IK Multimedia releases UNO Synth Pro and UNO Synth Pro Desktop

Posted on April 29, 2021 by flux302

IK Multimedia releases UNO Synth Pro and UNO Synth Pro Desktop

Now shipping the new paraphonic dual-filter analog synthesizersreaching new levels of sound design, flexibility and connectivity

April 29, 2021 – IK Multimedia releases UNO Synth Pro and UNO Synth Pro Desktop. Developed in collaboration with Italian boutique synth-maker Soundmachines, both these new analog synthesizers take the groundbreaking UNO Synth monophonic synth and expand it in nearly every section: more oscillators, more filters, more sequencer memory, more effects, more presets, more connections and more programmability.

UNO Synth Pro puts this amazing new sound engine in a rugged metal chassis with a 37-key semi-weighted Fatar keybed, while UNO Synth Pro Desktop provides a more portable form factor to travel anywhere.

The UNO Synth Pro’s unique dual-filter, 3-oscillator paraphonic design lets it create nearly any synth sound imaginable, and with 256 presets, a new 64-step sequencer and expanded CV/Gate and audio connections, users will quickly find it’s the ideal creation station for any outboard rig.

Huge, real analog sound
Three analog oscillators offer continuously variable waveshape, including pulse-width modulation. Oscillators can be hard-synced for more harmonically complex tones, and oscillator FM (frequency modulation) lets users shape everything from bell-like sounds to screaming industrial tones. UNO Synth Pro even includes ring modulation for wobbly, sci-fi sound, and a white noise generator for a wide range of percussive sounds and epic rises.

Dual-filter design with 24 available modes
In addition to the original UNO Synth’s 2-pole OTA multimode filter, UNO Synth Pro adds a new SSI 2/4-pole LP filter with self-oscillation. The dual filters can be used in series or parallel, with invertible phase, for a total of 24 possible filter modes. This unique design offers nearly limitless tonal possibilities, from recreating classic vintage sounds or forging completely new, experimental sounds.

Massive sonic flexibility
UNO Synth Pro offers two full ADSR envelopes, one dedicated to the filter and the other to amplitude, with both available as sources to modulate everything from oscillator pitch and waveshape to LFO speed. Two LFOs (low-frequency oscillators) can create classic synth vibrato, wah and tremolo as well as do more complex modulations including audio range FM.

A 16-slot modulation matrix makes routing all these a breeze. Users can quickly and easily design even the most sophisticated modulation scheme, with both internal and external sources.

Deep onboard effects
UNO Synth Pro offers four effect blocks: an analog overdrive circuit from the original UNO Synth, plus three new, custom-designed digital effects: modulation, delay and reverb. External signals can also be routed through these effects.

Improved playability
UNO Synth Pro offers a premium 37-key semi-weighted keybed made by Italian manufacturer Fatar, while UNO Synth Pro Desktop provides an enhanced version of the original’s long-lasting capacitance-sensing keys along with pitch and mod strips for enhanced expression. Both units add firm-touch rubber pads for the control sections, plus LED-backlit indicators and an LED display for key information, making it easier than ever to use live on stage or in deep programming sessions in the studio.

Powerful presets, sequencer and arpeggiator
UNO Synth Pro offers 256 user-editable presets, each capturing the full state of the sound engine from oscillators to effects. An onboard 64-step sequencer offers both step and real-time recording, with automation of over 80 parameters, letting users create incredibly intricate and evolving soundscapes, and even write CV and gate automation. And a 10-mode arpeggiator makes it easy to create intricate patterns and runs, which can be recorded into the sequencer.

Advanced connectivity
UNO Synth Pro offers two noiseless, balanced stereo outputs as well as headphone out, for studio audio quality in any situation. USB and 5-pin DIN MIDI In and Out make it easy to integrate with other synths, Mac/PC and mobile devices, and its assignable CV/Gate connections lets UNO Synth Pro interact effortlessly with a Eurorack or other modular system. And now, an audio input allows access to the filter and FX section for external signals, in addition to the original pass-through for daisy-chaining multiple units together without using a mixer.

Options, pricing and availability
UNO Synth Pro and UNO Synth Pro Desktop are available now from the IK Multimedia online store and from IK authorized dealers worldwide for $/€649.99* and $/€399.99 respectively.

An optional USB power bank for UNO Synth Pro Desktop is available for $/€29.99.

*All pricing excluding taxes

For more information about UNO Synth Pro or to see it in action, please visit: www.unosynthpro.com and www.unosynthpro.com/video

IK multimedia UNO PRO synths announced

Posted on January 13, 2021 by flux302

New paraphonic dual-filter analog synthesizers elevate the UNO lineto new levels of sound design, flexibility and connectivity

January 13, 2021 – IK Multimedia announces UNO Synth Pro and UNO Synth Pro Desktop. Developed in collaboration with Italian boutique synth-maker Soundmachines, both these new analog synthesizers take the groundbreaking UNO Synth monophonic synth and expand it in nearly every section: more oscillators, more filters, more sequencer memory, more effects, more presets, more connections and more programmability. UNO Synth Pro puts this amazing new sound engine in a rugged metal chassis with a 37-key synth-action Fatar keybed, while UNO Synth Pro Desktop provides a more portable form factor to travel anywhere.

Huge, real analog sound
Three analog oscillators offer continuously variable waveshape, including pulse-width modulation. Oscillators can be hard-synced for more harmonically-complex tones, and oscillator FM (frequency modulation) lets users shape everything from bell-like sounds to screaming industrial tones. UNO Synth Pro even includes ring modulation for wobbly, sci-fi sound, and a white noise generator for a wide range of percussive sounds and epic rises.

Massive sonic flexibility
UNO Synth Pro offers two full ADSR envelopes, one dedicated to the filter and the other to amplitude, with both available as sources to modulate everything from oscillator pitch and waveshape to LFO speed or even other envelope stages. Two LFOs (low-frequency oscillators) can create classic synth vibrato, wah and tremolo as well as do more complex modulations including audio range FM.

A 16-slot modulation matrix makes routing all these a breeze. Users can quickly and easily design even the most sophisticated modulation scheme, with both internal and external sources, including MIDI controllers.

Improved playability
UNO Synth Pro offers a premium 37-key synth action keybed made in Italy by Fatar, while UNO Synth Pro Desktop provides an enhanced version of the original’s long-lasting capacitance-sensing keys along with pitch and mod strips for enhanced expression. Both units add firm-touch rubber pads for the control sections, plus LED-backlit indicators and an LED display for key information, making it easier than ever to use live on stage or in deep programming sessions in the studio.

First-class analog sound
Dual state variable filters
Discrete morphing oscillators
PWM, sync, FM and ring modulation
Song mode
64-step sequencer
10-mode arpeggiator
12 studio-quality effects
Analog drive
Monophonic or 3-note paraphonic operation
256 user-editable presets

Power supply included. Desktop model powered by via USB or power bank
USB MIDI and firmware update
Programmable CV/Gate input/output
Audio input to filters, FX or pass-through
Balanced stereo outputs
5-pin MIDI DIN input/output and Soft Thru

And a 10-mode arpeggiator makes it easy to create intricate patterns and runs, while a new “chord mode” takes advantage of UNO Synth Pro’s paraphonic design, opening the door to triads and chord work.

Advanced connectivity
UNO Synth Pro offers two noiseless, balanced stereo outputs as well as headphone out, for superior audio quality in any situation. USB and 5-pin DIN MIDI In and Out make it easy to integrate with other synths, Mac/PC and mobile devices, and its assignable CV/Gate connections lets UNO Synth Pro interact effortlessly with a Eurorack or other modular system.

And now, an audio input allows access to the filter and FX section for external signals, in addition to the original pass-through for daisy-chaining multiple units together without using a mixer.

Options, pricing and availability
UNO Synth Pro and UNO Synth Pro Desktop will be arriving in Q1 2021 and are currently available for pre-order from the IK Multimedia online store and from IK authorized dealers worldwide for $/€649.99* and $/€399.99 respectively.

Hammond b-3x by IK multimedia in partnership with Hammond USA and Suzuki music Corp

Posted on September 26, 2019 by flux302

IK Multimedia Debuts Hammond B-3X virtual instrumentin partnership with Hammond USA and Suzuki Music Corp. of Japan

IK’s Hammond B-3X is the first real Hammond organ for Mac/PC, complete with Leslie™ speaker

September 26, 2019 – IK Multimedia announces the Hammond B-3X tonewheel organ virtual instrument. Created in close collaboration with Hammond USA and Suzuki Music Corp. of Japan, along with top Hammond artists, it meticulously recreates the sound, controls and entire effects signal path of the legendary Hammond B-3. This comprehensive approach offers a level of realism and detail that will satisfy most the discriminating B-3 fans while also offering an affordable introduction to the unique world of tonewheel organs that can be enjoyed by all levels of players.

IK’s industry-leading modeling techniques were employed to deliver fine details and nuances that passed the discerning ears of the Hammond Organ Company in Chicago. In addition to its authentic organ sound, this new instrument offers a full-rig chain including stomp effects, an extended version of IK’s Leslie® Collection with a rotary cabinet with mix-and-match amp and cabinet models plus four microphones, a parallel guitar amp with 4×12 cabinet, a mixer and three studio post effects.

Available for Mac/PC as a stand-alone application and as a virtual instrument plug-in, the Hammond B-3X offers plug and play convenience for both recording and performing.

Hammond USA Executive Vice President Peter Nguyen shared, “We’re excited about the very first official Hammond/Leslie Virtual Instrument, and the partnership with IK Multimedia which made it happen. The teams certainly captured the qualities that have made the Hammond Organ an essential part of music for the past 85 years.”

It’s all in the details
True to the hardware original, Hammond B-3X begins with 91 tonewheels, which are based on well-maintained Hammond organs that IK studied in locations around the world. These free-running tonewheels are mixed in real-time based on the notes played and drawbar levels, for authentic realism.

Hammond B-3X can be fine-tuned using IK’s detailed models of the original settings, controls and circuits, which were all approved by the Hammond Organ Company. Users can employ tonal filtering, select the independent key click, and engage the iconic Hammond percussion and chorus-vibrato circuits with advanced controls.

For deeper exploration and realistic touches, Hammond fans will appreciate a familiar simulation of the effects of “aging” components to control tonal balance, generator leakage and crosstalk, and the chorus circuit’s presence boost.

True tone, real experience
All the controls are designed to recreate the exact experience of playing a classic, hardware B-3 organ – from the order of the chorus/vibrato settings to the placement of the percussion switches. Some additional features have been included as well, for modern convenience.

The drawbars update in real-time when the inverted drawbar settings keys are selected, allowing users to save 24 custom drawbar settings per preset. For live use, a “Controls” view hides the keyboard and enlarges the drawbars and switches for less distraction while playing. MIDI assignments for modern Hammond digital organs are also included, making it plug-and-play easy to perform with everything at arm’s reach.

Extended stomp box effects
The organ feeds a 5-unit pedalboard in the STOMPS section that features overdrive, graphic EQ, stomp box-style chorus-vibrato, wah wah and spring reverb. Derived from IK’s award-winning AmpliTube and T-RackS software, these effects were carefully chosen and arranged for easy recreation of the widest range of iconic tonewheel organ sounds. They can also be assigned to MIDI control for on-stage use.

Real Leslie® sound
The signal is then sent to a CABS section that includes a choice of real Leslie amps and speakers that can be mixed and matched, along with a parallel guitar amp and 4×12 cabinet. Using technology derived from IK’s award-winning AmpliTube 4 amplifier modeling, combined with an extended version of IK’s Leslie® Collection, Hammond B-3X’s cabinet section offers a massive range of sound-shaping option tabs. They include:

Setup – lets users fine tune the Leslie’s slow and fast speed settings – including acceleration and deceleration – and adjust the mic distance and configuration
Leslie Amp – offers a selection of five Leslie power amps (or a power amp modeling off switch) and two guitar power amps to use in any of five Leslie cabinets, with full control over gain, EQ and volume
Leslie EQ – enables the rotary speaker to be shaped with high-pass, low-pass and parametric mid EQ
Guitar Amp – adds a parallel guitar amp derived from AmpliTube into the mix for use with popular rock tones used by top rock and blues players; offers full tone-shaping controls and spring reverb
Mixer – blends the sound of the Leslie, with independent volume and panning of both the horn and drum mics, the parallel guitar amp, and the DI organ sound for unprecedented tonal flexibility

Add professional polish
Lastly, Hammond B-3X offers three rackmount studio effects derived from IK’s T-RackS Mixing and Mastering Workstation to add a final, professional touch.

IK’s Limiter 76 FET-based compressor offers an iconic, timeless sound; the EQ-81 adds classic console tone-shaping and warmth; and a digital reverb adds a pristine sense of space.

Pricing and availability
Hammond B-3X is available from the IK Multimedia online store and from authorized IK dealers worldwide for a special introductory price of €/$199.99 (regular pricing will be €/$299.99). IK customers with qualifying registered products with a retail value of €/$99.99 or more will be eligible for special introductory crossgrade pricing of €/$149.99 (regular crossgrade pricing will be €/$199.99).

** All prices excluding taxes

For more information about Hammond B-3X, please visit: www.ikmultimedia.com/hammondb3x

To see Hammond B-3X in action: www.ikmultimedia.com/hammondb3x/video

To hear audio samples from Hammond B-3X, please visit: www.ikmultimedia.com/hammondb3x/audio

T-RackS 5 tape machine collection released

Posted on June 12, 2019 by flux302

IK Multimedia releases T-RackS Tape Machine Collection for T-RackS 5

New tape sim plug-ins recreate the iconic character of four classic tape machines

June 12, 2019 – IK Multimedia has released the T-RackS® Tape Machine Collection for its industry standard T-RackS mixing and mastering software workstation. This new collection of plug-ins recreates the iconic sound and character of four classic tape recording machines from the 1960s, 1970s and 1980s: the Ampex® 440B, the Studer® A80, the MCI® JH24 and the Revox® PR99. In addition to finely detailed machine emulations, the collection also offers a selection of reel-to-reel tape formulas, variable tape speed, transport controls, and other tone shaping features.

Many of the world’s greatest songs were recorded on analog tape machines and featured the desirable and pleasing saturation, EQ and cohesion that could only come from a tape machine. Today, working with classic machines can be an expensive and time-consuming proposition. The T-RackS Tape Machine Collection offers this sought after warmth and character in a cost-effective package with a modern-day, practical workflow.

This new collection is the culmination of two years of full time research and development on real world-class machines. Each machine went through a complete electronic and mechanical renovation to bring it perfectly back “to specs” before IK’s DSP engineering team took each stage apart, studying and analyzing them to produce a model of the entire magnetic tape recording process.

This model works in symbiosis with a powerful dynamic convolution engine to capture the full essence of the real machine, and the T-RackS Tape Machine Collection faithfully brings all this magic right to any DAW.

Four pieces of history

The T-RackS Tape Machine Collection bundles together 4 new plug-ins, each also available individually:

Tape Machine 440: The Ampex 440B series dates from the late 1960’s and delivers an unmistakably soulful color that made this professional and historic mixing and mastering machine a legend. This superb blend of art and technology has the power to turn mixes into finished tracks.

Tape Machine 80: The legendary Studer A80 Mk II, in its various revisions, is an essential part of countless influential records. Engineered and manufactured in Switzerland from 1970 to 1988, it became the de facto standard for professional high-end multi-tracking. The A80’s sonic signature is a perfect blend between transparency and subtle harmonic enhancement.

Tape Machine 24: A model of the MCI JH24. First produced in 1980, the JH24 was a staple in US studios during the 1980s. This completely transformerless, high performance op-amp-based design delivers a pristine, phase coherent and remarkably true-to-the-source audio performance. This results in a moderate and elegant polish.

Tape Machine 99: The Revox PR99 Mk II is a stereo professional recorder produced by Studer in the 1980s. Engineered around a hybrid design that combines the best of discrete and op-amp topologies, this model offers a very smooth frequency response, especially on bass, with almost no trace of the typical “head bump” phenomenon. A standard for broadcast and classical music, this machine was appreciated by audiophiles for its exceptional sonic quality.

Four magic formulas

Each plug-in in the Tape Machine Collection offers a selection of four different tape formulations, each with its own unique tone.

250: Modeled after the 3M/Scotch 250 formula, it is the most colored of the four formulas. It went in production around 1974 and delivers a warm tone with slightly more distortion and saturation than the other formulas included in the package.

456: Modeled after the Ampex 456 formula, this model went into production around 1974. Perhaps the most widely used tape, it contributed the most to what is considered “the” tape sound. It offers a warm, round tone with a slight touch of saturation that greatly responds to the recording level.

GP9: Modeled after the Quantegy GP9 formula, this tape accepts higher levels of signal with minimal distortion and compression, is very punchy and perfect for modern high-quality analog recordings.

499: Modeled after the Ampex 499 formula, this tape is designed to handle a great amount of level with minimal distortion and compression. It also exhibits added high frequency definition that makes it perfect for printing “digital-like” recordings, while still maintaining an analog sound.

Comprehensive Controls
All Tape Machines Collection plug-ins share the same set of controls to enhance the ease of use and allow for quick A-B comparisons among them. Key features include:

Signal path selection: With “Input,” the signal only passes through the input and output electronic stages of the recorders, bypassing the tape. Depending on how the recorder is designed, the Input path can sound extremely transparent or just slightly more colored. “Repro” passes the signal through the entire analog recording system: input, recording amplifier, recording head, tape, playback head, playback preamplifier and output stage.

True Stereo: Even a perfectly aligned tape machine will have slight level, EQ and distortion differences between the left and right channels. The T-RackS Tape Machines Collection perfectly recreates these subtle differences to deliver the real experience. This feature can be disabled if desired.

Tape Speed: Select the speed of the tape transport between 7 1/2 and 15 or 15 and 30 inches per second (“ips”), depending on the tape machine used. The higher speed offers more fidelity, and the lower speed delivers a warmer, rounder tone.

Transport Modeling: Precisely models the behavior of the mechanical transport. Small irregularities in the movement of the tape create various degrees of sonic alteration to the audio, especially between the two channels. This control can also be disabled.

Record Bias: Ideal bias voltage settings provide maximum sensitivity and low distortion. Intentionally overbiasing is a common technique to produce a warmer, gently saturated sound. Underbiasing can be used to boost the high frequencies in a truly unique way and add distortion and other nonlinear effects.

Flexible use options
Like all T-RackS processors, the individual T-RackS Tape Machines offer two ways to work: as a single plug-in, or inside the T-RackS 5 shell.

The T-RackS Shell allows users to combine any of the 43 T-RackS processors in a single instance. Create custom combinations of processors, using both series and parallel routing, that take up only a single plug-in spot in any DAW and can be saved and recalled for lightning-fast workflows.

This Shell offers offers a unique, modular system with up to 16-processor chains, easy A/B/C/D comparison, up to 192 kHz / 32-bit floating point processing and much more, and works as both a plug-in and stand-alone mastering application.

About T-RackS 5
T-RackS 5 is the latest version of IK’s industry standard mixing and mastering software workstation that has been used on countless albums by top engineers for more than 20 years. This powerful modular system offers maximum versatility via 43 high-quality processors (EQs, limiters, compressors, etc) that can be used in parallel or series, in a variety of working environments. In total, T-RackS 5 offers everything needed to professionally treat and finalize audio from raw mixes to a perfect finished product. For even more professional results, each version of T-RackS 5 also offers free downloadable signature presets from some of the industry’s top engineers.

Pricing and availability
The T-RackS Tape Machine Collection bundle and individual Tape Machine Singles are available now in the IK Multimedia online store, Custom Shop and from IK authorized dealers worldwide.

For a limited time through June 30, 2019, the T-RackS Tape Machine Collection bundle will be available at a special introductory price of only $/€99.99*. Each Tape Machine Single will also have a special introductory price of $/€79.99*.

After June 30, The Tape Machine Singles will be offered for $/€99.99* each, and the T-RackS Tape Machine Collection featuring all four machines will be offered for $/€199.99* (a savings of 50% compared to purchasing individual models separately).

* All prices excluding taxes

For more information about T-RackS Tape Machine Collection, please visit: www.ikmultimedia.com/trtapemac

To see T-RackS Tape Machine Collection in action, visit: www.ikmultimedia.com/trtapemac/video

Ik multimedia unveils Uno Analog /pcm drum machine

Posted on May 8, 2019 by flux302

IK Multimedia unveils UNO Drum analog/PCM drum machine

Ultra-portable, easily programmable drum machine expands the UNO line

May 8, 2019 – IK Multimedia unveils UNO® Drum, the newest member of its UNO series. Designed in collaboration with Italian analog specialist Soundmachines – the same team behind IK’s acclaimed UNO® Synth – UNO Drum offers a wide sonic palette combining fat, punchy analog sounds with digital flexibility and convenience. A robust selection of programming and live performance features and controls makes it easy for musicians, producers and DJs to add massive drum grooves to their music. UNO Drum’s compact form, battery power and affordable price make it ideal for on-the-go music creation and performance.

True analog tone and PCM flexibility
Six warm, rich, true analog drum sounds – two different kick drums plus snares, claps, and hi-hats – form the essential core kit for creating fat analog beats. Additional PCM elements (with 54 samples to choose from) provide deeper sonic flavors. They include toms, rims, cowbells, rides and crash cymbals for creating complex, unique and full rhythm tracks. Up to 12 elements can be used in total between analog and digital sounds, with 11-voice polyphony available. The analog and digital elements can be freely swapped, for sonic possibilities that go beyond the pre-set combinations. Together, these analog and PCM sounds suit the widest genres of music and musicians, and a variety of live scenarios.

A wide range of drum elements is organized in UNO Drum’s 100 pre-programmed and fully editable drum kit presets, a first in its class. This makes it easier and faster for users to find an inspiring kit they can experiment with or tweak to create the perfect groove. All sounds can be stored and recalled on the fly.

Top panel editing controls allow for adjustment of key parameters of each sound element. Users can tweak the Tuning of their kicks for sub-shaking hip-hop, adjust the Snap for punchy EDM drums, push the Decay for thundering industrial sounds, and much more. UNO Drum’s in-depth controls encourage experimentation to take drum tracks far beyond the norm.

Analog audio effects with character
For added punch and sound character that stands out in a mix, UNO Drum also offers two analog master audio effects: Drive and Compressor. Increasing the drive will make grooves hit harder, with an aggressive edge. Adding compression will result in tracks that are tighter, fatter, and more powerful. User settings can be saved along with drum kits for instant recall.

Easy to play and program
UNO Drum offers 12 touch-sensitive pads with two velocity zones, for more expressive live playing and easier programming. They can be used to play entire beats live with a pad-style feel, or to easily add live flare on top of pre-programmed rhythms.

These pads are also used to select individual drum pattern elements. Each element’s pad can be used to edit parameters for that specific drum sound, in real-time, as patterns play. This enables users to evolve tracks, build tension towards a drop, go lo-fi for a break, and more. For added performance convenience, a dedicated Tap Tempo pad is also included.

Flexible programming options
UNO Drum offers easy programming options to suit any style. The 64-step sequencer allows users to program in patterns one step at a time, using the 16 buttons across the bottom of the panel, or record a pattern in real-time. Up to eight parameters can be automated per step, to add even more variation and feel to their grooves. The Song mode lets users chain up to 64 patterns together to create extended grooves. Any of the stored sequences can be triggered live on the fly, in any order desired.

Additionally, for quick inspiration out of the box, UNO Drum also comes pre-loaded with 100 drum patterns (in addition to the 100 drum kits). Users can quickly scroll through choices and find a pattern that adds the perfect flavor to their genre, or experiment with new styles. Sounds can be swapped out or adjusted, and patterns can be instantly saved and revisited at a later time.

Head-turning performance effects
For even more performance impact, UNO Drum offers a generous set of five performance effects on the programmed patterns: Stutter (from subtle repetitions to DJ style loops), Roll, Humanize (slight randomization of velocity, timing and volume to emulate a live drummer), Swing (timing and accent adjustments) and Random (brand new pattern creations).

Integrate into any live, studio, or mobile set-up
For use at home, in the studio, in a DJ booth, and beyond, UNO Drum can perfectly integrate into regular live set-ups, computer DAW-based studios, or mobile rigs centered around an iOS device. It offers USB and traditional MIDI via 2.5mm jacks (cables included) for use with Mac/PC, iOS devices or traditional outboard MIDI gear, for a perfect pairing in any rig. UNO Drum also offers an audio input to daisy chain directly with IK’s UNO Synth or any other gear, routed through its internal compressor, with no need for an additional mixer.

On-the-go music made easy
Weighing only 400g, UNO Drum is super lightweight and small enough to fit in a backpack, yet sturdy enough to hit the road for gigging. It can also be used as a portable sketchpad to create grooves and songs that can be saved and recalled whenever and wherever they’re needed. UNO Drum can be powered by 4 AA batteries or via the USB port, either from a computer or a battery pack.

Pricing and availability
UNO Drum is available for pre-order from the IK Multimedia online store with free shipping* and for pre-order from IK authorized dealers worldwide, for the affordable price of only $/€249.99**.

UNO Drum is proudly made in IK’s own Italian manufacturing facility using a combination of state-of-the-art, automated mounting machines and test systems, and fine, renowned Italian craftsmanship. Shipping is scheduled for June 2019.

* Free shipping valid for pre-orders from the IK Multimedia online store only
** All prices excluding taxes

For more information about UNO Drum, please visit: www.unodrum.com

To see UNO Drum in action or watch the tutorial series: www.unodrum.com/video

IK Multimedia iRig Stomp I/O… this pedal looks cool af

Posted on January 26, 2018 by flux302

NAMM 2018 – For immediate release

IK Multimedia announces iRig Stomp I/O – the ultimate
tone control rig, ready to rock, ready to record

Revolutionary USB pedalboard controller for Mac/PC and iOS with built-in high-definition audio and MIDI interface plus a massive software bundle

January 25, 2018 – IK Multimedia is proud to introduce iRig Stomp I/O, an all-new generation of USB pedalboard controller for live and studio use, featuring a built-in audio interface. It is expected to be available in March 2018 and is now open for pre-order. iRig Stomp I/O is a sturdy, portable pedalboard controller that has 4 built-in switches along with an expression pedal and features a professional high-definition audio interface with 24-bit audio and up to 96kHz sampling rate, a combo input jack for line, instrument or mic input with phantom power, balanced stereo output and high quality ¼” headphone output ideal for use with the latest Apple® devices like the iPhone® X.

Ultimate tone
With its combination ¼”/XLR input, iRig Stomp I/O lets you easily record with a guitar, bass, synth, keyboard or microphone – including studio condenser mics requiring 48V phantom power using its 96kHz/24-bit audio interface on iPhone/iPad, Mac and PC. It has a Class A preamp with gain control and an output level control with VU metering for both input and output levels. The integrated ¼” headphone output allows for monitoring the signal during tracking or when practicing, while the balanced stereo output can be used to send the signal to an amplifier, a mixer, a PA or powered speakers.

At home in the studio or on stage
With its robust metal construction, iRig Stomp I/O features an onboard expression pedal with optical switch and four stomp switches allowing control over effects and presets for hands-free performance. The two ¼” control inputs can connect additional external pedals or switches. To further extend the control possibilities there is a MIDI input and output allowing the unit to operate as a stand-alone controller (even without a host device).

Plug and play
As an MFi certified audio interface, it is designed to work right out of the box with an iPhone or iPad using the included Lightning cable as well as with Mac® and PC via USB. It is the only floor controller to feature a convenient device bay, where you can safely position your iOS device – charging it during use – for an immediate and clear view of the interface along with other tablets like the Microsoft® Surface, taking advantage of the touch screen interface for speed and flexibility in creating and tweaking guitar tones.

Full suite of software included
With over $/€800 worth of IK software and apps, iRig Stomp I/O puts all the power of the world’s best sounding guitar amp, FX modeling and vocal processing software right at the feet of users with a collection of over 160 gear models for Mac/PC and 70 for iOS. Electric guitarists and bass players can unleash the full power of AmpliTube on Mac/PC as well as on iPhone and iPad, while acoustic guitarists can shape their tone with AmpliTube Acoustic for iOS and singers can get creative with VocaLive and Mic Room. The seamless integration with AmpliTube and VocaLive makes it as easy as plug-and-play to record on multiple devices using IK’s powerful, state-of-the-art, 64-bit software.

Plus, recordings can be taken to the next level on Mac and PC using four select processors from IK’s flagship T-RackS mixing and mastering suite (the White-2A, Black 76 and VC-670 compressors, and the EQP-1A equaliser, for authentic analog studio sound).

iRig Stomp I/O is designed to give electric and acoustic guitarists, bass players, vocalists, and songwriters a new way to have full control over their tone in any situation. Furthermore, iRig Stomp I/O offers the unique advantage of getting the same sound on stage as in the studio with a solution that is easily updatable as new software and features are released, making it a future-proof system.

Pricing and availability
iRig Stomp I/O is expected to ship in March 2018 and can be pre-ordered now from the IK Multimedia online store with free shipping and from IK authorized dealers worldwide for the remarkably affordable price of only $/€299.99*.

* All prices excluding taxes

For more information, please visit:
www.irigstomp.io

To see iRig Stomp I/O in action:
www.irigstomp.io/video

Ik multimedia irig pro I/O in Apple stores now

Posted on September 7, 2017 by flux302

IK Multimedia. Musicians First.

Media Alert

iRig Pro I/O now available in the Apple Store

The most advanced iPhone, iPad and Mac audio/MIDI interface
is now available in over 200 Apple retail and online stores worldwide

September 7, 2017 – IK Multimedia is proud to announce that iRig® Pro I/O, the cutting-edge high definition audio/MIDI interface for iPhone®, iPad® and Mac®, is now available in the Apple Store® at more than 200 locations worldwide and online.

iRig Pro I/O lets musicians connect all their gear to their mobile devices or computers to make music and produce audio, anytime and everywhere, with a portable, pocket-size mobile studio they can always carry with them. The combo microphone and instrument input allows users to record high definition, studio quality audio anywhere. A MIDI input and output allow to connect keyboards and controllers and a headphone output jack with a dedicated volume control is perfect for use with the new iPhone 7 and its future generations. iRig Pro I/O is a truly powerful, professional and portable recording solution that operates on AA batteries when connected to an iOS device, or on USB power when used with a Mac. When used with an optional power supply unit, it even charges a connected iPhone or iPad during extended sessions. A huge selection of IK’s award-winning apps and software is also included with iRig Pro I/O enabling complete music productions with a total value of more than $/€500.

iRig Pro I/O now available in the Apple Store

Being certified MFi hardware (Made for iPhone and iPad) iRig Pro I/O is guaranteed to be plug-and-play on all iOS devices with a Lightning® port using the included Lightning cable while the USB cable included connects Mac computers. iRig Pro I/O works out of the box with popular Digital Audio Workstation (DAW) software like GarageBand®, Logic Pro® and more.

IK Multimedia is the leader of the mobile music creation revolution as the first company to utilize the power of the iPhone, tapping into it with products like the award-winning iRig line of guitar interfaces and AmpliTube amp modeling software allowing users to plug their guitars and basses into their phones and experience the most authentic amplifier tones and effects anywhere.

Today IK Multimedia offers more Apple certified music and audio creation and production hardware than any other manufacturer, with the widest range of interfaces, microphones, keyboards and other controllers for musicians, producers and podcasters available on the market. All of this is complemented by a full range of software and apps along with other accessories like stands, speakers and video accessories, focused on plug and play, portability and affordability that has made music and audio creation easier for millions of consumers around the world. With more than 50 million software and app downloads and over 2 million units of its iRig branded products sold since 2010, IK Multimedia is the undisputed leader in the mobile music creation category with over 70% market share.

iRig Pro I/O, together with the vast majority of IK Multimedia products are also “Made in Italy” in its fully owned state-of-the-art manufacturing facility that combines the highest quality processes together with a focus on unique Italian world class craftsmanship. This goes together with IK’s social responsibility standards that ensure compliance with the strictest labor regulations in the world along with eco-friendly programs, such as lessening environmental impact by reducing waste, employing smart recycling techniques and reducing power consumption by utilizing roof mounted solar panels to generate electricity.

iRig Pro I/O is available now from Apple.com and at more than 200 retail locations worldwide.

In addition, other IK Multimedia products like iRig HD 2 (guitar interface), iKlip Grip and iKlip Grip Pro (multi-functional iPhone stands) and iRig Keys (keyboard controller) can be found in the Apple Store worldwide.

www.apple.com/choose-your-country

www.apple.com/retail/storelist

For more information, please visit:
www.irigpro.io

For a video of iRig Pro I/O in action, please visit:
www.irigpro.io/vid

IK Multimedia’s ARC System 2.5 with new MEMS microphone is now shipping

Posted on August 4, 2017 by flux302

IK Multimedia is proud to announce that ARC System 2.5 with MEMS microphone is now available for shipping. Version 2.5 of the Advanced Room Correction System combines a new highly accurate MEMS measurement microphone, measurement software together with an audio correction plug-in for Mac/PC DAWs (Digital Audio Workstations) and employs Audyssey MultEQ® XT32 patented technology to greatly improve the audio monitoring accuracy of speakers in any studio or listening room.

The first system of its kind, ARC System works by measuring the room in multiple positions, producing an accurate representation of its acoustic response, then generates a correction filter that makes the response linear. This allows users to mix and compose in an environment capable of an exact representation of the music and audio being produced, regardless of the acoustic characteristics of the room. ARC System was first introduced by IK Multimedia in 2007 and quickly established itself as one of the most popular acoustic correction systems in the world.
New high-precision MEMS measurement mic
IK Multimedia was the first to incorporate the use of MEMS (microelectro-mechanical systems) microphones for pro audio recording applications with its popular iRig® Acoustic range, first released in 2015, and is now pioneering their use in the field of ultra-accurate measurement microphones. The new MEMS measurement microphone included in ARC 2.5 works together with the room correction software to achieve a new milestone in accuracy with a precision of +/- 0.5 dB. Just like the other MEMS products from IK, the new measurement mic is manufactured in Italy and features an omnidirectional capsule that ensures maximum response accuracy and stability over time, in contrast to standard condenser measurement microphones which can exhibit frequency response variations due to manufacturing or age.

MEMS microphones offer extreme resistance to shock along with humidity and temperature variations thanks to the manufacturing process behind them. This means they are very durable and can be easily transported without the risk of damage. Additionally, all the ARC System microphones manufactured using this process maintain a consistent degree of accuracy with near-zero variation in performance from unit to unit. This guarantees accurate, repeatable and reliable audio measurements even after long periods of time.

MultEQ® XT32 Technology
ARC 2.5 utilizes Audyssey MultEQ® XT32 technology to evaluate the acoustic information captured at multiple locations in the listening area in both frequency and time domains. It uses a sophisticated clustering algorithm to combine this information so that acoustic problems are accurately analyzed. Based on these measurements, a correction filter is calculated that adjusts both time and frequency response problems in the listening area and performs a fully automated system setup. The result is clear, well-balanced audio monitoring in any environment.

“Virtual Monitoring” for the real world
The included “Virtual Monitoring” feature lets users select specific templates to deliberately alter the response of the monitoring setup to match devices like LCD TVs, car audio systems, small radios, etc., and listen to how their mixes will translate on other “virtual” band-limited systems and to ensure a perfect sound translation.
Thousands of rooms corrected worldwide
Since 2007, IK Multimedia’s ARC System has been leading the way in terms of true affordability and professional reliability when it comes to acoustic room correction systems. With tens of thousands of installations worldwide, correcting the rooms of music enthusiasts and independent producers to those of studio and acoustic engineers, ARC has become an absolute industry standard that continues to amaze for its ease of use and indisputable effectiveness.

Take the room out of the mix
ARC System is the most cost-effective, professional solution for achieving a consistent sound and frequency response across the entire spectrum in any room, whether acoustically treated or not. From home studios to professional recording facilities, ARC will take the “sound of the room” out of the equation, enabling users to mix faster and with total confidence, ensuring their productions translate properly with the outside world.

Pricing and availability
ARC System 2.5 with MEMS microphone is now available at a cost of $/€199.99*. Users that have previously purchased any IK product with a minimum value of $/€99.99 can take advantage of a special crossgrade price of only $/€149.99.

Current ARC 2 users can upgrade to software version 2.5 free of charge (Mac/PC), whereas ARC 1 and ARC TDM users can upgrade their software for as low as $/€49.99.

The MEMS measurement microphone can be purchased separately for $/€69.99 by previous ARC users**.

* All prices excluding taxes
** Software must be updated to v.2.5 for compatibility with the MEMS microphone

For more information, please visit:
www.ikmultimedia.com/arc