Erica Synths announces its latest breakthrough desktop device: Matrix Mixer. As Eurorack users may know, it can be challenging to change a patch radically during a performance, therefore diverse performances often require large systems or end up being extremely experimental. What if you could repatch your system with the push of a single button?
The new Erica Synths Matrix Mixer is a 16 I/O desktop patch matrix that can route and mix signals with high precision, create buffered multiples and random patches. It can also interface external instruments with your Eurorack system, yet is not limited to Eurorack.
The Matrix Mixer can be used with semi-modular synthesizers, as well as through adapter cards with the EMS Synthi and Buchla Music Easel. Thanks to simple patch changes via panel buttons or MIDI program change messages, the Matrix Mixer will be particularly useful in performances that combine Eurorack and other performance instruments — such as drums, guitars, wind instruments, and much more. This presents a new and elegant way to make your modular performance stand out.
Matrix Mixer Features:
All analogue signal path
16 buffered, DC coupled inputs
16 independent, buffered, DC coupled outputs
256 connections, each with 3 attenuation levels
Random pattern mode with definable randomization area and density
254 pattern memory
Pattern change via MIDI program change messages
32 3,5mm jack sockets
4 6,3mm jack sockets
The Matrix Mixer will begin shipping late this month and is priced at €490 or $599 USD. For more information or to pre-order, please visit the Erica Synths webshop.
Analogue Solutions stylishly reshapes discontinued design to release redesigned Leipzig v3 as advanced Analogue Synthesiser
KINGSWINFORD, UK: British boutique electronic instruments innovator Analogue Solutions is proud to announce availability of Leipzig v3 — an advanced Analogue Synthesiser stylishly reshaped as a desktop design drawing deeply from the DNA of the rack-mountable Leipzig-S analogue synth/sequencer, a discontinued design dating back to 2011 and effectively now made better by redesign to improve reliability, quality, and other manufacturing considerations, as well as adding several notable new features — as of April 5…
As a desktop device duly delivering a better fit, format-wise, for present-day production preference, Leipzig v3 takes its (re)design cues from Analogue Solutions’ 2019-introduced Impulse Command — critically acclaimed as a true stereo, semi-modular analogue synthesiser/sonic realiser conceivably capable of sounding like several synthesisers simultaneously playing, perfectly-packaged as a desktop device — yet readily retains the same angry, analogue sound as its rack-mountable (Leipzig-S) predecessor, popularised itself by bona fide synth-pop pioneer Vince Clarke, long-standing Gary Numan producer Ade Fenton, and Nine Inch Nails main man Trent Reznor, all appreciative of the pure analogue voice and modulation circuitry — circuits based on superlative-sounding Seventies-vintage designs, so no quantisation for CPU (Central Processing Unit) reading required, in other words — with extensive routing possibilities, fat-sounding Moog-style filter, two VCOs (Voltage-Controlled Oscillators), and analogue step sequencer on offer to discerning disciples, distinguished or otherwise. Obvious change of form factor duly dealt with, several notable features new to the resulting (non-rack-mountable) Leipzig v3 desktop design are well worth highlighting here from the get-go. Firstly, flexibility is increased when accessing a healthy number of self-explanatory CV (Control Voltage) patch points positioned directly on the top panel as Eurorack patch cable-compatible 3.5mm mini (mono) jack sockets, so Leipzig v3 can be both cross patched within itself and also to external Eurorack modular synthesisers.
Increased INPUT connectivity comes courtesy of MASTER PITCH MOD — modulates the pitch of both VCOs; VCO 2 PITCH MOD — modulates the pitch of VCO 2 only; CUTOFF MOD — modulates the VC LPF (Voltage-Controlled Low-Pass Filter) CUTOFF frequency; EG TRIG — triggers both (ENV 1 and ENV 2) envelope generators (upon receiving a trigger or gate signal); and EXT SIG (external signal) — an audio signal (routed to the MIXER via an associated EXT switch) or clock signal (used to clock the CV SEQUENCER from an external device when the SYNC SOURCE selector is turned to EXT). Equally accessible are the following OUTPUT-dedicated patch points: SEQ SYNC — similar to a through clock, copying the clock signal selected to clock the CV SEQUENCER, so it can be ‘thru-d’ to another device to synchronise them together; LFO triangle and square signal outputs; envelope generator 1 and 2 signal outputs; and SEQ CV — control voltage output from the CV SEQUENCER.
Speaking of the latter, the capabilities of an already-capable eight-step analogue sequencer — surely wasted when only used to create simple- sounding (MIDI-transposable) melodies or percussive loops when it can also act as a musical modulation source to step through striking sound changes (courtesy of the output CV being routed to VCO 1 pitch, VCO 2 pitch, and VCF cutoff with associated adjustable DESTINATION levels) — have helpfully been extended to turn off VCO 2 (square wave only) on selected steps by activating the RHY(thm) toggle switch and manually stepping through the CV SEQUENCER using the STEP push button, then toggling VCO 2 on or off using the RHYTHM push button; consequently, VCO 2 will only sound when the RHYTHM button LED (Light Emitting Diode) is lit, which, when used in conjunction with VCO 1 still sounding on every step, creates the illusion of more than one synthesiser playing! But briefly stepping out of the wonderful world of analogue, Leipzig v3 also has a ‘hidden’ dynamic (digital) 16-step sequencer that constantly stores every note played in via MIDI into volatile memory as a 16-step loop. It is always locked in sync with the analogue sequencer and new notes can be entered into the 16-step loop while the sequencers are running, permitting patterns to be constantly changed on the fly. Straightforward synchronisation of the sequencer to a DAW (Digital Audio Workstation) is perfectly possible by simply sending it MIDI Note 000; as such, it can be clocked at any tempo (and also divided down relative to the DAW’s tempo), stopped, started, and muted from the DAW itself — impossible with MIDI Sync, so something of an added bonus in itself for Leipzig v3 owners. Other tweaks to the contemporary desktop design implemented in Leipzig v3 are comparatively subtle, such as a top panel-positioned (3.5mm mini jack) headphone output and rear panel-positioned power switch that is illuminated. Illuminating additions aside, although Leipzig v3 clearly comprises some special features, fortunately its general architecture, signal flow — VC OSCILLATORS > MIXER > VC LPF > MODULATION > ENV 1 > ENV 2 > VCA, et al — and control nomenclature is still fairly standard, so the synthesiser itself is fairly straightforward to use.
Ultimately, Leipzig v3 sounds huge — especially evident when pressed into playing bass parts, at which it really reigns supreme. Sonic enrichments further abound as the MIXER and VC LPF sections can both be really overdriven, lending Leipzig v3 a really hard sound. Saying that, this of course can be toned down and softer synth sounds are also achievable — as, indeed, is everything in-between. Besides bass sounds, Leipzig v3 equally excels at creating electronic percussion — not just sounds, but also percussive loops, thanks to the flexibility of that onboard step sequencer. Percussive patterns can be quickly created and synchronised to — or recorded directly into — a DAW. As a semi-modular mainstay, Leipzig v3 can capably create leads, effects, modular-style sounds, and more, making it an ideal investment for anyone budgeting for only one analogue synthesiser since it covers so many basses… and bass sounds!
Leipzig v3 is available to purchase — priced at £1,018.80 GBP (including VAT) — directly from Analogue Solutions via the dedicated Leipzig v3 webpage (https://www.analoguesolutions.com/leipzigv3), which also includes more in-depth information. Please note that Analogue Solutions cannot ship to Austria, Belgium, France, Germany, Holland, Luxembourg, Switzerland, or the United States since those countries are serviced by dedicated distributors, but outside of those countries it is possible to order directly from Analogue Solutions’ growing global network of authorised dealers (https://www.analoguesolutions.com/dealers) with whom Leipzig v3 will be available at a European SSP (Suggested Selling Price) of €1,179.00 EUR (including VAT) and an a MAP (Minimum Advertised Price) of $1,199.00 USD. See and hear Leipzig v3 being put through its impressive paces in Analogue Solutions’ sonically-diverse demonstration video here:https://youtu.be/ktsfxTF5jx8
New paraphonic dual-filter analog synthesizers elevate the UNO lineto new levels of sound design, flexibility and connectivity
January 13, 2021 – IK Multimedia announces UNO Synth Pro and UNO Synth Pro Desktop. Developed in collaboration with Italian boutique synth-maker Soundmachines, both these new analog synthesizers take the groundbreaking UNO Synth monophonic synth and expand it in nearly every section: more oscillators, more filters, more sequencer memory, more effects, more presets, more connections and more programmability. UNO Synth Pro puts this amazing new sound engine in a rugged metal chassis with a 37-key synth-action Fatar keybed, while UNO Synth Pro Desktop provides a more portable form factor to travel anywhere.
The UNO Synth Pro’s unique dual-filter, 3-oscillator paraphonic design lets it create nearly any synth sound imaginable, and with 256 presets, a new 64-step sequencer and expanded CV/Gate and audio connections, users will quickly find it’s the ideal creation station for any outboard rig.
Huge, real analog sound Three analog oscillators offer continuously variable waveshape, including pulse-width modulation. Oscillators can be hard-synced for more harmonically-complex tones, and oscillator FM (frequency modulation) lets users shape everything from bell-like sounds to screaming industrial tones. UNO Synth Pro even includes ring modulation for wobbly, sci-fi sound, and a white noise generator for a wide range of percussive sounds and epic rises.
Dual-filter design with 24 available modes In addition to the original UNO Synth’s 2-pole OTA multimode filter, UNO Synth Pro adds a new SSI 2/4-pole LP filter with self-oscillation. The dual filters can be used in series or parallel, with invertible phase, for a total of 24 possible filter modes. This unique design offers nearly limitless tonal possibilities, from recreating classic vintage sounds or forging completely new, experimental sounds.
Massive sonic flexibility UNO Synth Pro offers two full ADSR envelopes, one dedicated to the filter and the other to amplitude, with both available as sources to modulate everything from oscillator pitch and waveshape to LFO speed or even other envelope stages. Two LFOs (low-frequency oscillators) can create classic synth vibrato, wah and tremolo as well as do more complex modulations including audio range FM.
A 16-slot modulation matrix makes routing all these a breeze. Users can quickly and easily design even the most sophisticated modulation scheme, with both internal and external sources, including MIDI controllers.
Deep onboard effects UNO Synth Pro offers four effect blocks: an analog overdrive circuit from the original UNO Synth, plus three new, custom-designed digital effects: modulation, delay and reverb. External signals can also be routed through these effects, with pre-effects filtering for added flexibility.
Improved playability UNO Synth Pro offers a premium 37-key synth action keybed made in Italy by Fatar, while UNO Synth Pro Desktop provides an enhanced version of the original’s long-lasting capacitance-sensing keys along with pitch and mod strips for enhanced expression. Both units add firm-touch rubber pads for the control sections, plus LED-backlit indicators and an LED display for key information, making it easier than ever to use live on stage or in deep programming sessions in the studio.
First-class analog sound
Dual state variable filters
Discrete morphing oscillators
PWM, sync, FM and ring modulation
12 studio-quality effects
Monophonic or 3-note paraphonic operation
256 user-editable presets
Power supply included. Desktop model powered by via USB or power bank
USB MIDI and firmware update
Programmable CV/Gate input/output
Audio input to filters, FX or pass-through
Balanced stereo outputs
5-pin MIDI DIN input/output and Soft Thru
Powerful presets, sequencer and arpeggiator UNO Synth Pro offers 256 user-editable presets, each capturing the full state of the sound engine from oscillators to effects. An onboard 64-step sequencer offers both step and real-time recording, with automation of over 80 parameters, letting users create incredibly intricate and evolving soundscapes, and even write CV and gate automation.
And a 10-mode arpeggiator makes it easy to create intricate patterns and runs, while a new “chord mode” takes advantage of UNO Synth Pro’s paraphonic design, opening the door to triads and chord work.
Advanced connectivity UNO Synth Pro offers two noiseless, balanced stereo outputs as well as headphone out, for superior audio quality in any situation. USB and 5-pin DIN MIDI In and Out make it easy to integrate with other synths, Mac/PC and mobile devices, and its assignable CV/Gate connections lets UNO Synth Pro interact effortlessly with a Eurorack or other modular system.
And now, an audio input allows access to the filter and FX section for external signals, in addition to the original pass-through for daisy-chaining multiple units together without using a mixer.
Options, pricing and availability UNO Synth Pro and UNO Synth Pro Desktop will be arriving in Q1 2021 and are currently available for pre-order from the IK Multimedia online store and from IK authorized dealers worldwide for $/€649.99* and $/€399.99 respectively.
Black Lion Audio announces availability of affordable PG-XLM and PG-X as best-in-class power conditioning CHICAGO, ILLINOIS, USA: boutique audio company Black Lion Audio is proud to announce availability of the PG-XLM Power Conditioner and PG-X Power Conditioner — providing best-in-class professional power conditioning as affordable 1U rack- mounting must-haves with PG-90 Filtering technology providing an average of 90% of noise filtering — as of December 28… Anyone actively involved in professional music-making — onstage or otherwise — knows that it takes more than a few rack-mounted power outlets to inspire true confidence in a power conditioner. Clearly, acquiring a must-have piece of gear only to find it noisier than expected or missing high-frequency detail — or, worse still, having it fried by an unwanted power surge — are all far from ideal scenarios! Such sorry setbacks need not happen, however; Black Lion Audio is here to help, having long since been trusted to modify the best gear and make it even better, which is what it took to create the PG-XLM and PG-X — taking industry-standard designs, and improving them to the point of peak performance. Power conditioning comes naturally to Black Lion Audio. After creating its original PG-1 (https://www.blacklionaudio.com/store/products/pg-1/) as a confidence- inspiring, rack-mountable power conditioner — also available as the PG-1 TYPE F (https://www.blacklionaudio.com/store/products/pg-1-type-f/) variant with 230V Europlug connections, the company collectively realised that there are a lot of professionals out there working with a smaller budget who felt left out since some of its features could conceivably be viewed as overkill when seeking something appropriate at a more affordable price point. It is with this in mind that Black Lion Audio has built both the PG-XLM and PG-X, while still providing best-in-class professional power conditioning! Clearly not all power conditioners are created equal, yet Black Lion Audio acknowledges that everyone’s hard-earned equipment purchases deserve the best power possible, which is why it took great care in making sure that the PG-XLM and PG-X both deliver just that — thanks to that best-in-class PG-90 Filtering technology providing an average of 90% of noise filtering, as opposed to the typical average of 76% found in other power conditioners at the same price point. Putting this into practice, the PG-XLM features a back-panel-sited bank of eight switched, filtered, and surge-protected power outlets. On the front panel, there is a single SWITCHED OUTLET, an LED (Light Emitting Diode) display-based real-time VOLTAGE MONITOR, two pull-out lamps, and a (5V1A) USB CHARGER for device charging. As implied by its shortened nomenclature, the PG-X drops the lamps and metering from that specification, yet far from falls short of the mark by duly delivering the same core functionality to also provide confidence-inspiring power as an affordable 1U rack-mounting must-have.
Bristol, UK: leading British synthesiser manufacturer Modal Electronics is proud to announce availability of COBALT8 — an immensely powerful, eight-voice extended VA (Virtual-Analogue) synthesiser that brings traditional and entirely new analogue-style sound textures to modern music creation and production as an innovative, sophisticated synthesis concept comprising two oscillator groups with selectable algorithms in self-contained elements enabling multiple oscillator modulations, an all-new 4-pole morphable ladder filter with switchable configurations, an unparalleled modulation engine, and much more besides, extending far beyond the limits of its analogue forefathers — as of October 29… Creatively kickstarting a new synthesiser series by building on the tradition of warm and punchy analogue-style synth sounds seeded by bygone legendary synthesisers, COBALT8 creatively unlocks the full potential of analogue waveforms with up to 64 high-resolution VA oscillators with extended drift — up to eight for each of its eight true polyphonic voices. The two independent and self-contained Osc (oscillator) groups include sine, pulse, triangle, and sawtooth waveforms alongside 34 unique algorithms allowing for complex analogue synthesis techniques, built-in cross-modulation (sync, ring modulation, and more), PWM (Pulse Width Modulation), smooth morphing between VA waves, bit crushing, and filtered noise — unlike any other VA synthesiser before it, increasing creative options for new-generation synth sounds. Speaking of which, Algorithm1 and Algorithm2 each have an associated simple-to- use pair of controls — A1 and B1, A2 and B2 — chosen to suit the particular algorithm or character, providing musicians with the power of traditionally complex oscillator modulations or processes spontaneously. But beyond COBALT8’s innovative oscillator engine an all-new 4-pole morphable ladder Filter — with Cutoff (frequency), Res (resonance), and Morph controls — has been added by Modal Electronics to inject more warmth and bite into the creative proceedings. Put it this way: with four switchable filter modes to play with, getting creative with the Notch filter or forming unusual synth textures with the Phasor, for instance, is only part of the story since two different characteristics are also available to instil a more subtle behaviour or process the sound with sheer raw power. Pushing onwards and upwards to tap into its unparalleled Mod (modulation) engine, COBALT8’s three dedicated envelope generators for filter (FEG), amplitude (AEG), and modulation (MEG) are all accessible independently or simultaneously, with negative (reverse) versions for the modulation and filter envelopes, enabling extensive control over dynamics and expression. Switchable envelope types provide greater options for tailoring them to suit specific sound purposes. The three — two polyphonic — audio-rate LFOs (Low Frequency Oscillators) can be routed to a multitude of destinations using the sophisticated modulation matrix with eight assignable modulation slots and four additional fixed modulation routings with 12 modulation sources and 55 modulation destinations, duly supporting easy assignments of complex routings to keep the sound evolving.
Elsewhere, the integrated 512-note realtime/step sequencer (Seq) features four powerful animation lanes — Anim1, Anim2, Anim3, and Amin4, letting users compose and create complex melodic patterns with ease. Indeed, its polyphonic 64-note step mode (with eight notes per step) enables easy step input for note and animation values. Meanwhile, multiple sequencer trigger modes coupled with the powerful onboard arpeggiator (Arp) — programmable up to 32 steps with rest capability (and up to 2,048 steps before repeating) — alongside other fanciful features (such as chord hold, inversions, transpose, sustain, and latch) all serve to further enhance COBALT8 playability.
Performance-wise, professional keyboard players will, of course, cherish COBALT8’s rugged, road-ready steel and aluminium chassis and premium FATAR TP/9S 37-note full-size key bed. Better still, the velocity-sensitive keys themselves support aftertouch and deliver smooth action with which to express powerful performances, while COBALT8 itself supports MPE (MIDI Polyphonic Expression) for next-generation expressive creativity. COBALT8’s 29 endless encoders (enabling realtime CC), 24 buttons, and a virtually ‘lockable’ four-axis joystick (assignable to a wide range of modulation destinations) provide direct tactile control over all crucial parameters for instant sound adjustments and changes, ably aided by a large 1.54-inch OLED display for instant visual feedback at all times. And all attractively presented in a compact — 55.5 cm/21.9” (L) x 30 cm/11.8” (W) x 10 cm/3.9” — form factor, flexibility and portability guaranteed. Glide/portamento (with both legato and staccato mode), and multiple — Mono, Poly, Unison (2, 4, and 8), and Stack (2 and 4) — keyboard modes are also at hand, as is stereo Width voice control. Readily reshaping sounds is also achievable using COBALT8’s three phenomenally powerful, independent, and user- configurable DSP-driven effects engines (FX1, FX2, and FX3), in-depth programming provided. Polish to suit with 11 available algorithms adding character and depth — namely, Chorus, Flanger (Pos), Flanger (Neg), LoFi, Ping-Pong Delay, Phaser, Reverb, Rotary, Stereo Delay, Tremolo, and X-Over Delay. COBALT8’s capacity for storing patches, sequences, and effects creations is outstanding. Out of the box, 300 of the total 500 patches are filled with factory creations, carefully programmed by some of the most accomplished sound designers in the world, with eight ‘Quick Recall’ slots always accessible from the front panel for fast loading of favourite patches. Performance enhancements continue with 100 sequences that can be linked to any patch for fast loading of arrangements alongside 100 customised effects configurations. Thanks to two (Right and Left Mono) unbalanced 6.3 mm (1/4”) TS audio outputs, a 6.3 mm (1/4”) stereo Headphones output, a 3.5 mm (1/8”) stereo Audio In (with an ability to route incoming audio through the effects), 6.3 mm (1/4”) Expression and Sustain pedal connections, 3.5 mm (1/8”) analogue clock Sync In and Sync Out connections (configured to the Teenage Engineering/Korg specification), MIDI In and MIDI Out DIN connections, and also a class-compliant USB MIDI connection to a host tablet or computer, COBALT8 is a perfect fit for any live performance or studio setup. Saying that, the free MODALapp brings the comfort of screen-based editing on a computer or mobile device to COBALT8 (and all other Modal Electronics hardware). Available as a standalone app for macOS (10.10 or above), Windows (8 or above), iOS (12 or above), iPadOS (13 or above), and Android (6 or above), and also in VST3/AU macOS (10.10 or above) and VST3 Windows (8 or above) plug-in formats for keeping users in the flow while producing music with any compatible DAW (Digital Audio Workstation) software, it is the perfect companion for synth enthusiasts looking to dive deep into all sound forming and performance parameters to create their own signature sounds, and to backup and manage patches and sequences. Musically meeting the requirements of next-generation electronic musicians, synth aficionados, and producers alike, COBALT8 is, indeed, an immensely powerful, eight-voice extended VA synthesiser with which Modal Electronics has creatively kickstarted a new synthesiser series.
COBALT8 will soon be shipping and available through selected Modal Electronics dealers worldwide in November 2020 with an RRP (Recommended Retail Price) of £579.99 GBP (including VAT), MSRP (Manufacturer’s Suggested Retail Price) of €649.99 EUR (including 20% VAT), and a MAP (Minimum Advertised Price) of $749.99 USD.
Moog Music’s new Dark Series design for their popular Matriarch and Grandmother analog synthesizers pays tribute to the timeless aesthetic of legacy Moog modular systems. The instruments are now available worldwide. Plus, Moog debuts the first protective cases custom made for Matriarch and Grandmother.Asheville, NC, September 24, 2020 —
Today, Moog Music announced a new addition to its line of semi-modular keyboard synthesizers. Dark Series for Matriarch and Grandmother strikes the perfect balance between classic and modern, featuring an all-black aesthetic that invokes the timeless look of early Moog modular systems—with all the functionality and versatility these two state-of-the-art sound design machines are known for.The new visual twist for Grandmother and Matriarch is a nod to the modular control panel designs that inspired their very creation. In 2018, when the first of these two patchable analog keyboard synthesizers was introduced, Moog explained that “Grandmother’s circuits, spirit, and spring reverb are inspired by the classic Moog modular synthesizers designed by Bob Moog during the 60s and 70s.” The instrument quickly became a staple in studio setups and live performance settings, a go-to first synthesizer for beginners, and a multifaceted creative tool for musicians of all skill levels to explore. Following Grandmother’s success, Moog developed an even more expansive, expressive semi-modular analog keyboard synthesizer: the four-note paraphonic Matriarch.A complement to the distinct multi-colored artwork of the original Matriarch and Grandmother synthesizers, Dark Series presents a style option that celebrates the intersection of tradition and innovation. To learn more about these instruments and locate a Moog authorized dealer, visit moogmusic.com.VIDEO: Lisa Bella Donna | The Mothership II: Night FlightAs a sequel to her mind-expanding video The Mothership, sonic sorceress Lisa Bella Donna modifies her setup to unleash the vast potential of the complete five-member Moog semi-modular family for the first time. Witness her first encounter with the new Dark Series Matriarch and Grandmother synthesizers alongside their keyless counterparts: Mother-32, DFAM, and Subharmonicon.
WATCH VIDEO HERENew Patches & Firmware UpdateNew exploratory patches are now available to download for Matriarch and Grandmother registered owners. These 30 patches (16 for Grandmother and 14 for Matriarch) are designed to guide your eternal experimentation and open your mind to each instrument’s unparalleled analog sound. Visit moogmusic.com/register to access the latest patch sheets right in your account.Along with the inspiring new patch ideas, firmware v1.2.0 for Matriarch and v1.1.0 for Grandmother are now available for both versions of the instruments (original edition and Dark Series). The updates feature a new sync engine that keeps the internal arp/sequencer, analog clock, and MIDI all tightly locked in phase; a new easy method to reset global settings to defaults; a new Envelope Multi-Trig mode for Grandmother; and many other firmware enhancements, new features, and bug fixes based on customer feedback for both instruments.
Visit moogmusic.com/register to access the latest firmware and explore the added features for your Grandmother or Matriarch.Matriarch & Grandmother Protective SR Series CasesAlong with the new look for Matriarch and Grandmother, the Asheville-based synthesizer company unveiled Moog SR Series Cases, which are now available to pre-order for both instruments.See Moog SR Series Case for Matriarch here.See Moog SR Series Case for Grandmother here.Developed with artists for artists, Moog SR Series Cases were meticulously designed based on conversations with musicians to protect these two instruments better than any other offering on the market. These durable, weather-resistant protective cases ensure that your Moog Grandmother or Matriarch synthesizer (original colorway or Dark Series) are safeguarded at home, in the studio, and away. Featuring generous padding around a semi-rigid ABS shell, water-resistant zippers, non-slip straps, and ample storage, Moog SR Series Cases offer complete protection, comfort, and convenience—so that you can continue to create with your favorite synths for years to come.Moog SR Series Cases will begin shipping in October 2020.LEARN MORE HERE
PATCH & TWEAK with Moog is now available for pre-order worldwide.Asheville, NC, September 15, 2020 — PATCH & TWEAK with Moog is the ultimate resource for Moog synthesizer enthusiasts and musicians of all skill levels interested in an immersive modular synthesis experience. Author, designer, and electronic musician Kim Bjørn has inspired thousands to explore the world of modular synthesis with his 2018 release of PATCH & TWEAK. This fall, Bjørn and legendary synthesizer company Moog Music invite readers on a new journey of discovering a deeper understanding of electronic sound.The forthcoming release ofPATCH & TWEAK with Moog is the result of more than a year of extensive collaboration with electronic music icons, established and emerging artists, and Moog employee-owners. Opening with a foreword from acclaimed film score composer and sound designer Hans Zimmer, this hardcover book features 200 pages full of synthesizer techniques, creative patch ideas, sound design tips, professional artist interviews, in-depth discussions with Moog engineers, and a glimpse into Moog’s remarkable history. Readers will get an inside look into the Moog factory in Asheville, North Carolina, where these iconic instruments are built by hand, and learn about the modular synthesis innovator who started it all: Dr. Bob Moog.
What Readers Can Expect to DiscoverThroughout PATCH & TWEAK with Moog’s 200 pages, readers will explore more than 100 tips, ideas, and patches to use as creative inspiration, ensuring artists of any skill level can experience the joy of analog synthesis.● Introduction to modular synthesis concepts● Specific overviews, tips, and techniques for each Moog semi-modular instrument● Expanded options for more advanced modular users● Ideas for integration with external gear and Eurorack modules● Interviews, patches, and tips from artists and composers● Insider interviews with Moog engineers● The history of Bob Moog, Moog Music, and the many Moog synthesizers Click here for a sneak peek of PATCH & TWEAK with Moog.Meet the Moog Semi-Modular FamilyPATCH & TWEAK with Moog focuses exclusively on Moog’s well-loved line of semi-modular analog synthesizers: Mother-32, DFAM, Subharmonicon,Grandmother, and Matriarch. These modern electronic instruments, each unique in sonic character and functionality, are inspired by the original analog circuitry of the very first modular synthesizers developed by Bob Moog in the 1960s. The pioneering synth company’s introduction of the Eurorack-compatible Mother-32 in 2015 made it more accessible than ever to explore classic Moog modular sound, helping to spark the modular renaissance. In the five years since, the Moog semi-modular family has expanded to include an instrument designed for percussive pattern creation (DFAM), expressive monophonic and paraphonic keyboard synths (Grandmother and Matriarch), and the new polyrhythmic Subharmonicon. PATCH & TWEAK with Moog captures and celebrates exactly why this collection of instruments is renowned throughout the music industry as quality sound design and performance tools.All of these semi-modular synthesizers are 100% analog, offer users the option to explore with or without patching, and are equally suited for beginner and expert synthesists alike.
Ordering & AvailabilityPATCH & TWEAK with Moog is now available for pre-order worldwide. Just in time for the holiday season, the book’s official release date is November 6th, 2020. Visit moogmusic.com, your favorite reseller, or bjooks.com to place your pre-order today.More about Kim Bjørn & BJOOKS BJOOKS is known for the highly acclaimed industry-standard books PUSH TURN MOVE, PATCH & TWEAK, and PEDAL CRUSH. All titles received five-star reviews and have become go-to books within the electronic music scene. Combining high-quality design with diverse artist interviews and overviews of gear, these books have earned their place in the hearts, hands, and studios of musicians and producers all over the world.BJOOKS is the boutique publishing company started and run by author, designer, and musician Kim Bjørn after the success of his first international book, PUSH TURN MOVE, in 2017. Following his passion for design, music, technology, and people, Kim created PATCH & TWEAK in 2018 with Chris Meyer of Learning Modular, and this book soon got the label “bible of modular synthesis.”Kim teamed up with brand manager Lars Juhl early on, and the dynamic duo from Denmark has decades of experience in design, publishing, sales, and music creation. Together with collaborators worldwide, the team follows its passion for making beautiful, highly usable, and tangible products in a digital world.The mission of BJOOKS is to continuously create exciting hardcover books about music technology, artists, and makers—to document, inspire, and explore the world of music creation. Learn more here.
REMAGEN, GERMANY: having opened eyes and ears when introducing its forward-looking flagship Quantum Synthesizer keyboard to widespread critical acclaim in 2018, Waldorf Music is proud to introduce its Iridium Synthesizer ‘sibling’ — sharing futuristic functionality and advanced tonality and applying those traits with welcomed added extras to a compact desktop form factor living up to the high-quality synthesizer developer’s demanding design standards — as of June 12…
Following in the Quantum Synthesizer’s trailblazing footsteps, the Iridium Synthesizer features a generous high-resolution multitouch display working — with haptic help — in perfect harmony with an adroitly arranged control panel positioning all functions for speedy operation. Noticeably new to the demonstrably differentIridium Synthesizer is its integrated 4 x 4 pad matrix, used to call up sequences, chords, scales, and arpeggios. A quick glance under the hood, however, reveals that the Iridium Synthesizer still shares the same selectable sound generation processes per oscillator (OSC 1, OSC 2, and OSC 3). As such, it can convincingly and comprehensively reproduce the sound spectra of the following five synthesis types: Wavetable, Waveform, Particle, Resonator, and Kernels. As a direct descendant of the legendary PPG Wave hybrid digital/analogue synthesizer series that made their mark throughout the Eighties by bringing the distinctive sound of wavetable synthesis to the musical masses, the well-known Waldorf Music marque is synonymous with top-tier wavetable sounds. Subsequently refining and expanding this sound generation process’ potential, the sound of Waldorf wavetable oscillators span subtlety to brutality — animated, digital, and diverse, yet easy to control. Classic wavetables from well-known wavetable synthesizers hailing from the PPG and Waldorf stables, spectral analysis, speech synthesis, wavetable generation from audio material, and more besides are all available to Iridium Synthesizer users when selecting Wavetable. With early wavetable synthesizers, even, typical waveforms familiar from analogue synthesizers were always available at the end of a wavetable. Waveform selection on the Iridium Synthesizer goes far beyond this, though, by offering up to eight simultaneously selectable waveforms per oscillator, enabling infinitely dense, fat analogue-sounding tones, with detuned modes, tuneable noise, and hard sync. 2GB internal sample flash memory is available to the Iridium Synthesizer’s Particle oscillator, opening up exciting new possibilities of traditional stereo sampling with granular synthesis functionality — also available when processing a live input signal — for extensive manipulation of sample-based sounds. So the Iridium Synthesizer comes complete with 2GB sample content, while sample material can be reloaded or backed up by the user via USB drives or MicroSD Card connections. Creativity abounds further still when selecting the Resonator sound generation process to manipulate multi-samples from the internal sample flash memory or noise via an exciter and various modulate-able spectral parameters — perfect for generating awe-inspiring animated sounds and drones, which can, for example, easily be integrated into a Eurorack modular synthesizer environment via the Iridium Synthesizer’s integrated control voltage connections (CV In1, CV In2, CV In3, and CV In4)… another added extra that should surely be welcomed in this day and age of anything goes! Get this, though: thanks to its innovative implementation of six Kernal operators, the Iridium Synthesizer can capably generate familiar FM (Frequency Modulation) tones of the type that revolutionised the entire synthesizer market in the early Eighties, as well as spectacularly different-sounding ones — and all without the notorious complexity associated with those once-revolutionary early-Eighties efforts ending up so overused on numerous hit records of the time. Thankfully, the Iridium Synthesizer’s deftly-designed multitouch display supports the processing and visualisation of sonic relationships of its Kernels, considerably easing the process of creating spectacularly different-sounding tones with more than a touch of originality thrown in for good measure! But better still, OSC 1, OSC 2, and OSC 3 can each play one of those sound generators, so spectacular-sounding sound design can come quickly to Iridium Synthesizer users of all levels — before being balanced by the OSC MIX (mixer). Thereafter, the signal from the three oscillators makes its way to the DUAL FILTER section where fully stereo multi-mode filters convincingly cover all conceivable classic filter variants. Various filter modes are additionally offered by the Digital Former, such as Comb, classic Waldorf high- and band-pass, and notch filters from Waldorf Music’s Largo and Nave software synthesizers, plus PPG models, alongside signal enhancer effects, such as Drive and Bit Crusher, and more. Moreover, an LFO (Low Frequency Oscillator) section with no fewer than six LFOs works with six loop-able ENVELOPES, all of which can be linked and smoothly operated within the 40-slot modulation matrix, thanks to the Iridium Synthesizer’s integrated high-resolution multitouch display. With up to 16-voice polyphony in full stereo and an ability to overlay two sounds or play them simultaneously via the split function, the functional desktop design of Waldorf Music’s Iridium Synthesizer allows for sound design opportunities that are often out of this world with up to 7,000 patches internally saveable. Speaking of which, since Iridium Synthesizer patches are compatible with Waldorf Music’s flagship Quantum Synthesizer (running recently-released version 2.0 firmware), they can be transferred to and from the Quantum Synthesizer. Such cross-compatibility means that the Iridium Synthesizer comes complete with an extremely extensive sound set from the get-go… get going with inspirational sounds programmed by some of the best sound designers in the world, or work with the inspirational Iridium Synthesizer’s fanciful features to sound highly original, off the cuff or otherwise. On the face of it, then, Waldorf Music has named its Iridium Synthesizer appropriately. After all, iridium dates back to the early 19th Century and the chemical element of atomic number 77 — named from the modern Latin word for rainbow (irid), since it forms compounds of various colours. Clearly, the range of sound colours available to Iridium Synthesizer users are almost limitless. Letting rip with that generous high-resolution multitouch display working — with haptic help — in perfect harmony with an adroitly arranged control panel positioning all functions for speedy operation is a joy to behold… both for eyes and ears!