Mode Machines new Seq12 analog and midi sequencer released

MODE MACHINES make matrix-style sequencing truly tactile with SEQ12 ANALOG AND MIDI SEQUENCER
 innovative electronic musical devices brand MODE MACHINES is proud to announce availability of its SEQ12 ANALOG AND MIDI SEQUENCER — a multi-channel MIDI (Musical Instrument Digital Interface) step sequencer in a truly tactile, tabletop (rack-mountable) console-type housing that lends itself to creating and arranging pattern-based music as a live performance-capable standalone sequencing tool or working alongside a DAW (Digital Audio Workstation) to enhance production possibilities — as of July 16…
As implied by the 12 TRACK MATRIX SEQUENCER ‘subtitle’ boldly blazoned across its expansive top panel — pressed into play by the 12-line (and 16- column) arrangement of (red) backlit LED (Light Emitting Diode) buttons that musically mark out the namesake matrix laying claim to the majority of that top panel, the SEQ12 ANALOG AND MIDI SEQUENCER is a 12-track affair, with each track arranged numerically below the next in the matrix. More meaningfully, each track can freely address one of three MIDI outputs (OUT 1, OUT 2, and OUT 3) to ensure optimal timing (by avoiding serial chaining of connected MIDI devices) and additionally be assigned to one of three track types: MONO (monophonic) — plays only one note per step (sending note, velocity, and note length) and offers three controller tracks (C1, C2, C3); POLY (Polyphonic) — plays back multiple notes per step (sending note, velocity, note length, and chord) and offers two controller tracks (C1, C2); and DRUM — optimised to address drum machines (or similar) with the matrix forming a pattern where each line can be set to transmit a definable note to 12 so-called subtracks (with adjustable velocity and accented notes) from within a single track with two controller tracks (C1, C2)… 12 different drum sounds can be arranged from a single track, in other words.
While the term step sequencing can conjure up mesmerising musical images of repetitive note patterns pioneered and popularised by the likes of Germany’s homegrown Kraftwerk and Tangerine Dream in their heyday — the likes of which the SEQ12 ANALOG AND MIDI SEQUENCER of course can capably emulate, even down to the latter’s ‘trademark’ ratchet effect (of outputting multiple triggers per step) but bettered by enabling easy creation of rolls, flams, and comparable complex rhythmical functions courtesy of six selectable trigger patterns and a note value to adjust the length of the trigger pattern, there is so much more to this truly tactile step sequencer than might meet the (untrained) eye… eye-catching as all of those 192 flashy (red) backlit LED buttons already are!
Although the SEQ12 ANALOG AND MIDI SEQUENCER is at heart a pattern-based step sequencer that generates MIDI data, multiple modes make it stand out from the sound of the (step sequencing) crowd — to partially paraphrase the early-Eighties British breakthrough hit from synth-pop pioneers The Human League, no strangers to the lure of spellbinding step sequencing themselves.
The self-explanatory SEQ mode is used to program a sequence — the smallest ‘unit’ within the SEQ12 ANALOG AND MIDI SEQUENCER (containing up to 16 steps) — using the matrix or an external MIDI input device, such as a master keyboard controller connected via the single MIDI IN (input). 16 sequences per track can be stored with parameter values such as velocity, controllers, or step length displayed as backlit LED (button) bars in the matrix.
Meanwhile, JAM mode makes live performance pleasurable and also inspirational with the SEQ12 ANALOG AND MIDI SEQUENCER. This time the matrix displays 12 tracks with 16 sequences each, all of which are freely switchable on the fly for immediate playback while the function buttons to the left of the matrix mute and activate the corresponding 12 tracks. And assuming that the tracks are tasked with handling different musical parts — playing a melody with track 1, a bass line with track 2, chords with track 3, and drums with track 4, for example — then it is perfectly possible to create a song on the fly. Flexibility further abounds since switching from JAM mode to SEQ mode only involves a couple of (almost instant) clicks; once there, users can, likewise, edit the selected sequences on the fly.
Finally, SONG mode is where the SEQ12 ANALOG AND MIDI SEQUENCER sings for its supper, so-to-speak, allowing for the creation and playback of longer and more complex arrangements or even full songs. Each track is allocated an individual series of up to 64 sequences (or sequence chains in ‘SEQ12- speak’). Still better, there are 12 sequence chains — one for each track; these combine to create a part, with the SEQ12 ANALOG AND MIDI SEQUENCER storing up to eight parts. Parts can also be changed on the fly while the sequencer is running, so, given that those parts could effectively equal song parts, users could choose from, say, an intro, verse, bridge, chorus, or outro, each of which could be called up to be played anytime.
All data that can be changed by the user — namely, sequences, parts, and sequence chains, as well as global settings (with further visual guidance coming courtesy of an informative backlit LCD working in conjunction with various clearly labelled control functions) — is stored as a setup. The SEQ12 ANALOG AND MIDI SEQUENCER stores up to 32 setups. So it is ready and willing to be put through its interactive musical paces onstage or in the studio, thanks to its robust rack-mountable (19-inch/6 HE) design that also includes rubber feet for non-slip tabletop usage.
Ultimately, then, the truly tactile SEQ12 ANALOG AND MIDI SEQUENCER surely ranks as an ultimate pattern-based step sequencer, limited only by its user’s imagination rather than ‘traditional’ step sequencing’s limited note pattern repetition. Reach out and touch… as Depeche Mode sang on their way to sequencer-driven superstardom!
The SEQ12 ANALOG AND MIDI SEQUENCER is available to purchase directly from MODE MACHINES’ online SHOP (https://www.modemachines.com/shop) at an introductory promo price of €999.00 EUR (inc. VAT) or through MODE MACHINES’ growing global network of authorised dealers (https://www.modemachines.com/where-to-buy).
For more in-depth information, please visit the dedicated SEQ12 ANALOG AND MIDI SEQUENCER webpage here: https://www.modemachines.com/seq12
Watch MODE MACHINE’s SEQ12 ANALOG AND MIDI SEQUENCER intro video here: https://youtu.be/lKxNBnHhOkI

Zeta Ohm Fluxus 1 (FLXS1) sequencer goes live on Kickstarter!

The Fluxus one Sequencer from Zeta Ohm


* Breaking news, ZetaOhm have ALREADY reached the goal and are not even halfway through the campaign!*

Recently at Knobcon 2016 I was very lucky to meet an enterprising young man by the name Tenkai. Not only did he save the day (I had a catastrophic computer failure) but he debuted an amazing new eurorack modular sequencer he was working on. Continue reading

Barton Writeable quantizer is a unique way to patch melody

Barton Musical Circuits

Writeable QuantizerbartonUwq03-800x800

The writeable Quantizer(WQ) is an interesting module in that while it can function like a traditional sequencer, it is anything but traditional. What sets the WQ apart is that this quantizer doesn’t come with preset 1/12v divided scales like most quantizers do. Instead the WQ allows users to store voltages into a user defined “scale” and then quantize incoming voltages to those stored voltages. You can use traditional scale values and write those voltages to a traditional scale but what is the fun in that? Continue reading

post

Pyramid Polyrythmic sequencer available for preorder now

 

PYRAMID_LOGO                                                                                                by

LOGO

05 Pyramid zoom

 

 

PARIS, FRANCE: avant-garde musical hardware researcher and developer Squarp Instruments is proud to announce that it is already accepting preorders on its inaugural Pyramid Polyrhythmic Sequencer breakthrough — an advanced hardware standalone sequencer running proprietary PyraOs realtime processing firmware and boasting (multiple) MIDI, USB, CV/Gate, and (Sync48- and Sync24-configurable) DIN Sync connectivity, together with a host of fanciful features belying its compact and bijou form factor — as of May 21…

Most notably, and arguably an absolute rarity in this day and age, Pyramid Polyrhythmic Sequencer is fully polyrhythmic, meaning different and unusual time signatures can be set for each of its 64 tracks to cleverly create shifted-beat sequences — set a track to 4/4 and add other tracks to simultaneously run with it in 5/4, 6/8, 15/8, or whatever — to bring stirring new musical flavours to productions. Pyramid Polyrhythmic Sequencer… it is incontestably an appropriate appellation, after all! Apart from that, though, what makes this standalone sequencer so special and also why resolutely return to hardware in this day and age of commonplace software-based sequencing solutions, courtesy of all-singing, all-dancing DAWs (Digital Audio Workstations)?

Well, to truly get a feel for the flexible future of state-of-the-art and easy-to-use hardware sequencing in the present, perhaps it pays to look to the past? Which is exactly what the forward-thinking research and development team at Squarp Instruments did. “Our aim was to create a hardware sequencer in ‘sync’ with the new styles of electronic music being written nowadays,” notes company co-founder and R&D engineer Tom Hurlin. “There’s a huge gap in the market for this, which is kind of weird, because most popular music from the early-Eighties to the late-Nineties was produced using sequencing hardware. Hip-hop, for example, originated on the MPC series, which actually revolutionised all kinds of music — Madonna to Bryan Ferry to Whitney Houston. How come these machines were suddenly replaced by the computer?”

Continue reading

UVI BeatHawk iPad Sequencer/sampler Review

 

The BeatHawk iPad app has been hotly anticipated for some time now. With powerful step sequencing, easy to use sample recording and editing, song arrangement, fx and more.  BeatHawk from UVI boasts and intuitive workflow that lends it self greatly to instant hands on creation of beats while on the go or in the studio.

BeatHawk offers full support for CoreMIDI, Inter-App Audio, AudioBus, Audio Copy and WIST allowing you to create with your favorite tools in whatever way you like. Play your tracks with an external MIDI keyboard or sequence them over Wi-Fi from your computer. If you want to wrap up a track in your favorite DAW just export the stems or MIDI files, it couldn’t be simpler.

FEATURES & COMPATIBILITY

Continue reading

Animodule GATE_MOD Eurorack Modular trigger delay

Let’s face it, couldn’t we ALL use a little more length?

This Tiny (yet powerful) Module allows you to manipulate your gate length and delay your event triggers with ease and minimal impact on your HP.

Take an incoming Signal above ~1.1V (OpAmp Comparators on the Inputs make very forgiving Clock Inputs)
and shrink it down to 5MS or lengthen it up to 5 Seconds.
That Gate will appear at the Gate Out. Continue reading

Arturia Microbrute SE Unboxing and Overview/ Review video

  • Main Features
    Monophonic synthesizer
    100% Analog Audio Signal Path
    Steiner-Parker 2 pole Multimode Filter (Low Pass, Band Pass, High Pass)
    Analog Voltage Controlled Oscillator
    Oscillator Mixer (Overtone, Sawtooth, Square, Triangle, audio in (on rear panel))
    ‘Overtone’ sub oscillator/5th generator
    Signal Enhancers :
    Pulse Width Modulation
    Ultrasaw generating fat sawtooth waveforms
    Metalizer bringing extreme harmonics
    Brute Factor™ delivering saturation and rich harmonics
    LFO with 3 waveforms (Sine, Sawtooth, Square)
    LFO clock syncable to Arpeggiator (Arpeg, or free).
    ADSR Envelope Generator
    Keyboard Tracking on the VCF Cutoff
    25 note minikey keyboard
    Mod Wheel (assignable to Cutoff, or LFO amount)
    Pitch Wheel (with selectable bend range via software)
    Octave selector from -2 to +2 octaves
    External Analog Audio Input
    CV In jacks: Pitch, Filter, sub-harmonics, pulse width, metalizer, saw animator
    CV Out jacks: pitch, envelope, LFO
    MIDI Inwith 5 pin DIN connector
    USB MIDI In/Out
    1/4” Audio Output and 1/8” Headphone Output
    Full Function step sequencer :
    8 memories
    up to 64 steps per memory
    tap tempo
    rate control
    step divisions (via software)
    trigger modes (via software)
    MIDI Sync
    Steel bottom panel
    12V DC 1A power supply