The Audio Damage Kompressor is a digital true stereo compressor that can also work as a Mono with side chain input compressor. occupying only 6 hp, this compressor packs a big punch for its small size. RATIO is a scaled control. The first half of the rotation goes from 1:1 to 1:10, and from 12 o’clock to fully clockwise, it goes from 1:10 to 1:1000 (infinite). Gain can give you up to 30+db of additional gain along with a soft internal saturation emulating an analog circuit.
The Build quality feels very solid and the compression is really quite well controlled. I’ve been using it both as an final mix compressor and as a drum squashing beast as well.
At first glance these two synthesizers may not seem to share much in common… one being a budget synthesizer retailing for only $599, the other being a boutique flagship synth coming in at $1799 (for the desktop module).
But what these synths do have in common is actually rather intriguing. Both feature a complex set of oscillators capable of sonic territory that can run from smooth to gritty, from basic to intricate, and both can modulate their oscillators in interesting ways.
Both of these synths have incredible amounts of modulation sources and destinations which equate to having a truly powerful sound design engine to work with. Both are known as modulation powerhouses.
The build quality of these two surely take very different approaches but for now we will try to focus more on sound possibilities and how these two work in a sonic creation stand point. Of course the Metal and wood of the DSI product feels solid and clearly more expensive than the plastic of the Novation but the UN by no means has a cheap feeling key bed (in fact its one of my favorites) and features like touch capacitive knobs and high resolution knobs are a step toward a more professional product. Continue reading →
So below I’ll post the regular press release and info but lets talk about why this release actually matters.
you can use your SparkLE usb controller with this app, that means you have an actual tactile hands on drum machine experience with just a iPad as the processing power… think about this for live shows or that “stand alone drum machine” feel… thats pretty dope right?
its available for iPad air and above… why does that matter? well because it means they are jamming serious power into this app and not letting older iPad units hold it back with lack of processing power. This is a double edged sword because I’m sure Arturia risks missing out sales from owners of older iPad devices. It also means the writing is now on the wall for those of us with older iPads (I currently own an iPad 4 and was hoping to get one last year out of it.)
the in app store looks to have a promising host of content. Already there are three promising expansions with more to come. I love new sounds at affordable prices.
ableton link is already tested and working along with a host of other sync abilities. very nice to see this app playing nicely in a host of varied environments. Continue reading →