|Erica Synths Black Stereo Delay Now Shipping|
|New Black Stereo Delay is full of unique features and soundRiga, Latvia, June 13, 2019 — Tape and digital modes of delay, hold with overdub and delicate delay time and feedback control — in combination with CV and trigger control over various parameters — make the new Black Stereo Delay module from Erica Synths not only a great effects unit for your modular system, but also an instrument on it’s own.|
Black Stereo Delay is a hi-fi stereo delay based on Erica Synths’ own custom DSP engine. It includes several different digital and ping-pong modes of delay, hold with overdub and feedback control and other features making it a versatile addition to almost any rack. Black Stereo Delay’s features include: Stereo delay with adjustable delay timeTape, digital and ping-pong delay modesTap and clock synchronization of delay timeReverse delay modeHold mode (samples up to 40” of audio) with Add (overdub) featureTrigger control over Hold, Add and ReverseCV control over delay time, dry/wet mix and feedbackFeedback path soft limiting compressionAdd to hold soft limiting compressionAdjustable stereo delay spreadFirmware update via audio bootloaderBlack Stereo Delay is available now and priced at € 310.00. For more information, please visit the Erica Synths Black Stereo Delay product page.
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Audio Damage Shapes
This is a digital effect module that can take a sine wave and turn it into a wavetable, it can also be used as a complex distortion module. available now from most Eurorack Module dealers it retails around $289, get it direct from Audio Damage .
Shapes includes 16 smoothly interpolated wavetables as well as 9 lookup table algorithms
It is a true stereo module as well.
» The WAVE/ALGO knob and CV input control which wave or algorithm is active. In LOOKUP mode, the knob controls which of sixteen tables the input will scan. In ALGO mode, the knob controls which of nine algorithms will affect the input.
» The PARAM 1 knob is a variable function knob. In LOOKUP mode, it controls the width of the table scan, from about 15% of the table (at full anti-clockwise) to the entire table (at full clockwise.) In ALGO mode, its function varies, but it is usually Drive or Amount. (Basically “more.”)
» The PARAM 2 knob, in LOOKUP mode, controls the start position of the table. It can effectively be thought of as a phase control. In ALGO mode, its function varies, and it is not used in every algorithm.
» The MIX knob controls an equal power wet/dry mix. At full anti-clockwise, you only hear the input, and at full clockwise you only hear the effect.
» The MODE switch controls whether the module acts as a wavetable scanner or a waveshaper. In LOOKUP mode, the wavetables are active, while in ALGO mode, the algorithms are active.
» Shapes is true stereo; the left and right signals do not intermingle internally; thus you can, for instance, run a kick in the left channel and a snare in the right, and vary the effect by attenuating either channel before it enters the module.
» 48kHz 24 bit audio path with a high-quality Cirrus-Logic AD/DA convertor. 10Vpp CV control over all parameters.
» USB port (on the PCB board) for easy firmware updates.
» High-quality 100% Made In The USA construction, including panel-bolted 100,000-cycle BI potentiometers and custom stamped Rogan knobs.
» Power draw is 40ma from the +12V rail and 9ma from the -12V rail. This module has an on-board regulator and does not require +5V. Module depth is 25mm.
» Shapes, like all Audio Damage hardware products, includes our lifetime unconditional warranty.
The Mode Machines OMF-1 is an analog 19″ rack filter designed for use with a wide variety of sources. the preamp in this unit can handle signals from guitar (instrument level) input all the way up to eurorack modular levels. Far from just a basic Moog ladder filter clone, the OMF-1 adds a tap for the phase reversible single pole -6 db per octave slope (labeled FIZZ) phase reversible 4 pole -24 dp per octave slope(labeled Smooth), as well as extensiv modulation options. Also included in this circuit is a beautiful sounding overdrive. By sending signal into the filter and adjusting the preamp, you can overload the filter core (indicated by a red LED) to add additional harmonic content to the signal. The OMF-1 features a side chain input as well as CV and Gate inputs for external filter control. The modulation options are Follower (think Mutron bass filter) Attack Release and Attack Decay settings. the LFO has triangle and square waveforms with a rate control and dedicated depth control as well as the ability to self trigger the envelope (which essentially will act like a complex lfo shape). clocking in £666.00 direct from the mode machines site, this is an impressive all analog rack mount filter that truly has an impressive character.Take a listen to the video for plenty of sound demonstration. take a look at the Manual here