Audio Damage Neuron FM drum synth eurorack module

Here is the download link to the free sample pack.Audio Damage Neuron Fluxwihit free pack!

 

This module is available now from Audio damage. check them out at their site https://www.audiodamage.com/hardware/product.php?pid=ADM12

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Using Instrument Level gear with your Modular (LineAmp from Animodule)

The Animodule Line_Amp has been out for just a little while and its a very small (2hp) module but I am continually finding nice little tricks with this module.

The Line amp is essentially a dual buffered multiple BUT it has a switch on it that when turned on will boost any signal times 3. This is useful for taking line level signals and sending them up to the Modular world audio signal level range.

Additionally what I have discovered is that by sending an output from the LineAmp back to its second input you can boost even further and bring instrument level sources such as an electric guitar or rhodes piano up to Modular levels.

Check the Video out for more info on this great eurorack modular synthesizer module 🙂

Buy one here—  https://www.animodule.com/product/line_amp

 

Hexinverter.net Mutant hot Glue DIY on DRUMS!

 

 

In this video I showcase the Hexinverter.net Mutant Hot Glue on the Dave Smith Instruments Tempest drum machine. I show the different flavors of distortion and compression.  More to come so stay tuned!

 

 

4 Channel Mixer with Effects Send

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Pyramid Polyrythmic sequencer available for preorder now

 

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PARIS, FRANCE: avant-garde musical hardware researcher and developer Squarp Instruments is proud to announce that it is already accepting preorders on its inaugural Pyramid Polyrhythmic Sequencer breakthrough — an advanced hardware standalone sequencer running proprietary PyraOs realtime processing firmware and boasting (multiple) MIDI, USB, CV/Gate, and (Sync48- and Sync24-configurable) DIN Sync connectivity, together with a host of fanciful features belying its compact and bijou form factor — as of May 21…

Most notably, and arguably an absolute rarity in this day and age, Pyramid Polyrhythmic Sequencer is fully polyrhythmic, meaning different and unusual time signatures can be set for each of its 64 tracks to cleverly create shifted-beat sequences — set a track to 4/4 and add other tracks to simultaneously run with it in 5/4, 6/8, 15/8, or whatever — to bring stirring new musical flavours to productions. Pyramid Polyrhythmic Sequencer… it is incontestably an appropriate appellation, after all! Apart from that, though, what makes this standalone sequencer so special and also why resolutely return to hardware in this day and age of commonplace software-based sequencing solutions, courtesy of all-singing, all-dancing DAWs (Digital Audio Workstations)?

Well, to truly get a feel for the flexible future of state-of-the-art and easy-to-use hardware sequencing in the present, perhaps it pays to look to the past? Which is exactly what the forward-thinking research and development team at Squarp Instruments did. “Our aim was to create a hardware sequencer in ‘sync’ with the new styles of electronic music being written nowadays,” notes company co-founder and R&D engineer Tom Hurlin. “There’s a huge gap in the market for this, which is kind of weird, because most popular music from the early-Eighties to the late-Nineties was produced using sequencing hardware. Hip-hop, for example, originated on the MPC series, which actually revolutionised all kinds of music — Madonna to Bryan Ferry to Whitney Houston. How come these machines were suddenly replaced by the computer?”

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Signal by Output for Native Instruments Kontakt Review

 Signal Review

Output, a relatively new content producer has recently been making waves with their well thought out and stunning GUI designs, inventive Kontakt scripting and genuinely evocative sonic content.

Their latest product SIGNAL doesn’t disappoint with its over 40 GB of content and beautifully intuitive interface.

Consisting of 4 “Pulse” engines the user has full control over unique rhythmic layered synthesis.

build in layering of both synthetic sound sources and acoustic recorded sources allow for interesting textures.

the 4 macro controls vary from patch to patch and give quick control of some of the most interesting sonic sculpting features. For those of us that like to dive deeper, there is also an advanced edit mode that gives you full control.

the Rythmic aspect of Signal really sets it apart by giving you complex LFO patterns, a step sequencer per part, Arpegiators, and an interesting Looper effect that lets you loop sections of the sound source to interesting effect.

These rhythms can all be tempo sync’d and utilized to create deep syncopated patterns, Lush evolving textures and even sharp biting leads and basses.

Of course all of this is up to the user, you can turn off these aspects if you just want access to the raw sounds, or you can opt to use any of the beautiful built in effects to sculpt your own sounds.

If you have the Full version of Kontakt you can even import your own sound sources.

Overall I really enjoy this library and it ranks up in the top 5 of my favorite Kontakt libraries.

definitely worth checking out.

 

SUMMARY

  • 500 Pulse Instruments for instant playability
  • A massive array of content
  • 40GB including analog synths, digital synths and organic instruments
  • Up to 4 separate pulses at one time
  • All pulses lock to tempo
  • Rhythms: Looper, Step Sequencers, Arpeggiators, LFOs
  • 4 central MACRO sliders unique to each of the 500 Pulse Instruments

Grab it now and get 2 free expansion libraries FREE.

Priced at $199 on sale now from Output‘s website

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Modal Announces 002R rack mount 8 or 12 voice synth!

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Modal rocks… and rolls 002 super-synth into rack-mountable form factor at Musikmesse 2015!
BRISTOL, UK: breakthrough British electronic musical instruments manufacturer Modal Electronics is proud to present 002R, responding positively to numerous requests for a ‘non-keyboard’ form factor 002 version of its high-flying, highly-specified super-synth, and representing the second of three new ‘numerical’ products that it is simultaneously showcasing at Musikmesse 2015, April 15-18 in Frankfurt, Germany…
All three of these new synthesisers share the OS (Operating System) common to 002, so speed of development is now rapidly accelerating. Amazingly, within mere months of 002 taking the synth world by storm at the time of its July 2014 launch, then turning heads and opening ears at The NAMM Show 2015, January 22-15, in Anaheim, California, today’s amazing announcement — after all, no other synthesiser manufacturer has delivered such a diverse range of cutting-edge instruments in less than a year — coincides with Modal Electronics experiencing rapid growth, establishing a growing global network of authorised dealers while expanding its home-grown talented team by hiring some of the most brilliant (synth design) minds in the UK.IMG_5517 copy

Who better to formally introduce 002R, then, than one of the most brilliant synth design minds in the UK — Modal Electronics co-founder and Director Paul Maddox: “002R was designed to address two issues — firstly, studios and musicians who may not necessarily have room for a full-sized 002; secondly, several customers have requested an expander for 002 to increase polyphony count, especially when used in multitimbral mode which comes with OS 7.25.”

 
Flying in the face of desktop synth mania, Modal Electronics opted to take the power and flexibility of 002 and — after an astronomical amount of design work — repackage it into an industry-standard 3U rack-mountable form factor. Why? Well, simply speaking, there’s too much ‘technology’ inside 002 — no fewer than 11 circuit boards! — to make a desktop version. The very nature of discrete analogue circuitry simply wouldn’t allow for it, in other words.
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When designing 002R, Modal Electronics decided to make it available in two versions — 002R(12), providing the full 12 voices of 002, and 002R(8), providing eight voices of 002 sound — perfect for those on a tighter budget, or perhaps wanting it to act as an eight-voice expander for an existing 002. Either way, both versions are fully patch compatible with 002, offering all of its fanciful features — not least an amazing analogue/digital hybrid voice architecture with either eight or 12 voices of polyphony (up to 12-part polyphonic). Voices can be played in unison or ‘stacked’ for more complex timbres. The Animator allows for monumental modulation flexibility, bringing 12 animated ‘rows’ of parameter sequencing into productive play. Speaking of sequencing, the onboard Sequencer supplies two tracks of 32 steps, each with up to 12 notes/parameters, providing polyphonic part playback. Performance-wise, an advanced Arpeggiator abounds with multiple modes and features to musically die for.
Front panel access to all the key features needed for studio and live usage are all present and accounted for — for example, Quick Recall of preferred presets and instant part Select (in multitimbral mode). Modal Electronics’ proprietary Quick Navigate functions allow any edit page, parameter on a page, and associated values to be instantly edited using the three ‘macro’ keys.
Key to accessing the underlying power of 002R really becomes readily apparent, however, when using the Modal Web interface… use any HTML5-compatible web browser — Chrome, Firefox, Safari, et al — on any platform that supports a browser — desktop, laptop, smartphone, or tablet — for full control and editing of 001R’s functions via its Ethernet connection… no need for a plug-in! Indeed, Internet- connectivity for straightforward software updates is a breeze, as will be accessing additional features from Modal Cloud — coming later this summer. So watch this space…
Featuring the same high-quality constructed chassis as its keyboard-based brother, 002, 002R also includes a back panel-positioned expansion slot — for forthcoming fanciful digital expansion card accommodation, providing two channels of 24-bit/192kHz Audio Out(put) over USB into its user’s favourite DAW (Digital Audio Workstation). Again, as is the case with both 002 and its Musikmesse 2015-announced smaller sibling, 001, 002R includes an internal, worldwide — 60 Watts | 100 – 240V | 50 – 60Hz — auto-sensing Power supply with IEC (International Electrotechnical Commission) mains inlet — no wobbly ‘wall wart’ hiding here, thanks very much!
Modal Electronics’ one and only 002R will be being demoed and displayed in Hall 5.1, Stand A76 at Musikmesse 2015, April 15-18 in Frankfurt, Germany. Get down there today and come check it out! We would welcome making your musical acquaintance, whether your super-synth preference remains racked or otherwise. Either way, Modal Electronics’ British-built synthesisers will surely rock your musical world.
002R is scheduled to ship in late-May 2015. Available through Modal Electronics’ growing global network of authorised dealers, its retail price will start at £1,795.00 GBP (plus VAT)/£2,154.00 GBP (including VAT); €2,395.00 EUR (plus VAT — varying rates throughout Europe); and $2,595.00 USD (plus sales taxes where applicable) for the 002R(8) eight-voice version. Likewise, the 12- voice version, 002R(12), will be also available in late-May 2015, retailing at £1,995.00 GBP (plus VAT)/£2,394.00 GBP (including VAT); €2,595.00 EUR (plus VAT — varying rates throughout Europe); and $2,995.00 USD (plus sales taxes where applicable). Alternatively, 002R(8) can be expanded to a full 12-voices at a later date for £329.00 GBP (plus VAT)/£395.00 GBP (including VAT); €449.00 EUR (plus VAT — varying rates throughout Europe); and $495.00 USD (plus sales taxes where applicable).
For more in-depth information about 002R, please visit the Modal Electronics website: www.modalelectronics.com

Modal 008 8 Voice analog Power house!

Screen Shot 2015-04-14 at 6.46.56 PM  Check it out HERE

 

  • 008 provides eight discrete voices of polyphony with an  uncompromising analogue architecture utilising the highest grade components throughout
  • Two 100% analogue VCO’s per voice with two sub oscillators, providing sawtooth, triangle, square with PWM and noise. Each of the waveforms can be blended together to provide completely new complex wave shapes
  • Innovative and extremely flexible 16 multi-mode filter, consisting of traditional modes such as low-pass, band-pass and high-pass as well as more unusual notch, phase and combination modes.
  • Filter overdrive enables the sound to be driven to sonic extremes
  • A range of classic analogue polysynth features such as oscillator and filter FM bringing amazing sonic power
  • Two LFO’s, both capable of reaching audio rates with multiple wave shapes and midi sync
  • 11 modulation sources with unlimited destinations. Each destination can be set it’s own unique depth, a super smooth sample rate of 10kHz and all accessible from the front panel – no menu diving
  • 008 features a range of sequencing options – a built in 2 Track, 12 row, 32 step sequencer with 16 dedicated step time editing knobs on the front panel and MIDI sync capabilities. Sequences can also be transposed dynamically while running
  • A very highly featured arpeggiator with a wide range of different modes, including ‘hold’ mode, enabling arpeggiator-based sequences to be created
  • The Modal Electronics Animator, which enables any control parameter on the 008 to be sequenced, enabling very complex filter transisitions, wave form changes and modulation matrix changes to be sequenced
  • Ethernet port to connect your 008 to your network and enable updates via the internet (no more midi sysex dumps) and access to the Modal Electronics cloud features
  • Two part multi-timbral (bi timbral) allowing splits across the keyboard or stacks to create amazingly complex sounds
  • Superb UI, a great departure from the norm of synthesisers, featuring a very high quality 4.3″ screen with wide viewing angle, display is context sensitive where the control parameters of any control knob that is touched by the user, is immediately displayed
  • Eight ‘quick recall banks’ are accessible directly from the front panel, enabling performing musicians to get rid of their set sheets and build set lists of presets, sequences and animations, all quickly accessible from dedicated front panel buttons. Up to ten banks of quick recalls can be created, making live performance a doddle
  • Ultra fast (1ms) VCF and VCA envelope generators. VCF-EG is one of the 11 modulation sources that can be freely assigned to any parameter by it’s own unique amount
  • Four Key Modes – Polyphonic, Monophonic, Unison and Stack
  • Very high quality construction, uses a premium FATAR semi-weighted five octave key mechanism with aftertouch
  • All voice control parameters are accessible from a well designed and intuitive front panel, that follows a traditional synthesiser work flow
  • Combined XLR/TRS sockets for balanced / unbalanced outputs. Further, each of the eight outputs can be brought out individually via a dedicated d-sub socket.
  • Optional Digital Output board providing multi voice outputs over USB (Class Compliant) with FX available Q2 2015.
  • Two audio inputs enabling audio processing from the VCF onwards plus external MIDI in and out
  • XY joystick and Sustain and Expression pedal inputs for performance controls – any control parameter can be assigned to any joystick axis (X+, X-, Y+, Y-) by pressing the dedicated front panel selector button
    BRISTOL, UK: breakthrough British electronic musical instruments manufacturer Modal Electronics is proud to present 008, an eight-voice, 16-VCO (Voltage-Controlled Oscillator), and 16-sub-oscillator pure analogue polysynth powerhouse par excellence, representing the third of three new ‘numerical’ products that it is simultaneously showcasing at Musikmesse 2015, April 15-18 in Frankfurt, Germany…
    All three of these new synthesisers share the OS (Operating System) common to 002, so speed of development is now rapidly accelerating. Amazingly, within mere months of 002 taking the synth world by storm at the time of its July 2014 launch, then turning heads and opening ears at The NAMM Show 2015, January 22-15, in Anaheim, California, today’s amazing announcement — after all, no other synthesiser manufacturer has delivered such a diverse range of cutting-edge instruments in less than a year — coincides with Modal Electronics experiencing rapid growth, establishing a growing global network of authorised dealers while expanding its home-grown talented team by hiring some of the most brilliant (synth design) minds in the UK.