Modal 008 8 Voice analog Power house!

Screen Shot 2015-04-14 at 6.46.56 PM  Check it out HERE

 

  • 008 provides eight discrete voices of polyphony with an  uncompromising analogue architecture utilising the highest grade components throughout
  • Two 100% analogue VCO’s per voice with two sub oscillators, providing sawtooth, triangle, square with PWM and noise. Each of the waveforms can be blended together to provide completely new complex wave shapes
  • Innovative and extremely flexible 16 multi-mode filter, consisting of traditional modes such as low-pass, band-pass and high-pass as well as more unusual notch, phase and combination modes.
  • Filter overdrive enables the sound to be driven to sonic extremes
  • A range of classic analogue polysynth features such as oscillator and filter FM bringing amazing sonic power
  • Two LFO’s, both capable of reaching audio rates with multiple wave shapes and midi sync
  • 11 modulation sources with unlimited destinations. Each destination can be set it’s own unique depth, a super smooth sample rate of 10kHz and all accessible from the front panel – no menu diving
  • 008 features a range of sequencing options – a built in 2 Track, 12 row, 32 step sequencer with 16 dedicated step time editing knobs on the front panel and MIDI sync capabilities. Sequences can also be transposed dynamically while running
  • A very highly featured arpeggiator with a wide range of different modes, including ‘hold’ mode, enabling arpeggiator-based sequences to be created
  • The Modal Electronics Animator, which enables any control parameter on the 008 to be sequenced, enabling very complex filter transisitions, wave form changes and modulation matrix changes to be sequenced
  • Ethernet port to connect your 008 to your network and enable updates via the internet (no more midi sysex dumps) and access to the Modal Electronics cloud features
  • Two part multi-timbral (bi timbral) allowing splits across the keyboard or stacks to create amazingly complex sounds
  • Superb UI, a great departure from the norm of synthesisers, featuring a very high quality 4.3″ screen with wide viewing angle, display is context sensitive where the control parameters of any control knob that is touched by the user, is immediately displayed
  • Eight ‘quick recall banks’ are accessible directly from the front panel, enabling performing musicians to get rid of their set sheets and build set lists of presets, sequences and animations, all quickly accessible from dedicated front panel buttons. Up to ten banks of quick recalls can be created, making live performance a doddle
  • Ultra fast (1ms) VCF and VCA envelope generators. VCF-EG is one of the 11 modulation sources that can be freely assigned to any parameter by it’s own unique amount
  • Four Key Modes – Polyphonic, Monophonic, Unison and Stack
  • Very high quality construction, uses a premium FATAR semi-weighted five octave key mechanism with aftertouch
  • All voice control parameters are accessible from a well designed and intuitive front panel, that follows a traditional synthesiser work flow
  • Combined XLR/TRS sockets for balanced / unbalanced outputs. Further, each of the eight outputs can be brought out individually via a dedicated d-sub socket.
  • Optional Digital Output board providing multi voice outputs over USB (Class Compliant) with FX available Q2 2015.
  • Two audio inputs enabling audio processing from the VCF onwards plus external MIDI in and out
  • XY joystick and Sustain and Expression pedal inputs for performance controls – any control parameter can be assigned to any joystick axis (X+, X-, Y+, Y-) by pressing the dedicated front panel selector button
    BRISTOL, UK: breakthrough British electronic musical instruments manufacturer Modal Electronics is proud to present 008, an eight-voice, 16-VCO (Voltage-Controlled Oscillator), and 16-sub-oscillator pure analogue polysynth powerhouse par excellence, representing the third of three new ‘numerical’ products that it is simultaneously showcasing at Musikmesse 2015, April 15-18 in Frankfurt, Germany…
    All three of these new synthesisers share the OS (Operating System) common to 002, so speed of development is now rapidly accelerating. Amazingly, within mere months of 002 taking the synth world by storm at the time of its July 2014 launch, then turning heads and opening ears at The NAMM Show 2015, January 22-15, in Anaheim, California, today’s amazing announcement — after all, no other synthesiser manufacturer has delivered such a diverse range of cutting-edge instruments in less than a year — coincides with Modal Electronics experiencing rapid growth, establishing a growing global network of authorised dealers while expanding its home-grown talented team by hiring some of the most brilliant (synth design) minds in the UK.

Pittsburgh Modular makes modular effects pedals possible!

Pittsburgh Modular makes modular effects pedals dream come true at Musikmesse 2015
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PITTSBURGH, PA, USA: modern, fully-patchable, modular synthesizers and accessories manufacturer Pittsburgh Modular is proud to launch its Patch Box line of modular effects pedals — redefining both modular synthesis and the venerable stomp box by creating unique patchable effects units for guitarists and keyboardists — at Musikmesse 2015, January 15-18 in Frankfurt, Germany…

In a seismic shift in the definition of what a modular synthesizer can be, Pittsburgh Modular’s Patch Box redefines modular synthesis around the venerable stomp box by creating a monster performance device for guitarists and keyboardists alike — a patchable, modular system designed to handle anything. As a playground for unrestricted creativity, the Patch Box is a fully-patchable, customisable performance pedal enclosure. Its open architecture allows users to create unique effects unattainable with standard, fixed-signal path guitar effects. The Patch Box is not just another empty Eurorack case, however. Rather it can be packed to the gills with the functionality of (up to) five highly-tuned modules integrated into a heavy-duty steel enclosure that’s as road-ready as it is ready to use.
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To protect the tone of user instruments, thoughtfully the Patch Box features a true BYPASS and a unique preamp with extremely high headroom in addition to a pair of fully-buffered outputs. Custom-engineered soft-limiting circuitry built into the preamp adds character without unwanted noise at higher gain settings. Said preamp has dual, buffered outputs to allow for complex signal routing, but for patching a single modulation or audio source into two destinations, the patchable signal splitter is a perfect solution. Also known as a MULTIPLE, the signal splitter has one input and two outputs, allowing any signal to be routed to two destinations.
Dual, assignable expression pedal INPUTS allow the Patch Box to easily integrate third-party expression pedals anywhere into the signal path to allow for realtime foot control of any voltage-controllable parameter or split the signal from the foot controller to control two parameters at once. Dual, assignable A/B foot switches — SWITCH 1 and SWITCH 2 — expand signal routing options. Perfect for use as on/off switches or to flip between two signals, the foot switches can be patched up to enable/disable individual modules or route audio and control voltages. Try patching a modulation source, such as an LFO (Low Frequency Oscillator) or external expression pedal, through the foot switch to enable or disable the modulation while playing. Patch the outputs of two effects into one of the foot switches to bounce between effects. With two independent, patchable foot switches to play with, there are countless options for realtime signal routing. The last stage of the Patch Box signal path is a master OUTPUT level control. Adjust the output signal level to connect with a wide range of devices.
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Waldorf Slickly Announces New iOS Drum Synth App!

Screen Shot 2015-04-14 at 9.10.35 AMWaldorf CEO

Stefan Stenzel has recently uploaded a track on Soundcloud titled “All I am is Digital” 

The Track appears to be the first sonic demo of the NEW Waldorf iOS drum synth app “ATTACK Drums” from the tunes it looks to be very promising. there is also a screenshot of the start up screen similar to NAVE’s start up screen. Here is the description on sound cloud

“Song made entirely in a preliminary version of Waldorf Attack Drums App for iOS. In case you hear vocals, these are synthesised using the built-in Phrase Vocoder – a novel Vocoder that uses written text instead of spoken words as modulator.” … check it out here. https://www.waldorf-music.info/attack-drums-overview

Specifications

  • ios attack padspage24 different sounds
  • 4 independent insert effects with
  • Delay
  • EQ
  • Drive
  • Phaser
  • Flanger
  • Chorus
  • Phrase Vocoder – a novel vocoder controlled by written text
  • Algorithmic reverb as send from every single effect channel or directly from sound
  • Compressor for the output sum
  • 16-step pattern sequencer
  • Fractional track/step timing
  • Polyphonic steps
  • Audiobus support
  • Inter App Audio support
  • Core MIDI support
  • Export song to audio file
  • Dynamic voice allocation
  • compatible with iPad 3 (Retina), iPad mini (1,2,3), iPad Air (1,2)
  • Minimum iOS 7.0 required
  • Content control via iTunes
  • Trigger pads
  • Mixer
  • Recording
  • Shipping 2 quarter of 2015

Synthrotek / MST ’07 Buffered Multiple

Buy it HERE!

The MST ‘07 Buffered Multiple is a PRECISION buffered mult that is perfect for for 1V/O CV sources. A signal plugged into Input 1 will be available from all 14 outputs. Break the chain by adding a second signal into input 2; signal 1 comes out 4 outputs and signal 2 is available at the remaining 10. Plug in as many as 4 inputs, each split 3 or 4 times. What you put in you GET OUT!

Features:

4 Channels

Channels 1 and 2 are 1 to 4

Channels 3 and 4 are 1 to 3

Cascaded inputs: CH 1—>CH 2—>CH 3—>CH 4

Specifications:

Current draw: V+ max 23.3mA, V- max 23.1mA

Depth: 1.5 inches

Width: 9HP

Signal By Output is released

Signal by Output

 

Output, a relative new comer to the virtual instrument market continues to make waves. Today they announced Signal. This is the second product (REV was the first offering from them and was very well received) offering from the new developer and looks to impress.

Signal offers up a compelling way to create pulsing rhythmic sounds while combining fat analog, shimmering digital synths and beautiful acoustic instrument sources. These sources are deeply integrated with powerful sequencing and LFO modulations. All of this is controlled through a clever GUI that is very pleasing on the eyes and inspiring.  The macro controls and fast browsing experience looks to really enhance workflow.

I am looking forward to doing a full review on this product in the near future. Until then I’ll hold you over with these gorgeous shots and this nice video

signal1 signal2

 

 

  • 500 Pulse Instruments for instant playability
  • A massive array of content
  • 40GB including analog synths, digital synths and organic instruments
  • Up to 4 separate pulses at one time
  • All pulses lock to tempo
  • Rhythms: Looper, Step Sequencers, Arpeggiators, LFOs
  • 4 central MACRO sliders unique to each of the 500 Pulse Instruments

Signal is available for $199 NOW

 

Vince Clarke Makes a splash in Eurorack with High quality Tuning modules

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Vince Clarke keeps tuneful tracks tuned with namesake clever CV/Gate tuning system
BROOKLYN, NY, USA: synth-pop Svengali Vince Clarke is proud to announce that he will be releasing a series of creative and utilitarian modules for the ever-present Eurorack small-format modular system under the namesake Clarke company name, designed and built to exacting standards in close collaboration with British ‘boutique’ analogue synthesiser and accessory designer/manufacturer Analogue Solutions, starting with the now-available Auto Tune — a self-contained, expandable Eurorack-compatible MIDI-to-CV converter/calibration system offering an uncomplicated solution to the problems of tuning and scaling both vintage analogue synthesisers and modern Eurorack VCO (Voltage Controlled Oscillator) modules — as of March 18…
So why simultaneously sidestep into this creative and utilitarian synthesiser module manufacturing (ad)venture alongside superlative synth-pop music compositional creativity? Who better qualified to address this than the Ivor Novello Award-winning songwriter himself… hardly surprising, really, since Vince Clarke can, of course, comfortably find his way around a notable number of synthesisers, too, as attested to by the well-earned songwriting success-funded collection of analogue classics currently residing at his NYC studio, relatively recently relocated from a custom-built cabin in rural Maine to inner-city Brooklyn. But this is no millionaire’s museum piece, but rather a unique personal workspace, where each and every awe-inspiring analogue instrument included in his sizeable collection of vintage and modern synthesisers comfortably housed within regularly earns its keep on a variety of musical projects, be they synth-pop based or otherwise. “For those of you who work with synthesisers using CV and Gate, you will all be aware of the problems of calibration,” notes Vince Clarke, continuing: “Having tried many a cumbersome software-based package over the years, I wondered if there might be a neater solution — a kind of all-in-one MIDI-to-CV convertor with auto-calibration.”

And, as if by musical magic, the collaborative Clarke company concept was born. And with it the first of those creative and utilitarian modules for the ever-present Eurorack small-format modular system that is increasingly popularised (and heavily populated) by an ever-growing band of merry ‘boutique’ manufacturers now numbering hundreds worldwide… welcome into the world Clarke’s clever Auto Tune system! So, let’s learn a little more about what it is, what it does, and how, exactly, it does it…

 
In a nutshell, then, the Auto Tune system consists of a VCM20 master module, which can control up to 16 VCS20 slave modules, each of which provides one channel of CV (Control Voltage) and Gate. With 16-bit voltage resolution and a tune time of 10 seconds, this straightforward system can compensate for VCO alignment issues and environmental factors that cause tuning drift quite literally at the push of a button!
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Arturia KeyLab 49 Producer pack review

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The KeyLab 49 has been high on my list of potential purchases for a while. I was not fully satisfied with the current controller keyboard I was using, but I also was having trouble finding a controller with the specs I wanted.  When I first came across the KeyLab 49 my initial impression was that I really liked the metal casing, the smooth turning knobs, the beautiful blue LED scheme and the layout. I was admittedly a little worried that the light synth action of the key bed would turn me off (being used to a much stiffer controller) however this proved to be unsubstantiated. I found myself very much enjoying the keys over the past 2 months that I have spent with the board.
     A few items that really stand out for me are the wonderful faders. It may seem like a small item but they really are a joy to use when sculpting synth ADSR settings. I also found my self enjoying the ability to quickly browse presets from the controllers preset and category knobs. The included software really illustrates how far Arturia has come in the past few years. While All the sounds in the Analog lab software are certainly usable, I did find that the newer offerings (SEMV) compared to older offerings (ModularV) show a much higher sonic quality (listen to a filter sweep between the two and you will hear a marked improvement in the new software).
The vast number of Presets make it a real joy to quickly and easily find what you are looking for. I had no troubles with the software stability I also found it utilized the controller very well. Continue reading

Zodiak by Funk/Soul Productions Dark themed Kontakt library

 

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Zodiac is a unique-sounding Virtual Instrument designed to provide composers and producers with a collection of original sounds and instruments suitable for film or TV scores, video games, and all types of ambient and experimental music.

No synthesizers were used to create the instruments in Zodiac. Instead, all instruments were created from organic sources such as found sounds, sonic manipulations inspired by classic Musique Concrete, Experimental and Avant Garde Music compositions, prepared or heavily processed musical instruments, and audio recordings subjected to extreme sound design techniques.

Zodiac features over 200 patches and Multis (over 8GB of uncompressed wav data), divided into six categories:

Pads & Atmospheres
Melodic Instruments
Bass Instruments
Percussive Instruments
Experimental Instruments
Zodiac Kits

Available now for $199.00 from Bigfishaudio.com

https://www.bigfishaudio.com/detail.html?4;16;1:::::::1681:::D1681::516870#