Zaor Updates the MIZA range to MKII with refinement and style

ZAOR Studio Furniture furthers MIZA range reach with MkII modifications and additions
ORADEA, ROMANIA: stylish, ergonomic, and affordable studio furniture-maker ZAOR Studio Furniture is proud to announce availability of several new revisions and additions to its marketable MIZA product line (catering to the ever-widening range of musicians, DJs, video artists, and such like looking for a comfortable and yet affordable working environment) — namely, the MIZA D-Stand MkII desktop speaker stand, MIZA Jr. MkII flexible media desk, MIZA Rack 12 MkII and MIZA Rack 16 MkII side racks, and MIZA V-Stand 36 and MIZA V-Stand 42 speaker stands — as of September 20…
As implied by name, MIZA D-Stand MkII marks ZAOR Studio Furniture’s new and improved revision of its original MIZA D-Stand desktop speaker stand from four years back. Benefitting from a more modernised (all-black) look, it includes more features. For starters, it is now height-adjustable by up to 50mm (above its 200mm-high horizontal configuration) and can also be angled at up to 9° while providing better acoustic isolation courtesy of four hemispheres made out of a synthetic viscoelastic urethane polymer that minimises transmission by up to 95%. With weight-bearing capabilities belying its diminutive (260mm x 260mm) footprint — up to 25kg when used horizontally and 15kg when angled, a pair of MIZA D-Stand MkII desktop speaker stands can be added to any desk to turn it into a production environment easily and speedily.
Similarly, MIZA Jr. MkII marks ZAOR Studio Furniture’s revision of its original MIZA Jr. flexible media desk for computer-based workflow while targeting video and audio applications. As such, this time the company set about streamlining the production process, resulting in a reduced RRP (Recommended Retail Price) — down to €439.00 EUR (for MIZA Jr. MkII) from €499.00 EUR (for MIZA Jr.), so the end result remains focused on providing the user with a no-compromise workspace without breaking the bank. Better still, specifications remain remarkably similar to what they were with a perfectly sized (1250mm: W x 650mm: D) top plate for fitting into smaller spaces. Saying that, this is supplemented by a 61-note keyboard controller-accommodating (1129mm: W x 308mm: D) pullout draw, which is height adjustable in seven steps of 7mm, while a lower passageway positioned rearwards retains unsightly cables, conveniently keeping them out of sight. Strongly constructed from Melamine-faced chipboard with a strip of solid wood along the front edge of its top plate for aesthetic and protective purposes, MIZA Jr. MkII is available in Cherry/Black and Wenge/Grey finishes, flat packed for easy transportation and assembled easily.
Appropriately-monikered, the MIZA Rack 12 MkII and MIZA Rack 16 MkII side racks represent revisions of ZAOR Studio Furniture’s original MIZA Rack 12 and MIZA Rack 16, stylish 12U and 16U open airflow designs that both benefit from a repositioned cable passageway — sited behind the practical low-level drawer — to comfortably accommodate rack-mountable equipment without any depth restrictions via quality rails angled at a gentle incline using the included cage nuts, screws, and washers. What’s more, both feature a sizeable (600mm: W x 500mm: D) top plate, providing an additional work surface suited to any studio setup. Strongly constructed from Melamine-faced chipboard, MIZA Rack 12 MkII and MIZA Rack 16 MkII are available in (MIZA Jr. MkII-matching) Cherry/Black and Wenge/Grey finishes, flat packed for easy transportation and assembled easily.
Ending on a new-fashioned note, the self-explanatory MIZA V-Stand 36 and MIZA V-Stand 42 speaker stands are an all-new addition to ZAOR Studio Furniture’s marketable MIZA product line. Like the musician-friendly MIZA D-Stand MkII before them, they marry a modern (black-finished) look with a moderate cost, but not at the expense of delivering a stable solution with zero resonance — everything needed in a fixed-height 36-inch (MIZA V-Stand 36) or 42-inch (MIZA V-Stand 42) speaker stand, in other words. While absolutely affordable, MIZA V-Stand 36 and MIZA V-Stand 42 adhere to the best standards of technical performance and design, both benefitting from a (300mm x 300mm) top plate-affixed Aerstop absorption pad for decoupling speakers weighing up to 40kg from within whatever room they are asked to perform — perfectly levelled, thanks to adjustable feet on the (300mm x 300mm) bottom plate.
Put it this way: with the MIZA V-Stand 36 and MIZA V-Stand 42 additions available alongside the MIZA D-Stand MkII, MIZA Jr. MkII, and MIZA Rack 12 MkII and MIZA Rack 16 MkII revisions, ZAOR Studio Furniture is now even better positioned to cater to that ever- widening range of musicians, DJs, video artists, and such like looking for comfortable and yet affordable working environments.
The MIZA D-Stand MkII desktop speaker stand, MIZA Jr. MkII flexible media desk, MIZA Rack 12 MkII and MIZA Rack 16 MkII side racks, and MIZA V-Stand 36 and MIZA V-Stand 42 speaker stands are available to order either directly through the Zaor Online Shop (https://zaorstudiofurniture.com/shop/en/) or via ZAOR Studio Furniture’s growing global dealership network (https://zaorstudiofurniture.com/index.php?page=dealers) with an RRP of €179.00 EUR (per pair), €439.00 EUR, €369.00 EUR, €399.00 EUR, €139.00 EUR (each), and €159.00 EUR (each), respectively.
For more in-depth information, please visit the dedicated MIZA product webpages via here: https://zaorstudiofurniture.com/index.php?page=miza

Avantone Pro CLA-10TM brings the Classic white cone monitor back

Avantone Pro brings ‘back’ to market much-loved nearfield studio monitoring mainstay with closely-matched CLA-10TM
“I put my mixing reputation on these great speakers… I am mixing on them as I write this.”
– Chris Lord-Alge, GRAMMY® Award-winning mix engineer (Avril Lavigne, Green Day, Bruce Stringsteen, Tina Turner), 2018
TALLMAN, NY, USA: affordable high-quality audio products producer Avantone Pro is proud to announce availability of its CLA-10TM classic studio reference monitor — manufactured as a full-range, two-way passive pair for fixed or remote locations while also accurately recreating an iconic studio monitoring mainstay, much loved in the music industry among pop and rock recording engineers to this day as a valuable mixing tool with which to reveal shortcomings in recordings — as of June 22…
Times change, as does technology. That being said, today’s newly developing age of high-definition audio does not necessarily negate recording shortcomings. Studios still primarily use two- or three-way large monitors designed to represent a wide range reference viewpoint at higher listening levels and there is still a need to hear what a mix will sound like when played back over small systems, such as car stereos, clock radios, computer speakers, and televisions. Indeed, it is important to make mixing judgements based on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full-range drivers. Paying particular attention to the critical midrange vocal/guitar/keyboard areas is always advised.
As such, over a year of R&D (Research & Development), comparative listening, and tweaking went into voicing Avantone Pro’s CLA-10TM while working in close collaboration with five-time GRAMMY® Award-winning mix engineer Chris Lord-Alge — hence having his signature grace the finished, familiar-looking cabinet. The result is a very accurate recreation of an iconic studio monitoring mainstay, much loved in the music industry among pop and rock recording engineers to this day (despite discontinuation of the original product in question back in 2001). Much more recently, listening tests in studios show that recording engineers accept the CLA-10TM as a transparent replacement — just ask Chris Lord-Alge, an assuredly talented and incontrovertibly impressed individual, as evidenced by his following flattery: “I put my mixing reputation on these great speakers… I am mixing on them as I write this.”
The CLA-10TM clearly meets its engineering and performance objectives, attributed, in part, to a 10.4-litre sealed design cabinet constructed of non-layered, high-rigidity MDF (Medium-Density Fibreboard) — chosen for its natural low-resonance characteristics — finished with an outer layer of real wood veneer. Visually and tonally fusing the past with the present, Avantone Pro utilised the latest in FEA (Fine Element Analysis) modelling to achieve its custom-designed 180mm AV10-MLF low-frequency driver based on paper cone construction with ‘old-school’ speaker design artistry, thanks to the finest pulp material that performs as closely as possible to the original by being press formed rather than die cut for tonal consistency. Cloth surround material is made in Japan for added authenticity and has unique damping characteristics, enabling a predictable compliance over the lifespan of the driver. Avantone Pro’s custom-tooled frame supports the driver/cone combo to minimise mechanical transfers while the 35mm AV10-MHF high frequency silk dome-based tweeter is as close a match to the original as can be made, making for both a frequency (60Hz – 20kHz) and voicing match to the classic sound so admired by the likes of Chris Lord-Alge — hardly surprising since those aforesaid AV10-MLF and V10-MHF critical components have been extensively field-tested in top LA and NY studios to universal acclaim as drop-in replacements for both Avantone Pro’s own CLA-10TM and also the iconic studio monitoring mainstay it recreates so accurately.
Anyone seeking a transparent replacement for their much-loved nearfield studio monitoring mainstay as a valuable mixing tool with which to reveal shortcomings in recordings should seriously consider investing in Avantone Pro’s CLA-10TM. Clearly its sound should be as familiar as the distinctive looks it also accurately recreates. Indeed, its (381.5mm x 215mm x 197.5mm) cabinet dimensions and (6.3kg) weight will make transitioning to the carefully crafted CLA-10TM when waving goodbye to the ‘dearly departed’ seem seamless. Some studio visitors may even do a double take when told that the same speaker stands or console bridge boast new classic studio reference monitors!
The CLA-10TM arrives at Avantone Pro’s US Dealers (http://www.avantonepro.com/us-dealers.php) in August 2018, priced at $699.00 USD per pair. (Worldwide Distributors are listed by country here: http://www.avantonepro.com/worldwide.php)
For more in-depth information, please visit the dedicated CLA-10TM webpage here: http://www.avantonepro.com/cla-10.php
Watch five-time GRAMMY® Award-winning mix engineer Chris Lord-Alge’s compelling CLA-10TM introductory video here: https://youtu.be/ZFLmP9XWyhg
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Tracktion Launches Waveform DAW

Tracktion Corporation is proud to announce the release of Waveform, the latest in their long line of innovative DAWs. Transcending the award-winning T7 in look, feel and feature set, Waveform maintains the open, intuitive characteristics of its predecessor. In addition to providing a solid recording platform, the Tracktion team has developed an array of new tools designed to speed up and expand creative composition.

All good DAW’s have the ability to record, edit, mix and share music however, Waveform may be the only application evolving at the same pace as modern music production. Since acquiring ownership of the platform in 2012, Tracktion has completely re-factored the application, adapting it to the latest production trends, on a yearly basis. No other DAW can make this claim. In addition, Waveform is laser focused on music production so it avoids the complexities inherent in most of today’s DAWs as they struggle to support everything from film mixing to enterprise operations or live music performance. 

Beyond sheer efficiency, Waveform inspires creativity with an unprecedented suite of composition tools. Intuitive MIDI pattern generators allow even untrained musicians to quickly assemble entire musical arrangements while built-in virtual instruments such as the FM Synth and new Collective™ sampler/synthesizer provide a wealth of new sounds and blending options for a truly sophisticated sonic palette. Of course, Waveform is also compatible with all VST and AU plugins such as Tracktion’s popular BioTek™ Organic Synthesizer.

Our goal is to continually gain market share by remaining more current and flexible than our competitors,” explained Tracktion Corp CEO, James Woodburn. “Our constant re-factoring process means that we can track emerging production trends and incorporate the best ideas into our codebase. Watch on-line tutorials detailing how today’s top producers like to work and you’ll find that Tracktion seamlessly fits into those workflows.”

Despite the remarkable power of this application, Waveform’s highly refined code remains efficient enough to support even the relatively tiny Raspberry Pi platform. This allows the app to run smoothly on almost any modern Windows, Mac or Linux computer but also opens it for use as an embedded solution in the growing DIY maker community.

Waveform is available from the Tracktion website,  HYPERLINK “https://www.tracktion.com/” tracktion.com, as well as top retailers, with prices starting at $99.

ZAOR Studio desk “Yesk” Review

ZAOR Studio Furniture YESK Production desk

review by Fluxyesk1    The Yesk is the latest production desk from boutique studio desk manufacturer ZAOR. The Yesk is a three tier desk with a slide out keyboard tray perfect for 49-61 keys. the center console features two bays of 4U of rack space at a nice working angle. The construction is of solid wood and feels extremely sturdy. One of my personal concerns about this review was that I know I will be moving in semi near future, will this desk hold up after a tear down and rebuild. I can say that after putting the desk together and seeing the smart anchor system that it uses to assemble the individual pieces (it comes flat packed), I have no doubts it will fair well in the move. Build time was pretty short (under two hours with me basically half paying attention to the build and half paying attention to another project I was working on. I’d bet with some focus I could have pulled it off in about 45 minutes.  The instructions are very well layed out and it is really only about 11 parts or so you need to join together. The only gripes I had during the build was that the adapters for the rack screws could have come preinstalled and that the bottom row of them are a very tight fit to the desk. Nothing really upsetting just nitpicking for the sake of this article really.  Continue reading