Pico LFO/S&H, Pico Mixer and PSU Input Module now shipping; New Graphic VCO firmware update features ‘drum’ mode’Riga, Latvia, July 8, 2019 — Erica Synths announces three new Eurorack modules, available immediately. The new modules include two Pico units — an LFO/S&H and Mixer — as well as a new power supply unit (PSU) input module. Additionally, the company announced a firmware update to its Graphic VCO, which adds significant new features requested by customers and also includes minor bug fixes. Pico LFO/S&H Pico LFO/S&H is full analogue modulations source — including both LFO and Sample and Hold — providing a new dimension of controlled randomness to your modular setup in a small package. Pico LFO/S&HFeatures of the Pico LFO/S&H include: Full analogue circuitLFO with triangle and square wave outputsHighly stable S&H circuit based on AS1100CK2 ICInput and output protection against over-voltageProtection against reverse PSU connection Pico MixerPico Mixer Meantime, Pico Mixer is simple 3 channel DC coupled mixer intended to mix audio signals and CV signals in order to obtain more complex modulations. The unit may also serve as a CV and audio attenuator. The Pico Mixer Features:3 inputsDiode protection against over-voltagePSU Input ModulePSU Input Module If you would like to use rack ears to mount an Erica Synths 84HP enclosure in a studio rack, you may want to access the PSU connection from the front of the case rather than the top side. Then the 4HP PSU connection module is a solution for this.Recommended retail pricing for each new module is as follows: Pico LFO S&H – 80 EUR (VAT excl.)Pico Mixer – 50 EUR (VAT excl.)PSU Input Module – 15 EUR (VAT excl.)Graphic VCO firmware 1.1New Graphic VCO firmware update Erica Synths also announces the Graphic VCO firmware 1.1, available by following simple steps here and using the Erica Synths firmware updater app. By updating the firmware, users will be able to access the following new features and upgrades: DRUM mode (allows to use GVCO as a drum voice)Fine tuningCalibrationMinor bug fixes
New Black Stereo Delay is full of unique features and soundRiga, Latvia, June 13, 2019 — Tape and digital modes of delay, hold with overdub and delicate delay time and feedback control — in combination with CV and trigger control over various parameters — make the new Black Stereo Delay module from Erica Synths not only a great effects unit for your modular system, but also an instrument on it’s own.
Black Stereo Delay is a hi-fi stereo delay based on Erica Synths’ own custom DSP engine. It includes several different digital and ping-pong modes of delay, hold with overdub and feedback control and other features making it a versatile addition to almost any rack. Black Stereo Delay’s features include: Stereo delay with adjustable delay timeTape, digital and ping-pong delay modesTap and clock synchronization of delay timeReverse delay modeHold mode (samples up to 40” of audio) with Add (overdub) featureTrigger control over Hold, Add and ReverseCV control over delay time, dry/wet mix and feedbackFeedback path soft limiting compressionAdd to hold soft limiting compressionAdjustable stereo delay spreadFirmware update via audio bootloaderBlack Stereo Delay is available now and priced at € 310.00. For more information, please visit the Erica Synths Black Stereo Delay product page. ABOUT ERICA SYNTHS Erica Synths team of visionaries, engineers and musicians have been working hard to bring you modules and instruments that will set your modular system apart from mass in terms of how it sounds, looks and functions.
Radikal Technologies announces availability of DELTA CEP A paraphonic semi-modular synth following several successful showcases MÜNCHEN, GERMANY: fresh from turning heads and opening ears on both sides of the Atlantic, having showcased Eurorack module and desktop versions of its DELTA CEP A paraphonic semi-modular synthesizer — serving up nine essential synthesis ‘modules’ melded together to form a potent yet straightforward starting point to the ever-widening world of the Eurorack small-format modular system — starting with an award-winning appearance at The 2019 NAMM Show in Anaheim, CA (January 24-27), followed by another head-turning, ear-opening Stateside showcase at Synthplex 2019 in Burbank, CA (March 28-31), then moving closer to home for an appearance at SUPERBOOTH19 in Berlin (May 9-11), before making its well-travelled way to support SynthFest France 19 in Nantes (7-9 June), cutting-edge sound synthesis specialist Radikal Technologies is proud to announce all-round availability of its latest creation through a growing global network of authorised dealers… Radikal Technologies’ DELTA CEP A can function as a standalone synthesizer or — when removed from the chassis — a 68HP-occupying Eurorack module forming the centre of a powerful modular voice. Whichever way it is brought into play — purchasable as a desktop paraphonic semi-modular synthesizer or Eurorack paraphonic semi-modular synthesizer module, the deftly-designed DELTA CEP A is the perfect starting point for any modular user. Undeniably it lives up to the PARAPHONIC- MODULAR wording boldly blazoned across its featured-packed fascia. For the benefit of the uninitiated, a paraphonic synthesizer is one where all of the notes generated go through a single filter and VCA (Voltage Controlled Amplifier) combination. “Paraphonic synthesizers can be played polyphonically, because their oscillators allow for independent pitching according to chords.” So states the DELTA CEP A owner’s manual, before positing: “Polyphonic oscillator control allows for multiple voices to be played simultaneously, which is ideal for pad sounds. The DELTA CEP A sounds particularly good in paraphonic mode, because it consists of two oscillators per voice, which provide a nice beating effect when two oscillators are detuned against each other.” On the face of it, a semi-modular synthesizer has hardwired connections for its most essential sound generating and altering attributes — as opposed to a modular synth system, where the user has to establish all the connections between the separate modules with patch cables to generate tones and sound effects. “So much freedom can quickly become confusing,” claims that owner’s manual. “That’s why semi-modular systems such as the DELTA CEP A have pre-wiring, which greatly simplifies entry into the world of modular systems and, ultimately, electronic sound generation.” As such, users can play the DELTA CEP A right out of the box, but, of course, can boldly go a step further and add their own patching. Perusing the DELTA CEP A’s featured-packed fascia from left to right immediately introduces its uniqueness when pitched headlong into a competitive world where Eurorack edges towards ubiquity. Underpinning that uniqueness is the INTERPOLATOR. In a nutshell, this intriguing section has an ability to store so-called ‘snapshots’ of sound creations into the DELTA CEP A’s internal memory; moreover, users can consequently play those snapshots sequentially, creating cool sonic sequences. Saying that, they can cleverly create smooth transitions from one snapshot to another, allowing for some stunning sound morphing effects! Independent from the INTERPOLATOR itself, the snapshot memories can also be used as preset memories, and are filled with wonderful sounds from Radikal Technologies’ team of skilled sound designers. DELTA CEP A also packs a well-equipped MIDI (Musical Instrument Digital Interface) to CV (control voltage) interface in its aptly-monikered MIDI2CV section — significant when wanting to use the instrument in PARAPHONIC mode, meaning users can play chords, transforming the DELTA CEP A into the perfect pad and ensemble section. The MIDI2CV section helpfully has additional outputs for connecting to external Eurorack modules, and a dedicated digital bus for controlling Radikal Technologies’ radical-sounding RT-311 SWARM OSCILLATOR — an advanced DSP-driven oscillator Eurorack module that, as implied by name, goes far beyond the realms of standard oscillator fare, firstly thanks to two oscillators that can both build swarms of (up to eight) oscillator ‘clones’ capable of being pitched in musical intervals, chords, clusters, or fat detunes, dutifully backed by having all parameter settings saveable as interpolatable snapshots, enabling even more radical results — directly with notes and chords to layer additional voices in monophonic and chords mode. Moving more speedily along, the LFO 1 section features five waveforms, MIDI and clock synchronisation, and an invertible DEPTH control for modulation purposes. Providing up to eight oscillator clones of its own, DELTA CEP A’s single swarm oscillator is accessed via the SWARM OSC section; PARAPHONIC play mode (allowing four voices to be simultaneously played), PITCH quantisation, and easy tuning (DETUNING) access are amongst its edited highlights. However, more familiar territory follows thereafter; the MIXER section mixes the outputs from the swarm oscillator and the noise source or an external signal for the filter. Familiarity continues with the powerfulVCF (Voltage Controlled Filter) section, centred around an analogue 12 dB multimode filter alongside a stereo digital emulation of that 12 dB multimode filter, plus a digital 24 dB lowpass filter. Furthermore, an ADSR section supplies an envelope generator with snappy-sounding curves, together with ATTACK and DECAY voltage control inputs. Its VCA neighbour can be controlled by either the ADSR envelope or GATE signal, while also providing external inputs for the following FX processor section — itself really representing the icing on the DELTA CEP A’s advanced audio engine with mind-blowing modulated stereo delay effects, as well as chorus, flanging, and phasing par excellence! Encompassing no fewer than 23 knobs, 14 buttons, 28 RGB LEDs, 14 outputs, and 17 inputs straightforwardly spread across its feature-packed facia, DELTA CEP A duly delivers on its potent potential for serious synthesis — still further boosted by adding additional modules. Carefully chosen connectivity provides users with welcomed freedom to integrate it into their existing Eurorack small-format modular system. Or opt to use it as an independent standalone synthesizer with Radikal Technologies’ desktop-destined alternative, courtesy of the tailor-made chassis — complete with integrated stereo OUTPUT; stereo FX-INPUT; MIDI IN, OUT, and THRU; and DC 12-19V, 2A DC-IN connections, plus onboard ON/OFF switch. Those transatlantic trade show attendees who witnessed whichever version of the DELTA CEP A in action or even spent some time trying one out for themselves will surely be happy to hear that they can consider adding one (or more) to their own studio or stage setups now that they are available all over the world from Radikal Technologies’ growing global network of dealers. DELTA CEP A is now available for purchase — priced at an RRP of €899.00 EUR/$999.00 USD (Eurorack) and €1,198.00 EUR/$1,298.00 USD (desktop) — through Radikal Technologies’ growing global network of authorised dealers. For more in-depth info, please visit the dedicated DELTA CEP A webpage here: https://www.radikaltechnologies.com/delta-cep-a-2/ Watch Radikal Technologies Product Designer Jörg Schaaf’s sonically-stimulating DELTA CEP A video playlist here:https://www.youtube.com/watch?v=_YkvgTVZQ3E&list=PLysQPMsmJseFLtTQxGL9tJROrferQtfLs
Pittsburgh Modular Synthesizers showcase completely different, organic analog synthesizer at SUPERBOOTH19 PITTSBURGH, PA, USA: musician- and sonic architect-attentive electronic instruments-maker Pittsburgh Modular Synthesizers is proud to debut Voltage Research Laboratory — a completely different, organic analog synthesizer, functionally influenced by the behaviours and systems of the natural world, with which adventurous users can explore the natural systems and lesser-known fringes of analog synthesis as a wildly experimental and extremely deep sonic playground — at SUPERBOOTH19 in Berlin, May 9-11… As Pittsburgh Modular Synthesizers’ most ambitious and experimental synthesizer offering to date, Voltage Research Laboratory comprises three separate modules that are 100% compatible with the ever-popular Eurorack small-format modular system, housed together in a purpose-built, handmade Eurorack case. Collectively they are so much more than an assemblage of tools and functions, rather representing a unique modular synthesizer seriously designed to reward deep experimentation, encouraging the creation of unique sonic systems. Central to Voltage Research Laboratory’s unique sound palette is its lifeforms voltage lab module. Musically or otherwise, it originates with a complex oscillator pair — primary oscillator and secondary oscillator — that utilise a wide range of shaping and manipulation options to move away from basic geometric shapes to more harmonically rich tones. There is also a custom wave folder with enhanced waveform warping, linear FM, amplitude modulation, ring modulation, waveform cycling, hard sync, and more besides — all available for serious sonic research. More manipulation comes courtesy of a set of multi-function generators — function generator a and function generator b, which work as interactive voltage processing systems to create and modify complex control voltages. Acting as voltage-controllable envelopes, LFOs, slew generators, and more, these function generators give life to evolving control signals. Thereafter, twin dynamics controllers — dynamics controller a and dynamics controller b — bring everything together. After all, as a unique circuit expanding on the classic low pass gate, the dynamics controller with variable response adds an organic depth to the lifeforms voltage lab module by simulating the natural behaviour of sound. Saying that, the multi-mode signal processor features a 12dB resonant filter, VCA, and percussive low pass gate modes. Meanwhile, back in the natural world, sound interacts with its surroundings, so the lifeforms voltage lab module makes use of an analog delay to simulate this interaction and create an artificial sense of time and space. Sonic manipulation of delay time and feedback add depth and warmth through chorus-, Doppler-, echo-, flanger-, reverb-, and slapback-type effects. Chaos can be found everywhere. Electronically, random gates and control voltages spark uncontrolled reactions, disrupt systems, and generate ideas. It is for that very reason that the lifeforms voltage lab module includes noise, stepped random CV, a pseudo-random sequence generator, pitched random CV, pitched random sequences, and random gates to add multiple levels of unpredictability to any patch. Pittsburgh Modular Synthesizers’ Voltage Research Laboratory itself includes the lifeforms touch controller module. Intuitive and inspiring, it effectively overcomes the creative restrictions of a traditional chromatic keyboard with a set of fully-configurable, multi-dimensional touch pads as a duophonic touch controller. By bringing into play two sets of five touch pads, it offers a flexible and interactive performance surface, so performances can be interpreted with a unique combination of monophonic and duophonic responses. The lifeforms touch controller module’s channel animator also allows speedy generation of complex sequences or glitchy chaos — all in all, then, the perfect launchpad for any experimental journey, be it musical or otherwise. As a Voltage Research Laboratory exclusive, the lifeforms utility module features a unity gain signal mixer/splitter along with stereo headphone and line outputs, rounding out the functionality of this completely different, organic analog synthesizer. The three Voltage Research Laboratory modules are housed in a beautiful 96hp Eurorack enclosure, shaped with the warmth of walnut and the strength of steel. Suitably named, the Lifeforms Research Console case perfectly pairs classic desktop synthesizer ergonomics with a modern Eurorack form factor and a clean, reliable power supply. Showcasing Voltage Research Laboratory for all to see and hear for the time first time on booth (O226) at SUPERBOOTH19 — Europe’s first and largest trade fair for electronic musical instruments — in Berlin, May 9-11, Pittsburgh Modular Synthesizers has launched its funding campaign on Kickstarter.
Note that Pittsburgh Modular Synthesizers will also be selling the lifeforms voltage lab and lifeforms touch controller Eurorack modules and Lifeforms Research Console case separately with SRPs of $899.00 USD, $399.00 USD, and $349.00 USD, respectively — discounts available to Kickstarter supporters, while the lifeforms voltage lab module will also be available as the Voltage Lab Blackbox standalone synthesizer with an SRP of $999.00 USD — discount available to Kickstarter supporters. Watch Pittsburgh Modular Synthesizers’ intriguing introductory video for Voltage Research Laboratory here:https://youtu.be/fk2D0SAVtYU
Prism is a multidimensional signal processor that creates a framework for the spectral metamorphosis of any input signal. This stereo audio buffer can be navigated through on 3 axis, each of which provides a different sonic journey through its array of time based controls. The X and Z planes are home to a flexible delay line capable of long clocked delays, slapback echo, or comb filtered vocoder-esque timbres. On the Y axis is the decimate control. This sets the audio fidelity of the buffer by manipulating the sample rate and bit depth of the output. A state variable filter with configurable low pass, high pass, and band pass outputs can be enabled at the beginning or end of the signal chain providing yet another dimension of spectral transformation. And thanks to its digital architecture, the current buffer contents can be locked in place with the Freeze control, creating glitch and beat repeat effects which can be synced to an external clock source. The Prism blurs the lines between DSP effect, filter, and looper and transcends into a new realm of uncharted audio processing.
Multidimensional signal processor
Stereo inputs and outputs
Flexible delay line providing long delays, and comb filtering
Bit depth and sample rate manipulation
State variable filter with LPF, HPF, and BPF
Freeze control locks buffer in place for glitch and beat repeat effects
Latvia-based Erica Synths announces that its Sample Drum and Plasma Drive are now shipping and available for order. Sample Drum is 14HP eurorack sample player/sampler module with straight-forward, intuitive interface, functionality and great sound quality, designed with live performance use in mind. Meantime, Plasma Drive is the result of Erica Synths recent collaboration with Gamechanger Audio, another Latvia-based manufacturer that has captured the hearts and minds of music creators. Live Performance-Minded: Sample Drum The Sample Drum module is composed of two identical parts and allows you to play back, record and slice up samples or loops directly in your modular system. For processing, there are different play modes, tuning functions (including 1 V/Oct pitch tracking), virtual VCAs plus AD envelopes and realtime effects.Three freely assignable CV inputs per channel guarantee a lot of personal expression during performance. 16bit mono WAV samples are loaded into RAM (32MB / ~ 5 minutes of sampling time) from SD card (16 GB SD card with factory preset samples comes with the module) for instantaneous playback response. All settings can be saved and recalled during live performance.Achieve ‘Heavy Sounds’ with Plasma Drive Similar to Gamechanger Audio’s Plasma Pedal, Erica Synths’ Plasma Drive provides you with a new and previously unexplored method of achieving signal clipping in 16HP. Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, the Plasma Drive boosts audio signal to 3000V and transforms it into a series of continuous high-voltage discharges in a xenon-filled tube. In essence – you are playing a lightning bolt of electricity, and the electrical discharges produced by your instrument are instantly converted back into an analogue audio signal — producing a quick, responsive, and extremely heavy distortion with tons of unique character. The eurorack module Plasma Drive brings sounds of the Plasma Pedal to the next level. As per eurorack standards, Erica Synths has added CV control over distortion level and dry/wet mix, as well as octave up and 1 and 2 octaves down tracking oscillators that add even more harmonics to the original signal. Tracking oscillators can be switched on/off manually or via trigger signals. The Plasma Drive module is powered via conventional eurorack PSU ribbon cable and the power consumption is around 150mA.
PLASMA DRIVE FEATURES:Unique distortion flavorCV control over distortion and dry/wet mixAssignable equalizer (pre- and post effect)1 octave up & 1 and 2 octaved down tracking oscillators SAMPLE DRUM FEATURES:Sample playback with fast trigger responseVarious effects for real times ample processingSample recording functionalityManual and automatic sample slicingCue point loading from WAV files1V/Oct tracking3 assignable CV inputs per channelPreset memoryUser-friendly interfacePerformance mode16 GB SD card with factory preset samples included ABOUT ERICA SYNTHS Erica Synths team of visionaries, engineers and musicians have been working hard to bring you modules and instruments that will set your modular system apart from mass in terms of how it sounds, looks and functions. For more information please visit http://www.ericasynths.lvVideosErica Synths Sample Drum demo (part 1) Erica Synths Sample Drum demo (part 2) Erica Synths & Gamechanger Audio PLASMA DRIVE ImagesSample Drum Plasma Drive LinksMore information on Sample DrumPlasma Drive
A modern approach to a classic design. This Bass Drum Eurorack module can really THUMP!
The Soundlazer Bass Drum is a modern approach to a classic design. Using only state of the art components with a quality not achievable in the 1980’s when it was originally conceived. This Eurorack module delivers a unique heavy bass drum sound.
Be careful with the volume knobs on your amplifiers because this Bass Drum Eurorack module can really THUMP!
The Soundlazer Bass Drum is our flagship entry into the Eurorack module scene. Many more modules will be added so keep coming back for more!
Latvia-based Erica Synths announces its latest module: Sample Drum. Sample Drum is 14HP eurorack sample player/sampler module with straight-forward, intuitive interface, functionality and great sound quality, designed with live performance use in mind.The Sample Drum module is composed of two identical parts and allows you to play back, record and slice up samples or loops directly in your modular system. For processing, there are different play modes, tuning functions (including 1 V/Oct pitch tracking), virtual VCAs plus AD envelopes and realtime effects.Three freely assignable CV inputs per channel guarantee a lot of personal expression during performance. 16bit mono WAV samples are loaded into RAM (32MB / ~ 5 minutes of sampling time) from SD card (16 GB SD card with factory preset samples comes with the module) for instantaneous playback response. All settings can be saved and recalled during live performance.FEATURES:Sample playback with fast trigger responseVarious effects for real times ample processingSample recording functionalityManual and automatic sample slicingCue point loading from WAV files1V/Oct tracking3 assignable CV inputs per channelPreset memoryUser-friendly interfacePerformance mode16 GB SD card with factory preset samples included Price (VAT excl.) 300€ — Release date 23rd of February 2019AttachmentsErica Synths news January 2019.pdf LinksMore information on Sample Drum