Tag Archives: Hardware

Polyend Tracker forward thinking retro inspired

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Polyend Tracker reboots retro form factor of software past with forward-looking functionality as world’s first hardware tracker


OLSZTYN, POLAND: famed for bringing new technologies to creative musicians by building innovative and unique musical instruments, Polyend is proud to announce availability of Tracker — effectively extracting the best bits of yesteryear’s tricky tracker software classics and rebooting them with forward-looking functionality as the world’s first hardware tracker, deftly designed as an easy-to-use compact standalone workstation with immediacy and simplicity at its creative core, and aiding artists with forging unique avenues of sonic construction to boot — as of March 18…
For the benefit of the uninitiated, a music tracker — tracker, for short — is a type of sequencing software. Speaking historically, the tracker term itself is derived from the first tracker software, Ultimate Soundtracker, starting life as a game sound development tool released for the Commodore Amiga personal computer back in 1987. The first trackers supported four pitch and volume modulated channels of 8-bit PCM (Pulse Code Modulation) samples, a limitation imposed by the Amiga’s audio chipset. Classic trackers represented music as discrete notes positioned in individual channels at discrete positions on a vertical timeline with a number-based user interface. Indeed, notes, parameter changes, effects, and other commands were entered via computer keyboard into a grid of fixed time slots as codes comprising letters, numbers, and hexadecimal digits — the latter being a positional system representing numbers using 16 distinct symbols. Saying that, those in the know appreciated the immediacy and simplicity of classic tracker software, if not necessarily those hexadecimal digits! One thing’s for sure, though: tracker software has exerted its influence on modern electronic music with influential IDM (Intelligent Dance Music) artists like (Aphex Twin alias) AFX, (Polish-American) Bogdan Raczyński, Brothomstates (a.k.a. Lassi Nikk, Finnish composer), Machinedrum (a.k.a. Travis Stewart, American electronic music producer), and Venetian Snares (a.k.a. Aaron Funk, Canadian electronic musician), to namecheck but several so-called ‘demo scene’ movers and shakers skilfully orbiting around those tricky trackers. That said, some might say that trackers need not be so tricky in this day and age. And it is this thinking that led toPolyend’s trailblazing Tracker.
The timely arrival of the aptly-named Tracker puts Polyend in pole position for blazing a new trail, tooled to take the tracker concept to a new level of innovative, inspirational, and immediate music-making by effectively extracting the best bits of yesteryear’s tricky tracker software classics and rebooting them with forward-looking functionality as the world’s first hardware tracker. Thankfully, Tracker waves goodbye to hexadecimal hysterics — not only did those entering the brave new world of classic trackers not necessarily know what those values actually represented, they could not see what was affected by them. Thinking inside its beautifully-engineered box, Tracker instead implements a simplified system of readable decimals that also shows the effects parameters when those decimals are entered in a frenzied fast track to creativity.
Tracker takes the quintessential characteristics of a classic tracker — the vertical timeline, powerful sequencer, and mechanical keyboard — and cleverly combines them with a newly-designed input interface, divided into several sections: a (high resolution, crisp, and bright) big screen and associated screen keys — mechanical controls that always correspond to what is displayed on the screen directly above them; the grid — featuring 48 backlit multifunctional silicon pads for quick note and pattern value entry and visual feedback (while also acting as a highly-customisable keyboard controller with editable scales); function keys — for fast and responsive control over all functions and options; plus navigation keys and associated (metal-manufactured) jog-wheel (with haptic feedback for fast scrolling or precise adjustments) — for facilitating transport control alongside arrow keys for navigation control, as well as dedicated Insert, Copy/Paste, Delete/Backspace, and Shift keys. All are at hand, helping to streamline making and performing music in a new and innovative way — without having to leave the world’s first hardware tracker, deftly designed as an easy-to-use compact standalone workstation with immediacy and simplicity at its creative core, and aiding artists with forging unique avenues of sonic construction to boot.
Better still, the classic tracker look of that dominating (default) screen — showing (up to) 48 instruments and 256 patterns with a maximum of 128 steps per pattern per project — belies an infinite source of inspiration. Indeed, Tracker comes complete with a wide variety of onboard sound design tools to enhance creativity still further for those wishing to take it to the limit. Let loose with Instrument — a chain of tools (Volume, Tuning, Panning, Filters, Reverb Send, and ADSRs) to make an instrument from any sample; Sampler — choose from different (1-shot, Forward, Backward, and Ping-Pong) play modes; Slicer — slice samples manually, or let Tracker take care of it ‘automagically’ at any time; Wavetable — full-blown wavetable synthesis with variable table length to make it compatible with the most popular (Ableton Wave and Serum) standards; Granular — single grain yet very powerful granular synthesis to create crazy and futuristic sounds from old and boring samples; Sample Editor — built-in precise offline rendering sample editor with multiple effects; and Sample Recorder — records up to two minutes of 16-bit/44.1kHz samples using built-in Radio, Pattern selection, Mic or Line In inputs, all of which can be saved to the included (16GB) MicroSD card for later use or loaded directly into a project. Put it this way: with Tracker, users can quickly and easily use existing sample libraries, record new ones, or use the built-in FM (Frequency Modulation) radio. Record samples, play them, slice them, mash them, or even make a synth out of them!
Tracker also plays nicely with other instruments. Thanks to its bidirectional MIDI (Musical Instrument Digital Interface) implementation, it can be used to sequence and control external gear or be controlled as a sound module by any external MIDI software or hardware devices. Whatever way anyone chooses to use it, armed as it is with an impressive arsenal of sonic weaponry — including automatic filling, randomiser, probability, selection rendering, effects per step, live recording, batch parameter editing, micro-tuning, micro-timing, rolls, and much more besides — it has what it takes to be a surefire hit, harbouring endless creativity. Compatibility with MOD files — a computer file format primarily used to represent music, made up of a set of instruments (in the form of samples), a number of patterns (indicating how and when the samples are to be played), and a list of what patterns to play in what order — allows users to import and finish tracks from way back when or export and finish their Tracker creations in modern-day software trackers.
The world’s first hardware tracker is slick, light, and portable. It is also energy efficient, so will work with any USB (Universal Serial Bus) power source. Sturdy and compact, the retro form factor of software past with forward-looking functionality makes for a great music creation companion — in the studio, on the run, or on stage. Simply put, Polyend’s Tracker puts everything right on track as a ‘back to the roots’ experience like no other! 

Tracker comes complete with a USB-A power adapter, 2m USB-C cable, 3.5mm to 2x 6.3mm adapter, Minijack to MIDI DIN adapter, 16GB MicroSD card, and MicroSD to USB-A adapter, and is available to purchase through Polyend’s growing global network of authorised dealers (https://polyend.com/where-to-buy/) at an MSRP of €499 EUR/$599 USD. Or order online directly from Polyend itself via the dedicated Tracker webpage (https://polyend.com/tracker/), which also includes more in-depth information.

Watch Polyend’s intriguing introduction to Tracker here: https://youtu.be/Pl4Kiwjwkh4 

Synthesis Technology E520 Kickstarter is Live and almost funded already!

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The Synthesis Technology E520 is a much anticipated FX module. The Kickstarter page has now gone live as of only 4 hours ago and is already more than 3/4 of the way funded.

more than 50% funded in only an hour!

Focused on Spectral FFT fx to manipulate audio. Pitch shifting vocoding and spectral crushing to name a few. the E520 is also capable of high quality time domain fx such as looping, delays, and more.

The Kickstarter has some interesting rewards such as early bird pricing and a bundle that includes a 4ms pod case for stand alone usage. check out the kickstarter now to secure your early bird price!

I recently sat down with Paul Schreiber of Synthesis technology for an indepth interview about the e520. Check out the SynthSummitShow episode

Paul is known for being an excellent interview and though we were planning on keeping this one to just an hour…. well there is just too much good stuff to talk about!

be sure to check out the kickstarter and share it around to support another impressive module from synthtech!

https://www.kickstarter.com/projects/697230891/synthtech-e520-hyperion-stereo-effects-processor?fbclid=IwAR1siu_il33ZBU9-gevCthKdU-t8Q088my9nU-aE2Lfm-_u0FWxBq2cHdZs

here is a link to the E520 demo page for some nice audio examples. https://synthtech.com/eurorack/E520_DEMO/

Elysia Character Discrete Class A saturation and distortion

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The Elysia Karacter is a really interesting rack unit and not just because it’s a high quality distortion or saturation.  The Karacter gives you a ton of tone shape characteristics and control in one simple 1u rack space. Control Voltage seems to be a buzz these days and for good reason. Control voltages give you extremely fast precise control over parameters and allow for easy interaction not just with modular gear but with various studio pieces. Karacter Gives you CV control which isn’t very common in units of this style. Lets talk more about the sound. There are a few modes of color to grab from this unit, the first of which is saturation. Continue reading →

Modal Announces 002R rack mount 8 or 12 voice synth!

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Modal rocks… and rolls 002 super-synth into rack-mountable form factor at Musikmesse 2015!
BRISTOL, UK: breakthrough British electronic musical instruments manufacturer Modal Electronics is proud to present 002R, responding positively to numerous requests for a ‘non-keyboard’ form factor 002 version of its high-flying, highly-specified super-synth, and representing the second of three new ‘numerical’ products that it is simultaneously showcasing at Musikmesse 2015, April 15-18 in Frankfurt, Germany…
All three of these new synthesisers share the OS (Operating System) common to 002, so speed of development is now rapidly accelerating. Amazingly, within mere months of 002 taking the synth world by storm at the time of its July 2014 launch, then turning heads and opening ears at The NAMM Show 2015, January 22-15, in Anaheim, California, today’s amazing announcement — after all, no other synthesiser manufacturer has delivered such a diverse range of cutting-edge instruments in less than a year — coincides with Modal Electronics experiencing rapid growth, establishing a growing global network of authorised dealers while expanding its home-grown talented team by hiring some of the most brilliant (synth design) minds in the UK.IMG_5517 copy

Who better to formally introduce 002R, then, than one of the most brilliant synth design minds in the UK — Modal Electronics co-founder and Director Paul Maddox: “002R was designed to address two issues — firstly, studios and musicians who may not necessarily have room for a full-sized 002; secondly, several customers have requested an expander for 002 to increase polyphony count, especially when used in multitimbral mode which comes with OS 7.25.”

 
Flying in the face of desktop synth mania, Modal Electronics opted to take the power and flexibility of 002 and — after an astronomical amount of design work — repackage it into an industry-standard 3U rack-mountable form factor. Why? Well, simply speaking, there’s too much ‘technology’ inside 002 — no fewer than 11 circuit boards! — to make a desktop version. The very nature of discrete analogue circuitry simply wouldn’t allow for it, in other words.
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When designing 002R, Modal Electronics decided to make it available in two versions — 002R(12), providing the full 12 voices of 002, and 002R(8), providing eight voices of 002 sound — perfect for those on a tighter budget, or perhaps wanting it to act as an eight-voice expander for an existing 002. Either way, both versions are fully patch compatible with 002, offering all of its fanciful features — not least an amazing analogue/digital hybrid voice architecture with either eight or 12 voices of polyphony (up to 12-part polyphonic). Voices can be played in unison or ‘stacked’ for more complex timbres. The Animator allows for monumental modulation flexibility, bringing 12 animated ‘rows’ of parameter sequencing into productive play. Speaking of sequencing, the onboard Sequencer supplies two tracks of 32 steps, each with up to 12 notes/parameters, providing polyphonic part playback. Performance-wise, an advanced Arpeggiator abounds with multiple modes and features to musically die for.
Front panel access to all the key features needed for studio and live usage are all present and accounted for — for example, Quick Recall of preferred presets and instant part Select (in multitimbral mode). Modal Electronics’ proprietary Quick Navigate functions allow any edit page, parameter on a page, and associated values to be instantly edited using the three ‘macro’ keys.
Key to accessing the underlying power of 002R really becomes readily apparent, however, when using the Modal Web interface… use any HTML5-compatible web browser — Chrome, Firefox, Safari, et al — on any platform that supports a browser — desktop, laptop, smartphone, or tablet — for full control and editing of 001R’s functions via its Ethernet connection… no need for a plug-in! Indeed, Internet- connectivity for straightforward software updates is a breeze, as will be accessing additional features from Modal Cloud — coming later this summer. So watch this space…
Featuring the same high-quality constructed chassis as its keyboard-based brother, 002, 002R also includes a back panel-positioned expansion slot — for forthcoming fanciful digital expansion card accommodation, providing two channels of 24-bit/192kHz Audio Out(put) over USB into its user’s favourite DAW (Digital Audio Workstation). Again, as is the case with both 002 and its Musikmesse 2015-announced smaller sibling, 001, 002R includes an internal, worldwide — 60 Watts | 100 – 240V | 50 – 60Hz — auto-sensing Power supply with IEC (International Electrotechnical Commission) mains inlet — no wobbly ‘wall wart’ hiding here, thanks very much!
Modal Electronics’ one and only 002R will be being demoed and displayed in Hall 5.1, Stand A76 at Musikmesse 2015, April 15-18 in Frankfurt, Germany. Get down there today and come check it out! We would welcome making your musical acquaintance, whether your super-synth preference remains racked or otherwise. Either way, Modal Electronics’ British-built synthesisers will surely rock your musical world.
002R is scheduled to ship in late-May 2015. Available through Modal Electronics’ growing global network of authorised dealers, its retail price will start at £1,795.00 GBP (plus VAT)/£2,154.00 GBP (including VAT); €2,395.00 EUR (plus VAT — varying rates throughout Europe); and $2,595.00 USD (plus sales taxes where applicable) for the 002R(8) eight-voice version. Likewise, the 12- voice version, 002R(12), will be also available in late-May 2015, retailing at £1,995.00 GBP (plus VAT)/£2,394.00 GBP (including VAT); €2,595.00 EUR (plus VAT — varying rates throughout Europe); and $2,995.00 USD (plus sales taxes where applicable). Alternatively, 002R(8) can be expanded to a full 12-voices at a later date for £329.00 GBP (plus VAT)/£395.00 GBP (including VAT); €449.00 EUR (plus VAT — varying rates throughout Europe); and $495.00 USD (plus sales taxes where applicable).
For more in-depth information about 002R, please visit the Modal Electronics website: www.modalelectronics.com

Modal 008 8 Voice analog Power house!

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Screen Shot 2015-04-14 at 6.46.56 PM  Check it out HERE

 

  • 008 provides eight discrete voices of polyphony with an  uncompromising analogue architecture utilising the highest grade components throughout
  • Two 100% analogue VCO’s per voice with two sub oscillators, providing sawtooth, triangle, square with PWM and noise. Each of the waveforms can be blended together to provide completely new complex wave shapes
  • Innovative and extremely flexible 16 multi-mode filter, consisting of traditional modes such as low-pass, band-pass and high-pass as well as more unusual notch, phase and combination modes.
  • Filter overdrive enables the sound to be driven to sonic extremes
  • A range of classic analogue polysynth features such as oscillator and filter FM bringing amazing sonic power
  • Two LFO’s, both capable of reaching audio rates with multiple wave shapes and midi sync
  • 11 modulation sources with unlimited destinations. Each destination can be set it’s own unique depth, a super smooth sample rate of 10kHz and all accessible from the front panel – no menu diving
  • 008 features a range of sequencing options – a built in 2 Track, 12 row, 32 step sequencer with 16 dedicated step time editing knobs on the front panel and MIDI sync capabilities. Sequences can also be transposed dynamically while running
  • A very highly featured arpeggiator with a wide range of different modes, including ‘hold’ mode, enabling arpeggiator-based sequences to be created
  • The Modal Electronics Animator, which enables any control parameter on the 008 to be sequenced, enabling very complex filter transisitions, wave form changes and modulation matrix changes to be sequenced
  • Ethernet port to connect your 008 to your network and enable updates via the internet (no more midi sysex dumps) and access to the Modal Electronics cloud features
  • Two part multi-timbral (bi timbral) allowing splits across the keyboard or stacks to create amazingly complex sounds
  • Superb UI, a great departure from the norm of synthesisers, featuring a very high quality 4.3″ screen with wide viewing angle, display is context sensitive where the control parameters of any control knob that is touched by the user, is immediately displayed
  • Eight ‘quick recall banks’ are accessible directly from the front panel, enabling performing musicians to get rid of their set sheets and build set lists of presets, sequences and animations, all quickly accessible from dedicated front panel buttons. Up to ten banks of quick recalls can be created, making live performance a doddle
  • Ultra fast (1ms) VCF and VCA envelope generators. VCF-EG is one of the 11 modulation sources that can be freely assigned to any parameter by it’s own unique amount
  • Four Key Modes – Polyphonic, Monophonic, Unison and Stack
  • Very high quality construction, uses a premium FATAR semi-weighted five octave key mechanism with aftertouch
  • All voice control parameters are accessible from a well designed and intuitive front panel, that follows a traditional synthesiser work flow
  • Combined XLR/TRS sockets for balanced / unbalanced outputs. Further, each of the eight outputs can be brought out individually via a dedicated d-sub socket.
  • Optional Digital Output board providing multi voice outputs over USB (Class Compliant) with FX available Q2 2015.
  • Two audio inputs enabling audio processing from the VCF onwards plus external MIDI in and out
  • XY joystick and Sustain and Expression pedal inputs for performance controls – any control parameter can be assigned to any joystick axis (X+, X-, Y+, Y-) by pressing the dedicated front panel selector button
    BRISTOL, UK: breakthrough British electronic musical instruments manufacturer Modal Electronics is proud to present 008, an eight-voice, 16-VCO (Voltage-Controlled Oscillator), and 16-sub-oscillator pure analogue polysynth powerhouse par excellence, representing the third of three new ‘numerical’ products that it is simultaneously showcasing at Musikmesse 2015, April 15-18 in Frankfurt, Germany…
    All three of these new synthesisers share the OS (Operating System) common to 002, so speed of development is now rapidly accelerating. Amazingly, within mere months of 002 taking the synth world by storm at the time of its July 2014 launch, then turning heads and opening ears at The NAMM Show 2015, January 22-15, in Anaheim, California, today’s amazing announcement — after all, no other synthesiser manufacturer has delivered such a diverse range of cutting-edge instruments in less than a year — coincides with Modal Electronics experiencing rapid growth, establishing a growing global network of authorised dealers while expanding its home-grown talented team by hiring some of the most brilliant (synth design) minds in the UK.