|NAMM 2019: Erica Synths and Gamechanger Audio Collaborate on Erica Fusion Series module|
|Erica Synths has announced a new collaboration with fellow Latvian company, Gamechanger Audio (www.gamechangeraudio.com), resulting in a new Erica Synths eurorack module: Plasma Drive. Gamechanger Audio, which is well known for their Plasma Pedal, is committed to exploring the uncharted territories of music electronics and creating devices that provide real value — while stretching the imagination of both musicians and engineers. With their Plasma Pedal they managed to combine Tesla coil with plenty of Rock and Roll. The result is one of the worlds ‘heaviest sounds’ with plenty of unique features and the potential to become the new standard of distortion.Similar to Plasma Pedal, Erica Synths’ Plasma Drive provides you with a new and previously unexplored method of achieving signal clipping in 16HP. Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, the Plasma Drive boosts audio signal to 3000V and transforms it into a series of continuous high-voltage discharges in a xenon-filled tube. In essence – you are playing a lightning bolt of electricity, and the electrical discharges produced by your instrument are instantly converted back into an analogue audio signal — producing a quick, responsive, and extremely heavy distortion with tons of unique character.|
The eurorack module Plasma Drive brings sounds of the Plasma Pedal to the next level. As per eurorack standards, Erica Synths has added CV control over distortion level and dry/wet mix, as well as octave up and 1 and 2 octaves down tracking oscillators that add even more harmonics to the original signal. Tracking oscillators can be switched on/off manually or via trigger signals. The Plasma Drive module is powered via conventional eurorack PSU ribbon cable and the power consumption is around 150mA.
FEATURES:Unique distortion flavorCV control over distortion and dry/wet mixAssignable equalizer (pre- and post effect)1 octave up & 1 and 2 octaved down tracking oscillators
Price (VAT excl.) 310€, Release date 20th of February 2019PLASMA DRIVE MODULE WILL BE EXHIBITED @ NAMM SHOW 2019 WITH GAMECHANGER AUDIO, BOOTH 3347
Multi-Synchronic Oscillator Ensemble
The latest brainchild of synth pioneer Dave Rossum, TRIDENT is a 100% analog, triple oscillator module that opens up a universe of dynamic timbral textures.
At its most basic level, TRIDENT is three precision audio VCOs, each sporting a unique variety of control voltage inputs.
The main or “Carrier” oscillator provides its three waveforms simultaneously. The two Modulation Oscillators each have a single output and a waveform selector. The Modulation Oscillators also have a voltage controlled Symmetry parameter which varies the duty cycle of the triangle wave output from sawtooth to triangle back to time reversed sawtooth, and also varies the sawtooth output to have an upward or downward kink in the middle, as well as controlling pulse width when the pulse waveform is selected.
And while each oscillator can be used independently if desired, it’s when they’re combined into a synchronous ensemble that the real sonic magic happens.
That magic is what we call Zing Modulation. Each of the Modulation Oscillators can modulate each of the Carrier outputs in an amount controlled by the Zing parameter. Zing Modulationis mathematically akin to ring modulation, but due to the synchronization of the oscillators (when an oscillator’s Sync button is on), the aharmonic sum and difference sidetones of ring modulation transform into complex but purely harmonic overtone spectra, which vary dynamically and dramatically with the frequency and waveshape modulations of the modulation oscillators. Each change in the Modulation Oscillator parameters – Frequency, Symmetry, Waveshape, Zing, and (in the case of Modulation Oscillator 2) Phase – will have a different effect on the timbre of each of the three Carrier waveshape outputs.
When the modulation oscillators are set to track the carrier oscillator, the waveshape will remain constant as the carrier frequency changes. In this case the overtone structure is determined by the settings and CV modulations of the modulation oscillators. If instead the modulation oscillators do not track the carrier, some of the overtone structure will vary relative to the carrier frequency.
What all this means is that whether you take advantage of Trident’s unique synchronous modulation capabilities (which you, of course, should), or just treat it as three superb, wide-range analog oscillators, TRIDENT offers a vast variety of dramatic sonic textures.
TRIDENT features include:
– Three precision analog oscillators with dedicated 1V/Octave inputs and coarse control ranges of 20Hz to 20kHz and modulated ranges of 0.01Hz to 25 kHz.
– Main Carrier oscillator with simultaneous triangle, sawtooth and pulse waveforms, with exponential and linear frequency modulation and pulse width modulation.
– Main Carrier oscillator hard sync input
– Modulation Oscillator 1 with selectable triangle, sawtooth and pulse waveforms with exponential frequency modulation, variable symmetry and symmetry modulation, and variable Zing level and Zing level modulation.
– Modulation Oscillator 2 with selectable triangle, sawtooth and pulse waveforms with exponential frequency modulation, variable symmetry and symmetry modulation, variable Zing level and Zing level modulation, and variable phase and phase modulation.
– Both Modulation Oscillators with independently selectable options to sync to the Main Carrier oscillator and track the Main Carrier oscillator
– Trident, like all Rossum Electro-Music modules, features solid construction, with thick aluminum panels, solid aluminum knobs, and quality components throughout.
TRIDENT is 30HP wide and 25mm deep.
Power requirements (max): 250mA +12V, 225mA -12V. Reverse polarity protected.
TRIDENT will be available this spring from Rossum Electro-Music dealers worldwide.
Scanned is an organic wavetable oscillator. It uses an unexplored technique known as Scanned Synthesis to animate wavetables that are created in real-time. This synthesis method was conceived by the father of computer music, Max Mathews, as the next paradigm in digital oscillators, and until now, has never been implemented on hardware.
The wavetables are dynamically generated from a set of “objects” tied together on a virtual string. These objects have physical properties including Mass, Stiffness, and Damping which affect the way that the string moves through space and time. Unlike physical modeling, however, this algorithm is a means of creating new electronic sounds, not replicating acoustic instruments.
To animate the waveform, the objects are morphed into the currently selected hammer shape and then released. This excitation of the sound generates evolving timbral landscapes that contain harmonic movement without external modulation. The hammer section also determines whether Scanned is a free-running oscillator, or a triggered sound source allowing it to function as a complete voice without additional filters or VCAs.
- First hardware implementation of Scanned Synthesis
- Organic wavetable generation and animations
- Can be a free-running oscillator or triggered voice
- Inject input allows external audio or CV sources to excite the string
- Evolving timbral landscapes without external modulation
- Four hammer shapes with interpolation
4ms Pods are a new line of eurorack cases with an emphasis on slim design primarily for the desktop. basically it lets you treat your modules like stand alone desktop FX units which can be really great. the sizes come in 20,26and 32 hp sizes and can come either powered or unpowered. the case power can also be daisy chained so your desk doesn’t end up being a mess of wall wart wires. All enclosures have 1hp spaced mounting holes The powered version will come with a newly designed, daisy-chainable supply from 4ms. Standard 2.1mm connectors will enable the user to chain Pod enclosures much like the Row Power system. Plastic plugs will be used to cover these mounting holes if the user would like to supply power themselves.
Pricing (no wall wart included):
I have had the Strymon Magneto for some time now and I decided to shoot a short video discussing some of my thoughts.
spoiler it is a very musical module. I really enjoy the hands on control. While admittedly I was concerned about the price point. Considering I recently had purchases a Rainmaker delay module which did not last in my rack. The Magneto was met with a bit of caution. I must say however I am left quite impressed. it is deceptively deep and quite controlled and full of “sweet spots”. The ability to reverse delays and freeze moments in time is great. Check out the video and let me know what you think.
for more info check out https://www.strymon.net/products/magneto/
Download the Firmware here. http://soulsbysynths.com/oscitron-downloads/
The Vermona uniCycle is the new VCO from synth masterminds Vermona. Sharing its core with the ’14 synthesizer the uniCycle adds some tricks for the modular system.
From the vermona site
Oscillator-circuits are used in our VERMONA synthesizers, we know how to design them. But instead of copy and paste, we reworked many aspects when adapting our circuits for modular purpose. What is great for closed systems might not always be perfect for modular systems.
All that development work resulted in uniCYCLE: compact, high-performant and stable.