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Who is making the SP-2400 and is it real? It’s not who you thought exclusive pictures!

What if I told you the SP 2400 is real… its not Behringer and Its NOT E-MU/Rossum. It is going to be built as a proper spiritual successor to the classic sampler many of us have grown to love so dearly. This is no clone, this is something more…

Obviously it’s a render, but it’s coming

Recently I came across a post showing what appears to be a circuit board for a “sp-2400” this name has long been tossed about in forums and back Alley dives as to what the successor to the famed sp-1200 could be. Over the years there have been many rumors, requests and out right denials from those involved in the classic sampler.

Oh hello , nice to meet you SP 2400

So what is speculation and what is fact?

FACTS…..24bit AND 12 bit, Aluminum construction, Classic sound with the Classic workflow. Filters per output, ability to sample with filter input or direct to dac. Features both usb host and client, Each pad will play cowbells (if you sample a cowbell to it) its not behringer… it is real, and it IS COMING SOON

How do I know all of this? well I was given the info directly from the manufacturer. I have basically been given a slow stream of info… I myself still do not know the release date, the price point, what info is on the screen and how the screen functions… I will give info as I can.

I can tell you… I have heard it (audio comparisons sent to me of an early build)… it sounds fantastic. It is going to make many of us very happy… and the corksniffers… so mad. I will be dropping random tid bits about this as they fall out the back of the secret laboratory this is being built in.

New Qu-Bit Eurorack Modules Announced!

Prism multi-dimendonal signal processor, Chord v2, Bloom fractal sequencer.

Prism
Multi-dimensional signal processor with stereo inputs and outputs.An assortment of DSP effects mapped to a 3-dimensional sonic space. ETA: March
MSRP: $249

Chord v2
Half the size – twice the functionalityPolyphonic oscillator in 14HP – custom chords, new wavetables, and four voice polyphonic mode
ETA: May
MSRP: $299

Bloom
Fractal sequencer32 step sequencer with 2 channels, pattern saving and an infinite number of variations from our fractal algorithm. 
ETA: September
MSRP: $329

Arturia announces Microfreak algorythmic synthesizer

At the 2019 NAMM ShowArturia is introducing the MicroFreak – described as ‘a peculiar, exceptional instrument that rewards the curious musician’.

The MicroFreak is a hybrid digital + analog synth that is built around a unique, expressive touch keyboard:

Here’s what they have to say about it:

Whether you’re looking for your first, affordable hardware synth or are collector looking for original sounds and unique interface, MicroFreak is the synth you need.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak’s flexible, powerful synth engine.

MicroFreak packs so much in to such a compact instrument, you’ll wonder how we did it. We’d love to say it was magic, but it was pure skill and passion.

Features:

  • Synthesizer with 192 preset slots and 128 factory presets
  • 11 Digital oscillator with variable mode, including collaborations with Mutable Instruments
  • Analog State Variable Filter, 12dB/octave, resonant, Low Pass, Band Pass, High Pass
  • ADSR envelope
  • Cycling Envelope offering two modes
  • Envelope
  • LFO
  • LFO with Sync: Sine, Tri, Saw, Square, Random, Slew Random
  • Modulation matrix with 5 sources and 7 destinations (3 custom destinations)
  • Monophonic or Paraphonic modes – Up to 4 voices
  • 25-key capacitive keybed with polyphonic aftertouch
  • Capacitive touch strip
  • Crisp OLED display for editing and parameter values
  • Powerful arpeggiator
  • Up, Order, Random, Pattern modes
  • Spice & Dice Gate randomizers
  • 64-step sequencer
  • 2 patterns per preset
  • 4 automation tracks per preset
  • CV / Gate / Mod outputs
  • USB, Clock and MIDI in and out
  • 6.35mm master and 3.5mm headphone output

Pricing and Availability

The Arturia MicroFreak is expected to be available Spring 2019, priced at US $349

Moog announces Sirin synthesizer

MOOG MUSIC DEBUTS LIMITED EDITION SYNTHESIZER AT LA POP UP
Sound has the power to evoke feelings and images, translating energy from one level of reality to another. Musical experience brings us into contact with these transpersonal realities through the intelligent organization of sound waves. Artistry is in fact the art of translation.ABOUT SIRIN
Sirin is a limited-edition synthesizer module created in celebration of the Moog House of Electronicus Pop-up experience. Based on the legendary Moog Taurus sound engine, and presented in the familiar compact form of the Moog Minitaur–Sirin is the first instrument in Moog’s Taurus family of bass synthesizers designed to generate pitches far above above middle C, with an extended frequency range that reaches notes up to D8. Connect Sirin directly to any MIDI-note controller and immediately access a portable world of powerful analog sound, or hook up to a computer via USB to explore even deeper layers of sound design, where every parameter can be manipulated, automated, and recalled using Sirin’s dedicated Editor Librarian Software (free download for PC and Mac).Secured in a brushed stainless steel enclosure with a retro-inspired color palette, Sirin is an intoxicating conjuror of both quintessential leads and menacing Moog bass. Sirin’s fully-recallable analog sound engine originates with two analog Taurus Bass oscillators that have been re-engineered to soar octaves beyond the traditional boundaries of its mythical ancestors. Sirin’s harmonic transmissions are dynamically shaped and sculpted by a classic Moog Ladder filter operating in consummate harmony with two lightning-fast ADSR envelopes and a multi-wave LFO, offering a wide spectrum of expressive timbral variety and versatility.Sirin integrates seamlessly with modern computer-based production environments via its dedicated Editor Librarian software (available as a free download for registered Sirin owners)–manage patches, automate parameters, unlock 6 additional LFO waveforms, engage Hard Sync, load up to 128 presets into Sirin, access full ADSR envelopes and more as you explore the vast magical realms of analog synthesis.A limited production run of 2500 Sirin are being produced by the employee-owners at the Moog Factory in Asheville, NC–after which no more will be available.Sirin will officially debut at the Moog House of Electronicus Pop-Up in LA’s historic Chinatown. During the week of Jan 24 – 30, Sirin will be available for purchase exclusively at www.mooghouseofelectronicus.com (US only) and on site at the Moog House Of Electronicus Pop-up (712 N Figueroa St, Los Angeles, CA 90012, 1/24/19-1/30/19), after which, the remaining synthesizers will be distributed world-wide.SIGHT & SOUND
In this video from Moog Music, Nick Sanborn (Sylvan Esso, Made Of Oak) explores the power of sound using Sirin and DFAM analog synthesizers. Sanborn weaves multiplexed patterns of sound waves–translating the thoughts and feelings of the collective individual into a shared musical experience.With the exception of the DFAM’s percussive analog backbeat, all sounds in this video come from Sirin. Nick Sanborn uses the free downloadable Sirin Editor Librarian software to automate and recall parameter settings as he layers multiple monophonic tracks from Sirin.Sirin is now shipping and all orders placed through the House of Electronicus website will ship within 5-7 business days of order.ABOUT THE MOOG HOUSE OF ELECTRONICUS
The Moog House of Electronicus is a synth-guided exploration of the power of sound, inspired by the Moog Island Of Electronicus; an experimental gathering that took place on the barrier island of Tierre Verde during the 1970s. After Moog missionary David Van Koevering was presented with a vision in a dream, the Island of Electronicus became manifest–a synthesized celebration of peace and love; an electronic happening designed to unite mind, body, and soul in a creative explosion of thought and feeling. Today, the Moog House Of Electronicus continues this legacy by inviting all to trust their curiosity, express their innermost selves, and share in the vast creative force of the collective individual.The Moog House of Electronicus Pop-up is open to the public daily from 12pm – 8pm, Thursday, January 24th – Wednesday, January 30th. Visitors will have the opportunity to get hands on with Moog synths (including Sirin and the new polyphonic Moog One synthesizer), as well as explore the deeper dimensions of sonic experience through interactive sculptural synthesis installations, an immersive audio visualization system, and daily synthesizer workshops led by synthesist Bana Haffar. Workshop space is limited–those in the LA area can sign up at here to reserve a space.

Erica synths unveils new eurorack Drum sampler

NAMM 2019: Erica Synths Unveils Sample Drum Module
Latvia-based Erica Synths announces its latest module: Sample Drum. Sample Drum is 14HP eurorack sample player/sampler module with straight-forward, intuitive interface, functionality and great sound quality, designed with live performance use in mind.The Sample Drum module is composed of two identical parts and allows you to play back, record and slice up samples or loops directly in your modular system. For processing, there are different play modes, tuning functions (including 1 V/Oct pitch tracking), virtual VCAs plus AD envelopes and realtime effects.Three freely assignable CV inputs per channel guarantee a lot of personal expression during performance. 16bit mono WAV samples are loaded into RAM (32MB / ~ 5 minutes of sampling time) from SD card (16 GB SD card with factory preset samples comes with the module) for instantaneous playback response. All settings can be saved and recalled during live performance.FEATURES:Sample playback with fast trigger responseVarious effects for real times ample processingSample recording functionalityManual and automatic sample slicingCue point loading from WAV files1V/Oct tracking3 assignable CV inputs per channelPreset memoryUser-friendly interfacePerformance mode16 GB SD card with factory preset samples included
 Price (VAT excl.) 300€ — Release date 23rd of February 2019    AttachmentsErica Synths news January 2019.pdf
LinksMore information on Sample Drum

Checking out the Qu-Bit Scanned VCO

The Qu-Bit Scanned VCO is an interesting Eurorack Module that stands out from the crowd when you hear it. Thats a strong statement so the question is why??? Why does it sound so unique and strange? well the answer lay with the name “Scanned” as in Scanned synthesis. The scanned synthesis technique is relatively new in terms of synthesis having only been utilized since 1999. Invented by pioneers of computer music Verplank, Mathews and Shaw. The Csound platform was previously the only way to utilize this synthesis technique. A some what complex and certainly not what I would consider accessible route for the average synthesist.

Scanned Synthesis is based around Mass connected by springs and dampers.

The basic idea is that Scanned synthesis is a way of creating sounds based on the physics of a string of Mass elements connected by springs with dampers. excitation (think like a pluck) of the mass creates movement which is converted into sound waves. This is a bit over simplifying the technique. There are some very unique qualities of Scanned synthesis. The fact that the Mass can stay constant while pitch can be separately altered is unique. this separates Scanned synthesis from something like Karplus Strong or traditional wavetable synthesis. This is done via the update rate. Update rate is how fast the module is reading mass displacement and translating that into sound. This allows us to get this separation of time, Pitch and Timbre. The effect of this can be a musically stable yet evolving sound.

Scanned VCO pairs nicely with reverbs (I love sending it through my Spring reverb) and delays. It can go from sharp plucks to slowly evolving ambient textures with ease. It has a strangely digital quality when the frequency is low. The sound is oddly acoustic sound when excited with a mid range frequency with heavy mass. This is one of those modules you will get lost in, and thats a great thing when coming up with happy inspiring accidents.

Qu-Bit detals their module here http://www.qubitelectronix.com/modules/scannedvco

For more info on scanned synthesis I highly recommend reading this white paper https://paris.cs.illinois.edu/pubs/smaragdis-icmc00.pdf (thanks to Richard Boulanger, Paris Smaragdis, John fitch)

Fabfilter Pro-Q 3 released with dynamic eq and more

  FabFilter is proud to announce the availability of FabFilter Pro-Q 3, a major update to the acclaimed Pro-Q equalizer plug-in. Pro-Q 3 improves on its predecessor in every area, introducing dynamic EQ, surround support, per-band mid/side processing, and much more, while maintaining the pristine sound quality and exceptional ease of use for which Pro-Q has always been known.
Integrated dynamic EQ
  Pro-Q 3 adds the ability to switch any of its 24 bands to Dynamic EQ mode, with a simple, elegant workflow: just raise or lower the Dynamic Range ring around the Gain knob to apply smooth compression or expansion to that band. An intelligent algorithm automatically chooses program-dependent attack, release, and knee settings, while the Threshold can be set automatically, according to the input signal level, or manually. And, of course, dynamic EQ bands continue to operate with perfect analog matching and support Linear Phase mode.
Surround support
  Pro-Q 3 works with all major surround formats, up to Dolby Atmos 7.1.2. The plug-in automatically configures itself to the multichannel format of the hosting surround track, and an intuitive selection panel enables EQ adjustment of multiple channels together.
Mid/side processing
  Pro-Q has long been able to work its equalization magic on the mid or side channels in a stereo signal, as well as left and right, and this functionality becomes even more flexible with Pro-Q 3. Each individual band can now be set to process only the Mid, Side, Left, Right, or Stereo channels, so users can get truly surgical with their stereo frequency-shaping on a band-by-band basis.
New filter types
  Pro-Q 3 adds to Pro-Q 2’s multitude of filter types with the all-new Flat Tilt shape, applying a flat tilting correction curve to the entire audible spectrum. And for those occasions when even the super-steep 96dB/ octave roll-off slope isn’t precise enough, the Low and High Cut filter types can now be set to Brickwall mode for the ultimate in top/bottom attenuation.
Improved spectrum analyzer and Spectrum Grab
  Pro-Q 3’s spectrum analyzer makes it easier than ever to find and correct problem frequencies in the mix. Activate the new collision detection to view clashes between the source signal and the spectrum of any other Pro-Q 3 instance in the session, and get an instant handle on the most important peaks in Spectrum Grab mode with frequency/note labels.
Key features:
  • Professional mastering-grade EQ plug-in with exceptional sound quality
  • Up to 24 bands with a huge range of filter types
  • Dynamic EQ option for every band
  • 6-96dB/octave slopes for all filter types
  • Additional Brickwall slope for the High Cut and Low Cut filters
  • Per-band Stereo, Left, Right, Mid, or Side mode
  • Zero Latency, Natural Phase, and Linear Phase processing modes
  • Extremely efficient processing and low memory usage
  • Surround support, including Dolby Atmos 7.0.2 and 7.1.2 formats with flexible surround channel linking
  • Adapts automatically to stereo, mono, and surround channel layouts
  • Intelligent multiband selection and editing
  • Intelligent band solo mode
  • Powerful real-time spectrum analyzer
  • External spectrum visualization from any other Pro-Q 3 instance in the session, including collision detection
  • Spectrum Grab: grab and adjust a peak directly in the spectrum analyzer
  • EQ Match for imposing the tonal characteristics of one signal on another
  • Piano Display switches the frequency scale to musical note values
FabFilter Pro-Q 3 is now available for EUR 149, USD 179 or GBP 134, supporting both Windows and macOS in VST and VST 3, Audio Units, AAX, and AudioSuite plug-in formats. Bundles with FabFilter Pro-Q 3 and other FabFilter plug-ins are also available at: www.fabfilter.com/shop
Existing FabFilter customers can purchase or upgrade to FabFilter Pro-Q 3 with very attractive discounts by logging into their online user account at: www.fabfilter.com/myaccount
System requirements are either Windows 10, 8, 7, Vista, or XP, and a VST 2/3 host or Pro Tools, or Mac OS X 10.8 or higher with Intel processor, and an Audio Units host, VST 2/3 host, or Pro Tools. Both 64-bit and 32-bit hosts are supported.