANGELES, CA, USA: Eurorack modular synthesizers and instruments developer Modbap Modular by BeatPPL is proud to introduce Per4mer — perfectly portraying its inaugural offering as a 14HP quad performance effects Eurorack module inspired by beat-maker/DJ performance styles, and available to preorder — as of October 10…
The basic principle behind Per4mer is immediately apparent in its easy-to-follow front panel, packing a creative knockout punch in a compact (14HP) stereo effects-enabling Eurorack module form factor — feed in an audio input to then trigger on-the-fly effects, bringing DJ- style live improvisation to a modular environment. Effects can be triggered simultaneously or individually, where an inspiring effect palette combines to generate uniquely unconventional beats and melodies.
Per4mer puts a Doppler-style DELAY, lush REVERB, GLITCH (beat repeat), and TAPE STOP effects easily at anyone’s fingertips for triggering via four dedicated translucent mini-arcade buttons — buttons that can be manually operated or triggered from the four external gate inputs. Each effect has a set of four effects parameters that can be controlled using the four (FX 1, FX 2, FX 3, and FX 4) rotary knobs or by the four CV (control voltage) inputs. COMP (compression) with SIDE CHAIN input and COLOR processing effects are also available, along with CLOCK input and TAP tempo options. Obviously, external side chain and clock can be connected to interface with other modular and electronic music gear.
“Per4mer acts like a bridge between hip-hop and Eurorack.” So says Modbap Modular Designer and Founder Corry Banks. As a writer, emcee, producer, hip-hop artist (Phashara), and IT pro, he should surely know! “It packs in concepts familiar to lo-fi and beat-making circles, but it brings something fresh to Eurorack,” continues Corry Banks, before adding: “I think Per4mer will be a great entry point to modular synthesis for the modular-curious beat-maker — throw it into a small pod and use it like a standalone performance effects unit or rack it up with other modules to liven things up a bit.”
But best of all, Per4mer’s four performance effects — influencing its notable nomenclature, clearly — can be momentarily engaged or latched individually or simultaneously. Each effect has four tweak-able parameters associated with the four rotary knobs, duly designed for facilitating live improvisation with endless one-off, on-the-fly sounds and rhythmic dynamics. All audio inputs (INPUT L and INPUT R) are provided as mono connections, paired for stereo. Subsequently, Per4mer not only delivers a series of excellent effects and sound design possibilities, but it also allows the creative, classic, tried-and-tested techniques used by beat-makers and DJs to be applied to the wonderful world of Eurorack modular, especially enhanced by manual performance.
Digging deeper, the compressor allows for control over four compression (Threshold, Ratio, Attack, and Release) parameters via the four rotary knobs. Catering perfectly to those users craving the classic ducking sound of side chaining, the compressor also features selectable side chain detection that allows side chain activation via ‘sidechain input’, ‘audio input’, ‘clock input’, or ‘tap tempo’.
The COLOR processor features four color presets bringing texture and character to the signal path, pre effects — namely, Classic (12-bit), LoFi (8-bit), Saturation, and Wax (vinyl simulation). Such presets can be used in combination with the performance effects and compressor for a more characterful result. Reasons Corry Banks, eventually ending on a high note: “The COLOR processor is the special sauce built into Per4mer. It adds so much mojo and attitude. I lose time just enjoying processing audio through it and creating soundscapes to sample. Per4mer is a dope sound design tool as much as it is a dope performance effects module!” 

Per4mer is now available to preorder at a retail price of $399.00 USD directly from Modbap Modular’s online Shop (https://modbap.com/shop/) and expected to start shipping in November 2020.

For more in-depth information, please visit the dedicated Per4mer webpage here: https://www.modbap.com/product/per4mer/
See and hear Modbap Modular Designer and Founder Corry Banks introducing Per4mer here: https://youtu.be/UJFmw4qRMe8 

Synthesis technology E520 Hyperion stereo fx last chance for pre order!

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Just writing this as a reminder that pre-orders end 3/15/2020 at midnight. this is the final weekend to grab the E520 on pre-order.
Why does this matter? Well you will save $20, but you will also be able to take delivery 4-8 weeks before dealers!
also if you grab the 4ms pod bundle you save there too.

here is the direct info.
https://www.synthtech.com/shop

E520 HYPERION STEREO AUDIO EFFECTS PROCESSOR PRE-ORDER ($629 USA SHIPPING, $659 FOREIGN)

This is a pre-order for people that missed the Kickstarter campaign, and will end on March 15, 2020.

The E520 Hyperion is a 48HP wide Euro stereo effects processor. Using a 480MHz ARM processor and 64MB of SDRAM, the E520 offers effects in both the time-domain (delays/chorus/flangers/frequency shifters) and the spectral/frequency-domain (chromatic pitch shifting, spectral ‘freezing’, and others). Each effect has 4 assignable CVs, feedback, wet/dry mixing and a Bypass.

Please read these terms and conditions CAREFULLY before placing your order.

  • The module will ship when the regular KickStarter modules have all shipped. This is ESTIMATED to be late July 2020
  • I will refund your money upon request ONLY BEFORE April 1st, and then only 50% because parts will been ordered which cannot be returned.
  • There are 4 selections below: silver USA or foreign ship, and black USA or foreign ship. The price will includes all PayPal fees and shipping.
  • USA orders, black or silver panel: $629
  • Foreign orders, black or silver panel: $659
  • If you use someone else’s PayPal account, this is OK as I will email you to verify the shipping address before I mail it. Just CHECK THE EMAIL on the PayPal form and edit if not up to date.

Please note: you will receive a single email, from the PayPal site, that your order is accepted. You will NOT receive anything from this site. You can always email if you are unsure.BUY: USA BLACK PANEL OPTION $629BUY: USA SILVER PANEL OPTION $629BUY: FOREIGN BLACK PANEL OPTION $659BUY: FOREIGN SILVER PANEL OPTION $659

E520 HYPERION STEREO AUDIO EFFECTS PROCESSOR & 4MS PODX 48HP BUNDLE PRE-ORDER ($749, SHIPS ANYWHERE)

This is a pre-order for people that missed the Kickstarter campaign, and will end on March 15, 2020.

This is a bunble of the E520 Hyperion and a 4ms PODx powered, 48HP desktop skiff.

Please read these terms and conditions CAREFULLY before placing your order.

  • The module will ship when the regular KickStarter modules have all shipped. This is ESTIMATED to be late July 2020
  • I will refund your money upon request ONLY BEFORE April 1st, and then only 50% because parts will been ordered which cannot be returned.
  • There are 2 selections below: silver or black front panel. The PODX is black only. The price will includes all PayPal fees and shipping.
  • All orders, black or silver panel: $749, ships worldwide
  • The AC power cord is NOT INCLUDED for orders outside the USA. It is a standard 3-prong IEC Type C5.

Please note: you will receive a single email, from the PayPal site, that your order is accepted. You will NOT receive anything from this site. You can always email if you are unsure.BUY: BLACK PANEL + PODX BUNDLE $749BUY: SILVER PANEL + PODX BUNDLE $749

Erica synths black stereo delay now shipping

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Erica Synths Black Stereo Delay Now Shipping
New Black Stereo Delay is full of unique features and soundRiga, Latvia, June 13, 2019 — Tape and digital modes of delay, hold with overdub and delicate delay time and feedback control — in combination with CV and trigger control over various parameters — make the new Black Stereo Delay module from Erica Synths not only a great effects unit for your modular system, but also an instrument on it’s own.


Black Stereo Delay is a hi-fi stereo delay based on Erica Synths’ own custom DSP engine. It includes several different digital and ping-pong modes of delay, hold with overdub and feedback control and other features making it a versatile addition to almost any rack. Black Stereo Delay’s features include: Stereo delay with adjustable delay timeTape, digital and ping-pong delay modesTap and clock synchronization of delay timeReverse delay modeHold mode (samples up to 40” of audio) with Add (overdub) featureTrigger control over Hold, Add and ReverseCV control over delay time, dry/wet mix and feedbackFeedback path soft limiting compressionAdd to hold soft limiting compressionAdjustable stereo delay spreadFirmware update via audio bootloaderBlack Stereo Delay is available now and priced at € 310.00.  For more information, please visit the Erica Synths Black Stereo Delay product page. 
ABOUT ERICA SYNTHS
Erica Synths team of visionaries, engineers and musicians have been working hard to bring you modules and instruments that will set your modular system apart from mass in terms of how it sounds, looks and functions.

Strymon Magneto delay Thoughts and impressions

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I have had the Strymon Magneto for some time now and I decided to shoot a short video discussing some of my thoughts.

spoiler it is a very musical module. I really enjoy the hands on control. While admittedly I was concerned about the price point. Considering I recently had purchases a Rainmaker delay module which did not last in my rack.  The Magneto was met with a bit of caution. I must say however I am left quite impressed. it is deceptively deep and quite controlled and full of “sweet spots”. The ability to reverse delays and freeze moments in time is great. Check out the video and let me know what you think.

for more info check out https://www.strymon.net/products/magneto/

Audio Damage freshens its line up with new plugins!

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Audio Damage is Has released 3 new plug in VSTs available directly from their site. New versions of the Delay Plug in “Dubstation 2″, Reverb Plug in ” EOS 2 ” and the all new waveshaping distortion “Grind” are now available. 

EOS 2 consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and Audio Damage’s own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple.

Dubstation 2

From the Audio damage site:

The original dub delay plugin and still the best! Dubstation 2 takes our most popular product and adds a whole raft of new features, including a dual mode for separate control over the left and right delay times, ping-pong, a new feedback saturation algorithm, and an LFO. Along with an all-new procedural and Retina-friendly user interface and (FINALLY!) ProTools compatibility, this represents a major leap forward for one of our signature products.

All those bells and whistles aside, the heart of Dubstation is our painstaking bucket-brigade delay model. Often imitated, but never duplicated, Dubstation has been the go-to plugin for that sound for over a decade, used in thousands of commercial productions, and with good reason. With the addition of the LFO and saturation controls, Dubstation has moved in to the realm of tape delay emulation as well, and is a sonic Swiss Army knife for delay. 

Grind waveshape distortion

from the AD site:

A true powerhouse of audio warfare, Grind puts the “damage” in Audio Damage. From subtle tube-style saturation to full-on mangled wavetable distortion, Grind is a Swiss Army Knife of sound design.

Grind consists of three main blocks: wavetable lookup, in to algorithmic saturation/distortion/, and finally to a multi-mode filter. The wavetable module uses the amplitude of the incoming signal to replace the sample with one from 15 different linearly-interpolated wavetables, chosen for their mangling potential. Window size and phase controls provide further tone-shaping possibilities.

The next stop is the algorithm module, with eleven different distortion and saturation algorithms, from simple soft-knee saturation on up to full on sine warping.

After this, the signal passes through a multi-mode filter stage, with eleven different filter models to choose from, including “vintage digital” versions from the early days of plugin development, on up to our modern analog-modeled MS20-style lowpass and highpass synth filters. A tempo-synced LFO provides motion for the filter frequency, and a final stage of soft clipping and DC filtering tames the output.

Make no mistake: this is not a subtle, polite tool. With careful tuning of the provided presets, it can be tamed to normal filtering and saturation duties, but on the whole, it is a noisy, snorting beast of a plug-in, and is happiest with Full Metal audio destruction. 

OK enough with the AD copy. I have had some time with all three of these (I even created a group of presets for Dubstation 2). I can say these are a really nice step forward in the Audio Damage line up. The UI is really impoved on these (Grind and EOS2 have some killer front end graphics to help understand whats going on).

Grind really impressed me in its filter types as well as how the distortions can take a plain sound and add a ton of movement and character.  Similar to the Eurorack module Shapes also from Audio Damage, Grind lets you sequence lookup tables and waveshaping wavetables… very freaking cool.

tempo syncing the waveshaping and filter frequency changes is a joy.

Dubstation 2 is a very straight foward BBD sounding delay that will let you just easily get that dub delay you are after without a cluttered interface.

EOS 2 is just a joy to look at and hear. I’ve been using this to create gorgeous synth pads and basically create environments for my instruments to breathe in.