Arturia announces ‘Brutal Offer’ on markdown MiniBrute monosynth masterpiece
“I’m impressed by how different this synth sounds from anything else I have heard. It’s fun to play and doesn’t need much processing to stand out in a busy mix. This is definitely a new classic. Bravo Arturia!”
– Stefano Ritteri (DJ and producer, 2015)
GRENOBLE, FRANCE: music software and hardware developer and manufacturer Arturia is proud to celebrate the now-classic status of its super-successful MiniBrute Analog Synthesizer — an amazingly compact and bijou analogue monosynth (boasting MIDI, USB, and CV connectivity, together with a host of unique features) — with an appropriately-baptized ‘Brutal Offer’ offering an unmissable and unbeatable €150.00 EUR/$150.00 USD discount in a time-limited promotional pricing campaign starting on May 4…
Mere months after being unleashed on an unsuspecting synth world back in 2012, Arturia’s amazingly compact and bijou MiniBrute Analog Synthesizer successfully took said synth world by storm, rapidly reseting the price/performance benchmark to seriously soar through the subtractive synthesis sound barrier. Benchmarking what an analogue monosynth could (and should) be in the modern musical age, awards aplenty and sales success soon came calling as MiniBrute rapidly established itself as Arturia’s hardware calling card, helping heat up competition in the productive process as rival manufacturers followed the trendsetting company’s lead. Low and behold, another analogue renaissance was soon in full flow. Only this time it was time for new designs to take the lead over vintage synths. Continue reading →
British ‘boutique’ analogue synthesiser and accessory designer/manufacturer Analogue Solutions is proud to announce availability of its all-new Nyborg-12 — an Oberheim SEM-style 2-Pole 12dB/Octave MULTIMODE FILTER-equipped standalone monophonic synthesiser module with real analogue voice and modulation circuitry
An analogue renaissance has ensured that the one-time state-of-the-art sounds of analogue synthesisers have long since become highly sought after again. Why? Well, many musicians realised that the convoluted menu-driven access systems deployed on many ‘modern-day’ digital synthesisers with weaker sounds bathed in built-in effects are no substitute for the hands-on immediacy of having access to a control per function at hand when it comes to speedy sculpting of ear-opening and often powerful electronic sounds suited to a variety of musical genres. With more mainstream recording artists and producers than ever now relying on custom sounds as a result of this rising and renewed interest in analogue (subtractive) synthesis, is it any wonder, then, that yesteryear’s often wonderful-sounding (though not necessarily reliable) analogue classics are rapidly rising in value, pushing them out of reach of many musicians of more meagre means? Meeting this demand head on, more analogue synthesisers than ever before are available today from manufacturers both bigger and smaller. Into this healthy and highly-competitive climate comes Analogue Solutions’ latest analogue offering, the Nyborg-12 SEM synthesiser — so-called on account of its 2-Pole 12dB/Octave MULTIMODE FILTER, the same flexible filter with LP (lowpass), BP (bandpass), HP (high pass), and NOTCH settings that is used on Analogue Solutions’ own Telemark SEM semi-modular synthesiser, similar (though not identical) to Tom Oberheim’s original 1974-vintage SEM (Synthesizer Expander Module®), much sought after itself.