Tag Archives: oscillator

4MS Ensemble Oscillator is ready to ship May 18th

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A new Oscillator from 4ms seems ready to hit the streets with a ship date of May 18th.

The oscillator is the latest in a string of powerful oscillators from the Modular synth company that brought us the spectral wavetable navigator.

here is what their site has to say about it.

“The Ensemble Oscillator is a unified polyphonic voice of sixteen complex oscillators combining additive, FM, phase-distortion and wavefolding synthesis techniques in new unorthodox ways. By quantizing the oscillators to scales or series of harmonics, the Ensemble Oscillator allows you to explore the sonic boundary between musical chords and rich evolving textures. Easily create a wide variety of sounds ranging from aggregates of pure sine waves to pulsar synthesis or pristine harmonic tones and lush wide chords to rich dirty drones and rumbling glitches. Custom scales can quickly be “learned” and saved using a CV keyboard or by manually entering notes with the controls.

Features

  • 16 sine-based oscillators bound to intervals of a selected Scale
  • 30 factory-programmed, user-writeable scales organized in three groups:
    • 12TET: all notes quantized to equal temperament, repeating over octaves
    • Octave: unquantized notes, repeating over octaves
    • Free: unquantized notes, repeating over the interval between the lowest and highest note
  • A simple method to program (“Learn”) your own scales manually or with a CV/Gate keyboard
  • Three Twist phase distortion effects
  • Three Warp wave distortion effects
  • Three algorithms of Cross FM for modulating the oscillators with each other
  • Mono or stereo output with selectable panning algorithm
  • Freeze button and jack to freeze the frequency of some of the oscillators, with selectable algorithm
  • Two 1V/oct inputs: Pitch (non-quantized), and Root (quantized)
  • High-accuracy, temperature-stable, eight octave range (-2V to +6V), can be calibrated to any keyboard
  • Six bi-polar CV inputs (-5V to +5V)
  • Two gate inputs for automated Learning and Freezing
ensemble oscillator designed by Matthias Puech

The Ensemble Oscillator is designed by Matthias Puech and 4ms Company”

Always nice to get a quality shot of the back of these modules right!

The price point is $299

Electrical and Mechanical Specifications

  • 16HP Eurorack format module
  • 0.98” (25mm) maximum depth (including power cable)
  • 10-pin to 16-pin Eurorack power header
  • Power consumption
    • +12V: 114mA maximum
    • -12V: 45mA maximum
    • +5V: 0mA (not used)
  • Audio outputs
    • Frequency range: 0Hz (DC) – 20kHz
    • Typical amplitude: 10Vpp
    • Maximum amplitude: 18.5Vpp
  • 1V/oct inputs (Root and Pitch)
    • Voltage range: -2V to +6V (8 octave range)
    • Factory calibrated to 1.00V/oct
    • Per-jack user-calibration allows from 0.7V/oct to 1.3V/oct
  • CV inputs (other than 1V/oct)
    • Voltage range: -5V to +5V
  • Gate inputs
    • Trigger threshold: 2.5V
  • User memory (non-volatile)
    • Scale slots: 30
    • Shift feature settings
    • 1V/oct calibration settings

Lab Lounging with the Vermona uniCYCLE VCO

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The Vermona uniCycle is the new VCO from synth masterminds Vermona. Sharing its core with the ’14 synthesizer the uniCycle adds some tricks for the modular system.

From the vermona site 

Oscillator-circuits are used in our VERMONA synthesizers, we know how to design them. But instead of copy and paste, we reworked many aspects when adapting our circuits for modular purpose. What is great for closed systems might not always be perfect for modular systems.

All that development work resulted in uniCYCLE: compact, high-performant and stable.

Simple interface and quality without compromises

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New eurorack oscillator from VERMONA the UniCycle

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VERMONA is proud to announce availability of the uniCYCLE voltage controlled oscillator — a six-waveform VCO (Voltage-Controlled Oscillator) module for the popular Eurorack small-format modular system with an outstanding feature set that is all set to help it stand out from the sound of the crowd (to partially paraphrase the early-Eighties British breakthrough hit from synth-pop pioneers The Human League, no strangers to Eurorack today themselves) — as of August 25…

Audio-oscillators are probably the most widespread modules found in Eurorack small-format modular systems today — hardly surprising since they are fundamental for generating synthetic sounds, both tonal as well as percussive. Oscillators, of course, are at the musical heart of VERMONA’s sought-after synthesizers, such as the flagship ’14 ANALOG SYNTHESIZER, so the company clearly knows how to design them. That said, instead of applying a ‘copy and paste’ procedure, it reworked many aspects, adapting its oscillator circuits to Eurorack small-format modular system usage. After all, what works well for closed systems might not necessarily be perfectly suited to modular systems. Such ‘due diligence’ displayed during research and development resulted in the uniCYCLE voltage controlled oscillator, a compact (10 HP-wide), high-performance, and stable oscillator offering all the common features that the discerning Eurorack small-format modular system user might easily expect… and, arguably, much more besides.

Besides classic sawtooth, triangle and square offerings, the uniCYCLE voltage controlled oscillator generates sine, even, and a special sawtooth with doubled frequency for a total of six waveform OUTPUTS. PWM (Pulse Width Modulation) is not only available for that square wave, but also even — a shape that only has even-numbered harmonics — can be transformed into a sine-like wave, while the doubled saw turns into half-pitched triangles. There are also six OUTPUTS, including LIN FM (Linear Frequency Modulation) and EXP FM (Exponential Frequency Modulation) as well as H – SYNC – S (hard and soft sync).

Saving space, one knob allows access to the uniCYCLE voltage controlled oscillator’s frequencies in three different modes. TUNE either controls the low frequency or audio range, respectively adding or subtracting exactly one octave. In this calibrated mode it provides a ‘dead-zone’ around its centre position, making it easy to access all three octaves without needing a centre-click.

Care was taken to make the uniCYCLE voltage controlled oscillator suitable for use in a musical context when VERMONA made its design decisions. Delivering superlative sound quality with rock-solid, stable tuning, the uniCYCLE voltage controlled oscillator obviously fulfils those all-important criteria, handling huge tuning ranges with the greatest of ease while strictly following the 1-volt-per-octave convention.

Clearly, then, the uniCYCLE voltage controlled oscillator makes a strong case for anyone to embrace Eurorack… and at least one such module should be in every Eurorack small-format modular casing!

 

Shipping now, the uniCYCLE voltage controlled oscillator is available to purchase through VERMONA’s growing global network ors (https://www.vermona.com/en/dealer/) with an RRP of €289.00 EUR (Europe) and $339.00 USD (USA).

For more in-depth information, please visit the dedicated uniCYCLE voltage controlled oscillator webpage here: https://www.vermona.com/en/products/modules/product/unicycle/

Pittsburgh Modular Double Helix VCO and new Lifeforms modules NAMM ’17

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Designed to be the nucleus of a synthesizer, the Double Helix Oscillator is a modular waveform generator like no other. A set of beefy, analog oscillators paired with voltage controlled shape contouring, deep modulation and a performance-ready voltage controlled modulation matrix create a dynamic, analog waveform playground.

At the core of the Double Helix are two, wide-range precision oscillators. The primary oscillator includes a full complement of waveforms and multiple modulation options. The secondary oscillator offers a more focused set of waves and frequency modulation. Both oscillators reach deep into LFO range and can be used as voltage-controlled modulation sources.

The contour section of the Double Helix Oscillator features a highly tuned wavefolder paired with an exclusive dynamic impulse low pass gate. The contour signal chain starts with a two-channel mixer. This allows multiple waveforms or multiple oscillators to be combined before passing though the contour section. The first half of the contour section is a voltage-controlled, 6-stage wavefolder used to add odd harmonics to the incoming waveform. The timbre and timbre CV controls set the density and amplitude of the folds. When processing a sine wave, the wavefolder creates a spectral change from zero harmonics to square, with an infinite harmonic series.

The second half of the contour section is a dynamic impulse low pass gate. The effect of the low pass gate is similar to pairing a low pass filter and VCA together. As the dynamics control is opened, the filter adds harmonics and the VCA increases the amplitude of the waveform. As the dynamics control is closed, the filter removes harmonics and the VCA decreases the amplitude of the waveform. This pairing mimics how sound behaves in the real world creating a more naturally tonal response. The impulse input adds the ability to strike or ping the low pass gate circuit creating a very organic, percussive sound. The decay time of the impulse input is set by the dynamics response control allowing the strike to be tuned to a specific musical context.

The modulation section includes an LFO offering simultaneous sine, square, and random waveforms. A noise source is also available for audio or modulation use.

A pair of voltage-controlled routers manage all the CV inputs creating a dual, voltage controlled modulation matrix perfect for complex signal paths, experimentation, and live performance. The matrix consists of two voltage-controlled amplifiers designed to control the modulation amount inputs that can be routed to any of the Double Helix CV inputs. Each of the CV inputs can be switched to channel a, bypass, or channel b and mixed with a dedicated CV input.

Features

  • Panel size: 28hp
  • Depth: 37mm
  • Power Usage: +12v 223mA, -12v 205mA
  • Does not require +5v

Radikal Technologies releases the eurorack Swarm Oscillator RT 311

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Radikal Technologies releases radical Eurorack-compatible oscillator module with a DSP-driven difference

MÜNCHEN, GERMANY: having turned heads, opened ears, and blown musical minds with a successful showcase at The 2017 NAMM Show, January 19-22 in Anaheim, California, high-quality synthesizer developer Radikal Technologies is proud to announce availability of its RT-311 SWARM OSCILLATOR — an advanced DSP-driven Eurorack-compatible oscillator module that, as implied by name, goes far beyond the realms of standard oscillator fare, firstly thanks to two oscillators that can both build swarms of (up to eight) oscillator ‘clones’ capable of being pitched in musical intervals, chords, clusters, or fat detunes, dutifully backed by having all parameter settings saveable as interpolatable snapshots, enabling even more radical results — as of March 28…

A dictionary definition of swarm typically reads: a large number of things… or oscillators, in the case of Radikal Technologies’ radical RT-311 SWARM OSCILLATOR, which, when switched to its highest SWARM setting, sees a maximum of 16 oscillator ‘clones’ running simultaneously. Something that stands out from the sound of the (ever-expanding Eurorack modular) crowd — to (partially) paraphrase the early-Eighties British breakthrough hit from synth-pop pioneers The Human League (themselves no strangers to the small-format modular system popularised by fellow German developers Doepfer Musikelektronik) — and surely something to behold? But building swarms of oscillator clones using both (OSCILLATOR 1 andOSCILLATOR 2) banks’ specialised set of TUNE, OCTAVES, DENSITY, SPREAD, and DETUNE controls to create pitched musical intervals, chords, clusters, or fat detunes does not necessarily mean that all 16 of those clones have to sound simultaneously.

Switched into (its default startup) Manual-Mode of operation, the RT-311 SWARM OSCILLATOR can function much like any other Eurorack-compatible all-analogue oscillator out there with OSCILLATOR 1 and OSCILLATOR 2 respectively appearing at the two (OUT 1 and OUT 2) outputs as sound sources for further manipulation elsewhere — using Radikal Technologies’ own RT-451 DUAL MULTIMODE FILTER module, for instance. In this scenario, the sound of the RT-311 SWARM OSCILLATOR module matches exactly what would be expected from the potentiometer-controlled parameter positions on its 32 HP (Horizontal Pitch) sized front panel; putting yet more controls at adventurous users’ fingertips, both banks of oscillators feature WAVE controls for smooth transitions between waveforms and TLM (Timelinearity Modulation), a variation of pulse-width modulation — known from Radikal Technologies’ SPECTRALIS 2 ANALOG SYNTHESIZER/ BEATMATRIX/FILTERBANK desktop hybrid — that can be applied to all waveforms, while exponential FM (Frequency Modulation) and linear FM modulation or PM (Phase Modulation) are also available alongside oscillator synchronisation. Pitch is, of course, controlled by the (calibrated) 1V/OCT input (which can be quantised so that only pitches of a certain tone sequence or scale are output).

Other operational modes make more radical results really shine through, though. Switching Snapshot-Mode into play permits the RT-311 SWARM OSCILLATOR to store up to eight memory setups, each with eight snapshots, saving all oscillator settings and memorising them even after whatever Eurorack small-format modular synth system is playing host to the module has been powered down! Such snapshots are assigned to one of eight positions accessible via the ‘big knob’ dominating the RT-311 SWARM OSCILLATOR’s front panel. Put it into Interpolator-Mode and everything (literally) revolves around the cyclic traversal of those snapshots, smoothly crossfading from one to the next with transitions taken care of via voltage control, an internal LFO (Low Frequency Oscillator), or the big knob itself — either way, the surrounding eight LEDs (Light Emitting Diodes) illuminate accordingly in user-chosen colours, helpfully highlighting which snapshot is playing at any given time.

To make room for an RT-311 SWARM OSCILLATOR in any Eurorack small-format modular system means making more sound colours available to the sophisticated synthesist… Radikal by name, radical by nature, now a swarm of oscillators need not take up too much valuable rack space, so why not add one (or more) modules to your setup today to start puttingRadikal Technologies’ latest DSP-driven design through its unique-sounding paces? 

 

Now shipping, the RT-311 SWARM OSCILLATOR is available for purchase from Radikal Technologies stockists at an MSRP of €598.00 EUR (in Europe) and $659.00 USD (in the US).

For more in-depth information, please visit the dedicated RT-311 SWARM OSCILLATOR webpage here: https://www.radikaltechnologies.com/index.php/rt-311-swarm-oscillator/

Watch a short demonstration video of the RT-311 SWARM OSCILLATOR here: https://youtu.be/u3q03WoDwyk

 

Soulsby Oscitron Eurorack VCO Demo part 1

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Soulsby Oscitron is listed as a 8 bit oscillator, but I think that is underselling what this thing really is.

The truth is this is a Vocoder, oscillator, wave shaper, phaser, bit crusher, and much more all in one module that can be freely hacked and updated. The wood ends are the first sign that this is a module unlike any other. you can use those wood end checks to hold new faceplate cover templates in place as they are released essentially updating the whole faceplate as you go. This is a truly novel approach to the idea of a multi function eurorack module. The menu system is easy to navigate while having quite an impressive depth of features. For that reason I have decided to handle demo videos of this module in parts. enjoy the first part in this series below! for more info check out Soulsby Synths. price is roughly $299 at USA dealers

Play

  • 8-bit wavetable module
  • Unique wavetable PWM Synthesis audio engine.
  • Quick and intuitive controls, no complex menu systems
  • White aluminium faceplate with walnut side panels
  • Nearly all parameters controllable by CV
  • 16 preset sounds that can be overwritten with your own patches

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