Tag Archives: new
Mode Machines Namm 2016
Modal Electronics NAMM 2016 Brings Eurorack Modular units
Studio Electronics at Namm 2016
Head to their site Studio Electronics for more info!
4ms Dual looping delay eurorack modular delay Namm 2016
The Dual Looping Delay (DLD) is an advanced audio processor for creative synthesis. Not a tape or analog emulation but a modern crystal-clear digital delay, the DLD combines features of delay, looping, and sample-tight synchronization for powerful and dynamic sound capture and modification. The DLD is designed to integrate seamlessly with modular timebase and sequencing devices such as the 4ms Quad Clock Distributor (QCD), etc.
Key Features:
- Two independent delay/loop channels, synchronized to a common time base
- Maximum 88 seconds per channel (almost 3 minutes total recording time)
- 48kHz/16-bit sampling rate
- Normaled connections of input and output for flexible use in mono, stereo, or dual mode
- Tap tempo button and clock Ping input
- Delay/loop time set as a number of musical beats (or fractions of beats) using the Time knob, switch, and CV jack
- Sample-accurate clock output for perfect synchronization
- Loop clock outputs for each channel
- Time switches change range of Time knob from 1/8th notes up to 32 bars
- Digital feedback, up to 110%
- Delay Level control, independent of dry/wet signal mix
- Infinite Hold mode disables recording input and fixes regeneration at exactly 100%
- Reverse mode plays memory contents backwards
- With an infinite loop locked, Time knob allows for “windowing” around memory
- Triggered toggle inputs for Infinite Hold and Reverse
- Send and Return on each channel for feedback with external modules
- CV jacks to control Time, Level, and Feedback
- As new features are developed, firmware can be updated by playing an audio file into the DLD
- 20HP Eurorack module
Push 2 IS HERE!!! Fluxwithit has hands on!
Push 2 has finally landed and it is a BEAST
Now with the large full color screen across the top, all new solid construction and slick knobs the user is treated to a amazingly well thought out and luxurious workspace. No longer are we going to stare at hollowed orange LEDs when trying to manipulate our sounds. The real change however is on the software side! Live 9.5 features a totally reworked sampling experience complete with chopping slicing capturing and mangling all done right from the controller.
Now you can easily zoom in and cut up sounds on the fly with the Push 2 controller. You also have access to a large host of new analog modeled filters.
Live 9.5 also features an enhanced browser allowing you to browse all of your plugins samples effects templates… everything right from the hardware!
More news to follow for now we are enjoying just getting to bash about on what looks to be the true next wave of beat making devices!
Follow on instagram @Flux302 for more videos and info as well!
Roland releases System 100 plug out for System 1 and system 1m
System 100 Plug out release!
Looks like Roland finally released their latest plug out for the System 1, 1m plug out synthesizer hardware.
as with other plug outs this appears to be fully mac and windows compatible the versions for computer are listed as
- VST instruments (VSTi) version: VST 3.6 compatible
Audio Units (AU) version: V2 Audio Units compatible
Pyramid Polyrythmic sequencer available for preorder now
by
PARIS, FRANCE: avant-garde musical hardware researcher and developer Squarp Instruments is proud to announce that it is already accepting preorders on its inaugural Pyramid Polyrhythmic Sequencer breakthrough — an advanced hardware standalone sequencer running proprietary PyraOs realtime processing firmware and boasting (multiple) MIDI, USB, CV/Gate, and (Sync48- and Sync24-configurable) DIN Sync connectivity, together with a host of fanciful features belying its compact and bijou form factor — as of May 21…
Most notably, and arguably an absolute rarity in this day and age, Pyramid Polyrhythmic Sequencer is fully polyrhythmic, meaning different and unusual time signatures can be set for each of its 64 tracks to cleverly create shifted-beat sequences — set a track to 4/4 and add other tracks to simultaneously run with it in 5/4, 6/8, 15/8, or whatever — to bring stirring new musical flavours to productions. Pyramid Polyrhythmic Sequencer… it is incontestably an appropriate appellation, after all! Apart from that, though, what makes this standalone sequencer so special and also why resolutely return to hardware in this day and age of commonplace software-based sequencing solutions, courtesy of all-singing, all-dancing DAWs (Digital Audio Workstations)?
Well, to truly get a feel for the flexible future of state-of-the-art and easy-to-use hardware sequencing in the present, perhaps it pays to look to the past? Which is exactly what the forward-thinking research and development team at Squarp Instruments did. “Our aim was to create a hardware sequencer in ‘sync’ with the new styles of electronic music being written nowadays,” notes company co-founder and R&D engineer Tom Hurlin. “There’s a huge gap in the market for this, which is kind of weird, because most popular music from the early-Eighties to the late-Nineties was produced using sequencing hardware. Hip-hop, for example, originated on the MPC series, which actually revolutionised all kinds of music — Madonna to Bryan Ferry to Whitney Houston. How come these machines were suddenly replaced by the computer?”