Synthrotek VCA triple response Dual VCA

The Synthrotek Triple Response Dual VCA uses high quality op amps to give you the sound quality you are looking for in affordable kits and completed units. This VCA has three different response curves per channel: 2 Exponential and 1 Linear. The amplitude of EX2 (switch at right position) can be slightly attenuated via 1 trimmer pot per channel on the PCB. This allows for 3 different curves per channel. EX2 has a slightly more exponential curve than EX1. This VCA operates at 0-5V; a 5V CV input will give you 5V point to point audio output. Use over 5V if you want a super ballsy, loud VCA!
Intended for AC and audio use only (DC coupling will not function properly).
Features include:

– ~5V peak to peak output with a +5 DC CV input

– 2 exponential and 1 linear response per channel

– Channel 2 is normalled to channel 1

– Compact 4HP sized module

– Kits, complete and PCB/panel combos

– High Quality Op Amps

– Module depth: 1 7/8 inches (4.7 cm)

– Max current draw: 1mA on -12V rail, 9mA on +12V rail

 

Buy it HERE 

Here is the live build event where I build the resistor section of the VCA and hold a Q&A during it. It is a quite long video as it was held off the cuff, very laid back.

Arturia to Announce unveil new Audio interface soon!

Arturia announces upcoming unveiling of next-generation audio interface

audio interface

GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce that it will be boldly stepping into a new market sector for the cutting-edge company when unveiling the next-generation audio interface in 2015…

Arturia President Frédéric Brun bowled over an audience of invited industry insiders and VIP guests when making the astounding announcement during his captivating keynote speech at the Museum of Grenoble as part of the company’s 15th anniversary celebrations on October 3, 2014. Here he touched upon several problems pertaining to popular portable audio interfaces that modern-day musicians have been forced to live and work with for quite some time. Some related to workflow, some to compatibility, and even audio quality. This has prompted Arturia to take significant steps to solve these issues once and for all!

But why run the risk of entering an arguably already overcrowded market sector with yet another audio interface? Why, indeed, Mr President? Indeed, during the keynote, Frédéric Brun bravely admitted that a distributor had warned him not to go there, stating that there are already “…too many competitors — large companies with history in the field.” His reasoned response? “Yes, that’s true. But at Arturia we are stubborn, and we think we can do something different. We think we can bring something new to market.”

 

Clearly, creating something that is both genuinely different and new to an already existing and hotly- contended market sector is no easy task. Take the mind-boggling number of audio formats out there. Think microphone, line, phono, and instrument inputs, each with different levels requiring different impedance. How about effortlessly connecting to Mac and PC computers, an Apple iPad or an Android device? Then there are all the digital audio formats (ADAT, S/PDIF, et al) as well as word clock to cater for those wishing to synchronise with the professional audio world. USB and MIDI might be useful, too! You get the picture. One visionary presidential person present at Arturia’s 15th anniversary celebrations sees the bigger picture perfectly clearly. Asked an incredulous Frédéric Brun: “Do you know how many audio interfaces on the market offer that? Zero!”

Then again, a well-thought-through portable audio interface that stylishly overcomes these perceived problems while bringing other mind-blowing features to the table is clearly closer to market than thought possible previously. Watch this space… seeing (and hearing) is really believing, believe us!

Watch an edited excerpt from Arturia President Frédéric Brun’s 15th anniversary company keynote speech that is as informative and entertaining as it is intriguing and enticing here: https://youtu.be/K6w7hza4Z2o

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Drum Potion Vol. 1 for Maschine and other Samplers available NOW

DRUM POTION VOL. 1

Drum-Potion-Vol-1 smaller525

FluxWithIt Presents: Drum Potion vol. 1

Drum Potion vol.1 is a new drum sample pack for all 32 bit .wav compatible samplers. (with kits especially formatted for Native Instrument Maschine)
123 Expertly crafted drum samples

5 maschine kits
These drums are recorded and optomized to give individual character to your drum sampler.
File structure is logically laid out into individual folders for each type of sound (kick, Snare, Hi-hat etc)
The sounds range from subtle kick drum variances to Hard lined Punchy sounds.
Grab it now!

available now! ON SALE Only $14.95!

Add to CartView Cart

 

RYO OptoDist Eurorack Voltage Controlled Distortion VCA Limiter

Optodist webpage

Purchase it Here–>(synth cube links) Assembled Module ,Full Kit unassembled

A compact, easy to use, easy to build and great sounding distortion module which will also work as a VCA if desired.

The Optodist is based on two Advanced Photonix (formerly known as Silonex) optocouplers that gives its characterful overdriven sound and plucky dynamic response to CV, it is equally at home adding a bit of extra crisp to highs and mids or warming up your lows as it is turning a resonant filter into a howling beast or your drums into crushing carnage.

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Timeless 2 from FabFilter is an amazing delay plug in you just have to try


 

FabFilter’s Website

 

I have to say after using this plug in for a bit, it has really become my go to plug in. With it’s modular modulation set up and the ability to easily create interesting FX and saturation… it is really hard to beat.

Add it to your collection now for $144.00 usd

 

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Animodule V9a Eurorack CV controlled sequencer and waveshapper

It’s a wonderful bit of kit that takes your waveforms and turns them into sequencing steps and rhythmic patterns!

V9a

Here’s a powerful animal to add to your sequencing arsenal.

Send your CV to the CV In. As the Voltage increases the sequence steps forward. As the voltage decreases the sequence steps back.
Scale and adjust your input voltage to taste with the Onboard Attenuator and Offset.

Control the Output CV with an individual Potentiometer for each step.

When a step changes, a 10MS trigger is sent to it’s corresponding switch. If the latching switch is depressed it allows the trigger to pass to the Trigger Out.

There is a switch per step for slew (portamento/slide).
and a Potentiometer to control the Slew Amount.
There is also an input to allow gated control of when the slew turns on and off which will work in conjunction with the switches.

This module is looking for 0V to +5V. The Offset is 0V to +5V.

To allow for chaining of the V9a and rests, 0V will put you under the sequencer range and +5V will put you over the sequencer range.
When the sequence drops below step 1 or over step 9, 0V will be sent to the CV Out and No Trigger will be sent to the Trig Out.
When step 1 or 9 is activated a trigger will be sent to the Trig buss.

Max Current Draw:
+12V = 40mA
-12V = 11mA

Width: 14HP Depth: 39mm

Visit the Animodule Store HERE!

Izotope inc announces RX4 & RX4 Advanced for September release!

iZotope Announces RX 4 and RX 4 Advanced
The next generation of an industry standard

Cambridge, MA (August 8, 2014) — iZotope, Inc. , a leading audio technology company, has announced an update to its flagship audio repair and enhancement suite, RX®. RX, an Emmy Award-winning audio repair toolkit, is used by musicians, sound engineers, and post production professionals everywhere to transform noisy, distorted, or flawed audio into pristine material.

Launching this September, the new RX 4 is designed to be the ultimate companion to a DAW or NLE with new intelligent modules, time-saving features, and deeper levels of integration with their hosts.

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