BIG Freq plug-in available from empirical labs

Empirical Labs announces availability of its BIG FrEQTMplug-inpartially extrapolated from its Lil FrEQ hardware


LAKE HIAWATHA, NJ, USA: having hitherto made available an earlier version for prerelease, professional audio signal processing equipment designer and manufacturer/plug-ins producer Empirical Labs Inc. (ELI) is proud to announce availability of BIG FrEQ 1.0 — the full release version of its first EQ plug-in, partially extrapolated from its much-loved Lil FreQ hardware EQ (that takes a somewhat unusual approach to the task at hand by combining most of the sound-sculpting tools an engineer needs into a compact single rack space box), but expanded upon in terms of available sections and features — as of October 14…
With no fewer than 12 powerful sections of processing to its appropriate appellation, BIG FrEQ should single-handedly handle all tonal and spectral-shaping needs for single tracks, as well as busses, including use as a versatile mastering tool. As always, ELI itself strives to bring new functionality and creative twists to plug-in EQs with its first such release, having labored long and hard over making it easy to learn and plain fun to use.
But best of all, BIG FrEQ is immensely useful, obviously, offering the ability to create modern ‘flat-top’ EQ curves with an analog workflow and added controls for more tone-shaping possibilities than a typical EQ plug-in. Put it this way: each of the six parametric bands has an additional SLOPE control that allows for flattening out the EQ shape and grabbing more frequencies equally, while switching on the focus (F) function lets users fine tune frequency adjustment — centring the selected frequency and reducing the range of the FREQ (frequency) knob — to hear exactly what frequencies are being affected with the simultaneously switchable solo (S) buttons available on each parametric band. Elsewhere, each parametric section’s GAIN knob can be expanded from ±15dB to ±30dB with the range (R) button, while parametric section settings can uniquely be copied and pasted from one to another for quickly moving and duplicating bands, facilitating faster operation. On top of that, the unique FINISHER section adds warmth to any track with organic saturation and provides for up to 8x oversampling (tested up to 768 kHz operation).
Other features are also well worth highlighting: Hi Pass and Lo Pass filters with adjustable and selectable filter orders from 6dB to 96dB (per octave); Lo Shelf — smooth bass boost or cut, centered around 120 Hz — and complimentary Hi Shelf controls; WIDTH slider — controls bandwidth or, inversely, Q; and master PHASE switch — inverts the phase of the audio.
Additionally, a modern spectral display shows cumulative EQ shape as well as colored individual bands, while the built-in preset management system (with proprietary preset format for cross-DAW preset access), smooth automation of all parameters, available direct entry for all parameters (by double-clicking on any parameter to type in a value), un-linkable stereo version for dual mono operation, and an ability to bypass any section (to monitor changes and free up processing) rounds out BIG FrEQ’s fattened features.
Following in the footsteps of ArouserTM— ELI’s first foray into the software arena as the only Distressor-derived compressor plug-in, produced by the creators of the award-winning hardware Distressor itself, BIG FrEQ is another fine example of how the professional audio signal processing equipment designer and manufacturer/plug-ins producer brings the quality of its hardware to its software products and continues to offer things that cannot be done in the hardware realm to in-the-box mixing. Making room in any plug-in collection for BIG FrEQ is to see and hear what it can do when single-handedly handling all tonal and spectral shaping needs for single tracks, as well as busses, including use as a versatile mastering tool. 

BIG FrEQ is available for purchase as an AAX-, AU-, and VST3-supporting 64-bit effect plug-in for macOS (10.7 or higher) and AAX- and VST3-supporting 64-bit effect plug-in for Windows (7 or higher) for a time-limited introductory promo price of $129.00 USD for the first 30 days — rising thereafter to an MSRP (Manufacturer’s Suggested Retail Price) of $149.00 USD — directly from ELI’s online Shop here: https://store.empiricallabs.com/big-freq-p/bf1-rtl.htm

A fully-functional, 15-day trial of BIG FrEQ is available to download from here: http://www.empiricallabs.com/downloads/
An iLok 2 or iLok 3 USB dongle is required for activating both the demo and full versions of BIG FrEQ.
For more in-depth information, please visit ELI’s dedicated 
BIG FrEQ webpage here: http://www.empiricallabs.com/big-freq/ 

New virtual console plug in Brainworx bx_console G released

Press release:

Brainworx hits home run replicating renowned British console sound with bx_console G plugin

 

“Growing up in the industry on both E and G Series consoles, I was eager to take the new Brainworx bx_console G for a spin. Having used other companies’ emulations of the same console, I am incredibly happy and impressed with Brainworx’s attention to detail — the channel strip compressor finally has the proper ‘snap’ I’ve been missing from the real console, and all the added features are fantastic… another home run!”

– Marc Nelson, GRAMMY®-nominated music producer/mix engineer (Fleetwood Mac, Jason Mraz, Colbie Caillat), 2017

 

LEVERKUSEN, GERMANY: industry-leading pro audio plugins developer Brainworx is proud to announce availability of bx_console G — an accurate channel strip model of the renowned British G Series large-format mixing console, including both ‘Pink’ and ‘Orange’ EQ revisions, and featuring 72 distinct channels that use Brainworx’s TMT (Tolerance Modelling Technology) for the most realistic analog experience in the box — as of September 6…

Hot on the heels of Brainworx’s acclaimed bx_console E — their trailblazing flagship plugin that pairs a 72-channel emulation of the high-end, hit-making British E Series console complete with comprehensive COMPRESS (compressor/limiter), full-featured EXPAND (expander/gate), powerful four-band parametric EQ, and wide-ranging (high pass and low pass) FILTERS, together with incredibly flexible signal routing (just like the original console), and much more besides — comes bx_console G, growing the company’s collection of TMT channel strip plugins.

Powerful yet different, those true-to-life E Series- and G Series-modeling plugins are distinguished by their respective filter sections — both ‘Pink’ and ‘Orange’ revisions — that deliver a totally contrasting character when treating frequencies. The G is largely known for its more mellow character while the E is more aggressive, but both G Series filters feature proportional-Q behaviour, allowing for more precise gain adjustments while leaving the surrounding frequencies intact. The ‘Pink’ revision also allows the HMF and LMF (midrange) bands to be multiplied (x3) and divided (/3) by a factor of three to allow for an extra-wide range of tone-shaping capabilities. The G Series VCA (Voltage-Controlled Amplifier) also has a lower THD (Total Harmonic Distortion), making it a cleaner compressor option as well.

When designing bx_console G, Brainworx Owner Dirk Ulrich — an acclaimed producer/engineer in his own right — and his award-winning development team tossed tons of useful extras not found on the original hardware into an already exciting-sounding mix. Mods include: continuously-variable THD control (adds saturation); secondary release time (REL2) compressor control (prevents pumping); dry/wet (MIX) compressor control; mid (Solo M) and side (Solo S) channel monitoring; and virtual noise floor (V GAIN) control.

Channel strip plugins typically only model one channel of a mixer. Applying that same cloned channel across all tracks in a mix — even using different control settings — makes for a flat, narrow, two-dimensional digital sound. But bx_console G avoids this, thanks to TMT taking into account the real-world variation between channels of a hardware console, which lends itself to the complexity and nuance that analog hardware imparts on mixes. Meanwhile, bx_console G’s gorgeous GUI (Graphical User Interface) and acutely low CPU (Central Processing Unit) load lets users instantly recall up to 72 slightly different-sounding channels across all plugin instances on their tracks to create that mixed-on-a-large-format-analog-console sound so sorely missed when working on a DAW (Digital Audio Workstation). When working with bx_console G, however, DAW users can use its RANDOM CHANNEL buttons to easily invoke the random nature of this variation on a single instance of bx_console G, and also randomize the channels across every instance in a mix in one simple click.

Could it be that Brainworx has hereby answered the prayers of anyone yearning to mix their projects on a large-format analog console yet does not necessarily possess the necessary means — monetary and/or room — to do so? So much more than just a channel strip model, bx_console G’s potent modern features clearly create a G Series console on steroids! Indeed, it is hyper-realistic analog large-format console sound for your DAW… just ask Marc Nelson!

 

bx_console G is available for purchase — as an AAX Native & DSP-, AU-, VST2-, and VST3-supporting plugin for Mac OS X (10.8 through 10.12), Windows (7 through 10), and Pro Tools 10.3.10 (or higher) — exclusively from Plugin Alliance for an introductory promo price of $179.00 USD until September 30, 2017, rising to $299.00 USD thereafter. (A permanent crossgrade to/from bx_console E for $99.00 USD is also available.)

A fully-functional, 14-day trial is available to anyone registering for a free Plugin Alliance account here: http://www.plugin-alliance.com/en/registration.html

Note that the proprietary Plugin Alliance Installation Manager means users can select, download, and install only the products and formats needed for their system.

For more in-depth information, including several superb-sounding audio demos, please visit the dedicated bx_console G webpage here: https://www.plugin-alliance.com/en/products/bx_console_g.html

Watch Plugin Alliance’s tantalizing trailer for bx_console G here:  https://youtu.be/te705_OeFqI

Watch Plugin Alliance’s teaser trailer for bx_console G here:  https://youtu.be/wN-Osk_LSrw

Eiosis AirEQ Premium EQ VST Review

AirEQ, Beyond Analog

AirEQ was designed with a vision of achieving musical, technical and sonic excellence.

Simple, intuitive and quick to use, AirEQ is a musical equalizer plugin at its best.

The Water and Fire curves, as the Character and Strength parameters were adjusted by ear, so mixing engineers can focus on one thing – making music sound great.

AIREQ is a premium eq that allows you extensive control over your mix. Utilizing it’s unique character attribute you can custom taylor your sound to be biting or smooth and transparent.

Laid out in a very easy to use and read design AirEQ allows for hands on luscious sound sculpting.

Demo download is available on Eiosis website 

AirEQ has been designed to fasten the workflow of mixing engineers, so they can reach quickly, and intuitively, the sound they have in their mind. The musical Q/Gain adjustement, along the Strength behavior, used with the ultra-musical analyzer, is the perfect combination of listenting, intuition and analysis within the same plugin interface.

Hide the analyzer for an “ears-only mode”, right-click on band switches for advanced options, shift-click on the Q for per-band Character, rename bands to make your own presets, assign each band to Left or Right, Mid or Side, class bands by frequency order..