NAMM travel woes

So im posting this from my phone. After leaving bright and early at 5am to catch my flight from philly to san fran I got to sit on the tarmac for 3 hours. Then I was told what was a direct flight to san fran now had to stop for gas in st. Louis. I land In st. Louis and now the plane is broke so I am stranded trying to book a new flight thanks usairways.

Ok so now that my flight was cancled im stuck here in st lousouis for a good 5 hours till I can fly to phoenix then to cali. Yep it sucks.
Ive seen a few things posted up like m audio making more mido controllera with 12 drum pads on em (wth are they thinking) and akai cashing in on the mpc name with mpc branded headphones (and loosing its last shred of dignity)
Also a 8 pad sample trigger that is a stand alone piece of dj gear. Great Idea thats about 12 years to late. Every dvs out there can do what this future obsolete piece of kit does and likely any dj not using a dvs has much cheaper options or is so out of touch with the scene that this is probably a non option. What ever.
image

NAMM 2013 Rumor Page!

NAMM 2013 RUMOR PAGE!

The big Rumors I have been hearing so far are coming from some of the larger companies.

1) Korg possibly set to show a new MS-20 based synth with the size factor of the legacy controller and the new chip innards developed for the monotron series.

2) also from Korg rumors of a Polytron or full on poly analog synth to be aggressively priced. Continue reading

Creating your own sounds Pt 6.

Steppin to the AM

(modulation sources)

Modulation sources help a sound evolve over time. When creating a pad sound for example from a sampled hollow tube try adding some band pass filters and setting the cut off and resonance to be modulated by an Envelope or Low Frequency Oscillator (LFO). This set to a slow rate will cause a long evolving or moving sound that may be more complex and interesting. Additionally Mod sources can be controlled by aspects such as a mod wheel on a keyboard or even by the velocity envelope on your keyboard. So by pressing a key harder you can make your sound evolve more sharply or more smoothly depending on your positive or negative settings. When used on Drums Modulation sources can cause some pretty interesting and funky results such as a filter sharply cutting a kick or snare drum to create a pulsing effect. Continue reading

Creating your own sounds Pt. 5

Change clothes

Here I discuss the mentality of sound processing.
Sound processing your samples starts with one fundamental Ideal. Make it sound better! There are many ways to achieve the same sound, many ways to achieve slightly different sounds and many ways to ruin sound or just plain exaggerate it. So let’s define good sound vs. bad sound. First up is in the method to avoid bad sound is to make sure your level is proper. You don’t want your sound to appear as a brick. This means if your sound is up to loud and your using a digital interface to work with sound anything above 0db will be truncated and the wave will just be shelved resulting in a waveform that looks like brick. The sound will be harsh and unpleasant so be sure your levels allow enough head room before your peaks touch 0db. Continue reading