New IK multi-media iloud reference monitor mtm

IK Multimedia unveils iLoud MTM reference monitor

Compact monitor with high-end design re-invents nearfield monitoring
for professional and home studios

iLoud MTM - Image

The NAMM Show, January 23, 2019 – IK Multimedia debuts iLoud® MTM, a compact, no-compromise, reference monitor designed to deliver pristine sound and an unprecedented level of accuracy that redefines nearfield monitoring for the modern, computer-based, professional and home studio.

When IK’s earlier monitor system, the iLoud Micro Monitors, launched in 2016, producers and engineers at every level marveled at the performance coming from such a small setup, so IK challenged its design team to push this concept even further and create a new compact design with a sound quality that would rival monitors several times the price and provide innovative features not found anywhere else.

iLoud MTM offers an ultra-flat frequency response, but more importantly, a truly linear phase response as well – a premiere feature in this price segment available only on a handful of products costing considerably more – to provide natural, true-to-life sound. This is achieved through IK’s advanced DSP expertise that also provides for digital crossovers and self-calibration derived from IK’s award-winning ARC™ System. This enables iLoud MTM monitors to deliver unsurpassed accuracy, clarity and transparency, with a generous 100W RMS power and a class-defying 40 Hz to 24 kHz frequency response. In addition, the symmetrical MTM design provides superior imaging and precision, even at close distances, with a perfectly perfect sweet-spot, thanks to the included tilt-able isolation bases. This enables users to create mixes that will translate across multiple playback systems, with no ear fatigue.

Building upon IK’s acclaimed iLoud Micro Monitors, this new compact monitor delivers the accuracy and bass response of larger monitors, and superior audio quality when listening at close distances. This makes iLoud MTM the ideal monitor for nearfield work and a workhorse monitor for desktop use in a home or project studio.

Reference-class, ultra-linear response
The primary role of any studio monitor is to deliver accurate, uncolored sound for easier mixing decisions that will translate across multiple playback systems. iLoud MTM uses the most advanced DSP techniques to provide total control of the speaker’s performance, delivering results simply not obtainable with traditional analog designs. Highs are neutral and defined, mids and lows are clear and as balanced as ever. Users can mix for hours with no ear fatigue, and their work will translate better than ever.

And of course it’s loud, with 100W RMS total power per speaker and 103dB SPL maximum sound pressure, delivering the exceptional volume the iLoud brand is known for.

Digitally-controlled for precision audio
iLoud MTM uses audiophile-grade, high resolution algorithms and top-of-the line A/D converters to carefully manage cross-overs, filtering, time alignment, equalization, dynamics control and auto-calibration. Totally DSP-controlled and precision time-aligned, iLoud MTM also manages the off-axis response to minimize the effects of room reverberation. The advanced onboard processing is the product of IK’s over twenty years of experience in digital signal processing, helping iLoud MTM deliver sound far beyond anything in its size or class.

Extended low-end that rivals larger systems
iLoud Micro Monitor surprised the world with bass performance delivered from a 3″ speaker that “defied physics.” iLoud MTM offers even more, with bass response down to a surprising 40Hz, ideal for modern music styles.

iLoud MTM also debuts IK’s new patent-pending Physical Response Linearization (PRL™) system that uses a precise model of the enclosure’s design, construction and materials, combined with electro-mechanical measurements of the real units, to correct the system’s performance in real time. The result is a stunningly “firm,” balanced and defined low end, to surpass the sound of speakers even twice iLoud MTM’s size.

A new phase in precision sound reproduction
The great majority of conventional studio monitors – even high-end designs – suffer from skewed phase response caused by traditional, phase-shifting crossovers and driver/enclosure phase alterations. The end result is an unfocused stereo image, blurry transients, and overall lack of detail.

iLoud MTM leverages IK’s two decades of DSP experience to offer a true phase coherent response across the useful frequency spectrum, for unbelievably realistic, natural sound. Users will hear instruments and dialogue as if they were happening live, discover more detail in their tracks than ever before, and avoid wasting hours trying to EQ away issues that were never there. This linear phase response is rarely found in speakers even several times iLoud MTM’s price.

Symmetrical design for superior imaging and precision
iLoud MTM uses a midrange-tweeter-midrange symmetrical design, with a pair of 3.5″ high performance woofers and one 1″ high definition tweeter, which provide ultra-precise, defined, point-source sound that simply can’t be achieved by traditional 2-way systems at close distances.

The result is a more natural, life-like sound that minimizes the ear fatigue caused by traditional 2- or 3-way designs where different frequencies arrive at the listener’s ears at different times, so users can mix longer with less effort.

iLoud MTM’s design also offers exceptional sound dispersion, enhancing the transparency and neutrality. The controlled dispersion minimizes the impact of room acoustics, for even truer monitoring. The end result is faster, easier mixing with better results. On top of that, this innovative design keeps the monitor dimensions to a minimum (30 to 50% smaller than comparable monitors), to fit in even the smallest spaces.

Instantly adjust to the acoustic environment
Today’s studios range from dedicated, acoustically-treated spaces to a spare bedroom. To help optimize the monitoring for any room’s particular acoustics, iLoud MTM monitors feature built-in acoustic auto-calibration derived from IK’s award winning ARC™ System, with IK’s reference ARC™ microphone included, to automatically adjust the frequency response to their positioning. Users simply set up the monitors, place the mic in the preferred listening position, and press a button to instantly provide custom calibration for the specific listening environment. iLoud MTM also offers a low-frequency extension control and low and high-frequency trim controls to adjust the response to suit individual tastes.

Always get the perfect angle
iLoud MTM includes a tilting mount that not only helps isolate it, but also adjusts from 0° to 20° for correct positioning in a wide range of setups. That’s higher than most other “tilting” monitors that too often can’t actually reach the required angle for desktop or other close-listening setups. To cover the full spectrum of installation options, a rubber base for horizontal shelf-placement, and a bottom thread to mount conveniently on mic stands, are also included.

Combined with its symmetrical design and phase-coherent response, iLoud MTM allows for ultra-focused, accurate monitoring anywhere.

Price and availability
iLoud MTM will be available in Q2, 2019 at a MSRP of €349.99* each.
*All prices excluding taxes

For more information, please visit: www.ikmultimedia.com/iloudmtm

To see it in action, visit: www.ikmultimedia.com/iloudmtm/video

See it at NAMM – Room#17202, ACC North Hall, Level 2

Avantone Pro CLA-10TM brings the Classic white cone monitor back

Avantone Pro brings ‘back’ to market much-loved nearfield studio monitoring mainstay with closely-matched CLA-10TM
“I put my mixing reputation on these great speakers… I am mixing on them as I write this.”
– Chris Lord-Alge, GRAMMY® Award-winning mix engineer (Avril Lavigne, Green Day, Bruce Stringsteen, Tina Turner), 2018
TALLMAN, NY, USA: affordable high-quality audio products producer Avantone Pro is proud to announce availability of its CLA-10TM classic studio reference monitor — manufactured as a full-range, two-way passive pair for fixed or remote locations while also accurately recreating an iconic studio monitoring mainstay, much loved in the music industry among pop and rock recording engineers to this day as a valuable mixing tool with which to reveal shortcomings in recordings — as of June 22…
Times change, as does technology. That being said, today’s newly developing age of high-definition audio does not necessarily negate recording shortcomings. Studios still primarily use two- or three-way large monitors designed to represent a wide range reference viewpoint at higher listening levels and there is still a need to hear what a mix will sound like when played back over small systems, such as car stereos, clock radios, computer speakers, and televisions. Indeed, it is important to make mixing judgements based on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full-range drivers. Paying particular attention to the critical midrange vocal/guitar/keyboard areas is always advised.
As such, over a year of R&D (Research & Development), comparative listening, and tweaking went into voicing Avantone Pro’s CLA-10TM while working in close collaboration with five-time GRAMMY® Award-winning mix engineer Chris Lord-Alge — hence having his signature grace the finished, familiar-looking cabinet. The result is a very accurate recreation of an iconic studio monitoring mainstay, much loved in the music industry among pop and rock recording engineers to this day (despite discontinuation of the original product in question back in 2001). Much more recently, listening tests in studios show that recording engineers accept the CLA-10TM as a transparent replacement — just ask Chris Lord-Alge, an assuredly talented and incontrovertibly impressed individual, as evidenced by his following flattery: “I put my mixing reputation on these great speakers… I am mixing on them as I write this.”
The CLA-10TM clearly meets its engineering and performance objectives, attributed, in part, to a 10.4-litre sealed design cabinet constructed of non-layered, high-rigidity MDF (Medium-Density Fibreboard) — chosen for its natural low-resonance characteristics — finished with an outer layer of real wood veneer. Visually and tonally fusing the past with the present, Avantone Pro utilised the latest in FEA (Fine Element Analysis) modelling to achieve its custom-designed 180mm AV10-MLF low-frequency driver based on paper cone construction with ‘old-school’ speaker design artistry, thanks to the finest pulp material that performs as closely as possible to the original by being press formed rather than die cut for tonal consistency. Cloth surround material is made in Japan for added authenticity and has unique damping characteristics, enabling a predictable compliance over the lifespan of the driver. Avantone Pro’s custom-tooled frame supports the driver/cone combo to minimise mechanical transfers while the 35mm AV10-MHF high frequency silk dome-based tweeter is as close a match to the original as can be made, making for both a frequency (60Hz – 20kHz) and voicing match to the classic sound so admired by the likes of Chris Lord-Alge — hardly surprising since those aforesaid AV10-MLF and V10-MHF critical components have been extensively field-tested in top LA and NY studios to universal acclaim as drop-in replacements for both Avantone Pro’s own CLA-10TM and also the iconic studio monitoring mainstay it recreates so accurately.
Anyone seeking a transparent replacement for their much-loved nearfield studio monitoring mainstay as a valuable mixing tool with which to reveal shortcomings in recordings should seriously consider investing in Avantone Pro’s CLA-10TM. Clearly its sound should be as familiar as the distinctive looks it also accurately recreates. Indeed, its (381.5mm x 215mm x 197.5mm) cabinet dimensions and (6.3kg) weight will make transitioning to the carefully crafted CLA-10TM when waving goodbye to the ‘dearly departed’ seem seamless. Some studio visitors may even do a double take when told that the same speaker stands or console bridge boast new classic studio reference monitors!
The CLA-10TM arrives at Avantone Pro’s US Dealers (http://www.avantonepro.com/us-dealers.php) in August 2018, priced at $699.00 USD per pair. (Worldwide Distributors are listed by country here: http://www.avantonepro.com/worldwide.php)
For more in-depth information, please visit the dedicated CLA-10TM webpage here: http://www.avantonepro.com/cla-10.php
Watch five-time GRAMMY® Award-winning mix engineer Chris Lord-Alge’s compelling CLA-10TM introductory video here: https://youtu.be/ZFLmP9XWyhg
Print-ready, hi-res image:

IK Multimedia’s ARC System 2.5 with new MEMS microphone is now shipping

IK Multimedia is proud to announce that ARC System 2.5 with MEMS microphone is now available for shipping. Version 2.5 of the Advanced Room Correction System combines a new highly accurate MEMS measurement microphone, measurement software together with an audio correction plug-in for Mac/PC DAWs (Digital Audio Workstations) and employs Audyssey MultEQ® XT32 patented technology to greatly improve the audio monitoring accuracy of speakers in any studio or listening room.

The first system of its kind, ARC System works by measuring the room in multiple positions, producing an accurate representation of its acoustic response, then generates a correction filter that makes the response linear. This allows users to mix and compose in an environment capable of an exact representation of the music and audio being produced, regardless of the acoustic characteristics of the room. ARC System was first introduced by IK Multimedia in 2007 and quickly established itself as one of the most popular acoustic correction systems in the world.
New high-precision MEMS measurement mic
IK Multimedia was the first to incorporate the use of MEMS (microelectro-mechanical systems) microphones for pro audio recording applications with its popular iRig® Acoustic range, first released in 2015, and is now pioneering their use in the field of ultra-accurate measurement microphones. The new MEMS measurement microphone included in ARC 2.5 works together with the room correction software to achieve a new milestone in accuracy with a precision of +/- 0.5 dB. Just like the other MEMS products from IK, the new measurement mic is manufactured in Italy and features an omnidirectional capsule that ensures maximum response accuracy and stability over time, in contrast to standard condenser measurement microphones which can exhibit frequency response variations due to manufacturing or age.

MEMS microphones offer extreme resistance to shock along with humidity and temperature variations thanks to the manufacturing process behind them. This means they are very durable and can be easily transported without the risk of damage. Additionally, all the ARC System microphones manufactured using this process maintain a consistent degree of accuracy with near-zero variation in performance from unit to unit. This guarantees accurate, repeatable and reliable audio measurements even after long periods of time.

MultEQ® XT32 Technology
ARC 2.5 utilizes Audyssey MultEQ® XT32 technology to evaluate the acoustic information captured at multiple locations in the listening area in both frequency and time domains. It uses a sophisticated clustering algorithm to combine this information so that acoustic problems are accurately analyzed. Based on these measurements, a correction filter is calculated that adjusts both time and frequency response problems in the listening area and performs a fully automated system setup. The result is clear, well-balanced audio monitoring in any environment.

“Virtual Monitoring” for the real world
The included “Virtual Monitoring” feature lets users select specific templates to deliberately alter the response of the monitoring setup to match devices like LCD TVs, car audio systems, small radios, etc., and listen to how their mixes will translate on other “virtual” band-limited systems and to ensure a perfect sound translation.
Thousands of rooms corrected worldwide
Since 2007, IK Multimedia’s ARC System has been leading the way in terms of true affordability and professional reliability when it comes to acoustic room correction systems. With tens of thousands of installations worldwide, correcting the rooms of music enthusiasts and independent producers to those of studio and acoustic engineers, ARC has become an absolute industry standard that continues to amaze for its ease of use and indisputable effectiveness.

Take the room out of the mix
ARC System is the most cost-effective, professional solution for achieving a consistent sound and frequency response across the entire spectrum in any room, whether acoustically treated or not. From home studios to professional recording facilities, ARC will take the “sound of the room” out of the equation, enabling users to mix faster and with total confidence, ensuring their productions translate properly with the outside world.

Pricing and availability
ARC System 2.5 with MEMS microphone is now available at a cost of $/€199.99*. Users that have previously purchased any IK product with a minimum value of $/€99.99 can take advantage of a special crossgrade price of only $/€149.99.

Current ARC 2 users can upgrade to software version 2.5 free of charge (Mac/PC), whereas ARC 1 and ARC TDM users can upgrade their software for as low as $/€49.99.

The MEMS measurement microphone can be purchased separately for $/€69.99 by previous ARC users**.

* All prices excluding taxes
** Software must be updated to v.2.5 for compatibility with the MEMS microphone

For more information, please visit:
www.ikmultimedia.com/arc