My Zaor Miza Jr bedroom set up

The Idea is simple… create a small bedroom set up to be able to create music, work on sample pack layouts, and have FUN with synths and samples WITHOUT my computer. I think with this set up I am off to a great start.

Everything sits atop the Zaor Studio Furniture Miza Jr desk. this helps keep the cables out of sight and the look matches the original 1960’s wall print in our bedroom. the Miza features a nice pull out tray designed for 61 key controllers and slim synths. here I have the jdxa on it which is admittedly a bit deep but, hey I just got it and wanted to feel it out. I will likely swap the Jdxa for the Deepmind 12 in the coming weeks. https://zaorstudiofurniture.com/index.php?page=miza

for monitoring I am using the Ik Multimedia iLoud micro monitors… whats great about these is that not only are they a sleek white that goes great with the wall, but they sound quite nice without being bulky or overbearing in the room. For added convenience they have bluetooth and the bluetooth MIXES with the incoming audio. so if you pair your phone to them you can still use them as monitors and a playback device. really nice!

The Arturia Minibrute 2s plus Rackbrute combo is allowing me to have a mini version of my larger modular rig for sample fodder. currently I am using the ReBach Catch vco-AB and VCF-AB along with the D-Env and TraniModule for the bulk of sound creation to add depth to the minibrute 2s sound engine. the onboard sequencer of the 2s is really quite powerful and allows me to get 3 melodic lanes of sequencing at once.

The main sequencer and overall scratch pad is the MPC live. This is a nice compact way to sample in my synth sources without having to rely on a laptop computer. Built in features like through put monitoring allow me to run all my gear through the mpc and jam in realtime. I then use the looper function to catch my sources in real time. often I like to work without midi to keep a loose human feel on the productions.

In the coming weeks I expect this set up to evolve with gear coming in and out of this set up but the goal will be for it to remain small and clean. pretty far opposite of my main studio set up.

Analog Solutions announces new desktop Synth

Analogue Solutions spreads synthBlocks series wings with tiny Treadstone true analogue mono synth
KINGSWINFORD, UK: hot on the heels of its inaugural Mr Hyde and Dr Strangelove so-called synthBlocks (launched late last year to widespread critical acclaim), British boutique electronic instruments innovator Analogue Solutions is proud to widen the self-explanatory series’ scope with Treadstone — taking the same smart, small, and affordable desktop design-driven analogue attributes of its similarly superior-sounding signal-processing siblings and applying them to a true analogue mono synth that packs a lot of (patchable) punch into a perfectly-matched, portable package — as of January 19…
Treadstone takes its intriguing name from a fictional highly-classified, heavily-guarded secret program that features in the series of books based on a fictional spy and associated feature films; it is shut down as the thrilling plot thickens, alas. As the latest addition to Analogue Solutions’ synthBlocks series — squarely aimed at laptop and audio plug-ins-focused digital musicians wishing to apply analogue, hands-on hardware sound-sculpting creativity to their sometimes sterile-sounding computer-based creations, the tiny Treadstone true analogue mono synth is far from fictional, however; hearing is believing, but it would, without question, make for a superior-sounding, space-saving desktop addition to any discerning film composer’s creative studio space — or anyone else’s, for that matter!
More meaningfully, maybe, Treadstone treads far from carefully, but boldly goes where few analogue synthesizers dare to win… with an all-analogue audio path and modulation circuits based on superior-sounding designs dating back to the mid-Seventies, so no CPU (Central Processing Unit) stabilised and quantised circuits, no DCOs (Digitally-Controlled Oscillators), and no digital EGs (Envelope Generators), as are often found on other ‘all-analogue’ affairs. Analogue as in really analogue — aside from the MIDI-to-CV circuit (which, by its very nature, must include a digital element) — in other words.
Winning analogue attributes apart (as attested to by its immediately apparent sonic strengths), this pocket-sized powerhouse packs a lot into its 134 x 125 x 52mm diminutive dimensions — including a serious single VCO (Voltage Controlled Oscillator) with square and sawtooth waveforms plus noise and an associated sub-oscillator, a reissue of the classic SSM2044 4-Pole VCF (Voltage Controlled Filter) chip (as used in many classic synths, such as the Korg Polysix and Monopoly, as well as E-mu’s Emulator and SP1200 sampling trailblazers), an analogue echo (REFLECT), and a unique LOOP SEQUENCER (to input, edit, and play up to 16 MIDI notes) — while weighing in at only 420g! Get this, though: Treadstone is designed, built, tested, and assembled in the UK using only high-quality components as is the Analogue Solutions way, with a full rugged steel/aluminium case combined with real ‘analogue’ wood side pieces perfectly reflecting its polished pedigree.
Put it this way: what’s within certainly counts in large amounts, albeit admittedly appearing at odds with those diminutive dimensions. Digging deeper, putting Treadstone through its musical and experimental paces can be as complex or uncomplicated an experience as deemed necessary; needless to say, Analogue Solutions has treated Treadstone to a diversity of creative controls and accompanying patch sockets, surely satisfying even the most ‘battle-hardened’ subtractive synthesists around — hardly surprising since Treadstone was designed by Analogue Solutions founder Tom Carpenter. As a fervent fan of electronic music and also an active electronic musician himself, he naturally knows a thing or two about programming synthesizers. So his latest creation clearly wasn’t the result of engineering design decisions alone — nor driven by a steering committee of men (or woman) in suits. So what else is ‘inside’ this small but perfectly formed box of subtractive synthesis tricks, then?
Thoughtfully, Treadstone is fully compatible with the ever-popular Eurorack small-format modular system and operates on the 1v/oct standard, so, armed with a fistful of 3.5mm mini-jacks, justifiably serious synthesists can interface it with their modular system or have it act as an exceptional external voice for another analogue synthesizer — after all, Oberheim’s Synthesizer Expander Module® (SEM) started life as an add-on synthesizer module for fattening up Minimoogs before becoming a sought-after sound in its own right (with up to eight embedded in Oberheim’s groundbreaking Seventies-vintage polysynths). Reality shows that Treadstone sounds a lot fatter than it looks!
Looks, of course, can be deceiving. Demonstrating design flare and flexibility, Treadstone can capably turn its hand — well… knobs, switches, and patching — to any number of applications. Any time anyone needs analogue sound effects, fat basses, screaming leads, bleeps, blurps, zaps, and all manner of other crazy sounds associated with subtractive synthesis… try Treadstone! Then consider that Treadstone has an AUDIO IN (input) socket, so users can feed external sounds through the onboard analogue filters for analogue processing. Producing electronic percussion sounds — such as kicks, snares, hi-hats, and cymbals — is perfectly possible in the hands of skilled synthesists. Speaking of which, while Treadstone is partially pre-patched, many of these patches can be cancelled using the switches and controls. Indeed, it has such wide-ranging modulation routing possibilities that it is almost as versatile as a full modular system and can create similar sounds — and all without the mess and confusion of cables! Cables, of course, can be used to re-patch Treadstone, thanks to an abundance of carefully chosen patch sockets, or connect externally elsewhere.
Either way, Treadstone makes for a fine addition to Analogue Solutions’ synthBlocks series, and a superior-sounding, space-saving addition to any studio or stage setup. Synth in pocket, indeed… Treadstone’s no pretender! 
UK purchase price for the Treadstone synthBlock is £499.00 GBP (including VAT), via dealers (http://analoguesolutions.com/global-distribution/) and Analogue Solutions directly.
North American availability of the Treadstone synthBlock is being handled via Voltage & Company (http://www.vcousa.com) — full-service reps of high-quality manufacturers from around the world — with a retail price of $599.00 USD, while (most) EU distribution is being handled by Sonic Sales (http://www.sonic-sales.de) — one of the largest full-service MI (Musical Instrument) distribution companies in Europe — priced at €589.00 EUR (including VAT).
For more in-depth info, visit the dedicated Treadstone webpage here: http://analoguesolutions.com/treadstone-synthblock/
Watch Analogue Solutions’ ear-tickling Treadstone teaser video here: https://youtu.be/CmLKV9_Y78g?list=PLq-KgzIcyyGFGRNp2SBlHy3YZdQq-9lb7