ADDAC 4 quadrant mixer announced

ADDAC System 805 Eurorack Module Offers Four-Quadrant Mixing

ADDAC System 805 Eurorack Module Offers Four-Quadrant Mixing

Inspired by its renowned 701 VCO waveform mixing section, the 805 VC Signal Router employs three X-faders for advanced morphing and sweeping of signals

Lisbon, Portugal, December 20, 2019 — ADDAC System has announced availability of its new 805 VC Signal Router. While taking up just 8hp of space and priced at €160, the VC Signal Router is an economical way to add significant dimension and new signal flow options to just about any modular set up.  

Inspired by ADDAC System’s 701 VCO waveform mixing section, the new VC Signal Router also updates the company’s legacy X-Fade/Panner to a stereo configuration that also allows four quadrant mixing. This feature is achieved by using the stereo Master knob as an X-fader between the left and right channels. By plugging in the four audio sources and sweep/crossfade between any of them using the three combined X-faders, users can plug any four sources (for instance, four waveforms of a VCO, four LFOs, four envelopes) —  then sweep, morph or mix them to their heart’s content. 

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“Our VC Signal Router builds on some basic mixing principles derived from our 701 VCO waveform mixing section, while bringing in a new dimension of sound placement possibilities,” said André Gonçalves, founder of ADDAC System. “Even though the 805 requires a relatively small investment. four quadrant mixing can add a glacial effect to just about any soundscape.”

A peculiar signal flow meant to inspire
The VC Signal Router features two dedicated X-faders and a stereo VCA that can also be used as a third X-Fader. All controls have their own CV inputs and dedicated Attenuverters for precision control. Left and Right X-fader channels can also be routed through the Master stereo VCA or sent directly to the outputs. Further, a stereo Direct input can also be routed through the Master VCA or sent straight to the outputs. 

The Mono Sum output always mixes Left and Right outputs together, allowing users with the possibility of using the module as a peculiar six channel mono mixer. It can be used for both Audio or CV Signals. 

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Features:

  • 6 mono inputs

  • 2 dedicated X-faders with Control knob + CV Input and Attenuverter Each X-fader can be routed through the Master mix or straight into the outputs.

  • Master channel can be used as a stereo VCA or an X-fader
Stereo direct inputs can be routed through the Master mix or straight into the outputs.

  • Fully analog audio path with high quality/low noise VCAs. 

To learn more about the ADDAC System 805 Eurorack module, please visit the ADDAC System website


About ADDAC System
ADDAC System develops advanced instruments for sonic expression. The company began in 2009 with an ambition to explore the potential crossover between analog synthesizers and computers. Today, ADDAC System’s product line is focused on a new breed of hybrid synths that utilize the best of both the digital and analog worlds. We’ve grown to be able to reach thousands of enthusiastic clients, friends and collaborators. ADDAC System’s solutions — which are used in many musical genres — can be found in many personal studio throughout the world and routinely used by musicians in several planes of stardom.

TA Programming new Studio MIDI And CV Interface full synthesizer control system



TA Programming announces availability of Studio MIDI And CV Interface full synthesizer control system debut


LONDON, UK: following a successful showcase in October at Sheffield’s Synthfest UK 2019, billed as being the UK’s biggest synthesizer event, advanced creative technology designer TA Programming is proud to announce availability of its inaugural Studio MIDI And CV Interface full synthesizer control system — capable of controlling multiple synthesizers simultaneously via voltage control outputs and MIDI/USB with extra-low latency while keeping analogue instruments, vintage or otherwise, perfectly in tune with each other — as of December 20…
According to TA Programming CEO/CTO Tim Aviss“We designed this interface to be not just a solution to problems that we’d encountered when controlling synthesizers in the past, but to unlock a whole new world of creativity with synthesizers from one interface.”
Indeed, TA Programming’s debut design does just that, thanks to its innovative implementation of complimentary connections, comprising MIDI In and MIDI Out alongside USB I/O for MIDI and serial bus connectivity, together with four universal CV CONTROL outputs. On the face of it, then, the Studio MIDI And CV Interface full synthesizer control system is creatively kitted out to target the hotly-contested competition out there already. After all, those four universal CV CONTROL outputs can perform any function regardless of whether it is for producing Pitch, Gate, or Aux signals. Saying that, an unlimited number of universal CV CONTROL outputs can quickly be created by daisy-chaining multiple interfaces via the MIDI ports. Also, any source — such as Pitch, Note On/Off, Velocity, Aftertouch, any MIDI CC number, signals from a DAW, and more besides — can be selected via USB or MIDI.
Fortunately for anyone putting the Studio MIDI And CV Interface to the test, the voltage of the configured output is completely user definable between -9V and +10V, providing plenty of range to satisfy the requirements of almost all synthesizers, past and present. Put it this way: with this level of versatility, the Studio MIDI And CV Interface provides its users with complete control over note range scale — from microtonality all the way through to the limits of the connected synthesizer. Thankfully, TA Programming’s proprietary tuning technology is capable of handling even the most stubborn scaling issues, effectively eliminating scaling and tuning issues on any analogue synthesizer, including non-linearities. This technology is built upon a six-point multi-mapping system that uses advanced interpolation and modelling algorithms all within a floating-point mathematical model before conversion to control voltages are applied in real time. In other words, once a tuning profile has been configured for the synthesizer concerned, TA Programming’s proprietary tuning technology works out the control voltages said synthesizer needs, regardless of tempco (temperature compensating) resistor variation, in order to produce pitch-perfect notes in real time — a must-have for owners of vintage or more modern analogue synthesizers alike!
Additionally, the Studio MIDI And CV Interface is MPE (MIDI Polyphonic Expression) compatible, capable of sending out full MPE via MIDI DIN or mapping single channel/polyphonic MPE out of the universal CV CONTROL outputs. As all five control dimensions are natively supported, users can be sure that their synthesizers will be as musically expressive as allowed by the MPE method.
Meanwhile, the interface itself has internal circuitry powered by USB. Ultimately, however, TA Programming pushed itself hard to ensure that the power supply can tolerate variances in input voltage so that the resulting supply is always as clean as possible, providing the highest control voltage accuracy, as well as preserving tuning and configuration regardless of the USB host.
Having said all that, TA Programming’s powerful control software allows anyone to completely configure their Studio MIDI And CV Interface. In addition to this, they can host USB MIDI controllers in the software itself, thereby bypassing their DAW, if desired. Said software also provides plentiful MIDI processing features — from LFOs to BPM-locked arpeggiators, keyboard splitting over MIDI, and much more. TA Programming plans to regularly update the interface’s firmware and control software so that its users can always access the latest features following their initial purchase.
Last, but by no means least, the Studio MIDI And CV Interface always automatically stores its user’s current configuration with no need to click save. So feel free to travel between recording studio and performance venue safe in the knowledge that their current configuration will automatically load when the interface is powered back up. Upon connection to their computer, the control software will automatically pull the current configuration from the interface itself to allow for easy editing. And as if this was not exciting enough, an unlimited number of presets and profiles for all the synthesizers in anyone’s setup can be saved to the computer and reloaded into the interface at any time.
TA Programming looks all set to play to win with its inaugural Studio MIDI And CV Interface. Owners of vintage and more modern synthesizers simply owe it to themselves and their treasured instruments to test TA Programming’s debut design. It is no ordinary MIDI-to-CV convertor, clearly!

The Studio MIDI And CV Interface is initially available for purchase — priced at £249.00 GBP — directly through TA Programming here:https://taprogramming.com/product/midi-cv-interface/
For more in-depth information, please visit the dedicated Studio MIDI And CV Interface webpage here:https://taprogramming.com/product/midi-cv-interface/
Watch TA Programming’s Studio MIDI And CV Interface introductory video here: https://youtu.be/X0Vrqw3NESE
Watch musician and producer Lawrence Hart putting the Studio MIDI And CV Interface through its MPE-compatible musical paces here:https://youtu.be/fYqsuc-2iS0 

 

Erica synths holiday sale 15% off drum modules

Holiday Treats from Erica Synths: 15% Off Drum Series Modules
Erica Synths Drum Series modules are the ultimate tools for rhythm based music production, live performances and sound designRiga, Latvia, December 19th, 2019 — Modular synth innovators Erica Synths announced that its entire Drum Series modules will be on sale between Friday, December 20th and Tuesday, December 31st.  Customers can choose from among 18 different modules, including Sample Drum, Bass Drum, Snare Drum, Clap, Toms, Hi-Hats A, Hi-Hats D, Cymbals, Cowbell, Bassline, Dual Drive, Dual FX, Stereo Mixer, Mixer, Mixer Lite, Link, Modulator & Drum Sequencer. Erica Synths Drum Series modules are the ultimate tools for rhythm based music production, live performances and sound design, and can accommodate anything your drum rack needs — from Bass Drum, Snare and Cowbell, to the Drum Sequencer, punchy Bassline and the extremely capable Sample Drum/ The Drum Series also provides expert effects, modulation, mixers and everything in between. 

For more information on the Drum Series and to take advantage of Erica Synths’ Holiday Sale, please visit its online store starting tomorrow through December 31st.

Eventide QVOX diatonic pitch shifter now on iOS



Eventide Releases QVox Diatonic Pitch Shifter for iOS


LITTLE FERRY, NJ, USA — December 12, 2019: Eventide is proud to release QVox for iOS, an inspirational sound effect featuring four voices of diatonic pitch shifting and delay. Mobile music enthusiasts can add rhythmic textures to guitars, morph drums into exciting new patterns, widen instruments, and create unique harmonies on vocals.
Whether you are an electronic musician, singer/songwriter, or guitarist, QVox will take your melodies and ideas to new heights. Users can choose a key, scale, as well as each voice’s pitch interval. In addition, they can experiment with a variety of staggered delay groups for unique textures. Parameters can also be altered in real-time using the ‘Ribbon’ controller.

Features:

  • Four independent voices (labeled as ABCD) with diatonic pitch shifting and delay. 
  • Select KEY and Scale to create harmonies that coincide with compositions or use the LEARN button to set the key by the incoming played note. 
  • Group the four delays so that they are evenly spaced or spread out. 
  • SYNC the delays to tempo, or a value of your own choosing.
  • The ‘Ribbon’ controller allows for dynamic modification of several knobs at once to easily morph between settings. 
  • Factory presets help get you started or create your own User presets. 
  • Mixlock helps when auditioning different presets by enabling a global MIX value that will remain constant for every subsequently loaded preset.


QVox for iOS is now available for download as an Audio Units AUv3 plug-in, Inter-App Audio, and Standalone app for iPhone and iPad from the App Store for $14.99 USD here: https://apps.apple.com/us/app/qvox/id1488786684

For more in-depth info, please visit the dedicated QVox webpage here: https://eventideaudio.com/qvox
Watch Eventide’s enlightening QVox videos here: https://etide.io/qvoxvideos

 

Ik multimedia brings the hammond b-3x to iOS

IK Multimedia brings Hammond B-3X virtual instrument to iPad

In partnership with Hammond USA and Suzuki Music Corp. of Japan, IK’s Hammond B-3X is the first real Hammond® organ for iPad complete with Leslie™ speaker

Hammond B-3X for iPad - Image 1

December 17, 2019 – IK Multimedia announces the Hammond B-3X tonewheel organ virtual instrument for iPad. This new app maintains all the realism, detail and features found in the Mac/PC version, which was created in close collaboration with Hammond USA and Suzuki Music Corp. of Japan, but now available on an even more portable device, making it ideal for a streamlined live performance or travel recording rig.

Hammond B-3X for iPad meticulously recreates the sound, controls and entire effects signal path of the legendary Hammond® B-3. This comprehensive approach offers a level of realism and detail that will satisfy the most discriminating B-3 fans while also offering an affordable introduction to the unique world of tonewheel organs that can be enjoyed by all levels of players.

The new app is ideal for performing musicians looking for a simplified stage rig, letting them run Hammond B-3X on an iPad instead of a dedicated laptop, with full compatibility for MIDI controllers and Hammond digital organs. Hammond B-3X for iPad also supports the latest AudioUnits format, allowing it be used as a plug-in in many of today’s most popular recording apps, for an ultra-portable travel studio that delivers world-class realism and features.

IK’s industry-leading modeling techniques were employed to deliver fine details and nuances approved by the discerning ears of the Hammond Organ Company in Chicago. In addition to its authentic organ sound, this new instrument offers a full-rig chain including stomp effects, an extended version of IK’s Leslie® Collection with a rotary cabinet with mix-and-match amp and cabinet models plus four microphones, a parallel guitar amp with 4×12 cabinet, a mixer and three studio post effects.

It’s all in the details
True to the hardware original, Hammond B-3X for iPad begins with 91 tonewheels, which are based on well-maintained Hammond organs that IK studied in locations around the world. These free-running tonewheels are mixed in real-time based on the notes played and drawbar levels, for authentic realism.

Hammond B-3X for iPad can be fine-tuned using IK’s detailed models of the original settings, controls and circuits, which were all approved by the Hammond Organ Company. Users can employ tonal filtering, select the independent key click, and engage the iconic Hammond percussion and chorus-vibrato circuits with advanced controls.

For deeper exploration and realistic touches, Hammond fans will appreciate a familiar simulation of the effects of “aging” components to control tonal balance, generator leakage and crosstalk, and the chorus circuit’s presence boost.

Hammond B-3X for iPad - Image 2

True tone, real experience
All the controls are designed to recreate the exact experience of playing a classic, hardware B-3 organ – from the order of the chorus/vibrato settings to the placement of the percussion switches. Some additional features have been included as well, for modern convenience.

The drawbars update in real-time when the inverted drawbar settings keys are selected, allowing users to save 24 custom drawbar settings per preset. For live use, a “Controls” view hides the keyboard and enlarges the drawbars and switches for less distraction while playing. MIDI assignments for modern Hammond digital organs are also included, making it plug-and-play easy to perform with everything at arm’s reach.

Extended stomp box effects
The organ feeds a 5-unit pedalboard in the STOMPS section that features overdrive, graphic EQ, stomp box-style chorus-vibrato, wah wah and spring reverb. Derived from IK’s award-winning AmpliTube® and T-RackS® software, these effects were carefully chosen and arranged for easy recreation of the widest range of iconic tonewheel organ sounds. They can also be assigned to MIDI control for on-stage use.

Real Leslie® sound
The signal is then sent to a CABS section that includes a choice of real Leslie amps and speakers that can be mixed and matched, along with a parallel guitar amp and 4×12 cabinet. Using technology derived from IK’s award-winning AmpliTube 4 amplifier modeling, combined with an extended version of IK’s Leslie® Collection, Hammond B-3X for iPad’s cabinet section offers a massive range of sound-shaping option tabs. They include:

  • Setup – lets users fine tune the Leslie’s slow and fast speed settings – including acceleration and deceleration – and adjust the mic distance and configuration

  • Leslie Amp – offers a selection of five Leslie power amps (or a power amp modeling off switch) and two guitar power amps to use in any of five Leslie cabinets, with full control over gain, EQ and volume

  • Leslie EQ – enables the rotary speaker to be shaped with high-pass, low-pass and parametric mid EQ

  • Guitar Amp – adds a parallel guitar amp derived from AmpliTube into the mix for use with popular rock tones used by top rock and blues players; offers full tone-shaping controls and spring reverb

  • Mixer – blends the sound of the Leslie, with independent volume and panning of both the horn and drum mics, the parallel guitar amp, and the DI organ sound for unprecedented tonal flexibility
Hammond B-3X for iPad - Image 3

Add professional polish
Finally, Hammond B-3X for iPad offers three rackmount studio effects derived from IK’s T-RackS Mixing and Mastering Workstation to add a final, professional touch.

IK’s Limiter 76 FET-based compressor offers an iconic, timeless sound; the EQ-81 adds classic console tone-shaping and warmth; and a digital reverb adds a pristine sense of space.

Pricing and availability
Hammond B-3X for iPad is available from the Apple App Store® with a special introductory price of $99.99 through March 2020.

*Local pricing is determined by Apple, based on exchange rates.

For more information about Hammond B-3X for iPad, please visit: www.hammondb3x.com/ipad

To see Hammond B-3X for iPad in action: www.hammondb3x.com/ipad/video

To hear audio samples from Hammond B-3X for iPad, please visit: www.hammondb3x.com/ipad/audio

Rossum Electro-music Assimil8or updates to v2.0

Rossum Electro-Music has announced the release of Software Version 2.0 for their Assimil8or Phase Modulation Sampler Eurorack module.
Designed to provide a powerful, flexible sampling engine for modular synthesis, the Assimil8or Multi-Timbral Phase Modulation Sampler module is the latest incarnation of Dave Rossum’s decades-long pioneering of affordable professional sampling technology. Assimil8or 2.0 software brings a host powerful new features and major workflow enhancements. Taken together, they result in Assimil8or’s evolution into an even more powerful and easy-to-use sampling module. 
Assimil8or 2.0 software is a free download for current Assimil8or owners. It can be downloaded at http://www.rossum-electro.com/products/assimil8or.

Key new Assimil8or 2.0 features includeNew Sound-on-Sound sampling modes: (100% feedback for limitless layering and -3dB feedback for gradual decaying).
Explode Sample (at both the channel and zone level) to divide a sample into 2 to 8 equal regions and automatically assign them to sequential channels or zones.
Chop Sample: Similar to Explode sample, but uses transients to determine the chop points.
CV Control of Mix Levels: The ability to voltage control a channel’s level in the mix output without affecting its individual output. There are two control modes: Normal for regular modulation, and Fader for mix control.
New Zone Selection types:
– Advance – Each new trigger causes the next zone in numerical order to be selected.
– Random – Each new trigger causes a random zone in numerical order to be selected.
NewZone Voltage Balancing Options: 5V, 10V, Chromatic Keyboard, and Major Scale
Zone Lock to temporarily lock a single zone for auditioning and editing
Manual and Auto-Audition of card WAV files to streamline import operations.
Gate Delay to compensate for sequencer gate/trigger/CV timing anomalies.
Stereo Awareness: Graphic interface and editor improvements to make working with stereo channel pairs virtually automatic.
Preset Selection via CV: The ability to use assignable CV inputs to step forward and backward through a folder’s preset list.
Zone handling and editing improvements, especially with stereo samples
Variable horizontal zoom on the Sample Start/End Page and Loop Start/Length/End Page.
Sync Editing of sample and loop points (i.e, simultaneously set identical Loop Start and Sample Start or Loop End/Length and Sample End points).
Selection of Sampling Destination Channel by pressing and holding the Sampling Setup button and then one of the eight channel buttons.
New Sampling Setup Zone Destination parameter ”Empty Zone” assigns the new sample to the next empty zone on the destination channel.
Load Folder Warning: The option to trigger a warning popup when loading a new folder to help avoid accidental overwriting of unsaved preset edits. 
The ability to cancel a folder load in progress.
Sampling Pre-roll of 10 msec (to avoid the possibility of cutting off the very beginning of a sample) 
Data Compatibility: Assimil8or V2.0 data is fully forward and backward compatible with Assimil8or V1.XX. (With the exception that the new zone selection types, if used, will load into V1.XX as type “Continuous’).
More Assimil8or information can be found at the Rossum Electro-Music web site: http://www.rossum-electro.com/products/assimil8or

Radikal technologies delta cep a free firmware update

 



Radikal Technologies takes DELTA CEP A paraphonic semi-modular synth several steps further forward with free firmware updates


MÜNCHEN, GERMANY: cutting-edge sound specialist Radikal Technologies is proud to announce availability of the latest (Version 1.6e) firmware update for its illustrious DELTA CEP A paraphonic semi-modular synthesizer — serving up nine essential synthesis ‘modules’ melded together to form a potent yet straightforward starting point to the ever-widening world of the Eurorack small-format modular system — that builds upon its impressive feature set with several significant additions, free for existing owners…
Its introduction earlier this year to widespread critical acclaim saw Radikal Technologies’ DELTA CEP A living up to the PARAPHONIC-MODULAR wording boldly blazoned across its feature-packed front panel. Pushing its cutting-edge sound-specialising creator’s product lineup to the forefront of the ever-widening world of the Eurorack small-format modular system, the deftly-designed DELTA CEP A can function as a standalone synthesizer or — when removed from the chassis — a 68HP-occupying Eurorack module forming the centre of a powerful modular voice. Whichever way it is brought into play — purchasable as a desktop paraphonic semi-modular synthesizer or Eurorack paraphonic semi- modular synthesizer module, the DELTA CEP A is the perfect starting point for any modular user.
Today, the DELTA CEP A paraphonic semi-modular synthesizer represents an even more potent force in the ever-widening world of the Eurorack small-format modular system, thanks to extensive firmware updates, culminating in Version 1.6e, that build upon its impressive feature set with several significant additions, as follows.
Firstly, Radikal Technologies has helpfully seen fit to expand the DELTA CEP A’s already powerful FX section above and beyond the giveaway (FX: 1. TAPE 2. DELAY 3. CHORUS 4. PHASER 5. FLANGER) wording highlighted on that feature-packed front panel to additionally include a stereo reverb algorithm. As such, it is now perfectly possible to add stereo reverb to those tape, delay, or chorus effects, for instance. It is also perfectly possible to morph those new reverb parameters as well with the INTERPOLATOR section — certainly separates the DELTA CEP A from the Eurorack pack! Put it this way: with this sound-stimulating section, users are afforded an ability to store so-called ‘snapshots’ of sound creations into the DELTA CEP A’s internal memory; moreover, users can consequently play those snapshots sequentially, creating cool sonic sequences. Saying that, they can cleverly create smooth transitions from one snapshot to another, allowing for some stunning sound morphing effects!
Excitingly, the LFO 1 section can now be assigned to different modulation targets without having to use any patch cables; creatively, this allows for assigning the LFO (Low Frequency Oscillator) modulation to multiple targets simultaneously with independent modulation depths for all targets. That said, the ADSR section’s envelope generator can also now be assigned to different modulation targets without having to use any patch cables; creatively, multiple targets can be simultaneously controlled with independent modulation depths. Deeper still, the INTERPOLATOR section’s already powerful morphing function also benefits from those new routing capabilities since internal routings can be morphed! Musically- and sonically-speaking, users can now explore a whole new dimension of dynamic soundscapes.
So, having installed its latest firmware updates, how do discerning DELTA CEP A users access those welcomed additional parameters? Pressing the SHIFT button locks the SHIFT function to more easily enable additional parameters; its associated LED (Light Emitting Diode) flashes until theSHIFT function is unlocked again (by pressing the SHIFT button again).
Additionally, the MOD input in the MIXER section now controls the volume and saturation of the SWARM OSC signal; speaking of inputs, the SYNC input in the LFO 1 section now performs perfectly and allows for synchronising the LFO to another LFO or the GATE signals. (Holding theSHIFT button allows access to the note values of the LFO with the SPEED knob.)
Needless to say, the DELTA CEP A now reacts to MIDI (Musical Instrument Digital Interface) program changes, but be careful; if it receives a program change while the user is editing a sound, any changes to the sound will be lost.
Last, but by no means least, thanks to the latest (Version 1.6e) firmware update, it is now possible to share presets directly between two DELTA CEP A paraphonic semi-modular synthesizers. So what else can Radikal Technologies say? Not much — other than concluding that its illustrious DELTA CEP A has taken several significant steps further forward, courtesy of a rigorous regime of firmware updates. Ultimately, then, the DELTA CEP A ships with the latest firmware, which existing users of course can access and install for free.

The DELTA CEP A is available for purchase — priced at an RRP of 899.00 EUR/$999.00 USD (Eurorack) and 1,198.00 EUR/$1,298.00 USD (desktop) — through Radikal Technologies’ growing global network of authorised dealers.

For more in-depth information and access to the latest firmware updates, please visit the dedicated DELTA CEP A webpage here: https://www.radikaltechnologies.com/delta-cep-a-2/ (Existing DELTA CEP A owners can download the latest firmware updates for free.)
Watch Radikal Technologies Product Designer Jörg Schaaf’s sonically-stimulating DELTA CEP A video playlist here:https://www.youtube.com/watch?v=_YkvgTVZQ3E&list=PLysQPMsmJseFLtTQxGL9tJROrferQtfLs

 

Erica synths announces firmware update for graphic vco and more

Erica Synths Announces Three New Eurorack Modules and Graphic VCO Firmware Update
Pico LFO/S&H, Pico Mixer and PSU Input Module now shipping; New Graphic VCO firmware update features ‘drum’ mode’Riga, Latvia, July 8, 2019 — Erica Synths announces three new Eurorack modules, available immediately. The new modules include two Pico units — an LFO/S&H and Mixer — as well as a new power supply unit (PSU) input module. Additionally, the company announced a firmware update to its Graphic VCO, which adds significant new features requested by customers and also includes minor bug fixes. 
Pico LFO/S&H 
Pico LFO/S&H is full analogue modulations source — including both LFO and Sample and Hold —  providing a new dimension of controlled randomness to your modular setup in a small package. Pico LFO/S&HFeatures of the Pico LFO/S&H include: Full analogue circuitLFO with triangle and square wave outputsHighly stable S&H circuit based on AS1100CK2 ICInput and output protection against over-voltageProtection against reverse PSU connection Pico MixerPico Mixer
Meantime, Pico Mixer is simple 3 channel DC coupled mixer intended to mix audio signals and CV signals in order to obtain more complex modulations. The unit may also serve as a CV and audio attenuator. The Pico Mixer Features:3 inputsDiode protection against over-voltagePSU Input ModulePSU Input Module
If you would like to use rack ears to mount an Erica Synths 84HP enclosure in a studio rack, you may want to access the PSU connection from the front of the case rather than the top side. Then the 4HP PSU connection module is a solution for this.Recommended retail pricing for each new module is as follows: Pico LFO S&H – 80 EUR (VAT excl.)Pico Mixer  – 50 EUR (VAT excl.)PSU Input Module – 15 EUR (VAT excl.)Graphic VCO firmware 1.1New Graphic VCO firmware update
Erica Synths also announces the Graphic VCO firmware 1.1, available by following simple steps here and using the Erica Synths firmware updater app. By updating the firmware, users will be able to access the following new features and upgrades: DRUM mode (allows to use GVCO as a drum voice)Fine tuningCalibrationMinor bug fixes