DUESSELDORF, GERMANY: DAW (Digital Audio Workstation) plugin and audio DSP (Digital Signal Processing) developer Fuse Audio Labs is proud to announce availability of VPRE-2C — its latest plugin par excellence, based on a rare all-tube, transformer-based booster amp whose basic circuit design has been used in countless tube consoles for broadcast and recording during the late-Fifties and early-Sixties — as of February 7…
VPRE-2C enriches any recording with an authentic-sounding tube vibe in the most intuitive way. While lower GAIN settings produce a well-defined, balanced sound with an accentuated midrange, turning up this level-compensated control also significantly increases the perception of warmth, weight, and smoothness. Saying that, the plugin also emulates its inspirational hardware forerunner’s two triode-strapped 6J7 pentodes for a rich THD (Total Harmonic Distortion) spectrum as well as the original transformer configuration to bring back its signature low-end mojo, while also adding a selectable pre-/deemphasis filter and a MIX control for a greater variety of tones. Another exclusive feature is its BOOST mode — for kicking in more solid drive and coloration. “Creating VPRE-2C was a fun project,” proclaims Fuse Audio Labs CEO Reimund Dratwa. “Rebuilding and modeling the original circuit was a rather straightforward affair, but tweaking this classic amplifier into a versatile and easy-to-use tone box in the digital domain required some thought for sure! The result really is a ticket back in time to deliver that wonderful vintage sound whenever anyone hears it calling out to them.” VPRE-2C is available at an introductory promo price of €24.50 EUR until March 7, 2020 — rising thereafter to its regular price of €49.00 EUR — directly from Fuse Audio Labs’ website here: https://fuseaudiolabs.com(All prices include VAT, where applicable.) Note that a 14-day trial version of VPRE-2C without any limitations is also available. For more in-depth information, please visit the dedicated VPRE-2C webpage here: https://fuseaudiolabs.com/vpre2c.html
AKAI PROFESSIONAL® INTRODUCES MPC ONE, A POWERFUL, COMPACT
ADDITION TO THE LEGENDARY MPC LINEUP
New MPC One features Akai Professional’s premier multi-core processor and delivers the
ultimate in standalone performance to a new generation of beatmakers.
Fort Lauderdale, FL USA (January 15, 2020) — Akai Professional, a leading manufacturer of
music equipment for performers and producers, today announced the newest addition to its
industry-leading family of music production centers, the powerful standalone MPC One.
MPC One offers a world-class creative producer experience, powered by the most powerful
processor found in any standalone production device. Controlled by a 7-inch multi-touch
interface and an intuitive touch-key layout, it creates the best MPC experience for all producers
and music makers, in a compact form factor. Because of its remarkably comprehensive feature
set and small footprint, this is the perfect companion for everyone’s studio. With its
unprecedented combination of sheer production power, compact size and incredible price point,
the MPC One establishes an unmatched standard for capability and value.
Included as standard are network connectivity, Splice integration and CV/Gate connectors, so
producers can effortlessly access the sounds they need. MPC One comes loaded with 2GB of
new drum sample & loop collections, curated specifically for this new hardware, delivering a
library full of hard-hitting, dynamic drum sounds, sure to impress the most demanding creators.
The MPC One features the signature synth engines Electric, Tubesynth and Bassline as well as
the world-class AIR FX for mixing & mastering. With MPC One, artists have everything they
need to deliver impressive, professional productions and streaming-ready records.
MPC One Hardware Features:
Brilliant 7-inch multi-touch display
16 velocity-sensitive RGB pads
2GB RAM, 4GB onboard storage
4 TRS CV/Gate Jacks, 8 Outputs Total
USB Flash & SD Card storage
Additionally, MPC One incorporates control surface workflow for PC & Mac and includes a full
version of MPC2 Desktop Software.
Dan Gill, Senior Product Manager for Akai Professional said, “We broke new ground with the
MPC X and MPC Live, the most powerful standalone music production devices ever. We’re
proud to say we’ve been able to deliver that exact same power in an efficient form factor that will
be at home in any music production studio suite. This is a truly remarkable day for music
MPC One will be available in February 2020 and will ship with a retail price of $699. For more information on MPC One, visit akaipro.com.
Shadow Hills Mastering Compressor Class A The Pinnacle Of The Shadow Hills Sound
“I love my customized Shadow Hills Mastering Compressor; not only did Brainworx match it, but, I have to admit, I wish it had all those extra cool features like the mono-maker, stereo width and the parallel mix to name a few.” – Michael Brauer — Multiple Grammy awarded Mix Engineer (Coldplay, John Mayer)
Los Angeles, CA, January 14th 2020 – Plugin Alliance is proud to announce the availability of the new Shadow Hills Mastering Compressor Class A. Available exclusively via Plugin Alliance, and enhanced by Brainworx with patent-pending TMT and more, we are happy to add this plugin to the growing line of Shadow Hills plugins. The Shadow Hills Mastering Compressor Class A Limited Edition is one of the most exclusive and powerful compressors ever built. Vintage King released the Class A in 2012, limiting production to only 50 units! The VCA section is much punchier on this version. Brainworx added even more features to the emulation of the already modded hardware version. The RED version is punchier, faster, and more versatile than the GREEN. With the limited edition, Shadow Hills Industries included an updated Class A discrete compressor section utilizing Lundahl input transformers as well as hand wiring each compressor with Mogami Cable, an important factor when Brainworx Audio modeled one of these limited units as it gave the limited edition version a different character to the original. During rigorous shoot-out tests against the Shadow Hills Industries Mastering Compressor, our pro audio engineers observed time and time again that the Class A features a smoother compression sound, punchier VCA, a more pronounced sonic dimension, and overall larger size and perceived depth. Another interesting difference between the Shadow Hills Industries Mastering Compressor and the Class A version is that with the gain set to identical values on both units the Class A version clocks in roughly 1 to 3 dBs higher, matching the emulated hardware, and, as a result, delivers a thicker and richer tone to whatever is running through it. For this limited edition, Brainworx included its well-known retractable Extra Unit. The BX Extra Unit provides the following features: Brainworx’s TMT (patent-pending Tolerance Modeling Technology), M/S processing, Mono-Maker, Stereo Width, Parallel Mix, Sidechain Filter, continuously variable 12 dB per octave high pass filter, and a Headroom parameter. Visually, this version can also be distinguished by red LEDs on the front panel versus the green ones found on the Shadow Hills Mastering Compressor — GREEN for the Drum Buss, RED for the Master! Added to the MEGA Bundle at no extra cost. Shadow Hills Mastering Compressor Class A is available for purchase (as an AAX AudioSuite-, AAX DSP-, AAX Native-, AU-, VST2-, and VST3-supporting plugin for MacOS 10.9 through 10.14 and Windows 7 through 10) at an attractive introductory price of $199.99 USD — rising thereafter to an MSRPof $329.00 USD — from here: https://www.plugin-alliance.com/en/products/shadow_hills_class_a_mastering_comp.html (Upgrade for GREEN version owners: If you already own the green Shadow Hills Mastering Compressor, you’ll get the new RED edition for $99.99 USD.) A fully-functional, 14-day trial of Shadow Hills Mastering Compressor Class A is available to anyone registering for a free Plugin Alliance account here: http://www.plugin-alliance.com/en/registration.html Shadow Hills Mastering Compressor Class A is included in Plugin Alliance’s monthly MEGA Bundle subscription (https://www.plugin-alliance.com/en/products/pa-mega-bundle-monthly.html) and annual MEGA Bundle subscription (https://www.plugin-alliance.com/en/products/pa-mega-bundle.html) at no extra cost! Note that the proprietary Plugin Alliance Installation Manager means users can select, download, and install only the products and formats needed for their system. For more in-depth information, including several superb-sounding audio demos, please visit Plugin Alliance’s dedicatedShadow Hills Mastering Compressor Class A webpage here: https://www.plugin-alliance.com/en/products/shadow_hills_class_a_mastering_comp.html Watch Plugin Alliance’s Overview and Demo video for Shadow Hills Mastering Compressor Class A here: https://youtu.be/JTXpwq2Cq6s Watch Plugin Alliance’s Trailer video for Shadow Hills Mastering Compressor Class A here: https://youtu.be/BBf10TeCa9g
Flock Audio propagates PATCH digitally-controlled, 100%-analog patch bay routing system selection with LT and XT hardware KELOWNA, BC, CANADA: having revolutionized recording studio setups worldwide with its innovative PATCH system’s killer combination of (PATCH APP) software and 64-point connection-providing (PATCH) hardware working together in perfect harmony as the world’s most advanced digitally-controlled, 100%-analog patch bay routing system allowing anyone to easily control analog audio routings without having to resort to the use of manual patch cables, pro audio manufacturer Flock Audio is proud to introduce its (impending) PATCH LT and PATCH XT hardware releases — respectively representing ‘light’ (condensed) and ‘extra’ (expanded) selections anchored around the same award- winning architecture as the original, offering reduced and increased I/O count — at The 2020 NAMM Show, January 16-19, Anaheim, CA, USA… Revolutionary as it incontrovertibly was when turning heads and opening musical minds with a show-stopping showcase at The 2019 NAMM Show, subsequently being adopted by hundreds of audio engineers worldwide with workflows benefitting from a design that just makes sense, today the original PATCH hardware remains revolutionary, beautifully built but simple and sleek in operation. On the face of it, becoming the hub of any studio setup is at its creative core, thanks to 64-point (32-input/32-output) connections via eight standard 25-pin D-SUB connectors allowing analog routing control courtesy of the accompanying MacOS- and Windows-compatible PATCH APP routing software, so users can create, store, and recall complex routings in seconds as well as create complex multing combinations with no impedance issues and no AD/DA conversion with a 100%-analog signal path using Flock Audio’s patented Matrix Technology. Simply speaking, the USB 2.0-equipped hardware works with the software in perfect harmony. Furthermore, Flock Audio sensibly saw fit to also include 32 independent channels of 48V phantom power — and allows or denies the ability to enable 48V on any input connected to the PATCH system, so accidental damage to any costly microphone investment is thankfully avoidable. Additionally, two front panel-positioned TRS/XLR Combo inputs and two XLR outputs for quick hardware, microphone, or instrument integration into the routing system are always available — and all without having to unplug anything already connected to the rear of the rack-mounted unit itself. Moreover, multiple PATCH expansion is perfectly possible for those needing more connections. Conversely, perhaps, PATCH’s 64-point connection capability could conceivably be deemed overpriced overkill for those whose studio setups are a little lighter on the analog audio hardware front. Fortunately, Flock Audio always aims to accommodate, as evidenced by the timely introduction of its (impending) PATCH LT hardware at The 2020 NAMM Show. Small but mighty sums up PATCH’s perfectly-formed simple, sleek, and spectacular sibling, with just enough I/O to create a musical masterpiece. This time, however, Flock Audio allows access to the analog routing matrix of anyone’s dreams as a 32- point (16-input/16-output) connections-adorned affair featuring four standard 25-pin D-SUB connectors, 16 independent channels of 48V phantom power, and one front panel-positioned TRS/XLR Combo input and one XLR output. Out of sight, out of mind, the same reliable connections that seriously cemented PATCH’s recording reputation so speedily are also built into PATCH LT. Indeed, it includes the same external five-pin 24V DC power supply with IEC cable and 10-foot USB 2.0 (USB-A to USB-B) cable. Conveniently, it also works with the same PATCH APP routing software — relatively recently upgraded to instantly identify the connected PATCH hardware model, meaning quick creation, storage, and recall of complex routings as well as creating complex multing combinations with no impedance issues and no AD/DA conversion with a 100%-analog signal path using Flock Audio’s patented Matrix Technology remains the same. Should that smaller studio setup grow, then multiple unit expansion with any PATCH model is perfectly possible, so no need (necessarily) to trade up! Ultimately, of course, more serious studio setups more often than not have more serious patch bay routing requirements. Really representing everything that is great about PATCH… expanded, PATCH XT packs 192-point (96-input/96-output) connections via 24 standard 25-pin D-SUB connectors into a 3U eye-catching casing that means business but also acts as a reminder that analog routing need not be be the ugly part of audio production! Put it this way: with 96 independent channels of 48V phantom power, lockable USB 2.0 connector with included 10-foot USB 2.0 (USB-A to USB-B) cable, more room to house an internal power supply with included IEC cable, cooling-without-compromise redesigned airflow, and (optional) CAT5 Ethernet host control for bridging longer distances between the hardware unit itself and the PATCH APP routing software host, PATCH XT is extra extraordinary! And as if this is not enough to keep the most serious studio owner seriously satisfied with Flock Audio’s ultimate development of the world’s most advanced digitally- controlled, 100%-analog patch bay routing system allowing anyone to easily control analog audio routings without having to resort to the use of manual patch cables, multiple unit expansion with any PATCH model is also available. As company founder and Flock Audio CEO Darren Nakonechny notes: “We believe every audio engineer, whether developing their craft in the basement or award-winning professional studio, deserves superior recording tools.” Thanks to the timely introduction of PATCH LT and PATCH XT at The 2020 NAMM Show — uniting over 115,000 registrants from 130 countries and regions at the global crossroads of music, sound, and entertainment technology, the trailblazing Canadian pro audio manufacturer has taken two selective steps towards making that happen for even more audio engineers worldwide with workflows benefitting from ‘light’ (condensed) and ‘extra’ (expanded) designs that make more sense than ever! PATCH LT is scheduled to ship in Summer 2020 with an MSRP (Manufacturer’s Suggested Retail Price) of $1,499.00 USD — pricing subject to change without notice — through Flock Audio’s growing global network of authorized dealers (https://www.flockaudio.com/dealers) or online directly from Flock Audio itself (https://www.flockaudio.com/buynow). For more in-depth information, please visit the dedicated PATCH LT webpage here: https://www.flockaudio.com/patchlt PATCH XT is scheduled to ship in Winter 2020 with an MSRP of $9,999.00 USD — pricing subject to change without notice — through Flock Audio’s growing global network of authorized dealers (https://www.flockaudio.com/dealers) or online directly from Flock Audio itself (https://www.flockaudio.com/buynow). For more in-depth information, please visit the dedicated PATCH XT webpage here: https://www.flockaudio.com/patchxt
The newest, and most hotly anticipated member of the Arturia Step family is to be revealed at NAMM 2020 in Anaheim, California.
The sequencer the world has been waiting for. KeyStep Pro gives keyboard players incredible sequencing and performance power in a compact, versatile controller.
KeyStep Pro is a 37-key MIDI controller and multi-channel polyphonic sequencer all in one. It will allow musicians to take full control of their modular rigs, outboard synths, and software studio all at the same time. The 4 independent polyphonic sequencer tracks give you full control over your instruments, and Track 1 can also function as a 16-part integrated drum sequencer. It’s incredibly intuitive, has unparalleled connectivity, and promises to make even complex performances a breeze.
If you prefer keys to pads, you’ll love KeyStep Pro. It sports a great-feeling 3 octave keyboard with velocity sensitivity and aftertouch. Letting you fully articulate your musical ideas, this expressive little sequencer truly puts your whole music-making ecosystem at your fingertips. Arturia’s designers studied the way musicians actually used their Step controllers, and created KeyStep Pro to remove the barriers between you and the music you want to create.
TRACKS4 independent sequencers, controlling whatever synth, module, or drum machine you want.PATTERNS16 patterns per track. Each sequencer pattern can be up to 64 steps long, and contain 16 notes per step.CHAINSLink up to 16 patterns together to create whole songs or sections of your set.SCENESSnapshots of all the sequences within a pattern, letting you instantly switch between sets of sequences.PROJECTSEverything in one place. Load, duplicate, tweak, edit, and save for later in its onboard memory.
AUv3 64-bit IAA & Standalone 64-bit iOS 11 or newer and a separate purchase, coming soon!
Oscillate! Continua is a virtual analog synth with a twist: a continuously morphable threesome of oscillators. With three interconnected controls defining the wave shape, Continua has a virtually limitless supply of waveforms, especially when you add cross modulation and noise in to the mix.
Filter! With two morphing state-variable filters (morph between LP, HP, BP and notch in 2-pole and 4-pole topologies), Continua has a broad palette of tone-shaping at its disposal, and is well suited for long, complex, evolving soundscapes.
Modulate! With a whole host of modulation possibilities, Continua is capable of both simple synth sounds or huge, evolving soundscapes. With two ADSRs and two Flexible Envelope Generators (essentially an envelope sequencer), plus four of our Flexible (continual waveshape) LFOs and a sophisticated sample & hold function, you can modulate any knob on the user interface with a simple right click (double tap in iOS.)
Control!Continua is fully customizable to your taste and playing style. With full and extensive MPE support, it can take advantage of the extended control set of your Linnstrument, Seaboard, Soundplane, Continuum, or other MPE controller, and support for TUN files lets you use tuning tables. The resizable Hi-DPI GUI lets you adjust the size to match your visual needs, and the cross-platform preset mechanism lets you share your creations with your friends and collaborators, no matter what system they are using. Save your preferred settings as the default state, and Coninua will always be exactly what you need.
Three Flexible Oscillators Continuously variable morphing waveform, with warp, shape, and skew controls.
Dual Morphing Filters Filters can be used in serial or parallel modes, and morph from lowpass through bandpass and highpass to notch in 2-pole and 4-pole configurations.
Noise Source Noise source features a “color” control that affects tonal characteristics of the noise.
ADSR x 2 Continua has two ADSR-style envelope generators, with curve on attack, decay, and release.
Flexible Envelope Generator (FEG) x 2 The two FEGs are arbitrary function generators, with up to 99 steps, curve and step level control, arbitrary loop points, and host tempo sync.
Flexible Low-Frequency Oscillator (FLFO) x 4 The four FLFOs utilize four controls (phase, shape, skew, and warp) to access a virtually limitless palette of waveforms, and feature host tempo sync and retrigger.
Sample And Hold The S&H mod source can sample noise (random) or any of the other mod sources, at either a user-defined rate or a musical division, and includes built-in smoothing and distance limit (for a “walk” effect).
Modulation Every knob in Continua is a mod destination, with a very fast and simple assignment matrix access with a right-click on the knob (double-tap on iOS).
Tuning Tables And Global Tuning Offset Re-tune Continua to new intonations and temperaments using the open-source and easy-to-use TUN file format. A global tuning offset (default to A=440) allows you to easily retune the entire synth to match a different A frequency without using a tuning table.
MPE (MIDI Polyphonic Expression) Continua understands both “legacy” MIDI and MPE. Use your Linnstrument, Roli Seaboard, Haken Continuum, Madrona Labs Soundplane, or Sensel Morph (among others) to directly access per-note pressure, pitch bend, and modulation.
Per-Instance Settings Continua utilizes a per-instance customization method: set MPE mode, aftertouch smoothing, pitch bend range override, tuning table, and global tuning offset for each instance in your DAW, with an option to save any state as your global starting point.
Factory Presets Continua comes with a substantial collection of factory content, including Designer Presets from Red Means Recording, Glitch Machines, and Sonalsystem.
Cross-Platform Preset Format Continua utilizes an XML-based preset manager. Work between multiple systems without troubles, make a preset on your desktop machine and paste it to the iOS version with Handoff, easily share your creations with your friends, or make a preset bundle to sell.
Fully Resizable Hi-Dpi/Retina GUI Continua’s vector-based GUI is resolution-agnostic, and displays the same on every system and resolution. Easily resize the UI (per instance) to match your visual needs, from postage stamp to poster-sized.
Brad from Isla Instruments had a live stream today detailing how the filters in the new sp2400 sampler will work.
check the video below.
Sp2400 will have a stereo version of the original fixed analog Input filter.
the input filter can also be accessed during “resampling” mode allowing you to send samples from the SD card back through the input stage to apply this analog filtered sound to your preexisting sound library.
the output filters follow the layout of the original sp1200 machine in that there are 4 fixed output (non-sweepable) analog filters.
the “tip/ring” filter trick is handled via onboard analog logic circuit that allows you to get this sound without having to actually “half plug” the jack to access that sound.
there are 2 Dynamic SSI Analog filters.
in addition to the analog filters there are also digital filters per output that are fully dynamic.
there is support for future daughter board add ons that allow for 8 additional fully controllable filter.
daughter board add ons in the future : there are plans for SSI filter , Curtis filters, as well as open sourcing of the schematics so that 3rd party can release additional filter styles.
the daughter board add ons do not need to be limited to just analog filters, they could be digital or hybrid filter boards (this would be up to the 3rd part.).