Radikal Technologies releases the eurorack Swarm Oscillator RT 311

Radikal Technologies releases radical Eurorack-compatible oscillator module with a DSP-driven difference

MÜNCHEN, GERMANY: having turned heads, opened ears, and blown musical minds with a successful showcase at The 2017 NAMM Show, January 19-22 in Anaheim, California, high-quality synthesizer developer Radikal Technologies is proud to announce availability of its RT-311 SWARM OSCILLATOR — an advanced DSP-driven Eurorack-compatible oscillator module that, as implied by name, goes far beyond the realms of standard oscillator fare, firstly thanks to two oscillators that can both build swarms of (up to eight) oscillator ‘clones’ capable of being pitched in musical intervals, chords, clusters, or fat detunes, dutifully backed by having all parameter settings saveable as interpolatable snapshots, enabling even more radical results — as of March 28…

A dictionary definition of swarm typically reads: a large number of things… or oscillators, in the case of Radikal Technologies’ radical RT-311 SWARM OSCILLATOR, which, when switched to its highest SWARM setting, sees a maximum of 16 oscillator ‘clones’ running simultaneously. Something that stands out from the sound of the (ever-expanding Eurorack modular) crowd — to (partially) paraphrase the early-Eighties British breakthrough hit from synth-pop pioneers The Human League (themselves no strangers to the small-format modular system popularised by fellow German developers Doepfer Musikelektronik) — and surely something to behold? But building swarms of oscillator clones using both (OSCILLATOR 1 andOSCILLATOR 2) banks’ specialised set of TUNE, OCTAVES, DENSITY, SPREAD, and DETUNE controls to create pitched musical intervals, chords, clusters, or fat detunes does not necessarily mean that all 16 of those clones have to sound simultaneously.

Switched into (its default startup) Manual-Mode of operation, the RT-311 SWARM OSCILLATOR can function much like any other Eurorack-compatible all-analogue oscillator out there with OSCILLATOR 1 and OSCILLATOR 2 respectively appearing at the two (OUT 1 and OUT 2) outputs as sound sources for further manipulation elsewhere — using Radikal Technologies’ own RT-451 DUAL MULTIMODE FILTER module, for instance. In this scenario, the sound of the RT-311 SWARM OSCILLATOR module matches exactly what would be expected from the potentiometer-controlled parameter positions on its 32 HP (Horizontal Pitch) sized front panel; putting yet more controls at adventurous users’ fingertips, both banks of oscillators feature WAVE controls for smooth transitions between waveforms and TLM (Timelinearity Modulation), a variation of pulse-width modulation — known from Radikal Technologies’ SPECTRALIS 2 ANALOG SYNTHESIZER/ BEATMATRIX/FILTERBANK desktop hybrid — that can be applied to all waveforms, while exponential FM (Frequency Modulation) and linear FM modulation or PM (Phase Modulation) are also available alongside oscillator synchronisation. Pitch is, of course, controlled by the (calibrated) 1V/OCT input (which can be quantised so that only pitches of a certain tone sequence or scale are output).

Other operational modes make more radical results really shine through, though. Switching Snapshot-Mode into play permits the RT-311 SWARM OSCILLATOR to store up to eight memory setups, each with eight snapshots, saving all oscillator settings and memorising them even after whatever Eurorack small-format modular synth system is playing host to the module has been powered down! Such snapshots are assigned to one of eight positions accessible via the ‘big knob’ dominating the RT-311 SWARM OSCILLATOR’s front panel. Put it into Interpolator-Mode and everything (literally) revolves around the cyclic traversal of those snapshots, smoothly crossfading from one to the next with transitions taken care of via voltage control, an internal LFO (Low Frequency Oscillator), or the big knob itself — either way, the surrounding eight LEDs (Light Emitting Diodes) illuminate accordingly in user-chosen colours, helpfully highlighting which snapshot is playing at any given time.

To make room for an RT-311 SWARM OSCILLATOR in any Eurorack small-format modular system means making more sound colours available to the sophisticated synthesist… Radikal by name, radical by nature, now a swarm of oscillators need not take up too much valuable rack space, so why not add one (or more) modules to your setup today to start puttingRadikal Technologies’ latest DSP-driven design through its unique-sounding paces? 

 

Now shipping, the RT-311 SWARM OSCILLATOR is available for purchase from Radikal Technologies stockists at an MSRP of €598.00 EUR (in Europe) and $659.00 USD (in the US).

For more in-depth information, please visit the dedicated RT-311 SWARM OSCILLATOR webpage here: http://www.radikaltechnologies.com/index.php/rt-311-swarm-oscillator/

Watch a short demonstration video of the RT-311 SWARM OSCILLATOR here: http://youtu.be/u3q03WoDwyk

 

Plugin Alliance advances several SPL Microplugs with new and improved Plus versions

Plugin Alliance, a new ‘Über-standard’ supporting all major plugin formats and uniting some of the best-known international audio companies under one virtual roof, is proud to announce availability of SPL’s Attacker Plus, De-Verb Plus, and Mo-Verb Plus — new and improved versions of three must-have Microplugs created by founding Plugin Alliance development partner Brainworx in close collaboration with SPL, respected worldwide for its innovative and user-friendly approach to developing and manufacturing analog and digital audio gear for the music, film, multimedia, and broadcasting industries since 1984 — as of March 13…

The Attacker Plus Microplug presents part of the same stunning envelope shaping supplied by SPL’s treasured Transient Designer hardware, hitting a home run with software aficionados by replicating the edge and punch provided by the original unit’s ATTACK knob. Indeed, it uses the same so-called Differential Envelope Technology that revolutionized dynamic processing with its level-independent methodology. More meaningfully, though its ATTACK knob lets users dial in all the transient punch needed, Attacker Plus also sports soft peak limiting (LIMIT) access and a DRY/WET control, affording total flexibility across a wide range of material with worry-free workflow in the digital world. With over a decade of hardware modelling experience, Brainworx bestowed a core algorithm upon Attacker Plus that more closely matches the behavior of the original Transient Designer hardware than ever before. Better still, working with Attacker Plus could not be simpler — all attack events can be amplified regardless of signal level, yet such simplicity does not prevent seemingly endless possibilities for studio and live applications. Attacker Plus amplifies just the attack curves of a sound event by focusing on the initial transient instead of specific frequencies to allow instruments to be mixed at lower levels, which, in turn, opens up space in the mix while preserving the relationship between tracks, for example; emphasize the attack of a kick drum or loop to increase power and presence in the mix; adjust apparent ‘distance’ of a microphone by varying the ATTACK values; increase the attack of guitar sounds for in-your-face tone-shaping — anything and everything is possible (within reason)!

Thanks to that same Differential Envelope Technology, the De-Verb Plus Microplug also serves up part of the same stunning envelope shaping supplied by SPL’s treasured Transient Designer hardware in software. It reproduces the attenuation provided by the original SUSTAIN knob — albeit now helpfully labelled as REVERB REDUCTION on the Microplug itself — to reduce or even eliminate the decay of a sound. Similarly sporting soft peak limiting (LIMIT) access and a DRY/WET control, it also allows total flexibility across a wide range of material with worry-free workflow in the digital world. Working with De-Verb Plus is, likewise, disarmingly simple — reverb events can be reduced, regardless of signal level, translating to endless possibilities for studio and live applications! Any sound event’s decay curve can simply be reduced by turning that REVERB REDUCTION knob. De-Verb Plus also offers an OUTPUT GAIN control that allows compensation for level changes after processing the signal — just like Attacker Plus. Combined with the peak limiter (LIMIT) and DRY/WET controls, this ensures simple and safe adjustment of levels while avoiding internal clipping and shaping the decay characteristics of material. Musically shorten the sustain period of a snare; reduce tom-tom ring without resorting to physically dampening; adjust apparent ‘distance’ of a microphone by varying the REVERB REDUCTION values… De-Verb Plus perfectly encapsulates an alternative to noise gates — compared to fixed release times, the decay period is more musically shortened, so significantly freeing a drum kit from unwanted room information within seconds!

 

Similarly, the Mo-Verb Plus Microplug perfectly zeros in on another aspect of the Transient Designer’s distinctive envelope shaping, this time replicating the boost provided by the hardware’s SUSTAIN knob that extends the decay of sounds as a self-explanatory REVERB ENHANCEMENT control, allowing all reverb events to be amplified — again, regardless of signal level. Translating to endless possibilities for studio and live applications, decay curves of any sound event can be emphasized by simply turning the knob in question! Mo-Verb Plus also offers an OUTPUT GAIN control that allows compensation for level changes after processing the signal, which — when combined with the peak limiter (LIMIT) and DRY/WET controls — secures simple and safe adjustment of levels while avoiding internal clipping when shaping the decay characteristics of material. Many effects — such as drawing out the sustain period of a snare to get the tone and grit upfront in the mix or letting every note of a guitar riff ‘sing’ to its heart’s content — would take considerable programming skill when using a typical compressor, but Mo-Verb Plus handles everything easily with only one knob… just like its new and improved Attacker Plus and De-Verb Plus siblings!

 

Attacker Plus ($99.00 USD), De-Verb Plus ($79.00 USD), and Mo-Verb Plus ($79.00 USD) are available for purchase — as a AAX DSP-, AAX Native-, AU-, VST2-, and VST3-supporting Microplugs for Mac OS X (10.8 through 10.12), Windows (7 through 10), and Pro Tools 10.3.10 (or higher) — from Plugin Alliance and select VSSD (Virtual Stock Software Distribution) retailers. (Note that individual Microplug promotional pricing of $29.00 USD is available to owners of legacy Attacker, De-Verb, and Mo-Verb.)

For more in-depth info, including several superb-sounding audio demos, please visit the Microplugs’ respective dedicated webpages here:

https://www.plugin-alliance.com/en/products/spl_attacker_plus.html

https://www.plugin-alliance.com/en/products/spl_de-verb_plus.html

https://www.plugin-alliance.com/en/products/spl_mo-verb_plus.html

The new and improved Attacker Plus, De-Verb Plus, and Mo-Verb Plus Microplugs can be seen and heard in this trailer video: https://youtu.be/NqV3qqACE1Q

 

Hyve touch plate analog synth Kickstarter is now up!

Hyve touchplate synth

The kickstarter for Hyve is now up, this looks to be a really interesting touch plate synth with 60 voice analog polyphony. yeah you heard that right. Powered from a 9v battery pack and small enough to fit in your pocket, it looks really fun. I’ll be having the creator Skot Wiedmann on the SynthSummitShow soon to discuss this project and all that the synth can do. so stay tuned for that, in the mean time go support this awesome kickstarter page! 

Soulsby Oscitron Eurorack VCO Demo part 1

Soulsby Oscitron is listed as a 8 bit oscillator, but I think that is underselling what this thing really is.

The truth is this is a Vocoder, oscillator, wave shaper, phaser, bit crusher, and much more all in one module that can be freely hacked and updated. The wood ends are the first sign that this is a module unlike any other. you can use those wood end checks to hold new faceplate cover templates in place as they are released essentially updating the whole faceplate as you go. This is a truly novel approach to the idea of a multi function eurorack module. The menu system is easy to navigate while having quite an impressive depth of features. For that reason I have decided to handle demo videos of this module in parts. enjoy the first part in this series below! for more info check out Soulsby Synths. price is roughly $299 at USA dealers

Play

  • 8-bit wavetable module
  • Unique wavetable PWM Synthesis audio engine.
  • Quick and intuitive controls, no complex menu systems
  • White aluminium faceplate with walnut side panels
  • Nearly all parameters controllable by CV
  • 16 preset sounds that can be overwritten with your own patches

Continue reading

Siglent SDS1202X Oscilloscope review for the Synth user

Siglent is a leader in the oscilloscope market. Both win affordability and features Siglent scopes continue to impress. This review I decided to show how these wonderful scopes can be used by audio professionals to better understand our gear and sounds. This particular scope is in their upper mid range segment with a absolutely stunning display. check out the video below for more details!. Head to Siglent to order one of these or their other scopes today! 

The SynthSummitShow Episode 15: Erogenous Tones

The Return of another SynthSummitShow episode is now here.

Here we talk with Rick Burnett of Erogenous Tones. Discussing his current line up of Eurorack Modular modules as well as his upcoming products as well. This live stream is chock full of great info so sit back and listen to the banter.

Audio Damage Shapes Eurorack Module wave shaping demo

Audio Damage Shapes

This is a digital effect module that can take a sine wave and turn it into a wavetable, it can also be used as a complex distortion module. available now from most Eurorack Module dealers it retails around $289, get it direct from Audio Damage . shapes

Shapes includes 16 smoothly interpolated wavetables as well as 9 lookup table algorithms 

It is a true stereo module as well. 

Features 

 » The WAVE/ALGO knob and CV input control which wave or algorithm is active. In LOOKUP mode, the knob controls which of sixteen tables the input will scan. In ALGO mode, the knob controls which of nine algorithms will affect the input. 

» The PARAM 1 knob is a variable function knob. In LOOKUP mode, it controls the width of the table scan, from about 15% of the table (at full anti-clockwise) to the entire table (at full clockwise.) In ALGO mode, its function varies, but it is usually Drive or Amount. (Basically “more.”) 

» The PARAM 2 knob, in LOOKUP mode, controls the start position of the table. It can effectively be thought of as a phase control. In ALGO mode, its function varies, and it is not used in every algorithm. 

» The MIX knob controls an equal power wet/dry mix. At full anti-clockwise, you only hear the input, and at full clockwise you only hear the effect. 

» The MODE switch controls whether the module acts as a wavetable scanner or a waveshaper. In LOOKUP mode, the wavetables are active, while in ALGO mode, the algorithms are active. 

» Shapes is true stereo; the left and right signals do not intermingle internally; thus you can, for instance, run a kick in the left channel and a snare in the right, and vary the effect by attenuating either channel before it enters the module. 

» 48kHz 24 bit audio path with a high-quality Cirrus-Logic AD/DA convertor. 10Vpp CV control over all parameters. 

» USB port (on the PCB board) for easy firmware updates. 

» High-quality 100% Made In The USA construction, including panel-bolted 100,000-cycle BI potentiometers and custom stamped Rogan knobs. 

» Power draw is 40ma from the +12V rail and 9ma from the -12V rail. This module has an on-board regulator and does not require +5V. Module depth is 25mm.

» Shapes, like all Audio Damage hardware products, includes our lifetime unconditional warranty.

Live video Building the Synthrotek MST Dual Envelope eurorack module

This is a two part Live stream where I build the Synthrotek MST Dual Envelope kit. 

This kit is available from Synthrotek’s Store. You can grab this in kit form as seen here or as a completed module. 

The Stream is completely live and I take questions and discuss not just the process of building the module but we talk synths in general. so sit back, and enjoy.

Part 1

 Part 2