Hanging out and checking the Arturia V collection 6. It’s filled with a bunch of really cool new synths. lets check it out!
The Vermona uniCycle is the new VCO from synth masterminds Vermona. Sharing its core with the ’14 synthesizer the uniCycle adds some tricks for the modular system.
From the vermona site
Oscillator-circuits are used in our VERMONA synthesizers, we know how to design them. But instead of copy and paste, we reworked many aspects when adapting our circuits for modular purpose. What is great for closed systems might not always be perfect for modular systems.
All that development work resulted in uniCYCLE: compact, high-performant and stable.
Simple interface and quality without compromises
This is a chilled out show where I hang out in the lab and discuss topics live.
The SynthSummitShow episode 20: Taiho Yamada
Mr Yamada has an extensive history in the synthesizer world dating back to early days of the Alesis Rompler synths such as the Quadrasynth and has been instrumental in quite a few key synthesizers of our time. From the Alesis Andromeda, Ion, and Fusion to the M-Audio Venom Taiho Yamada’s career has been steeped in synth gold. Now striking out on his own with company Media OverKill (MOK) Taiho looks to set the bar with a new form of patent pending synthesis in WaveRazor. Join this show and learn details on how you could win a copy of both WaveForm and WaveRazor! It was a great interview filled with lots of 90’s and 2000’s synth history, very much worth a listen!
Audio Damage is Has released 3 new plug in VSTs available directly from their site. New versions of the Delay Plug in “Dubstation 2″, Reverb Plug in ” EOS 2 ” and the all new waveshaping distortion “Grind” are now available.
EOS 2 consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and Audio Damage’s own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple.
From the Audio damage site:
The original dub delay plugin and still the best! Dubstation 2 takes our most popular product and adds a whole raft of new features, including a dual mode for separate control over the left and right delay times, ping-pong, a new feedback saturation algorithm, and an LFO. Along with an all-new procedural and Retina-friendly user interface and (FINALLY!) ProTools compatibility, this represents a major leap forward for one of our signature products.
All those bells and whistles aside, the heart of Dubstation is our painstaking bucket-brigade delay model. Often imitated, but never duplicated, Dubstation has been the go-to plugin for that sound for over a decade, used in thousands of commercial productions, and with good reason. With the addition of the LFO and saturation controls, Dubstation has moved in to the realm of tape delay emulation as well, and is a sonic Swiss Army knife for delay.
from the AD site:
A true powerhouse of audio warfare, Grind puts the “damage” in Audio Damage. From subtle tube-style saturation to full-on mangled wavetable distortion, Grind is a Swiss Army Knife of sound design.
Grind consists of three main blocks: wavetable lookup, in to algorithmic saturation/distortion/, and finally to a multi-mode filter. The wavetable module uses the amplitude of the incoming signal to replace the sample with one from 15 different linearly-interpolated wavetables, chosen for their mangling potential. Window size and phase controls provide further tone-shaping possibilities.
The next stop is the algorithm module, with eleven different distortion and saturation algorithms, from simple soft-knee saturation on up to full on sine warping.
After this, the signal passes through a multi-mode filter stage, with eleven different filter models to choose from, including “vintage digital” versions from the early days of plugin development, on up to our modern analog-modeled MS20-style lowpass and highpass synth filters. A tempo-synced LFO provides motion for the filter frequency, and a final stage of soft clipping and DC filtering tames the output.
Make no mistake: this is not a subtle, polite tool. With careful tuning of the provided presets, it can be tamed to normal filtering and saturation duties, but on the whole, it is a noisy, snorting beast of a plug-in, and is happiest with Full Metal audio destruction.
OK enough with the AD copy. I have had some time with all three of these (I even created a group of presets for Dubstation 2). I can say these are a really nice step forward in the Audio Damage line up. The UI is really impoved on these (Grind and EOS2 have some killer front end graphics to help understand whats going on).
Grind really impressed me in its filter types as well as how the distortions can take a plain sound and add a ton of movement and character. Similar to the Eurorack module Shapes also from Audio Damage, Grind lets you sequence lookup tables and waveshaping wavetables… very freaking cool.
tempo syncing the waveshaping and filter frequency changes is a joy.
Dubstation 2 is a very straight foward BBD sounding delay that will let you just easily get that dub delay you are after without a cluttered interface.
EOS 2 is just a joy to look at and hear. I’ve been using this to create gorgeous synth pads and basically create environments for my instruments to breathe in.
This episode I was fortunate to have John Bowen on the show. A staple in the synthesizer community for roughly 40 years, John has been instrumental in many of the legendary synths of our time. Join us as we walk through a piece of synth history and cap it off with a discussion of his amazing Solaris synthesizer.
for more info check out Johnbowen.com