Brad from Isla Instruments had a live stream today detailing how the filters in the new sp2400 sampler will work.
check the video below.
Sp2400 will have a stereo version of the original fixed analog Input filter.
the input filter can also be accessed during “resampling” mode allowing you to send samples from the SD card back through the input stage to apply this analog filtered sound to your preexisting sound library.
the output filters follow the layout of the original sp1200 machine in that there are 4 fixed output (non-sweepable) analog filters.
the “tip/ring” filter trick is handled via onboard analog logic circuit that allows you to get this sound without having to actually “half plug” the jack to access that sound.
there are 2 Dynamic SSI Analog filters.
in addition to the analog filters there are also digital filters per output that are fully dynamic.
there is support for future daughter board add ons that allow for 8 additional fully controllable filter.
daughter board add ons in the future : there are plans for SSI filter , Curtis filters, as well as open sourcing of the schematics so that 3rd party can release additional filter styles.
the daughter board add ons do not need to be limited to just analog filters, they could be digital or hybrid filter boards (this would be up to the 3rd part.).
the SynthTech E520 Hyperion Stereo Effects Processor is the new producers secret sweetness.
this new effect processor is the latest module … wait is it a module? sure … but more than that it’s the latest Processor from Synthesis Technology. I say that it is more than a module because this thing can be slapped in a stand alone case (4ms pod) and used at line level with your gear. Not content with just being another eurorack module, this is firing shots a bit further.
When the kickstarter went live, it took less than 48 hours to surpass its goal. Now it is deep into its stretch goals and some videos of the development version are making their rounds on the interwebz.
Lets take a look at whats going on here and think about how this module can be a serious desktop stand alone processor for everything from lo-fi hip hop effects, to pristine delays, reverb, and mind altering spectral effects. all without taxing your silly CPU.
KRK LIMITED EDITION ROKIT G4 “WHITE NOISE” MONITORS NOW AVAILABLEStylish White Finish Gives the Recently Launched ROKIT G4 Range a Whole New Look NASHVILLE, DECEMBER 2, 2019 –KRK Systems,part of the Gibson family of brands, is adding a new family of studio monitors to its latest ROKIT Generation 4 (G4) range, the limited edition ROKIT G4 White Noise. Available in 5-, 7-, and 8-inch bi-amp models, these stylish limited-edition monitors offer the same impressive features as the newly released ROKIT G4s, but with an enticingly different aesthetic. Art and science come together with the new White Noise editions of these professional monitors, taking music and sound creativity to a whole new industry-level. Providing wide, deep and dynamic listening, along with incredible imaging, KRK’s ROKIT G4 studio monitors have been scientifically re-engineered and re-designed from the ground up. They are ideally suited to the way modern artists work—in all genres and environments. The entire ROKIT G4 range features on-board DSP-driven Graphic EQ with 25 settings to help condition any acoustic environment while offering new levels of versatility in a studio monitor—making them the only monitors in their class with an LCD screen to display DSP-driven EQ settings. The flat setting is great for most environments, but low-, mid- and high-frequency presets can be adjusted to help compensate for common trouble spots in different sound environments. This on-board system works in conjunction with the KRK Audio Tools App, available for free on the Android and iOS stores. Additionally, all system elements of the ROKIT G4 monitors are cohesively designed and engineered to work perfectly with their advanced drivers made with Kevlar®, efficient Class D power amplifiers and front-firing port, which offers exceptional low-end extension, punch and flexible room-positioning. These features collectively extend accurate and tight bass reproduction and improve audio integrity while minimizing listening fatigue—offering an overall balanced listening experience.
ovember 7, 2019 – IK Multimedia announces the availability of iRig Stream. This mobile-friendly audio tool is part of IK’s Creator Series for video content creators, YouTubers, live streamers, musicians, DJs, podcasters and other social media broadcasters looking to capture high quality audio directly using a mobile device.
Ideal for content creators and musicians, iRig Stream is a mobile audio interface that combines multiple audio sources down to one track for recording or streaming in mono or stereo with the user’s mobile device and their favorite app.
Two line-level RCAs offer quick connection to mixers, keyboards and outboard gear, and the included Lightning, USB-C and USB-A cables can connect to the latest smartphones, tablets and laptops.
An innovative headphone/microphone jack offers both direct monitoring and an easy way to add a voice-over to a stream. Compatible with most earbud/mic combos as well as IK’s analog iRig accessories, it offers a comprehensive solution in an ultra-compact unit.
An intuitive set of gain indicators and gain control make it easy to set the appropriate level, and 24-bit, 48 kHz A/D converters ensure superior sound. A Stereo/Mono switch ensures compatibility with the widest range of apps, including mono-only apps like Instagram, and a loopback feature lets users playback music on their device at the same time they stream.
Five-time Latin GRAMMY-nominated producer, composer and percussionist Tony Succar has relied heavily on tools in the iRig range to grow his social media following. In the video here, he gives a glimpse into the way the new iRig Stream can now help artists and social media creators stream their videos and performances more easily.
Elk Audio OS for everyone! – Elk releases open source version of award winning Audio Operating System and Development Kit for Raspberry Pi.
Elk Audio OS is the award-winning Audio Operating System from Elk (formerly known as MIND Music Labs) that allows you to run existing VST and other plugin formats on hardware instruments and audio devices in real time with ultra low latency. And this using only general purpose ARM and x86 CPUs, opening up for a new generation of digital instruments and remote 5G network experiences. In the upcoming weeks a beta version of the Elk Audio Operating System will be made available under a Dual licensing model (open-source & commercial), but already today, the Elk Audio OS SDK & documentation is available and is free for anyone to start using. Available on elk.audio is also an Elk Audio OS Development Kit for Raspberry Pi that includes a custom Elk Pi Audio Hat.The Elk Pi Hat alone is one of the most advanced pro Audio Hats in the markets with down to 1 ms latency, multichannel and support for Raspberry 4 coming up in the very near future. “The idea behind the Elk Audio OS is to make a whole new generation of connected musical instruments possible. Instruments that can connect people around the world and spur new kinds of musical creativity. We believe there are so many potential instrument makers out there who could create fantastic things if they just had the right tools, and it is for them we have created Elk. So today I’m very happy to announce that we have reached a major milestone in our company, when we can make Elk available to everyone through the open source release.”– Michele Beninicaso CEO at Elk (former MIND Music Labs) Elk Audio OS is officially endorsed by Steinberg, owners of the VST format, is supported in the VST3 SDK and is fully compatible with plugins written in JUCE, making Elk the perfect solution for companies and makers alike interested in developing new digital hardware instruments. With VST being the defacto standard for software instruments and effects there is already a vast library of existing world class plugins out there waiting for a new life as hardware. An example of this is theRetrologue desktop prototype synth built on the VST synth with the same name debuted earlier this year at SuperBooth in Berlin. “When working with Elk Audio OS on the Retrologue we immediately recognized something that could be a game changer. Running the same VST plugin on hardware as you do on desktop opens up for new possibilities and new ways of working. Getting Elk Audio OS available under open source is really exciting and I believe that this could make Elk a standard for digital hardware instruments.”– Florian Haack, Steinberg ADCIf you are one of the lucky ones to have grabbed a spot at the Elk workshop at this years ADC (Audio Developer Conference) this news should be even more exciting. Not only will you get a hands on workshop from the core team of developers behind the Elk Audio OS, but you are also the first ones out to get access to the full Elk Audio OS Development Kit, including the Elk Pi Audio Hat. For those of you who have not secured a spot, make sure not to miss the planned talk on Elk Audio OS!
We are pleased to announce that our DELTA CEP Aand DELTA CEP A Desktop products have received an extensive update. This firmware update is available to all customers and our dealers free of charge. Devices that we have delivered since 09.09.2019 have already been equipped with this new firmware.
The following features are additions by the new version:
the [SHIFT]-key can now be locked in, additional parameters can also be reached without holding the [SHIFT]-key.
In addition to the previous effects, there is now a reverb that can be used simultaneously with the other effects.
The LFO can now be routed to a lot of destinations without patch cords.
The ADSR can now be routed to a lot of destinations without patch cords.
Each modulation target has an independent modulation strength setting.
The sound programs of the DELTA CEP A can now be switched over via MIDI.
The LFO can now be synchronized directly to a square wave signal.
The volume and intensity of the saturation of the oscillator signal can now be modulated by a control voltage.
Allen & Heath Announces Third Installment in 96kHz Mixer Trilogy: Avantis
Allen & Heath has revealed its new 96kHz digital mixer, Avantis, the third to be based on the company’s XCVI FPGA engine. Avantis puts Allen & Heath’s next-generation technology in a 64 channel/42 configurable bus console, with twin Full HD touchscreens, extensive I/O options and processing from the company’s flagship dLive mixing system.
“Joining dLive and SQ, Avantis completes our trilogy of next-gen 96kHz consoles,” says Rob Clark, Allen & Heath’s Managing Director. “Avantis takes many of the features that have made SQ and dLive so popular, putting them in a standalone 64-channel mixer that offers a new UI experience, connectivity with our Everything I/O ecosystem, and the dPack option which gives you access to our advanced dLive processing options if and when you need them.
“On top of that,” adds Rob, “we’ve taken a new approach with the industrial design, coming up with a full metal chassis that’s super-strong, lightweight and looks fantastic.”
Encased in its alloy shell and tubular frame, the Avantis control surface is centered on the two Full HD touchscreens and their corresponding rotary controls. “Having two touchscreens isn’t a new concept, but we realized we could use it to unlock exciting new possibilities, which led us to develop Continuity UI,” says Andy Bell, Allen & Heath’s R&D Director.
“Within seconds of getting hands-on with Avantis, engineers are going to appreciate the seamless flow between the physical controls and the on-screen software. You can work gains and pans on the rotaries, then at the touch of a soft key switch to EQ or dynamics across the whole strip. The console also provides a highly configurable FastGrab tab on the right-hand side of each screen, offering another way to quickly and easily access control of aux sends, EQ, compressor and FX on the currently selected channel or spot channel. “Ultimately, with Continuity UI, the engineer decides how they’d like to work, not the mixer.”
While many users will choose to pair Avantis with the 48 in / 16 out GX4816 audio expander, Avantis is part of Allen & Heath’s Everything I/O ecosystem, which means whether you’re an owner/operator looking to build a compact system, or a rental company with existing Allen & Heath stock, Avantis allows true flexibility by connecting to a huge range of audio expander hardware. Avantis is also compatible with Allen & Heath’s range of ME Personal Mixers and IP hardware remote controllers.
For local I/O, Avantis is well equipped with 12 XLR analog inputs, 12 XLR analog outputs, plus AES (Stereo in, 2x Stereo Out). Two additional I/O Ports allow Avantis to benefit from the full range of current dLive option cards, including Dante (64×64 and 128×128), Waves, gigaACE, MADI and more, expanding the scope for system integration, FoH/monitor splits and multitrack recording. Right out of the box, Avantis is loaded with processing tools designed to meet the demands of most users and applications, including compressors, EQs and Allen & Heath’s acclaimed RackExtra FX units (12 slots). Upgrading to dPack expands Avantis further with additional dLive processing including the Dyn8 dynamics engine (up to 16 instances), DEEP Compressors, and the Dual-Stage Valve preamp. dPack purchasers will automatically receive all future DEEP and FX updates free of charge, future-proofing their investment.
“In the gap between SQ and dLive, the mixer market is littered with 48kHz DSP-based ‘old-school’ consoles,” says Nic Beretta, Allen & Heath’s Head of Product. “Avantis brings next-generation performance across the board. Customers in venues, houses of worship, touring and the rental market are going to be seriously impressed by how well this ticks the boxes. It’s a really exciting mixer at a compelling price.”