Orange Amplification Launch Their First Dual, Discrete Op-Amp

Orange Amplification Launch Their First 

Dual, Discrete Op-Amp UK RRP £42.00

Orange Amplification has launched the new Dual Discrete Op-Amp which has been specifically designed for audio use. It is one of the most musically sounding of its kind on the market today.

Built to a high specification, the Dual Discrete Op-Amp has been constructed for superior musical audio performance purposes. Unlike existing products, it only contains the gain blocks that are needed to give good clean audio. Each of the individual transistors and resistors are of the highest quality, so the Op-Amp runs as close to pure Class A as possible instead of the class B operation seen in IC Op-Amps. It has been designed to be 8 pin DIP compatible, and comes with a socket, so is easy to drop in and replace. The DC offset of Orange’s Op-Amp is low, which means they can be used almost anywhere, even active filters.

We wanted to design something purely for audio’, explains Adrian Emsley, Orange Amplification’s Technical Director, ‘Many Op-Amps perform well on paper but the trouble is the human ear does not hear quite the same way as test equipment. To me, this Op-Amp sounds more musical, more natural, with the transient sound feeling more real and less synthetic.’

To find out more about the Orange Op-Amp and its full specifications please go to  ” https://orangeamps.com/shop/op-amp and to see Adrian Emsley talking about the new Op-Amp check out this video here

Tracktion Launches Waveform DAW

Tracktion Corporation is proud to announce the release of Waveform, the latest in their long line of innovative DAWs. Transcending the award-winning T7 in look, feel and feature set, Waveform maintains the open, intuitive characteristics of its predecessor. In addition to providing a solid recording platform, the Tracktion team has developed an array of new tools designed to speed up and expand creative composition.

All good DAW’s have the ability to record, edit, mix and share music however, Waveform may be the only application evolving at the same pace as modern music production. Since acquiring ownership of the platform in 2012, Tracktion has completely re-factored the application, adapting it to the latest production trends, on a yearly basis. No other DAW can make this claim. In addition, Waveform is laser focused on music production so it avoids the complexities inherent in most of today’s DAWs as they struggle to support everything from film mixing to enterprise operations or live music performance. 

Beyond sheer efficiency, Waveform inspires creativity with an unprecedented suite of composition tools. Intuitive MIDI pattern generators allow even untrained musicians to quickly assemble entire musical arrangements while built-in virtual instruments such as the FM Synth and new Collective™ sampler/synthesizer provide a wealth of new sounds and blending options for a truly sophisticated sonic palette. Of course, Waveform is also compatible with all VST and AU plugins such as Tracktion’s popular BioTek™ Organic Synthesizer.

Our goal is to continually gain market share by remaining more current and flexible than our competitors,” explained Tracktion Corp CEO, James Woodburn. “Our constant re-factoring process means that we can track emerging production trends and incorporate the best ideas into our codebase. Watch on-line tutorials detailing how today’s top producers like to work and you’ll find that Tracktion seamlessly fits into those workflows.”

Despite the remarkable power of this application, Waveform’s highly refined code remains efficient enough to support even the relatively tiny Raspberry Pi platform. This allows the app to run smoothly on almost any modern Windows, Mac or Linux computer but also opens it for use as an embedded solution in the growing DIY maker community.

Waveform is available from the Tracktion website,  HYPERLINK “https://www.tracktion.com/” tracktion.com, as well as top retailers, with prices starting at $99.

Arturia Black Edition release of Keystep, Beatstep, Beatstep Pro

 

Arturia are set to release a limited number of “Black Edition” KeyStep, BeatStep, and BeatStep Pro sequencer-controllers.

Known and loved throughout the industry, Arturia’s trio of DAW controlling, step-sequencing hybrids are now available in a sleek black finish. Offering something for every musician, the Step range synchronizes the analog and digital worlds, letting musicians control hardware instruments, outboard modules, virtual instruments, and reco

Each of the new Black Edition models comes complete with CV cables, giving you immediate access to the sequencer’s hardware control functionality.

 


rding software simultaneously.

Arturia KeyStep Black Edition – 149 US$ / 119

This small format keyboard sequencer features a 32-note slim-key keybed with aftertouch, and lets you sync with & control any software or hardware instrument through its comprehensive connectivity, including USB, MIDI in & out, CV gate, and Sync in & out. Create evolving, polyphonic sequences up to 64 steps long, with real-time recording and rewriting.

 

Arturia BeatStep Pro Black Edition – 299 US$ / 249

Arturia’s cutting edge, 3-part step sequencer now has a sleek new look. Featuring two separate melodic sequencers and a dedicated 16-track drum sequencer, BeatStep Pro gives the adventurous musician a powerful palette of tools to create dynamic, exciting tracks without the need for a computer screen.

 

Arturia BeatStep Black Edition – 129 US$ / 99

Packing 16 pressure and velocity sensitive pads and 16 rotary knobs into a neat package, BeatStep is an affordable way for musicians to get creative with simple monophonic step-sequences. Able to control outboard synths and virtual instruments alike, BeatStep’s versatility also makes it a great DAW controller.

The Black Edition KeyStep, BeatStep, and BeatStep Pro will begin shipping worldwide at the end of April 2017.

Hex Inverter Mutant Rim shot, ZNO, Red Dragon Eurorack modules at NAMM ’17

Hex Inverter the mind behind the Mutant Drums series of Eurorack Modules returns to NAMM 2017 with a new filter, Rim shot and wild noise source oscillator. Winston from Balcones Whiskey steps in to assist with this coverage so big thanks to Winston and the crew at Balcones whiskey.

New Synthesizer Modules from Hex inverter at Namm 2017!

Pittsburgh Modular Double Helix VCO and new Lifeforms modules NAMM ’17

 

Designed to be the nucleus of a synthesizer, the Double Helix Oscillator is a modular waveform generator like no other. A set of beefy, analog oscillators paired with voltage controlled shape contouring, deep modulation and a performance-ready voltage controlled modulation matrix create a dynamic, analog waveform playground.

At the core of the Double Helix are two, wide-range precision oscillators. The primary oscillator includes a full complement of waveforms and multiple modulation options. The secondary oscillator offers a more focused set of waves and frequency modulation. Both oscillators reach deep into LFO range and can be used as voltage-controlled modulation sources.

The contour section of the Double Helix Oscillator features a highly tuned wavefolder paired with an exclusive dynamic impulse low pass gate. The contour signal chain starts with a two-channel mixer. This allows multiple waveforms or multiple oscillators to be combined before passing though the contour section. The first half of the contour section is a voltage-controlled, 6-stage wavefolder used to add odd harmonics to the incoming waveform. The timbre and timbre CV controls set the density and amplitude of the folds. When processing a sine wave, the wavefolder creates a spectral change from zero harmonics to square, with an infinite harmonic series.

The second half of the contour section is a dynamic impulse low pass gate. The effect of the low pass gate is similar to pairing a low pass filter and VCA together. As the dynamics control is opened, the filter adds harmonics and the VCA increases the amplitude of the waveform. As the dynamics control is closed, the filter removes harmonics and the VCA decreases the amplitude of the waveform. This pairing mimics how sound behaves in the real world creating a more naturally tonal response. The impulse input adds the ability to strike or ping the low pass gate circuit creating a very organic, percussive sound. The decay time of the impulse input is set by the dynamics response control allowing the strike to be tuned to a specific musical context.

The modulation section includes an LFO offering simultaneous sine, square, and random waveforms. A noise source is also available for audio or modulation use.

A pair of voltage-controlled routers manage all the CV inputs creating a dual, voltage controlled modulation matrix perfect for complex signal paths, experimentation, and live performance. The matrix consists of two voltage-controlled amplifiers designed to control the modulation amount inputs that can be routed to any of the Double Helix CV inputs. Each of the CV inputs can be switched to channel a, bypass, or channel b and mixed with a dedicated CV input.

Features

  • Panel size: 28hp
  • Depth: 37mm
  • Power Usage: +12v 223mA, -12v 205mA
  • Does not require +5v

Radikal Technologies releases the eurorack Swarm Oscillator RT 311

Radikal Technologies releases radical Eurorack-compatible oscillator module with a DSP-driven difference

MÜNCHEN, GERMANY: having turned heads, opened ears, and blown musical minds with a successful showcase at The 2017 NAMM Show, January 19-22 in Anaheim, California, high-quality synthesizer developer Radikal Technologies is proud to announce availability of its RT-311 SWARM OSCILLATOR — an advanced DSP-driven Eurorack-compatible oscillator module that, as implied by name, goes far beyond the realms of standard oscillator fare, firstly thanks to two oscillators that can both build swarms of (up to eight) oscillator ‘clones’ capable of being pitched in musical intervals, chords, clusters, or fat detunes, dutifully backed by having all parameter settings saveable as interpolatable snapshots, enabling even more radical results — as of March 28…

A dictionary definition of swarm typically reads: a large number of things… or oscillators, in the case of Radikal Technologies’ radical RT-311 SWARM OSCILLATOR, which, when switched to its highest SWARM setting, sees a maximum of 16 oscillator ‘clones’ running simultaneously. Something that stands out from the sound of the (ever-expanding Eurorack modular) crowd — to (partially) paraphrase the early-Eighties British breakthrough hit from synth-pop pioneers The Human League (themselves no strangers to the small-format modular system popularised by fellow German developers Doepfer Musikelektronik) — and surely something to behold? But building swarms of oscillator clones using both (OSCILLATOR 1 andOSCILLATOR 2) banks’ specialised set of TUNE, OCTAVES, DENSITY, SPREAD, and DETUNE controls to create pitched musical intervals, chords, clusters, or fat detunes does not necessarily mean that all 16 of those clones have to sound simultaneously.

Switched into (its default startup) Manual-Mode of operation, the RT-311 SWARM OSCILLATOR can function much like any other Eurorack-compatible all-analogue oscillator out there with OSCILLATOR 1 and OSCILLATOR 2 respectively appearing at the two (OUT 1 and OUT 2) outputs as sound sources for further manipulation elsewhere — using Radikal Technologies’ own RT-451 DUAL MULTIMODE FILTER module, for instance. In this scenario, the sound of the RT-311 SWARM OSCILLATOR module matches exactly what would be expected from the potentiometer-controlled parameter positions on its 32 HP (Horizontal Pitch) sized front panel; putting yet more controls at adventurous users’ fingertips, both banks of oscillators feature WAVE controls for smooth transitions between waveforms and TLM (Timelinearity Modulation), a variation of pulse-width modulation — known from Radikal Technologies’ SPECTRALIS 2 ANALOG SYNTHESIZER/ BEATMATRIX/FILTERBANK desktop hybrid — that can be applied to all waveforms, while exponential FM (Frequency Modulation) and linear FM modulation or PM (Phase Modulation) are also available alongside oscillator synchronisation. Pitch is, of course, controlled by the (calibrated) 1V/OCT input (which can be quantised so that only pitches of a certain tone sequence or scale are output).

Other operational modes make more radical results really shine through, though. Switching Snapshot-Mode into play permits the RT-311 SWARM OSCILLATOR to store up to eight memory setups, each with eight snapshots, saving all oscillator settings and memorising them even after whatever Eurorack small-format modular synth system is playing host to the module has been powered down! Such snapshots are assigned to one of eight positions accessible via the ‘big knob’ dominating the RT-311 SWARM OSCILLATOR’s front panel. Put it into Interpolator-Mode and everything (literally) revolves around the cyclic traversal of those snapshots, smoothly crossfading from one to the next with transitions taken care of via voltage control, an internal LFO (Low Frequency Oscillator), or the big knob itself — either way, the surrounding eight LEDs (Light Emitting Diodes) illuminate accordingly in user-chosen colours, helpfully highlighting which snapshot is playing at any given time.

To make room for an RT-311 SWARM OSCILLATOR in any Eurorack small-format modular system means making more sound colours available to the sophisticated synthesist… Radikal by name, radical by nature, now a swarm of oscillators need not take up too much valuable rack space, so why not add one (or more) modules to your setup today to start puttingRadikal Technologies’ latest DSP-driven design through its unique-sounding paces? 

 

Now shipping, the RT-311 SWARM OSCILLATOR is available for purchase from Radikal Technologies stockists at an MSRP of €598.00 EUR (in Europe) and $659.00 USD (in the US).

For more in-depth information, please visit the dedicated RT-311 SWARM OSCILLATOR webpage here: http://www.radikaltechnologies.com/index.php/rt-311-swarm-oscillator/

Watch a short demonstration video of the RT-311 SWARM OSCILLATOR here: http://youtu.be/u3q03WoDwyk

 

Plugin Alliance advances several SPL Microplugs with new and improved Plus versions

Plugin Alliance, a new ‘Über-standard’ supporting all major plugin formats and uniting some of the best-known international audio companies under one virtual roof, is proud to announce availability of SPL’s Attacker Plus, De-Verb Plus, and Mo-Verb Plus — new and improved versions of three must-have Microplugs created by founding Plugin Alliance development partner Brainworx in close collaboration with SPL, respected worldwide for its innovative and user-friendly approach to developing and manufacturing analog and digital audio gear for the music, film, multimedia, and broadcasting industries since 1984 — as of March 13…

The Attacker Plus Microplug presents part of the same stunning envelope shaping supplied by SPL’s treasured Transient Designer hardware, hitting a home run with software aficionados by replicating the edge and punch provided by the original unit’s ATTACK knob. Indeed, it uses the same so-called Differential Envelope Technology that revolutionized dynamic processing with its level-independent methodology. More meaningfully, though its ATTACK knob lets users dial in all the transient punch needed, Attacker Plus also sports soft peak limiting (LIMIT) access and a DRY/WET control, affording total flexibility across a wide range of material with worry-free workflow in the digital world. With over a decade of hardware modelling experience, Brainworx bestowed a core algorithm upon Attacker Plus that more closely matches the behavior of the original Transient Designer hardware than ever before. Better still, working with Attacker Plus could not be simpler — all attack events can be amplified regardless of signal level, yet such simplicity does not prevent seemingly endless possibilities for studio and live applications. Attacker Plus amplifies just the attack curves of a sound event by focusing on the initial transient instead of specific frequencies to allow instruments to be mixed at lower levels, which, in turn, opens up space in the mix while preserving the relationship between tracks, for example; emphasize the attack of a kick drum or loop to increase power and presence in the mix; adjust apparent ‘distance’ of a microphone by varying the ATTACK values; increase the attack of guitar sounds for in-your-face tone-shaping — anything and everything is possible (within reason)!

Thanks to that same Differential Envelope Technology, the De-Verb Plus Microplug also serves up part of the same stunning envelope shaping supplied by SPL’s treasured Transient Designer hardware in software. It reproduces the attenuation provided by the original SUSTAIN knob — albeit now helpfully labelled as REVERB REDUCTION on the Microplug itself — to reduce or even eliminate the decay of a sound. Similarly sporting soft peak limiting (LIMIT) access and a DRY/WET control, it also allows total flexibility across a wide range of material with worry-free workflow in the digital world. Working with De-Verb Plus is, likewise, disarmingly simple — reverb events can be reduced, regardless of signal level, translating to endless possibilities for studio and live applications! Any sound event’s decay curve can simply be reduced by turning that REVERB REDUCTION knob. De-Verb Plus also offers an OUTPUT GAIN control that allows compensation for level changes after processing the signal — just like Attacker Plus. Combined with the peak limiter (LIMIT) and DRY/WET controls, this ensures simple and safe adjustment of levels while avoiding internal clipping and shaping the decay characteristics of material. Musically shorten the sustain period of a snare; reduce tom-tom ring without resorting to physically dampening; adjust apparent ‘distance’ of a microphone by varying the REVERB REDUCTION values… De-Verb Plus perfectly encapsulates an alternative to noise gates — compared to fixed release times, the decay period is more musically shortened, so significantly freeing a drum kit from unwanted room information within seconds!

 

Similarly, the Mo-Verb Plus Microplug perfectly zeros in on another aspect of the Transient Designer’s distinctive envelope shaping, this time replicating the boost provided by the hardware’s SUSTAIN knob that extends the decay of sounds as a self-explanatory REVERB ENHANCEMENT control, allowing all reverb events to be amplified — again, regardless of signal level. Translating to endless possibilities for studio and live applications, decay curves of any sound event can be emphasized by simply turning the knob in question! Mo-Verb Plus also offers an OUTPUT GAIN control that allows compensation for level changes after processing the signal, which — when combined with the peak limiter (LIMIT) and DRY/WET controls — secures simple and safe adjustment of levels while avoiding internal clipping when shaping the decay characteristics of material. Many effects — such as drawing out the sustain period of a snare to get the tone and grit upfront in the mix or letting every note of a guitar riff ‘sing’ to its heart’s content — would take considerable programming skill when using a typical compressor, but Mo-Verb Plus handles everything easily with only one knob… just like its new and improved Attacker Plus and De-Verb Plus siblings!

 

Attacker Plus ($99.00 USD), De-Verb Plus ($79.00 USD), and Mo-Verb Plus ($79.00 USD) are available for purchase — as a AAX DSP-, AAX Native-, AU-, VST2-, and VST3-supporting Microplugs for Mac OS X (10.8 through 10.12), Windows (7 through 10), and Pro Tools 10.3.10 (or higher) — from Plugin Alliance and select VSSD (Virtual Stock Software Distribution) retailers. (Note that individual Microplug promotional pricing of $29.00 USD is available to owners of legacy Attacker, De-Verb, and Mo-Verb.)

For more in-depth info, including several superb-sounding audio demos, please visit the Microplugs’ respective dedicated webpages here:

https://www.plugin-alliance.com/en/products/spl_attacker_plus.html

https://www.plugin-alliance.com/en/products/spl_de-verb_plus.html

https://www.plugin-alliance.com/en/products/spl_mo-verb_plus.html

The new and improved Attacker Plus, De-Verb Plus, and Mo-Verb Plus Microplugs can be seen and heard in this trailer video: https://youtu.be/NqV3qqACE1Q

 

Hyve touch plate analog synth Kickstarter is now up!

Hyve touchplate synth

The kickstarter for Hyve is now up, this looks to be a really interesting touch plate synth with 60 voice analog polyphony. yeah you heard that right. Powered from a 9v battery pack and small enough to fit in your pocket, it looks really fun. I’ll be having the creator Skot Wiedmann on the SynthSummitShow soon to discuss this project and all that the synth can do. so stay tuned for that, in the mean time go support this awesome kickstarter page!