Qubit releases Prism eurorack module

Prism is a multidimensional signal processor that creates a framework for the spectral
metamorphosis of any input signal. This stereo audio buffer can be navigated through on 3 axis,
each of which provides a different sonic journey through its array of time based controls.
The X and Z planes are home to a flexible delay line capable of long clocked delays, slapback
echo, or comb filtered vocoder-esque timbres. On the Y axis is the decimate control. This sets
the audio fidelity of the buffer by manipulating the sample rate and bit depth of the output. A
state variable filter with configurable low pass, high pass, and band pass outputs can be enabled
at the beginning or end of the signal chain providing yet another dimension of spectral
transformation. And thanks to its digital architecture, the current buffer contents can be locked
in place with the Freeze control, creating glitch and beat repeat effects which can be synced to
an external clock source. The Prism blurs the lines between DSP effect, filter, and looper and
transcends into a new realm of uncharted audio processing.

  • Multidimensional signal processor
  • Stereo inputs and outputs
  • Flexible delay line providing long delays, and comb filtering
  • Bit depth and sample rate manipulation
  • State variable filter with LPF, HPF, and BPF
  • Freeze control locks buffer in place for glitch and beat repeat effects
  • Aluminum front panel

Width: 12HP
Power: +12V: 90mA, -12V: 10mA, +5V: 0mA
Depth: 22mm

Erica synths announces availability of sample Drum and plasma drive modules


Erica Synths Announces Availability of Sample Drum and Plasma Drive
Latvia-based Erica Synths announces that its Sample Drum and Plasma Drive are now shipping and available for order. Sample Drum is 14HP eurorack sample player/sampler module with straight-forward, intuitive interface, functionality and great sound quality, designed with live performance use in mind. Meantime, Plasma Drive is the result of Erica Synths recent collaboration with Gamechanger Audio, another Latvia-based manufacturer that has captured the hearts and minds of music creators. Live Performance-Minded: Sample Drum 
The Sample Drum module is composed of two identical parts and allows you to play back, record and slice up samples or loops directly in your modular system. For processing, there are different play modes, tuning functions (including 1 V/Oct pitch tracking), virtual VCAs plus AD envelopes and realtime effects.Three freely assignable CV inputs per channel guarantee a lot of personal expression during performance. 16bit mono WAV samples are loaded into RAM (32MB / ~ 5 minutes of sampling time) from SD card (16 GB SD card with factory preset samples comes with the module) for instantaneous playback response. All settings can be saved and recalled during live performance.Achieve ‘Heavy Sounds’ with Plasma Drive
Similar to Gamechanger Audio’s Plasma Pedal, Erica Synths’ Plasma Drive provides you with a new and previously unexplored method of achieving signal clipping in 16HP. Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, the Plasma Drive boosts audio signal to 3000V and transforms it into a series of continuous high-voltage discharges in a xenon-filled tube. In essence – you are playing a lightning bolt of electricity, and the electrical discharges produced by your instrument are instantly converted back into an analogue audio signal — producing a quick, responsive, and extremely heavy distortion with tons of unique character. The eurorack module Plasma Drive brings sounds of the Plasma Pedal to the next level. As per eurorack standards, Erica Synths has added CV control over distortion level and dry/wet mix, as well as octave up and 1 and 2 octaves down tracking oscillators that add even more harmonics to the original signal. Tracking oscillators can be switched on/off manually or via trigger signals. The Plasma Drive module is powered via conventional eurorack PSU ribbon cable and the power consumption is around 150mA.


PLASMA DRIVE FEATURES:Unique distortion flavorCV control over distortion and dry/wet mixAssignable equalizer (pre- and post effect)1 octave up & 1 and 2 octaved down tracking oscillators
SAMPLE DRUM FEATURES:Sample playback with fast trigger responseVarious effects for real times ample processingSample recording functionalityManual and automatic sample slicingCue point loading from WAV files1V/Oct tracking3 assignable CV inputs per channelPreset memoryUser-friendly interfacePerformance mode16 GB SD card with factory preset samples included
 ABOUT ERICA SYNTHS
Erica Synths team of visionaries, engineers and musicians have been working hard to bring you modules and instruments that will set your modular system apart from mass in terms of how it sounds, looks and functions. For more information please visit http://www.ericasynths.lvVideosErica Synths Sample Drum demo (part 1) Erica Synths Sample Drum demo (part 2) Erica Synths & Gamechanger Audio PLASMA DRIVE  ImagesSample Drum Plasma Drive LinksMore information on Sample DrumPlasma Drive
Plasma drive eurorack module
Sample Drum module

New eurorack Bass Drum module from soundlazer

A modern approach to a classic design. This Bass Drum Eurorack module can really THUMP!

The Soundlazer Bass Drum is a modern approach to a classic design. Using only state of the art components with a quality not achievable in the 1980’s when it was originally conceived.  This Eurorack module delivers a unique heavy bass drum sound.

Be careful with the volume knobs on your amplifiers because this Bass Drum Eurorack module can really THUMP!

The Soundlazer Bass Drum is our flagship entry into the Eurorack module scene. Many more modules will be added so keep coming back for more!

More info available at the soundlazer site https://www.soundlazer.com/product/bass-drum/

Erica synths unveils new eurorack Drum sampler

NAMM 2019: Erica Synths Unveils Sample Drum Module
Latvia-based Erica Synths announces its latest module: Sample Drum. Sample Drum is 14HP eurorack sample player/sampler module with straight-forward, intuitive interface, functionality and great sound quality, designed with live performance use in mind.The Sample Drum module is composed of two identical parts and allows you to play back, record and slice up samples or loops directly in your modular system. For processing, there are different play modes, tuning functions (including 1 V/Oct pitch tracking), virtual VCAs plus AD envelopes and realtime effects.Three freely assignable CV inputs per channel guarantee a lot of personal expression during performance. 16bit mono WAV samples are loaded into RAM (32MB / ~ 5 minutes of sampling time) from SD card (16 GB SD card with factory preset samples comes with the module) for instantaneous playback response. All settings can be saved and recalled during live performance.FEATURES:Sample playback with fast trigger responseVarious effects for real times ample processingSample recording functionalityManual and automatic sample slicingCue point loading from WAV files1V/Oct tracking3 assignable CV inputs per channelPreset memoryUser-friendly interfacePerformance mode16 GB SD card with factory preset samples included
 Price (VAT excl.) 300€ — Release date 23rd of February 2019    AttachmentsErica Synths news January 2019.pdf
LinksMore information on Sample Drum

Erica synths and game-changer audio team up

Plasma drive module
NAMM 2019: Erica Synths and Gamechanger Audio Collaborate on Erica Fusion Series module
Erica Synths has announced a new collaboration with fellow Latvian company, Gamechanger Audio (www.gamechangeraudio.com), resulting in a new Erica Synths eurorack module: Plasma Drive. Gamechanger Audio, which is well known for their Plasma Pedal, is committed to exploring the uncharted territories of music electronics and creating devices that provide real value — while stretching the imagination of both musicians and engineers. With their Plasma Pedal they managed to combine Tesla coil with plenty of Rock and Roll. The result is one of the worlds ‘heaviest sounds’ with plenty of unique features and the potential to become the new standard of distortion.Similar to Plasma Pedal, Erica Synths’ Plasma Drive provides you with a new and previously unexplored method of achieving signal clipping in 16HP. Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, the Plasma Drive boosts audio signal to 3000V and transforms it into a series of continuous high-voltage discharges in a xenon-filled tube. In essence – you are playing a lightning bolt of electricity, and the electrical discharges produced by your instrument are instantly converted back into an analogue audio signal — producing a quick, responsive, and extremely heavy distortion with tons of unique character.
 The eurorack module Plasma Drive brings sounds of the Plasma Pedal to the next level. As per eurorack standards, Erica Synths has added CV control over distortion level and dry/wet mix, as well as octave up and 1 and 2 octaves down tracking oscillators that add even more harmonics to the original signal. Tracking oscillators can be switched on/off manually or via trigger signals. The Plasma Drive module is powered via conventional eurorack PSU ribbon cable and the power consumption is around 150mA.

FEATURES:Unique distortion flavorCV control over distortion and dry/wet mixAssignable equalizer (pre- and post effect)1 octave up & 1 and 2 octaved down tracking oscillators
Price (VAT excl.) 310€, Release date 20th of February 2019PLASMA DRIVE MODULE WILL BE EXHIBITED @ NAMM SHOW 2019 WITH GAMECHANGER AUDIO, BOOTH 3347

Rossum electro music announces trident Multi-syncronic oscillator


Trident

Multi-Synchronic Oscillator Ensemble

The latest brainchild of synth pioneer Dave Rossum, TRIDENT is a 100% analog, triple oscillator module that opens up a universe of dynamic timbral textures.

At its most basic level, TRIDENT is three precision audio VCOs, each sporting a unique variety of control voltage inputs. 

The main or “Carrier” oscillator provides its three waveforms simultaneously. The two Modulation Oscillators each have a single output and a waveform selector. The Modulation Oscillators also have a voltage controlled Symmetry parameter which varies the duty cycle of the triangle wave output from sawtooth to triangle back to time reversed sawtooth, and also varies the sawtooth output to have an upward or downward kink in the middle, as well as controlling pulse width when the pulse waveform is selected. 

And while each oscillator can be used independently if desired, it’s when they’re combined into a synchronous ensemble that the real sonic magic happens.

That magic is what we call Zing Modulation. Each of the Modulation Oscillators can modulate each of the Carrier outputs in an amount controlled by the Zing parameter. Zing Modulationis mathematically akin to ring modulation, but due to the synchronization of the oscillators (when an oscillator’s Sync button is on), the aharmonic sum and difference sidetones of ring modulation transform into complex but purely harmonic overtone spectra, which vary dynamically and dramatically with the frequency and waveshape modulations of the modulation oscillators.  Each change in the Modulation Oscillator parameters – Frequency, Symmetry, Waveshape, Zing, and (in the case of Modulation Oscillator 2) Phase – will have a different effect on the timbre of each of the three Carrier waveshape outputs.

When the modulation oscillators are set to track the carrier oscillator, the waveshape will remain constant as the carrier frequency changes.  In this case the overtone structure is determined by the settings and CV modulations of the modulation oscillators.  If instead the modulation oscillators do not track the carrier, some of the overtone structure will vary relative to the carrier frequency.

What all this means is that whether you take advantage of Trident’s unique synchronous modulation capabilities (which you, of course, should), or just treat it as three superb, wide-range analog oscillators, TRIDENT offers a vast variety of dramatic sonic textures.

TRIDENT features include:

– Three precision analog oscillators with dedicated 1V/Octave inputs and coarse control ranges of 20Hz to 20kHz and modulated ranges of 0.01Hz to 25 kHz.

– Main Carrier oscillator with simultaneous triangle, sawtooth and pulse waveforms, with exponential and linear frequency modulation and pulse width modulation.

– Main Carrier oscillator hard sync input 

– Modulation Oscillator 1 with selectable triangle, sawtooth and pulse waveforms with exponential frequency modulation, variable symmetry and symmetry modulation, and variable Zing level and Zing level modulation.

– Modulation Oscillator 2 with selectable triangle, sawtooth and pulse waveforms with exponential frequency modulation, variable symmetry and symmetry modulation, variable Zing level and Zing level modulation, and variable phase and phase modulation.

– Both Modulation Oscillators with independently selectable options to sync to the Main Carrier oscillator and track the Main Carrier oscillator

– Trident, like all Rossum Electro-Music modules, features solid construction, with thick aluminum panels, solid aluminum knobs, and quality components throughout. 

TRIDENT is 30HP wide and 25mm deep.

Power requirements (max):  250mA +12V, 225mA -12V. Reverse polarity protected.

TRIDENT will be available this spring from Rossum Electro-Music dealers worldwide.

Vermona announces fourMative Contours eurorack module

VERMONA unleashes ultra-versatile generator for voltage curves and more as fourMative CONTOURS module
     Electronic sound tools creator VERMONA is proud to announce availability of fourMative CONTOURS — its first ‘envelope’ entry to the ever-expanding Eurorack small-format modular system world without resorting to type, far exceeding the functionality of a traditional envelope generator and typically following the company’s naming scheme for its Eurorack modules to reflect the fact that it delivers up to four single-phase envelopes that can be combined to achieve much more complex voltage-controlled curves — as of November 9…
      VERMONA makes no secret of its admiration for the classic ADSR (Attack, Decay, Sustain, Release) envelope generator; indeed, it is well versed in its strengths, having implemented various versions into its desktop devices over the years. Yet the company collectively decided that its first Eurorack-compatible envelope generator should not resort to type, instead rising to the challenge of realising a unique and flexible concept without compromises being made.
Mission accomplished? Actually, the prototype presented its erstwhile ecstatic creators with an unforeseen headache: how to name a module which was planned as an envelope generator but ended up exceeding expectations by so far? Fortunately for VERMONA, various proposals were supportively submitted to Twitter in response to a small survey. Settling upon fourMative CONTOURS, the company collectively felt that this does not pin down the module’s function to being that of just another envelope generator, but rather reflected its purpose while typically followingVERMONA’s Eurorack module naming scheme.
      So what warranted the fourMative CONTOURS name, and what, exactly, does this module do differently? First and foremost, fourMative CONTOURS delivers up to four single-phase envelopes that can be combined to achieve much more complex voltage- controlled curves. Therefore, the module itself features four individual channels (or units in ‘VERMONA-speak’), numbered accordingly on its front facia. Flexibly, each unit can be switched into A (attack), D(decay), or H (hold) MODE — with the attack and decay phases switchable between operating with a LIN (linear) orEXP (exponential) response SHAPE — and can be used individually or in any combination. Those tasty features alone are enough to set fourMative CONTOURS apart from the Eurorack envelope generator pack, putting it in prime position for handling many modulation tasks.
       The envelopes themselves are seriously snappy; each unit can run within a TIME range of 0.5 milliseconds through to 30 seconds, switchable between perfectly balanced fast andSLOW speed settings to ensure smooth adjustments, with the former geared towards creating crisp and percussive sounds. Saying that, that’s only half the story here, however, since those fourMative CONTOURS units are each equipped with a CV IN (control voltage input) that not only allows the times to be modulated but also extends them in both directions — down to 25 μs and up to 10,000 seconds, so if a two-hour-long envelope is needed then fourMative CONTOURS can handle it!
        Individual units can be looped or combined with other units using simple internal patching connections to create more complex envelopes. Thanks to those extended frequency ranges, fourMative CONTOURS can creatively also function as an LFO (Low Frequency Oscillator) or even an audio oscillator.
        On the face of it, fourMative CONTOURS clearly goes far beyond the capabilities of standard envelope generators, and anyone looking for a versatile modulation source should surely consider giving it a try. The creators themselves are quietly confident that there are many more scenarios where fourMative CONTOURS can be pressed into play, filling in some equally exotic Eurorack small- format modular system blanks, so-to-speak — not just the 24HP/3U rack space the module itself obviously occupies!
   Shipping now, fourMative CONTOURS is available to purchase through VERMONA’s growing global network of dealers (http://www.vermona.com/en/dealer/) with an RRP of €399.00 EUR (Europe) and $489.00 USD (USA).
   For more in-depth information, please visit the dedicated fourMative CONTOURS webpage here: https://www.vermona.com/en/products/modules/product/fourmative-contours/

Qubit electronix introduces Scanned wavetable vco

Scanned

$349.00

Scanned is an organic wavetable oscillator. It uses an unexplored technique known as Scanned Synthesis to animate wavetables that are created in real-time. This synthesis method was conceived by the father of computer music, Max Mathews, as the next paradigm in digital oscillators, and until now, has never been implemented on hardware.

The wavetables are dynamically generated from a set of “objects” tied together on a virtual string. These objects have physical properties including Mass, Stiffness, and Damping which affect the way that the string moves through space and time. Unlike physical modeling, however, this algorithm is a means of creating new electronic sounds, not replicating acoustic instruments.

To animate the waveform, the objects are morphed into the currently selected hammer shape and then released. This excitation of the sound generates evolving timbral landscapes that contain harmonic movement without external modulation. The hammer section also determines whether Scanned is a free-running oscillator, or a triggered sound source allowing it to function as a complete voice without additional filters or VCAs.

  • First hardware implementation of Scanned Synthesis
  • Organic wavetable generation and animations
  • Can be a free-running oscillator or triggered voice
  • Inject input allows external audio or CV sources to excite the string
  • Evolving timbral landscapes without external modulation
  • Four hammer shapes with interpolation