Akai introduces MPK mini play

AKAI PROFESSIONAL® ADDS BUILT-IN SOUNDS TO THE WORLD’S MOST POPULAR MIDI CONTROLLER WITH THE MPK MINI PLAY


New ultra-portable instrument is based on incredibly popular MPK Mini, but adds 128 built-in sounds and its own speaker, making it the perfect instrument to play anywhere
Cumberland, RI USA (October 11, 2018) — Akai Professional, a leading manufacturer of music equipment for performers and producers, today announced the immediate availability of their all-new MPK Min portable MIDI controller. The ultra-portable MPK Mini Play is based on the world’s most popular midi controller—Akai Professional’s MPK Mini—but now it comes packed with 128 sounds and its own built-in speaker. With 8 backlit MPC drum pads and a 4-way joystick for simple control, players have all they need to play their music anytime, anywhere. Four knobs (two banks capable of controlling eight different parameters) can be used to tweak sounds and edit multiple parameters in real-time, giving musicians even more performance possibilities. Powered by 3 “AA” batteries, the MPK Mini Play is built for hours of wireless fun.
Amazing Connections
Not just a mini keyboard, the MPK Mini Play can also connect to a computer via USB port for the same plug-and-play MIDI functionality as the classic MPK Mini controllers. If not disturbing others is a priority, players can use the mini-audio output jack to connect headphones to the MPK Mini Play. When you want a bigger sound, simply connect to external speakers using the same output jack. All-in-one, easy- to-use fun with “pro” features—that’s the MPK Mini Play!
Features/Specs
– Built-in sound module with over 128 different sounds
– 25 mini keys with arpeggiator
– 4-way joystick
– 8 red backlit drum pads (2 banks, 16 total)
– 4 knobs edit sounds or send midi (2 banks, 8 total)
– Battery powered using (3) AA batteries
“We are extremely excited to introduce the MPK Mini Play,” said Dan Gill, Product Manager for Akai Professional. “The MPK Mini was a huge hit with musicians and now having all those sounds on-board with a built-in speaker, along with its go-anywhere portability, Play opens up new musical possibilities that people are going to love.”
U.S. retail for MPK Mini Play is $129 Available for purchase October 11, 2018
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4ms announce 4MS PODS compact eurorack cases

4ms Pods are a new line of eurorack cases with an emphasis on slim design primarily for the desktop. basically it lets you treat your modules like stand alone desktop FX units which can be really great.  the sizes come in 20,26and 32 hp sizes and can come either powered or unpowered. the case power can also be daisy chained so your desk doesn’t end up being a mess of wall wart wires.  All enclosures have 1hp spaced mounting holes The powered version will come with a newly designed, daisy-chainable supply from 4ms. Standard 2.1mm connectors will enable the user to chain Pod enclosures much like the Row Power system. Plastic plugs will be used to cover these mounting holes if the user would like to supply power themselves.

Pricing (no wall wart included):

20HP: $55/$99
26HP: $60/$109
32HP: $65/$119

Akai Fire new dedicated FL studio controller

— Akai Professional, a leading manufacturer of music equipment for performers and producers, today announced their newest product, the Akai Fire. Created in close collaboration with software manufacturer Image-Line, Fire finally gives FL Studio producers a dedicated hardware controller – designed to speed up the creative workflow and enhance the overall user experience. Released shortly after the successful launch of FL Studio 20, Fire celebrates the highly-anticipated arrival of FL Studio to the Mac OS platform, creating a completely new, hands-on way to interact with the popular DAW for PC and Mac users alike.
Featuring plug-and-play integration, at the heart of Fire is a 4×16 velocity-sensitive RGB pad matrix. Quickly input patterns on the Step Sequencer or switch over to Performance Mode for live playing and recording of notes and launching patterns. Bringing a tactile, mouse-free mixing solution to the FL Studio environment, Fire includes four banks of four touch-capacitive knobs, enabling the user to instantly see and adjust parameter values. This facilitates a more intuitive workflow, giving the ultimate control over channel, mixer and user-assignable parameters.
Features
· Plug-and-play integration with FL Studio
· Quickly input patterns along the timeline in the step sequencer · 4 x 16 Matrix of Velocity-Sensitive RGB Pads
· Expandable up to four units, creating the potential for an 8 x 32 Matrix · Record notes in Performance mode · Graphical OLED display
· 4 banks of assignable Touch-Capacitive Knobs
· Instantly navigate the Channel Rack, Browser, Tool Bar and Playlist windows · Use dedicated controls to quickly browse audio and project files · Dedicated Transport controls · USB Bus Powered
FL Studio Fruity Fire Edition Included
Enter the groundbreaking, high-powered workflow heard all over the charts with FL Studio Fruity Fire Edition, engineered for and included with Akai Fire. FL Studio is a complete software music production environment, the culmination of more than 20 years of innovative development. The bundled Fruity Fire Edition features everything you need in one package to compose, arrange, edit, mix and master professional quality music. With access to FL Studio’s piano roll editor and step sequencer, 500 tracks, VST & DXi instrument support, full automation functionality, plus 18+ virtual instruments and over a dozen built-in effects and processors, FL Studio Fruity Fire Edition provides the ultimate platform to create fully-produced, great sounding music.

Antelope Audio unveil Edge Family of modeling microphones

Antelope Audio unveil all-new Edge Family of modeling microphones
Edge Solo, Edge Duo, and Edge Quadro large-diaphragm condensers deliver pristine cardioid, multi-pattern and 360° recording with stunning vintage mic emulations
September 17, 2018 — Following the success of the acclaimed Edge and Verge modeling microphones, Antelope Audio have unveiled the next evolution of their mic modeling technology. The new Edge Family consists of three large-diaphragm condensers — the fixed cardioid pattern Edge Solo, the multi-pattern Edge Duo, and the dual-capsule Edge Quadro.
Together with Antelope’s continually expanding range of vintage mic emulations, available both as native plug-ins and as FPGA FX running on Antelope’s own audio interfaces, the new Edge mics deliver the characteristic sound of some of the most sought-after mics of all time with incredible depth and realism. Developed specifically for each mic, the emulations are based on exacting measurements of the original mics made in one of the best anechoic chambers in Europe.
Set to ship in October, the Edge Family makes Antelope’s unrivaled mic modeling technology available at a variety of different price points while expanding the range of possible recording applications — from mono to stereo to 3D audio. Custom electronics designed by Antelope’s award-winning engineers deliver exceptional dynamic range and frequency response, resulting in an excellent microphone even before choosing your favorite vintage mic flavor.
Antelope Audio founder Igor Levin comments: “We are constantly looking to innovate and deliver greater value to our users. With the Edge Family, we’ve grown our mic modeling ecosystem into a complete recording solution. We set out to deliver not just the best modeling mics available but the best microphones in the industry, period.”
Introducing the new Edge Family
Exclusively built at Antelope’s European headquarters and featuring electronics designed by Igor Levin himself, the Edge Family are outstanding mics in their own right, with an exceptionally even frequency response and wide dynamic range. Their transparent, accurate response provides the perfect platform for Antelope’s remarkable mic emulations.
Edge Solo is the simplest of the three new mics. Connecting via a regular mono XLR cable, it houses a single large-diaphragm capsule with a fixed cardioid pickup pattern. It’s specifically designed to work hand-in-hand with Antelope’s mic modeling plug-ins to emulate some of the greatest cardioid- pattern mics in history.
Edge Duo features a dual-membrane capsule with independent outputs, allowing the signal from each membrane to be individually processed and recombined. This not only means users can vary the polar pattern from within the plug-in, even after recording, it also allows the Edge Duo to accurately emulate the characteristic pickup pattern and on- and off-axis response of each mic for true multi-dimensional mic modeling.
Edge Quadro is a game-changing stereo/surround mic with two dual-membrane capsules and a rotating head. Delivering four channels for independent processing will allow for stereo techniques like M/S, X/Y, Blumlein, and even 3D sound. Users can select a different emulation and polar pattern for each head. The upper head can be rotated noiselessly even while the microphone is actively recording, delivering virtually limitless variations in tonality and stereo image.
The Edge emulations: a mic locker full of classics
The Edge Solo, Duo, and Quadro boast an ever-growing library of stunning vintage mic emulations. There are 11 different emulations already available, with 7 more soon to be released — all free to Edge owners. For the Edge Solo, all 18 will be available from launch.
When used with any of Antelope’s mic preamp-equipped audio interfaces, the new Edge mics offer maximum accuracy and real-time mic emulation courtesy of the interfaces’ onboard FPGA processing.
Uniquely, Antelope also provide native versions of their mic modeling plug-ins, meaning that no additional hardware is required. Available in VST, AU, and AAX formats for both macOS and Windows, Antelope’s native AFX mic emulation plug-ins deliver the same minimal latency, high degree of oversampling, and precise floating-point calculations as their renowned FPGA effects.
Edge Family giveaway
To celebrate the launch of the new Edge Family, Antelope Audio are holding a prize draw. For the chance to win an Edge Solo, Edge Duo, or Edge Quadro, simply visit https://en.antelopeaudio.com/edge-giveaway before October 8, 2018 and enter your details.
Watch Antelope Audio’s all-new Edge Family of modeling microphones introductory video here: https://youtu.be/jGX26IZE2z8

Zaor Updates the MIZA range to MKII with refinement and style

ZAOR Studio Furniture furthers MIZA range reach with MkII modifications and additions
ORADEA, ROMANIA: stylish, ergonomic, and affordable studio furniture-maker ZAOR Studio Furniture is proud to announce availability of several new revisions and additions to its marketable MIZA product line (catering to the ever-widening range of musicians, DJs, video artists, and such like looking for a comfortable and yet affordable working environment) — namely, the MIZA D-Stand MkII desktop speaker stand, MIZA Jr. MkII flexible media desk, MIZA Rack 12 MkII and MIZA Rack 16 MkII side racks, and MIZA V-Stand 36 and MIZA V-Stand 42 speaker stands — as of September 20…
As implied by name, MIZA D-Stand MkII marks ZAOR Studio Furniture’s new and improved revision of its original MIZA D-Stand desktop speaker stand from four years back. Benefitting from a more modernised (all-black) look, it includes more features. For starters, it is now height-adjustable by up to 50mm (above its 200mm-high horizontal configuration) and can also be angled at up to 9° while providing better acoustic isolation courtesy of four hemispheres made out of a synthetic viscoelastic urethane polymer that minimises transmission by up to 95%. With weight-bearing capabilities belying its diminutive (260mm x 260mm) footprint — up to 25kg when used horizontally and 15kg when angled, a pair of MIZA D-Stand MkII desktop speaker stands can be added to any desk to turn it into a production environment easily and speedily.
Similarly, MIZA Jr. MkII marks ZAOR Studio Furniture’s revision of its original MIZA Jr. flexible media desk for computer-based workflow while targeting video and audio applications. As such, this time the company set about streamlining the production process, resulting in a reduced RRP (Recommended Retail Price) — down to €439.00 EUR (for MIZA Jr. MkII) from €499.00 EUR (for MIZA Jr.), so the end result remains focused on providing the user with a no-compromise workspace without breaking the bank. Better still, specifications remain remarkably similar to what they were with a perfectly sized (1250mm: W x 650mm: D) top plate for fitting into smaller spaces. Saying that, this is supplemented by a 61-note keyboard controller-accommodating (1129mm: W x 308mm: D) pullout draw, which is height adjustable in seven steps of 7mm, while a lower passageway positioned rearwards retains unsightly cables, conveniently keeping them out of sight. Strongly constructed from Melamine-faced chipboard with a strip of solid wood along the front edge of its top plate for aesthetic and protective purposes, MIZA Jr. MkII is available in Cherry/Black and Wenge/Grey finishes, flat packed for easy transportation and assembled easily.
Appropriately-monikered, the MIZA Rack 12 MkII and MIZA Rack 16 MkII side racks represent revisions of ZAOR Studio Furniture’s original MIZA Rack 12 and MIZA Rack 16, stylish 12U and 16U open airflow designs that both benefit from a repositioned cable passageway — sited behind the practical low-level drawer — to comfortably accommodate rack-mountable equipment without any depth restrictions via quality rails angled at a gentle incline using the included cage nuts, screws, and washers. What’s more, both feature a sizeable (600mm: W x 500mm: D) top plate, providing an additional work surface suited to any studio setup. Strongly constructed from Melamine-faced chipboard, MIZA Rack 12 MkII and MIZA Rack 16 MkII are available in (MIZA Jr. MkII-matching) Cherry/Black and Wenge/Grey finishes, flat packed for easy transportation and assembled easily.
Ending on a new-fashioned note, the self-explanatory MIZA V-Stand 36 and MIZA V-Stand 42 speaker stands are an all-new addition to ZAOR Studio Furniture’s marketable MIZA product line. Like the musician-friendly MIZA D-Stand MkII before them, they marry a modern (black-finished) look with a moderate cost, but not at the expense of delivering a stable solution with zero resonance — everything needed in a fixed-height 36-inch (MIZA V-Stand 36) or 42-inch (MIZA V-Stand 42) speaker stand, in other words. While absolutely affordable, MIZA V-Stand 36 and MIZA V-Stand 42 adhere to the best standards of technical performance and design, both benefitting from a (300mm x 300mm) top plate-affixed Aerstop absorption pad for decoupling speakers weighing up to 40kg from within whatever room they are asked to perform — perfectly levelled, thanks to adjustable feet on the (300mm x 300mm) bottom plate.
Put it this way: with the MIZA V-Stand 36 and MIZA V-Stand 42 additions available alongside the MIZA D-Stand MkII, MIZA Jr. MkII, and MIZA Rack 12 MkII and MIZA Rack 16 MkII revisions, ZAOR Studio Furniture is now even better positioned to cater to that ever- widening range of musicians, DJs, video artists, and such like looking for comfortable and yet affordable working environments.
The MIZA D-Stand MkII desktop speaker stand, MIZA Jr. MkII flexible media desk, MIZA Rack 12 MkII and MIZA Rack 16 MkII side racks, and MIZA V-Stand 36 and MIZA V-Stand 42 speaker stands are available to order either directly through the Zaor Online Shop (https://zaorstudiofurniture.com/shop/en/) or via ZAOR Studio Furniture’s growing global dealership network (https://zaorstudiofurniture.com/index.php?page=dealers) with an RRP of €179.00 EUR (per pair), €439.00 EUR, €369.00 EUR, €399.00 EUR, €139.00 EUR (each), and €159.00 EUR (each), respectively.
For more in-depth information, please visit the dedicated MIZA product webpages via here: https://zaorstudiofurniture.com/index.php?page=miza

Keith McMillen Instruments Partners with Pearl Corp.

Pearl Announces North American Distribution Deal with Keith McMillen Instruments Further Expanding KMI’s Reach

Nashville, TN and Berkley, CA – June 15, 2018 – Pearl Corporation, a leading provider and manufacturer of acoustic and electronic drum and percussion products, together with Keith McMillen Instruments announce a distribution partnership to grow the availability and awareness of KMI products while expanding KMI’s reach into new markets.

This new distribution connection between Pearl and Keith McMillen Instruments will enhance the availability of KMI products and grow Pearl’s ever increasing footprint in the MI landscape. Pearl will also utilize its expertise in the School and Educational markets to introduce the many benefits of KMI instruments to music students and educators at all levels.

Pearl’s relationship with the Keith McMillen team began in 2015 as the two companies collaborated to develop Pearl’s MalletSTATION powered by KMI’s Smart Fabric Technology. MalletSTATION is a slim, modern, USB powered mallet controller that has been named the Best New Performance Tool for 2018 by School Band & Orchestra magazine and has received a 2018 Editor’s Choice Award from Music Inc.

Developing MalletSTATION gave Pearl a great understanding of just how disruptive KMI’s groundbreaking Smart Fabric Technology can truly be in the musical instrument space, stated Terry West, Pearl Corporation President and C.E.O. After reviewing KMI’s current product line it became evident to us all that Pearl’s reach and marketing abilities could bring added awareness and availability to the KMI brand. We are honored to represent KMI’s innovative products and extremely excited to see where this collaboration and distribution partnership might lead us in the future.

“While working with Pearl on the design of the MalletSTATION we came to appreciate their commitment to the highest quality and playability of musical instruments. Pearl understands what it takes to make an electronic controller behave in a most musical manner. We share that commitment. KMI has always focused on producing these new instruments while Pearl has also created a world class sales and marketing team. It makes perfect sense to have our instruments distributed by people who understand what makes a professional tool and how to support these instruments in the field” said KMI Founder and C.E.O. Keith McMillen.

The KMI product portfolio includes such innovative products as the Bop Pad, K-Mix, QuNeo, and QuNexus. Pearl will begin accepting orders for KMI products effective June 18, 2018.

For more information about Pearl please visit www.pearldrum.com and www.keithmcmillen.com for more information about KMI.

Pearl Corporation is a division of Pearl Musical Instruments, a world-wide leading manufacturer of acoustic and electronic drums, concert and marching percussion instruments, hand percussion and flutes.  Pearl Corporation is also the exclusive U.S. distributor of Adams Musical Instruments and Keith McMillen Instruments. Pearl Corporation is based in Nashville, TN.

Avantone Pro CLA-10TM brings the Classic white cone monitor back

Avantone Pro brings ‘back’ to market much-loved nearfield studio monitoring mainstay with closely-matched CLA-10TM
“I put my mixing reputation on these great speakers… I am mixing on them as I write this.”
– Chris Lord-Alge, GRAMMY® Award-winning mix engineer (Avril Lavigne, Green Day, Bruce Stringsteen, Tina Turner), 2018
TALLMAN, NY, USA: affordable high-quality audio products producer Avantone Pro is proud to announce availability of its CLA-10TM classic studio reference monitor — manufactured as a full-range, two-way passive pair for fixed or remote locations while also accurately recreating an iconic studio monitoring mainstay, much loved in the music industry among pop and rock recording engineers to this day as a valuable mixing tool with which to reveal shortcomings in recordings — as of June 22…
Times change, as does technology. That being said, today’s newly developing age of high-definition audio does not necessarily negate recording shortcomings. Studios still primarily use two- or three-way large monitors designed to represent a wide range reference viewpoint at higher listening levels and there is still a need to hear what a mix will sound like when played back over small systems, such as car stereos, clock radios, computer speakers, and televisions. Indeed, it is important to make mixing judgements based on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full-range drivers. Paying particular attention to the critical midrange vocal/guitar/keyboard areas is always advised.
As such, over a year of R&D (Research & Development), comparative listening, and tweaking went into voicing Avantone Pro’s CLA-10TM while working in close collaboration with five-time GRAMMY® Award-winning mix engineer Chris Lord-Alge — hence having his signature grace the finished, familiar-looking cabinet. The result is a very accurate recreation of an iconic studio monitoring mainstay, much loved in the music industry among pop and rock recording engineers to this day (despite discontinuation of the original product in question back in 2001). Much more recently, listening tests in studios show that recording engineers accept the CLA-10TM as a transparent replacement — just ask Chris Lord-Alge, an assuredly talented and incontrovertibly impressed individual, as evidenced by his following flattery: “I put my mixing reputation on these great speakers… I am mixing on them as I write this.”
The CLA-10TM clearly meets its engineering and performance objectives, attributed, in part, to a 10.4-litre sealed design cabinet constructed of non-layered, high-rigidity MDF (Medium-Density Fibreboard) — chosen for its natural low-resonance characteristics — finished with an outer layer of real wood veneer. Visually and tonally fusing the past with the present, Avantone Pro utilised the latest in FEA (Fine Element Analysis) modelling to achieve its custom-designed 180mm AV10-MLF low-frequency driver based on paper cone construction with ‘old-school’ speaker design artistry, thanks to the finest pulp material that performs as closely as possible to the original by being press formed rather than die cut for tonal consistency. Cloth surround material is made in Japan for added authenticity and has unique damping characteristics, enabling a predictable compliance over the lifespan of the driver. Avantone Pro’s custom-tooled frame supports the driver/cone combo to minimise mechanical transfers while the 35mm AV10-MHF high frequency silk dome-based tweeter is as close a match to the original as can be made, making for both a frequency (60Hz – 20kHz) and voicing match to the classic sound so admired by the likes of Chris Lord-Alge — hardly surprising since those aforesaid AV10-MLF and V10-MHF critical components have been extensively field-tested in top LA and NY studios to universal acclaim as drop-in replacements for both Avantone Pro’s own CLA-10TM and also the iconic studio monitoring mainstay it recreates so accurately.
Anyone seeking a transparent replacement for their much-loved nearfield studio monitoring mainstay as a valuable mixing tool with which to reveal shortcomings in recordings should seriously consider investing in Avantone Pro’s CLA-10TM. Clearly its sound should be as familiar as the distinctive looks it also accurately recreates. Indeed, its (381.5mm x 215mm x 197.5mm) cabinet dimensions and (6.3kg) weight will make transitioning to the carefully crafted CLA-10TM when waving goodbye to the ‘dearly departed’ seem seamless. Some studio visitors may even do a double take when told that the same speaker stands or console bridge boast new classic studio reference monitors!
The CLA-10TM arrives at Avantone Pro’s US Dealers (http://www.avantonepro.com/us-dealers.php) in August 2018, priced at $699.00 USD per pair. (Worldwide Distributors are listed by country here: http://www.avantonepro.com/worldwide.php)
For more in-depth information, please visit the dedicated CLA-10TM webpage here: http://www.avantonepro.com/cla-10.php
Watch five-time GRAMMY® Award-winning mix engineer Chris Lord-Alge’s compelling CLA-10TM introductory video here: https://youtu.be/ZFLmP9XWyhg
Print-ready, hi-res image:

Mode Machines new Seq12 analog and midi sequencer released

MODE MACHINES make matrix-style sequencing truly tactile with SEQ12 ANALOG AND MIDI SEQUENCER
 innovative electronic musical devices brand MODE MACHINES is proud to announce availability of its SEQ12 ANALOG AND MIDI SEQUENCER — a multi-channel MIDI (Musical Instrument Digital Interface) step sequencer in a truly tactile, tabletop (rack-mountable) console-type housing that lends itself to creating and arranging pattern-based music as a live performance-capable standalone sequencing tool or working alongside a DAW (Digital Audio Workstation) to enhance production possibilities — as of July 16…
As implied by the 12 TRACK MATRIX SEQUENCER ‘subtitle’ boldly blazoned across its expansive top panel — pressed into play by the 12-line (and 16- column) arrangement of (red) backlit LED (Light Emitting Diode) buttons that musically mark out the namesake matrix laying claim to the majority of that top panel, the SEQ12 ANALOG AND MIDI SEQUENCER is a 12-track affair, with each track arranged numerically below the next in the matrix. More meaningfully, each track can freely address one of three MIDI outputs (OUT 1, OUT 2, and OUT 3) to ensure optimal timing (by avoiding serial chaining of connected MIDI devices) and additionally be assigned to one of three track types: MONO (monophonic) — plays only one note per step (sending note, velocity, and note length) and offers three controller tracks (C1, C2, C3); POLY (Polyphonic) — plays back multiple notes per step (sending note, velocity, note length, and chord) and offers two controller tracks (C1, C2); and DRUM — optimised to address drum machines (or similar) with the matrix forming a pattern where each line can be set to transmit a definable note to 12 so-called subtracks (with adjustable velocity and accented notes) from within a single track with two controller tracks (C1, C2)… 12 different drum sounds can be arranged from a single track, in other words.
While the term step sequencing can conjure up mesmerising musical images of repetitive note patterns pioneered and popularised by the likes of Germany’s homegrown Kraftwerk and Tangerine Dream in their heyday — the likes of which the SEQ12 ANALOG AND MIDI SEQUENCER of course can capably emulate, even down to the latter’s ‘trademark’ ratchet effect (of outputting multiple triggers per step) but bettered by enabling easy creation of rolls, flams, and comparable complex rhythmical functions courtesy of six selectable trigger patterns and a note value to adjust the length of the trigger pattern, there is so much more to this truly tactile step sequencer than might meet the (untrained) eye… eye-catching as all of those 192 flashy (red) backlit LED buttons already are!
Although the SEQ12 ANALOG AND MIDI SEQUENCER is at heart a pattern-based step sequencer that generates MIDI data, multiple modes make it stand out from the sound of the (step sequencing) crowd — to partially paraphrase the early-Eighties British breakthrough hit from synth-pop pioneers The Human League, no strangers to the lure of spellbinding step sequencing themselves.
The self-explanatory SEQ mode is used to program a sequence — the smallest ‘unit’ within the SEQ12 ANALOG AND MIDI SEQUENCER (containing up to 16 steps) — using the matrix or an external MIDI input device, such as a master keyboard controller connected via the single MIDI IN (input). 16 sequences per track can be stored with parameter values such as velocity, controllers, or step length displayed as backlit LED (button) bars in the matrix.
Meanwhile, JAM mode makes live performance pleasurable and also inspirational with the SEQ12 ANALOG AND MIDI SEQUENCER. This time the matrix displays 12 tracks with 16 sequences each, all of which are freely switchable on the fly for immediate playback while the function buttons to the left of the matrix mute and activate the corresponding 12 tracks. And assuming that the tracks are tasked with handling different musical parts — playing a melody with track 1, a bass line with track 2, chords with track 3, and drums with track 4, for example — then it is perfectly possible to create a song on the fly. Flexibility further abounds since switching from JAM mode to SEQ mode only involves a couple of (almost instant) clicks; once there, users can, likewise, edit the selected sequences on the fly.
Finally, SONG mode is where the SEQ12 ANALOG AND MIDI SEQUENCER sings for its supper, so-to-speak, allowing for the creation and playback of longer and more complex arrangements or even full songs. Each track is allocated an individual series of up to 64 sequences (or sequence chains in ‘SEQ12- speak’). Still better, there are 12 sequence chains — one for each track; these combine to create a part, with the SEQ12 ANALOG AND MIDI SEQUENCER storing up to eight parts. Parts can also be changed on the fly while the sequencer is running, so, given that those parts could effectively equal song parts, users could choose from, say, an intro, verse, bridge, chorus, or outro, each of which could be called up to be played anytime.
All data that can be changed by the user — namely, sequences, parts, and sequence chains, as well as global settings (with further visual guidance coming courtesy of an informative backlit LCD working in conjunction with various clearly labelled control functions) — is stored as a setup. The SEQ12 ANALOG AND MIDI SEQUENCER stores up to 32 setups. So it is ready and willing to be put through its interactive musical paces onstage or in the studio, thanks to its robust rack-mountable (19-inch/6 HE) design that also includes rubber feet for non-slip tabletop usage.
Ultimately, then, the truly tactile SEQ12 ANALOG AND MIDI SEQUENCER surely ranks as an ultimate pattern-based step sequencer, limited only by its user’s imagination rather than ‘traditional’ step sequencing’s limited note pattern repetition. Reach out and touch… as Depeche Mode sang on their way to sequencer-driven superstardom!
The SEQ12 ANALOG AND MIDI SEQUENCER is available to purchase directly from MODE MACHINES’ online SHOP (https://www.modemachines.com/shop) at an introductory promo price of €999.00 EUR (inc. VAT) or through MODE MACHINES’ growing global network of authorised dealers (https://www.modemachines.com/where-to-buy).
For more in-depth information, please visit the dedicated SEQ12 ANALOG AND MIDI SEQUENCER webpage here: https://www.modemachines.com/seq12
Watch MODE MACHINE’s SEQ12 ANALOG AND MIDI SEQUENCER intro video here: https://youtu.be/lKxNBnHhOkI