Scanned is an organic wavetable oscillator. It uses an unexplored technique known as Scanned Synthesis to animate wavetables that are created in real-time. This synthesis method was conceived by the father of computer music, Max Mathews, as the next paradigm in digital oscillators, and until now, has never been implemented on hardware.
The wavetables are dynamically generated from a set of “objects” tied together on a virtual string. These objects have physical properties including Mass, Stiffness, and Damping which affect the way that the string moves through space and time. Unlike physical modeling, however, this algorithm is a means of creating new electronic sounds, not replicating acoustic instruments.
To animate the waveform, the objects are morphed into the currently selected hammer shape and then released. This excitation of the sound generates evolving timbral landscapes that contain harmonic movement without external modulation. The hammer section also determines whether Scanned is a free-running oscillator, or a triggered sound source allowing it to function as a complete voice without additional filters or VCAs.
- First hardware implementation of Scanned Synthesis
- Organic wavetable generation and animations
- Can be a free-running oscillator or triggered voice
- Inject input allows external audio or CV sources to excite the string
- Evolving timbral landscapes without external modulation
- Four hammer shapes with interpolation
4ms Pods are a new line of eurorack cases with an emphasis on slim design primarily for the desktop. basically it lets you treat your modules like stand alone desktop FX units which can be really great. the sizes come in 20,26and 32 hp sizes and can come either powered or unpowered. the case power can also be daisy chained so your desk doesn’t end up being a mess of wall wart wires. All enclosures have 1hp spaced mounting holes The powered version will come with a newly designed, daisy-chainable supply from 4ms. Standard 2.1mm connectors will enable the user to chain Pod enclosures much like the Row Power system. Plastic plugs will be used to cover these mounting holes if the user would like to supply power themselves.
Pricing (no wall wart included):
I have had the Strymon Magneto for some time now and I decided to shoot a short video discussing some of my thoughts.
spoiler it is a very musical module. I really enjoy the hands on control. While admittedly I was concerned about the price point. Considering I recently had purchases a Rainmaker delay module which did not last in my rack. The Magneto was met with a bit of caution. I must say however I am left quite impressed. it is deceptively deep and quite controlled and full of “sweet spots”. The ability to reverse delays and freeze moments in time is great. Check out the video and let me know what you think.
for more info check out https://www.strymon.net/products/magneto/
Download the Firmware here. http://soulsbysynths.com/oscitron-downloads/
The Vermona uniCycle is the new VCO from synth masterminds Vermona. Sharing its core with the ’14 synthesizer the uniCycle adds some tricks for the modular system.
From the vermona site
Oscillator-circuits are used in our VERMONA synthesizers, we know how to design them. But instead of copy and paste, we reworked many aspects when adapting our circuits for modular purpose. What is great for closed systems might not always be perfect for modular systems.
All that development work resulted in uniCYCLE: compact, high-performant and stable.
Simple interface and quality without compromises
VERMONA is proud to announce availability of the uniCYCLE voltage controlled oscillator — a six-waveform VCO (Voltage-Controlled Oscillator) module for the popular Eurorack small-format modular system with an outstanding feature set that is all set to help it stand out from the sound of the crowd (to partially paraphrase the early-Eighties British breakthrough hit from synth-pop pioneers The Human League, no strangers to Eurorack today themselves) — as of August 25…
Audio-oscillators are probably the most widespread modules found in Eurorack small-format modular systems today — hardly surprising since they are fundamental for generating synthetic sounds, both tonal as well as percussive. Oscillators, of course, are at the musical heart of VERMONA’s sought-after synthesizers, such as the flagship ’14 ANALOG SYNTHESIZER, so the company clearly knows how to design them. That said, instead of applying a ‘copy and paste’ procedure, it reworked many aspects, adapting its oscillator circuits to Eurorack small-format modular system usage. After all, what works well for closed systems might not necessarily be perfectly suited to modular systems. Such ‘due diligence’ displayed during research and development resulted in the uniCYCLE voltage controlled oscillator, a compact (10 HP-wide), high-performance, and stable oscillator offering all the common features that the discerning Eurorack small-format modular system user might easily expect… and, arguably, much more besides.
Besides classic sawtooth, triangle and square offerings, the uniCYCLE voltage controlled oscillator generates sine, even, and a special sawtooth with doubled frequency for a total of six waveform OUTPUTS. PWM (Pulse Width Modulation) is not only available for that square wave, but also even — a shape that only has even-numbered harmonics — can be transformed into a sine-like wave, while the doubled saw turns into half-pitched triangles. There are also six OUTPUTS, including LIN FM (Linear Frequency Modulation) and EXP FM (Exponential Frequency Modulation) as well as H – SYNC – S (hard and soft sync).
Saving space, one knob allows access to the uniCYCLE voltage controlled oscillator’s frequencies in three different modes. TUNE either controls the low frequency or audio range, respectively adding or subtracting exactly one octave. In this calibrated mode it provides a ‘dead-zone’ around its centre position, making it easy to access all three octaves without needing a centre-click.
Care was taken to make the uniCYCLE voltage controlled oscillator suitable for use in a musical context when VERMONA made its design decisions. Delivering superlative sound quality with rock-solid, stable tuning, the uniCYCLE voltage controlled oscillator obviously fulfils those all-important criteria, handling huge tuning ranges with the greatest of ease while strictly following the 1-volt-per-octave convention.
Clearly, then, the uniCYCLE voltage controlled oscillator makes a strong case for anyone to embrace Eurorack… and at least one such module should be in every Eurorack small-format modular casing!
Shipping now, the uniCYCLE voltage controlled oscillator is available to purchase through VERMONA’s growing global network ors (http://www.vermona.com/en/dealer/) with an RRP of €289.00 EUR (Europe) and $339.00 USD (USA).
For more in-depth information, please visit the dedicated uniCYCLE voltage controlled oscillator webpage here: http://www.vermona.com/en/products/modules/product/unicycle/
VOGTLAND, GERMANY: electronic sound tools creator VERMONA is proud to announce availability of the quadroPOL polarizing mixer / ringmodulator — a four-channel polarizer module for the popular Eurorack small-format modular system, capable of attenuating any incoming signal, in-phase or out of phase, plus providing additional functionality for further flexibility — as of August 25…
Eurorack has been nicknamed ‘Eurocrack’… and for good reason. It’s certainly addictive! As any enlightened Eurorack small-format modular system user would surely say: you can never have enough modules that influence levels, be that for audio signals or control voltages. VERMONA’s quadroPOL polarizing mixer / ringmodulator helps fill that void — or, indeed, any empty Eurorack rack-space (assuming that potential purchasers have 10 HP to spare in their system) — as a four-channel polarizer module, capable of attenuating any incoming signal, in-phase or out of phase. Putting it ahead of the Eurorack pack, the way that each of those four channels work is one of its most distinguishing features. Fortunately, instead of only having one dedicated zero-point, it has a ‘dead-zone’ where the input signal will be completely suppressed, so users can easily locate the off position — even without a centre-click — while simultaneously being able to create extremely sensitive level increases.
Further flexibility abounds as the quadroPOL polarizing mixer / ringmodulator realises a number of other outstanding features. Firstly, any channel’s OUTPUT signal is optionally forwarded to the next one, allowing the quadroPOL polarizing mixer / ringmodulator to be used as a mixer module, as implied by its full appellation; as such, users can sum up to four signals. Secondly, the quadroPOL polarizing mixer / ringmodulator can also be controlled via control voltages, with each channel boasting a CV IN alongside its INPUT; so, setting the level manually apart, users can also use each channel as a VCA (Voltage-Controlled Amplifier)… and — Eurorack being ‘Eurocrack’ — you can never have enough VCAs in a modular system, now, can you? Yet more functionality comes courtesy of the fact that the quadroPOL polarizing mixer / ringmodulator has one four-quadrant multiplier per channel, allowing the module to also act as a ring modulator without any compromises — in fact, four ring modulators!
Mind the (10 HP-wide) gap. As flexible as it is functional, then, owners of any Eurorack small-format modular system should surely consider adding a quadroPOL polarizing mixer / ringmodulator to their setup. After all, once you’ve got your hands on one, it’s hard to live without it. Indeed, once you’ve got your hands on one, you might need to satisfy your addiction with another!
Shipping now, the quadroPOL polarizing mixer / ringmodulator is available to purchase through VERMONA’s growing global network of dealers (http://www.vermona.com/en/dealer/) with an RRP of €269.00 EUR (Europe) and $309.00 USD (USA).
For more in-depth information, please visit the dedicated quadroPOL polarizing mixer / ringmodulator webpage here: http://www.vermona.com/en/products/modules/product/quadropol/