Avantone Pro CLA-10TM brings the Classic white cone monitor back

Avantone Pro brings ‘back’ to market much-loved nearfield studio monitoring mainstay with closely-matched CLA-10TM
“I put my mixing reputation on these great speakers… I am mixing on them as I write this.”
– Chris Lord-Alge, GRAMMY® Award-winning mix engineer (Avril Lavigne, Green Day, Bruce Stringsteen, Tina Turner), 2018
TALLMAN, NY, USA: affordable high-quality audio products producer Avantone Pro is proud to announce availability of its CLA-10TM classic studio reference monitor — manufactured as a full-range, two-way passive pair for fixed or remote locations while also accurately recreating an iconic studio monitoring mainstay, much loved in the music industry among pop and rock recording engineers to this day as a valuable mixing tool with which to reveal shortcomings in recordings — as of June 22…
Times change, as does technology. That being said, today’s newly developing age of high-definition audio does not necessarily negate recording shortcomings. Studios still primarily use two- or three-way large monitors designed to represent a wide range reference viewpoint at higher listening levels and there is still a need to hear what a mix will sound like when played back over small systems, such as car stereos, clock radios, computer speakers, and televisions. Indeed, it is important to make mixing judgements based on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full-range drivers. Paying particular attention to the critical midrange vocal/guitar/keyboard areas is always advised.
As such, over a year of R&D (Research & Development), comparative listening, and tweaking went into voicing Avantone Pro’s CLA-10TM while working in close collaboration with five-time GRAMMY® Award-winning mix engineer Chris Lord-Alge — hence having his signature grace the finished, familiar-looking cabinet. The result is a very accurate recreation of an iconic studio monitoring mainstay, much loved in the music industry among pop and rock recording engineers to this day (despite discontinuation of the original product in question back in 2001). Much more recently, listening tests in studios show that recording engineers accept the CLA-10TM as a transparent replacement — just ask Chris Lord-Alge, an assuredly talented and incontrovertibly impressed individual, as evidenced by his following flattery: “I put my mixing reputation on these great speakers… I am mixing on them as I write this.”
The CLA-10TM clearly meets its engineering and performance objectives, attributed, in part, to a 10.4-litre sealed design cabinet constructed of non-layered, high-rigidity MDF (Medium-Density Fibreboard) — chosen for its natural low-resonance characteristics — finished with an outer layer of real wood veneer. Visually and tonally fusing the past with the present, Avantone Pro utilised the latest in FEA (Fine Element Analysis) modelling to achieve its custom-designed 180mm AV10-MLF low-frequency driver based on paper cone construction with ‘old-school’ speaker design artistry, thanks to the finest pulp material that performs as closely as possible to the original by being press formed rather than die cut for tonal consistency. Cloth surround material is made in Japan for added authenticity and has unique damping characteristics, enabling a predictable compliance over the lifespan of the driver. Avantone Pro’s custom-tooled frame supports the driver/cone combo to minimise mechanical transfers while the 35mm AV10-MHF high frequency silk dome-based tweeter is as close a match to the original as can be made, making for both a frequency (60Hz – 20kHz) and voicing match to the classic sound so admired by the likes of Chris Lord-Alge — hardly surprising since those aforesaid AV10-MLF and V10-MHF critical components have been extensively field-tested in top LA and NY studios to universal acclaim as drop-in replacements for both Avantone Pro’s own CLA-10TM and also the iconic studio monitoring mainstay it recreates so accurately.
Anyone seeking a transparent replacement for their much-loved nearfield studio monitoring mainstay as a valuable mixing tool with which to reveal shortcomings in recordings should seriously consider investing in Avantone Pro’s CLA-10TM. Clearly its sound should be as familiar as the distinctive looks it also accurately recreates. Indeed, its (381.5mm x 215mm x 197.5mm) cabinet dimensions and (6.3kg) weight will make transitioning to the carefully crafted CLA-10TM when waving goodbye to the ‘dearly departed’ seem seamless. Some studio visitors may even do a double take when told that the same speaker stands or console bridge boast new classic studio reference monitors!
The CLA-10TM arrives at Avantone Pro’s US Dealers (http://www.avantonepro.com/us-dealers.php) in August 2018, priced at $699.00 USD per pair. (Worldwide Distributors are listed by country here: http://www.avantonepro.com/worldwide.php)
For more in-depth information, please visit the dedicated CLA-10TM webpage here: http://www.avantonepro.com/cla-10.php
Watch five-time GRAMMY® Award-winning mix engineer Chris Lord-Alge’s compelling CLA-10TM introductory video here: https://youtu.be/ZFLmP9XWyhg
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Elysia Character Discrete Class A saturation and distortion

The Elysia Karacter is a really interesting rack unit and not just because it’s a high quality distortion or saturation.  The Karacter gives you a ton of tone shape characteristics and control in one simple 1u rack space. Control Voltage seems to be a buzz these days and for good reason. Control voltages give you extremely fast precise control over parameters and allow for easy interaction not just with modular gear but with various studio pieces. Karacter Gives you CV control which isn’t very common in units of this style. Lets talk more about the sound. There are a few modes of color to grab from this unit, the first of which is saturation. Continue reading

ZAOR Studio desk “Yesk” Review

ZAOR Studio Furniture YESK Production desk

review by Fluxyesk1    The Yesk is the latest production desk from boutique studio desk manufacturer ZAOR. The Yesk is a three tier desk with a slide out keyboard tray perfect for 49-61 keys. the center console features two bays of 4U of rack space at a nice working angle. The construction is of solid wood and feels extremely sturdy. One of my personal concerns about this review was that I know I will be moving in semi near future, will this desk hold up after a tear down and rebuild. I can say that after putting the desk together and seeing the smart anchor system that it uses to assemble the individual pieces (it comes flat packed), I have no doubts it will fair well in the move. Build time was pretty short (under two hours with me basically half paying attention to the build and half paying attention to another project I was working on. I’d bet with some focus I could have pulled it off in about 45 minutes.  The instructions are very well layed out and it is really only about 11 parts or so you need to join together. The only gripes I had during the build was that the adapters for the rack screws could have come preinstalled and that the bottom row of them are a very tight fit to the desk. Nothing really upsetting just nitpicking for the sake of this article really.  Continue reading

Izotope inc announces RX4 & RX4 Advanced for September release!

iZotope Announces RX 4 and RX 4 Advanced
The next generation of an industry standard

Cambridge, MA (August 8, 2014) — iZotope, Inc. , a leading audio technology company, has announced an update to its flagship audio repair and enhancement suite, RX®. RX, an Emmy Award-winning audio repair toolkit, is used by musicians, sound engineers, and post production professionals everywhere to transform noisy, distorted, or flawed audio into pristine material.

Launching this September, the new RX 4 is designed to be the ultimate companion to a DAW or NLE with new intelligent modules, time-saving features, and deeper levels of integration with their hosts.

HIGHLIGHTED FEATURES: Continue reading