Strymon Magneto delay Thoughts and impressions

I have had the Strymon Magneto for some time now and I decided to shoot a short video discussing some of my thoughts.

spoiler it is a very musical module. I really enjoy the hands on control. While admittedly I was concerned about the price point. Considering I recently had purchases a Rainmaker delay module which did not last in my rack.  The Magneto was met with a bit of caution. I must say however I am left quite impressed. it is deceptively deep and quite controlled and full of “sweet spots”. The ability to reverse delays and freeze moments in time is great. Check out the video and let me know what you think.

for more info check out https://www.strymon.net/products/magneto/

Dark Energy III from Doepfer announced

Doepfer harnesses dark energy for third time with effectively enhanced monophonic analogue standalone synth namesake
GRAEFELFING, GERMANY: having wowed North American audiences with a preproduction prototype at The 2018 NAMM Show in Anaheim, CA, then turned heads and opened European ears with a must-see showstopper closer to home at SUPERBOOTH18 in Berlin, Germany, esteemed electronic musical device designers Doepfer Musikelektronik is proud to announce availability of the Dark Energy III Analog Synthesizer — a worthy successor to its critically-acclaimed desktop Dark Energy II monophonic analogue standalone synthesizer with wide- reaching CV (Control Voltage)/Gate, MIDI (Musical Instrument Digital Interface), and USB (Universal Serial Bus) connectivity that it effectively enhances — as of July 4…
Like its Dark Energy II predecessor, released to widespread critical acclaim back in 2012, Dark Energy III is a desktop monophonic analogue standalone synthesizer with wide-reaching CV/Gate, MIDI, and USB connectivity. Continuing that intriguingly-named lineage, likewise, Dark Energy III’s sound generation and all modulation sources are 100% analogue, with only its inbuilt MIDI/USB components entering the digital arena (as is obviously necessary, naturally). Needless to say, everything is built into a rugged black metal case with wooden side plates, while high-quality potentiometers with metal shafts are used; ultimately, each potentiometer is mounted firmly to the chassis, so no wobbly shafts and knobs — unlike some cheaply-constructed competing (non-Doepfer) designs. Dark Energy III is, indeed, essentially an enhanced version of Doepfer’s desktop standalone synthesizer so central to the company’s product line for so long, but boasts several notable differences.
Notably — not least audibly, although also apparent from the front panel’s waveform Shape switch labelling, a triangle Shape waveform is now central to the VCO (Voltage-Controlled Oscillator) core, which now no longer requires a warmup period for optimal operation over a 10-octave frequency range (with 1V/Oct tracking over at least eight octaves).
On top of that, there are now separate Reset LFO1 and Reset LFO 2 Inputs for the two resettable LFOs (Low Frequency Oscillators). These sockets synchronise both LFOs to external gate signals, so when a gate signal of +5V (or higher) is applied at a socket then its positive ramp sets the corresponding LFO wave shape to zero and the LFO restarts with a rising ramp.
All analogue synthesizers use a VCA (Voltage-Controlled Amplifier) to dynamically control loudness (or volume); Doepfer’s Dark Energy III design differs from its predecessor — and also many other analogue synthesizers — by virtue of its VCA having a linear control scale, so lends itself to scaling control voltages.
Several signal routings and functions are additionally available to any adventurous ‘Doepfer DIY’er’ willing and able to modify Dark Energy III’s front panel sockets by removing jumpers and rewiring the pin-headers for the VCO PW, Reset LFO1, Reset LFO2, and VCA Inputs. For example, the VCO PW input can be converted into a linear FM input, or LFO/ADSR signals can be used as outputs instead of one of the resettable LFO inputs. Indeed, (almost) anything is possible, including various VCO outputs (triangle, sawtooth, rectangle); VCO hard sync input; VCO soft sync input; various VCF outputs (lowpass, highpass, bandpass); various LFO outputs (triangle, rectangle); ADSR output; and two inverters with input/output (to invert any signal, such as ADSR or LFO).
Effective enhancements notwithstanding, the favoured filter found in Dark Energy II remains unchanged in Dark Energy III. Indeed, its sound- defining VCF (Voltage-Controlled Filter) is centred around a 12dB multimode filter with lowpass, notch, highpass, and bandpass settings, together with a filter Mode control for continuous transition from lowpass via notch and highpass around to bandpass; its XFM (Exponential Frequency Modulation) control also has a polarization function, whereby the modulation source (LFO2 or ADSR) selected by the Source switch can affect the filter frequency with a positive or negative behaviour (by rotating rightwards or leftwards, respectively).
Meanwhile, mounting of two or more Dark Energy — original, II, and III — units is possible, with or without wooden side plates between them. Though there is still not sufficient space to accommodate a dedicated MIDI output socket on the Dark Energy III rear panel, it is still possible for those adventurous ‘Doepfer DIY’ers’ to link two or more Dark Energy — original, II, and III — units via MIDI out/MIDI in using the two pin-headers available at the supply/interface board mounted at the rear panel. (Fortunately for them, Doepfer has helpfully posted a downloadable document with additional technical information here: http://www.doepfer.de/pdf/Dark_Energy_III_technical_information.pdf.)
Put it this way: with Dark Energy III, Doepfer delivers another effective enhancement of a highly-capable monophonic analogue standalone synthesizer, continuing to make its musical mark with a compact desktop design dating back to 2010 (when wowing audiences around the world with its original Dark Energy entry).
Ending on a high note, who better to tender tasty food for thought, then, than Doepfer Musikelektronik CEO Dieter Doepfer, the esteemed electronic musical devices designer who lends his notable name to the renowned company and has been known to look beyond our world for inspiration: “Dark Energy III is not a tool for space research, neither is it suitable for studies in astrophysics. Yet, we find these topics as fascinating as music technology — reason enough to celebrate ‘Hubble & Co.’s amazing discoveries a bit and call our brand-new synthesizer Dark Energy III.”
In Germany, Dark Energy III can be ordered online from Doepfer Musikelektronic GmbH (http://www.doepfer.de/form_e.htm) or via one of its German dealers (https://docs.doepfer.eu/en/dealer-germany/) for €479.00 EUR. (An optional user-installable Glide control kit — containing a prewired potentiometer with two nuts and a Dark Energy-style rotary knob — is available for €10.00 EUR.)
Outside Germany, Dark Energy III can only be ordered from Doepfer dealers in territories listed here: https://docs.doepfer.eu/en/ (That said, residents in countries without representation can order directly from Doepfer Musikelektronic GmbH.)
For more in-depth info, please visit the dedicated Dark Energy III webpage here: http://www.doepfer.de/Dark_Energy_III_e.htm

Barton Writeable quantizer is a unique way to patch melody

Barton Musical Circuits

Writeable QuantizerbartonUwq03-800x800

The writeable Quantizer(WQ) is an interesting module in that while it can function like a traditional sequencer, it is anything but traditional. What sets the WQ apart is that this quantizer doesn’t come with preset 1/12v divided scales like most quantizers do. Instead the WQ allows users to store voltages into a user defined “scale” and then quantize incoming voltages to those stored voltages. You can use traditional scale values and write those voltages to a traditional scale but what is the fun in that? Continue reading

MST MIDI to CV converter eurorack module

MSTmidi2

MST MIDI to CV Converter

The MST MIDI to CV Converter is a translator between digital devices and analog synths, allowing you to connect your modular system to a keyboard, computer, phone or tablet. Continue reading

MST Expressor dual expression pedal interface for eurorack Modular

synthrotekUSE ALL OF YOUR LIMBS!
The MST Expressor allows you to use expression pedals with your modular, taking a “hands-off” approach to expand your control and creativity. It has two identical powered expression pedal processing units in one handy module, allowing you to do things such as: Continue reading

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Mode Machines OMF-1 Analog Rack Filter

The Mode Machines OMF-1 is an analog 19″ rack filter designed for use with a wide variety of sources. the preamp in this unit can handle signals from guitar (instrument level) input all the way up to eurorack modular levels.  Far from just a basic Moog ladder filter clone, the OMF-1 adds a tap for the phase reversible single pole -6 db per octave slope (labeled FIZZ) phase reversible 4 pole -24 dp per octave slope(labeled Smooth), as well as extensiv modulation options. Also included in this circuit is a beautiful sounding overdrive. By sending signal into the filter and adjusting the preamp, you can overload the filter core (indicated by a red LED) to add additional harmonic content to the signal.  The OMF-1 features a side chain input as well as CV and Gate inputs for external filter control. The modulation options are Follower (think Mutron bass filter) Attack Release and Attack Decay settings. the LFO has triangle and square waveforms with a rate control and dedicated depth control as well as the ability to self trigger the envelope (which essentially will act like a complex lfo shape).  clocking in £666.00 direct from the mode machines site, this is an impressive all analog rack mount filter that truly has an impressive character.Take a listen to the video for plenty of sound demonstration. take a look at the Manual here