|Holiday Treats from Erica Synths: 15% Off Drum Series Modules|
|Erica Synths Drum Series modules are the ultimate tools for rhythm based music production, live performances and sound designRiga, Latvia, December 19th, 2019 — Modular synth innovators Erica Synths announced that its entire Drum Series modules will be on sale between Friday, December 20th and Tuesday, December 31st. Customers can choose from among 18 different modules, including Sample Drum, Bass Drum, Snare Drum, Clap, Toms, Hi-Hats A, Hi-Hats D, Cymbals, Cowbell, Bassline, Dual Drive, Dual FX, Stereo Mixer, Mixer, Mixer Lite, Link, Modulator & Drum Sequencer. Erica Synths Drum Series modules are the ultimate tools for rhythm based music production, live performances and sound design, and can accommodate anything your drum rack needs — from Bass Drum, Snare and Cowbell, to the Drum Sequencer, punchy Bassline and the extremely capable Sample Drum/ The Drum Series also provides expert effects, modulation, mixers and everything in between. |
For more information on the Drum Series and to take advantage of Erica Synths’ Holiday Sale, please visit its online store starting tomorrow through December 31st.
Eventide Releases QVox Diatonic Pitch Shifter for iOS
LITTLE FERRY, NJ, USA — December 12, 2019: Eventide is proud to release QVox for iOS, an inspirational sound effect featuring four voices of diatonic pitch shifting and delay. Mobile music enthusiasts can add rhythmic textures to guitars, morph drums into exciting new patterns, widen instruments, and create unique harmonies on vocals.
Whether you are an electronic musician, singer/songwriter, or guitarist, QVox will take your melodies and ideas to new heights. Users can choose a key, scale, as well as each voice’s pitch interval. In addition, they can experiment with a variety of staggered delay groups for unique textures. Parameters can also be altered in real-time using the ‘Ribbon’ controller.
- Four independent voices (labeled as A, B, C, D) with diatonic pitch shifting and delay.
- Select KEY and Scale to create harmonies that coincide with compositions or use the LEARN button to set the key by the incoming played note.
- Group the four delays so that they are evenly spaced or spread out.
- SYNC the delays to tempo, or a value of your own choosing.
- The ‘Ribbon’ controller allows for dynamic modification of several knobs at once to easily morph between settings.
- Factory presets help get you started or create your own User presets.
- Mixlock helps when auditioning different presets by enabling a global MIX value that will remain constant for every subsequently loaded preset.
QVox for iOS is now available for download as an Audio Units AUv3 plug-in, Inter-App Audio, and Standalone app for iPhone and iPad from the App Store for $14.99 USD here: https://apps.apple.com/us/app/qvox/id1488786684
IK Multimedia brings Hammond B-3X virtual instrument to iPad
In partnership with Hammond USA and Suzuki Music Corp. of Japan, IK’s Hammond B-3X is the first real Hammond® organ for iPad complete with Leslie™ speaker
December 17, 2019 – IK Multimedia announces the Hammond B-3X tonewheel organ virtual instrument for iPad. This new app maintains all the realism, detail and features found in the Mac/PC version, which was created in close collaboration with Hammond USA and Suzuki Music Corp. of Japan, but now available on an even more portable device, making it ideal for a streamlined live performance or travel recording rig.
Hammond B-3X for iPad meticulously recreates the sound, controls and entire effects signal path of the legendary Hammond® B-3. This comprehensive approach offers a level of realism and detail that will satisfy the most discriminating B-3 fans while also offering an affordable introduction to the unique world of tonewheel organs that can be enjoyed by all levels of players.
The new app is ideal for performing musicians looking for a simplified stage rig, letting them run Hammond B-3X on an iPad instead of a dedicated laptop, with full compatibility for MIDI controllers and Hammond digital organs. Hammond B-3X for iPad also supports the latest AudioUnits format, allowing it be used as a plug-in in many of today’s most popular recording apps, for an ultra-portable travel studio that delivers world-class realism and features.
IK’s industry-leading modeling techniques were employed to deliver fine details and nuances approved by the discerning ears of the Hammond Organ Company in Chicago. In addition to its authentic organ sound, this new instrument offers a full-rig chain including stomp effects, an extended version of IK’s Leslie® Collection with a rotary cabinet with mix-and-match amp and cabinet models plus four microphones, a parallel guitar amp with 4×12 cabinet, a mixer and three studio post effects.
It’s all in the details
True to the hardware original, Hammond B-3X for iPad begins with 91 tonewheels, which are based on well-maintained Hammond organs that IK studied in locations around the world. These free-running tonewheels are mixed in real-time based on the notes played and drawbar levels, for authentic realism.
Hammond B-3X for iPad can be fine-tuned using IK’s detailed models of the original settings, controls and circuits, which were all approved by the Hammond Organ Company. Users can employ tonal filtering, select the independent key click, and engage the iconic Hammond percussion and chorus-vibrato circuits with advanced controls.
For deeper exploration and realistic touches, Hammond fans will appreciate a familiar simulation of the effects of “aging” components to control tonal balance, generator leakage and crosstalk, and the chorus circuit’s presence boost.
True tone, real experience
All the controls are designed to recreate the exact experience of playing a classic, hardware B-3 organ – from the order of the chorus/vibrato settings to the placement of the percussion switches. Some additional features have been included as well, for modern convenience.
The drawbars update in real-time when the inverted drawbar settings keys are selected, allowing users to save 24 custom drawbar settings per preset. For live use, a “Controls” view hides the keyboard and enlarges the drawbars and switches for less distraction while playing. MIDI assignments for modern Hammond digital organs are also included, making it plug-and-play easy to perform with everything at arm’s reach.
Extended stomp box effects
The organ feeds a 5-unit pedalboard in the STOMPS section that features overdrive, graphic EQ, stomp box-style chorus-vibrato, wah wah and spring reverb. Derived from IK’s award-winning AmpliTube® and T-RackS® software, these effects were carefully chosen and arranged for easy recreation of the widest range of iconic tonewheel organ sounds. They can also be assigned to MIDI control for on-stage use.
Real Leslie® sound
The signal is then sent to a CABS section that includes a choice of real Leslie amps and speakers that can be mixed and matched, along with a parallel guitar amp and 4×12 cabinet. Using technology derived from IK’s award-winning AmpliTube 4 amplifier modeling, combined with an extended version of IK’s Leslie® Collection, Hammond B-3X for iPad’s cabinet section offers a massive range of sound-shaping option tabs. They include:
- Setup – lets users fine tune the Leslie’s slow and fast speed settings – including acceleration and deceleration – and adjust the mic distance and configuration
- Leslie Amp – offers a selection of five Leslie power amps (or a power amp modeling off switch) and two guitar power amps to use in any of five Leslie cabinets, with full control over gain, EQ and volume
- Leslie EQ – enables the rotary speaker to be shaped with high-pass, low-pass and parametric mid EQ
- Guitar Amp – adds a parallel guitar amp derived from AmpliTube into the mix for use with popular rock tones used by top rock and blues players; offers full tone-shaping controls and spring reverb
- Mixer – blends the sound of the Leslie, with independent volume and panning of both the horn and drum mics, the parallel guitar amp, and the DI organ sound for unprecedented tonal flexibility
Add professional polish
Finally, Hammond B-3X for iPad offers three rackmount studio effects derived from IK’s T-RackS Mixing and Mastering Workstation to add a final, professional touch.
IK’s Limiter 76 FET-based compressor offers an iconic, timeless sound; the EQ-81 adds classic console tone-shaping and warmth; and a digital reverb adds a pristine sense of space.
Pricing and availability
Hammond B-3X for iPad is available from the Apple App Store® with a special introductory price of $99.99 through March 2020.
*Local pricing is determined by Apple, based on exchange rates.
For more information about Hammond B-3X for iPad, please visit: www.hammondb3x.com/ipad
To see Hammond B-3X for iPad in action: www.hammondb3x.com/ipad/video
To hear audio samples from Hammond B-3X for iPad, please visit: www.hammondb3x.com/ipad/audio
Rossum Electro-Music has announced the release of Software Version 2.0 for their Assimil8or Phase Modulation Sampler Eurorack module.
Designed to provide a powerful, flexible sampling engine for modular synthesis, the Assimil8or Multi-Timbral Phase Modulation Sampler module is the latest incarnation of Dave Rossum’s decades-long pioneering of affordable professional sampling technology. Assimil8or 2.0 software brings a host powerful new features and major workflow enhancements. Taken together, they result in Assimil8or’s evolution into an even more powerful and easy-to-use sampling module.
Assimil8or 2.0 software is a free download for current Assimil8or owners. It can be downloaded at http://www.rossum-electro.com/products/assimil8or.
Key new Assimil8or 2.0 features includeNew Sound-on-Sound sampling modes: (100% feedback for limitless layering and -3dB feedback for gradual decaying).
Explode Sample (at both the channel and zone level) to divide a sample into 2 to 8 equal regions and automatically assign them to sequential channels or zones.
Chop Sample: Similar to Explode sample, but uses transients to determine the chop points.
CV Control of Mix Levels: The ability to voltage control a channel’s level in the mix output without affecting its individual output. There are two control modes: Normal for regular modulation, and Fader for mix control.
New Zone Selection types:
– Advance – Each new trigger causes the next zone in numerical order to be selected.
– Random – Each new trigger causes a random zone in numerical order to be selected.
NewZone Voltage Balancing Options: 5V, 10V, Chromatic Keyboard, and Major Scale
Zone Lock to temporarily lock a single zone for auditioning and editing
Manual and Auto-Audition of card WAV files to streamline import operations.
Gate Delay to compensate for sequencer gate/trigger/CV timing anomalies.
Stereo Awareness: Graphic interface and editor improvements to make working with stereo channel pairs virtually automatic.
Preset Selection via CV: The ability to use assignable CV inputs to step forward and backward through a folder’s preset list.
Zone handling and editing improvements, especially with stereo samples
Variable horizontal zoom on the Sample Start/End Page and Loop Start/Length/End Page.
Sync Editing of sample and loop points (i.e, simultaneously set identical Loop Start and Sample Start or Loop End/Length and Sample End points).
Selection of Sampling Destination Channel by pressing and holding the Sampling Setup button and then one of the eight channel buttons.
New Sampling Setup Zone Destination parameter ”Empty Zone” assigns the new sample to the next empty zone on the destination channel.
Load Folder Warning: The option to trigger a warning popup when loading a new folder to help avoid accidental overwriting of unsaved preset edits.
The ability to cancel a folder load in progress.
A Sampling Pre-roll of 10 msec (to avoid the possibility of cutting off the very beginning of a sample)
Data Compatibility: Assimil8or V2.0 data is fully forward and backward compatible with Assimil8or V1.XX. (With the exception that the new zone selection types, if used, will load into V1.XX as type “Continuous’).
More Assimil8or information can be found at the Rossum Electro-Music web site: http://www.rossum-electro.com/products/assimil8or
Radikal Technologies takes DELTA CEP A paraphonic semi-modular synth several steps further forward with free firmware updates
MÜNCHEN, GERMANY: cutting-edge sound specialist Radikal Technologies is proud to announce availability of the latest (Version 1.6e) firmware update for its illustrious DELTA CEP A paraphonic semi-modular synthesizer — serving up nine essential synthesis ‘modules’ melded together to form a potent yet straightforward starting point to the ever-widening world of the Eurorack small-format modular system — that builds upon its impressive feature set with several significant additions, free for existing owners…
Its introduction earlier this year to widespread critical acclaim saw Radikal Technologies’ DELTA CEP A living up to the PARAPHONIC-MODULAR wording boldly blazoned across its feature-packed front panel. Pushing its cutting-edge sound-specialising creator’s product lineup to the forefront of the ever-widening world of the Eurorack small-format modular system, the deftly-designed DELTA CEP A can function as a standalone synthesizer or — when removed from the chassis — a 68HP-occupying Eurorack module forming the centre of a powerful modular voice. Whichever way it is brought into play — purchasable as a desktop paraphonic semi-modular synthesizer or Eurorack paraphonic semi- modular synthesizer module, the DELTA CEP A is the perfect starting point for any modular user.
Today, the DELTA CEP A paraphonic semi-modular synthesizer represents an even more potent force in the ever-widening world of the Eurorack small-format modular system, thanks to extensive firmware updates, culminating in Version 1.6e, that build upon its impressive feature set with several significant additions, as follows.
Firstly, Radikal Technologies has helpfully seen fit to expand the DELTA CEP A’s already powerful FX section above and beyond the giveaway (FX: 1. TAPE 2. DELAY 3. CHORUS 4. PHASER 5. FLANGER) wording highlighted on that feature-packed front panel to additionally include a stereo reverb algorithm. As such, it is now perfectly possible to add stereo reverb to those tape, delay, or chorus effects, for instance. It is also perfectly possible to morph those new reverb parameters as well with the INTERPOLATOR section — certainly separates the DELTA CEP A from the Eurorack pack! Put it this way: with this sound-stimulating section, users are afforded an ability to store so-called ‘snapshots’ of sound creations into the DELTA CEP A’s internal memory; moreover, users can consequently play those snapshots sequentially, creating cool sonic sequences. Saying that, they can cleverly create smooth transitions from one snapshot to another, allowing for some stunning sound morphing effects!
Excitingly, the LFO 1 section can now be assigned to different modulation targets without having to use any patch cables; creatively, this allows for assigning the LFO (Low Frequency Oscillator) modulation to multiple targets simultaneously with independent modulation depths for all targets. That said, the ADSR section’s envelope generator can also now be assigned to different modulation targets without having to use any patch cables; creatively, multiple targets can be simultaneously controlled with independent modulation depths. Deeper still, the INTERPOLATOR section’s already powerful morphing function also benefits from those new routing capabilities since internal routings can be morphed! Musically- and sonically-speaking, users can now explore a whole new dimension of dynamic soundscapes.
So, having installed its latest firmware updates, how do discerning DELTA CEP A users access those welcomed additional parameters? Pressing the SHIFT button locks the SHIFT function to more easily enable additional parameters; its associated LED (Light Emitting Diode) flashes until theSHIFT function is unlocked again (by pressing the SHIFT button again).
Additionally, the MOD input in the MIXER section now controls the volume and saturation of the SWARM OSC signal; speaking of inputs, the SYNC input in the LFO 1 section now performs perfectly and allows for synchronising the LFO to another LFO or the GATE signals. (Holding theSHIFT button allows access to the note values of the LFO with the SPEED knob.)
Needless to say, the DELTA CEP A now reacts to MIDI (Musical Instrument Digital Interface) program changes, but be careful; if it receives a program change while the user is editing a sound, any changes to the sound will be lost.
Last, but by no means least, thanks to the latest (Version 1.6e) firmware update, it is now possible to share presets directly between two DELTA CEP A paraphonic semi-modular synthesizers. So what else can Radikal Technologies say? Not much — other than concluding that its illustrious DELTA CEP A has taken several significant steps further forward, courtesy of a rigorous regime of firmware updates. Ultimately, then, the DELTA CEP A ships with the latest firmware, which existing users of course can access and install for free.
The DELTA CEP A is available for purchase — priced at an RRP of €899.00 EUR/$999.00 USD (Eurorack) and €1,198.00 EUR/$1,298.00 USD (desktop) — through Radikal Technologies’ growing global network of authorised dealers.
For more in-depth information and access to the latest firmware updates, please visit the dedicated DELTA CEP A webpage here: https://www.radikaltechnologies.com/delta-cep-a-2/ (Existing DELTA CEP A owners can download the latest firmware updates for free.)
Watch Radikal Technologies Product Designer Jörg Schaaf’s sonically-stimulating DELTA CEP A video playlist here:https://www.youtube.com/watch?v=_YkvgTVZQ3E&list=PLysQPMsmJseFLtTQxGL9tJROrferQtfLs
the SynthTech E520 Hyperion Stereo Effects Processor is the new producers secret sweetness.
this new effect processor is the latest module … wait is it a module? sure … but more than that it’s the latest Processor from Synthesis Technology. I say that it is more than a module because this thing can be slapped in a stand alone case (4ms pod) and used at line level with your gear. Not content with just being another eurorack module, this is firing shots a bit further.
When the kickstarter went live, it took less than 48 hours to surpass its goal. Now it is deep into its stretch goals and some videos of the development version are making their rounds on the interwebz.
Lets take a look at whats going on here and think about how this module can be a serious desktop stand alone processor for everything from lo-fi hip hop effects, to pristine delays, reverb, and mind altering spectral effects. all without taxing your silly CPU.
if you want some of this wild sauce I highly recommend getting in on the Kickstarter now. SynthTech modules tend to sell out and then you end up on either a waiting list or just waiting…. and waiting. while everyone else reaps the benefit of exquisite design and build quality. https://www.kickstarter.com/projects/697230891/synthtech-e520-hyperion-stereo-effects-processor
|KRK LIMITED EDITION ROKIT G4 “WHITE NOISE” MONITORS NOW AVAILABLEStylish White Finish Gives the Recently Launched ROKIT G4 Range a Whole New Look|
NASHVILLE, DECEMBER 2, 2019 – KRK Systems, part of the Gibson family of brands, is adding a new family of studio monitors to its latest ROKIT Generation 4 (G4) range, the limited edition ROKIT G4 White Noise. Available in 5-, 7-, and 8-inch bi-amp models, these stylish limited-edition monitors offer the same impressive features as the newly released ROKIT G4s, but with an enticingly different aesthetic. Art and science come together with the new White Noise editions of these professional monitors, taking music and sound creativity to a whole new industry-level. Providing wide, deep and dynamic listening, along with incredible imaging, KRK’s ROKIT G4 studio monitors have been scientifically re-engineered and re-designed from the ground up. They are ideally suited to the way modern artists work—in all genres and environments. The entire ROKIT G4 range features on-board DSP-driven Graphic EQ with 25 settings to help condition any acoustic environment while offering new levels of versatility in a studio monitor—making them the only monitors in their class with an LCD screen to display DSP-driven EQ settings. The flat setting is great for most environments, but low-, mid- and high-frequency presets can be adjusted to help compensate for common trouble spots in different sound environments. This on-board system works in conjunction with the KRK Audio Tools App, available for free on the Android and iOS stores. Additionally, all system elements of the ROKIT G4 monitors are cohesively designed and engineered to work perfectly with their advanced drivers made with Kevlar®, efficient Class D power amplifiers and front-firing port, which offers exceptional low-end extension, punch and flexible room-positioning. These features collectively extend accurate and tight bass reproduction and improve audio integrity while minimizing listening fatigue—offering an overall balanced listening experience.
The Synthesis Technology E520 is a much anticipated FX module. The Kickstarter page has now gone live as of only 4 hours ago and is already more than 3/4 of the way funded.
Focused on Spectral FFT fx to manipulate audio. Pitch shifting vocoding and spectral crushing to name a few. the E520 is also capable of high quality time domain fx such as looping, delays, and more.
The Kickstarter has some interesting rewards such as early bird pricing and a bundle that includes a 4ms pod case for stand alone usage. check out the kickstarter now to secure your early bird price!
Paul is known for being an excellent interview and though we were planning on keeping this one to just an hour…. well there is just too much good stuff to talk about!
be sure to check out the kickstarter and share it around to support another impressive module from synthtech!
here is a link to the E520 demo page for some nice audio examples. https://synthtech.com/eurorack/E520_DEMO/