The Audio Damage Kompressor is a digital true stereo compressor that can also work as a Mono with side chain input compressor. occupying only 6 hp, this compressor packs a big punch for its small size. RATIO is a scaled control. The first half of the rotation goes from 1:1 to 1:10, and from 12 o’clock to fully clockwise, it goes from 1:10 to 1:1000 (infinite). Gain can give you up to 30+db of additional gain along with a soft internal saturation emulating an analog circuit.
The Build quality feels very solid and the compression is really quite well controlled. I’ve been using it both as an final mix compressor and as a drum squashing beast as well.
I will have a in studio demo/ review video of this module up shortly as I have since built one of these modules for myself and am very impressed with it. in the mean time check out the synthrotek store and grab one of these very handy modules. Synthrotek ADSR in Store
The Threeler VCF created by Ian Fritz is an interesting filter design. Utilizing a 3rd order design with 3 single pole filters in various combinations the Threeler is able to give a large variety of filter types. A mode select switch gives us 4 options of slopes. the first row consisting of Low pass configurations, the second row consisting of band pass , the third is a reversed order bandpass and the bottom row consisting of high pass filters. we are give 3 simultaneous outputs at a time (giving us access to different stages of the filter.) CV is available to control filter cut off, frequency modulation and resonance. The Filter also tracks volt per octave nicely over quite a few octaves which gives us access to a nice sine oscillator.
Available now as a PCB, Panel PCB, full Kit and as a completed module from Synthcube.com or on their Synth release club ( a module renting/leasing program.
At first glance these two synthesizers may not seem to share much in common… one being a budget synthesizer retailing for only $599, the other being a boutique flagship synth coming in at $1799 (for the desktop module).
But what these synths do have in common is actually rather intriguing. Both feature a complex set of oscillators capable of sonic territory that can run from smooth to gritty, from basic to intricate, and both can modulate their oscillators in interesting ways.
Both of these synths have incredible amounts of modulation sources and destinations which equate to having a truly powerful sound design engine to work with. Both are known as modulation powerhouses.
The build quality of these two surely take very different approaches but for now we will try to focus more on sound possibilities and how these two work in a sonic creation stand point. Of course the Metal and wood of the DSI product feels solid and clearly more expensive than the plastic of the Novation but the UN by no means has a cheap feeling key bed (in fact its one of my favorites) and features like touch capacitive knobs and high resolution knobs are a step toward a more professional product. Continue reading →